Harlow Cuadra Porn

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Watch Now: Pride Today Trending Stories & News
Harlow Cuadra, who was
convicted last week for the 2007 murder of gay porn producer
Bryan Kocis, was sentenced on Monday to life in prison without
parole.
Harlow Cuadra (upper
left and far right), who was convicted last week for the 2007
murder of gay porn producer Bryan Kocis (lower left), was
sentenced on Monday to life in prison without parole.
The jury of eight men
and four women decided on the sentence unanimously, according
to

The Citizen's Voice.

Jurors deliberated over arson and robbery charges, additional
factors that could have heightened his sentencing.
Prosecutors made it
known that they were pursuing the death penalty for Cuadra. His
former lover and coconspirator Joseph Kerekes (upper
center) is currently serving a life sentence after
pleading guilty to participating in
the killing of Cobra Video owner Bryan Kocis in his
Dallas Township, Pa., home in January 2007.
Kocis was stabbed 28
times before his house was set on fire, burning his
body beyond recognition, according to his father's
testimony.
In the closing days of
the trial last week, tension filled the courtroom as Kerekes
took the stand but refused to testify on Cuadra's behalf,
leaving quickly, not looking at Cuadra.
Cuadra said in court
that he met Kerekes online while he was still enlisted in the
Navy. They later met in person in a mall in Norfolk, Va. Cuadra
was discharged in 2002, and he said that Kerekes introduced him
to prostitution as an occupation and eventually to producing
pornography.
Prosecutors said that
Cuadra killed rival producer Kocis to cut competition. Cuadra
and Kerekes wanted to make a "million-dollar" film
with porn star Brent Corrigan (lower center). Corrigan had
performed in a number of titles for Cobra Video before he
turned 18 and, until early last year, was entangled in a
litigious feud with Cobra over the use of his stage name.
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Bryan Kocis made millions exploiting teenage boys in gay porn. Did one of them arrange his murder?

Close up of photograph of man and bloody knife
B ryan Kocis spent the last day of his life working the phones, shades drawn, trying to save his porn empire. Only a few years before, Kocis had been an unemployed medical photographer in Dallas Township, a small community in eastern Pennsylvania, so strapped for cash that he had been forced to declare bankruptcy. Now he was one of the most successful producers of underground gay pornog­raphy in the country. The garage of his two-story home on Midland Drive over­flowed with expensive rides: a BMW, a Maserati, an Aston Martin. Most of his wealth came from filming”twinks” — young boys who are the age of consent but don’t look it. And in his stable of boys, none was more of a star — and more respon­sible for paying for those cars —— than Sean Lockhart.
Kocis, a reclusive middle-aged man with a paunch who liked to troll the Internet for boys, had discovered Lockhart online. The kid was a rare find — a dead ringer for Zac Efron, with a seven-and-a-half-inch penis, an unquenchable avidity on camera and a diva-like attitude away from it. While Lockhart was still a junior in high school, Kocis made and distributed films that featured the seventeen-year-old performing “bareback”— having anal sex without using a condom. During shoots, on location in Hawaii and California, Kocis also had sex with Lockhart, enjoying the perks that come with directing. Off the set, he wielded obsessive control over the teenager’s life, desperate to know, at all times, where Lockhart was and who he was talking to.
The DVDs and downloads of Lockhart — who went by nom de screen Brent Corrigan — quickly became top sellers in the industry. One film, Schoolboy Crush , was the most downloaded gay video in 2004. “Brent looks like a fifteen-year-old boy, which is what a lot of the older men who buy gay porn like,” says Chris Steele, a veteran director. “On set, he always acts like a brand-new porn star, with great energy and charisma. He has a pretty dick and a great ass, and even though he looks underage, he’s no innocent boy. A lot of boys just show up to a shoot and ask, ‘Where do you want me to stick it?’ and ‘When do I get my check?'”
But as Lockhart’s fan base expanded, Kocis faced a problem: The young star wanted to strikeout on his own. Kocis was paying Lockhart only $2,000 per sex scene — about the industry standard — for a handful of scenes each year. Kocis, by contrast, reportedly cleared $2 million a year.
Lockhart looked sweet onscreen, but being in porn had hardened him. “Sean has all the elements of a lovable villain,” says Jason Sechrest, host of an adult-industry radio show in Los Angeles. “Think Catherine Tramell in Basic Instinct .” Lockhart and Kocis began a bitter public feud, which culminated last year in the director filing a $i million lawsuit against his star for breach of contract.
Now, sitting in his home on a cold day last January, Kocis was on the phone with his lawyer and his distributor, ironing out the final details of a legal settle­ment that would guarantee him continued profits from Lockhart. He was also waiting for a new boy to come over, an aspir­ing actor he hoped might take Sean’s place. The kid, who called himself Danny Moilin, had been e-mailing Kocis for several days. From the photo he sent of himself, Moi­lin looked almost too good to be true: fresh-faced, smooth-skinned and naive, just the way Kocis liked his boys. “Would like to meet with you and talk about filming and stuff,” Moilin wrote. “Don’t have much experience with this at all. May need to be taught first.”
That was all Kocis needed to hear. He set up a meeting. The boy wrote back, “Umm, can we please be alone . . . at least this first time?”
“We’ll be alone,” Kocis replied. “No worries.” Bring your stuff, he suggested, and spend the night.
No one knows exactly what happened that evening after Moilin arrived. Kocis apparently opened a bottle of wine at some point and showed Moilin his upstairs bedroom, suggest­ing that the boy move in with him. Whatever transpired, Kocis was in his element, taking a new actor under his wing. There was no sign of forced entry at his house, no struggle, nothing to indicate that he sensed what was coming.
Less than two hours later, Kocis had been brutally hacked to death. The killer or killers left little to chance. Kocis’ neck was slashed, nearly decapitating him. His hyoidbone, trachea, left carotid artery and left jugular vein were severed. After he died, Kocis was stabbed another twenty-eight times. Then his house was torched, his body lying on the living-room couch. The fire was so devastating that Kocis had to be identified using dental records.
Within weeks, it became clear that Danny Moilin was a fake identity used by a young Navy veteran named Harlow Cuadra, who worked as a male escort in Virginia Beach. Two weeks before the murder, it turned out, Cuadra and his boy­friend, another male escort, had met with Lockhart in Las Vegas. There, over din­ner and drinks at the Bellagio, Cuadra had proposed going into the porn business with Lockhart, offering him $20,000 for their first film together. The only thing standing in the way of the deal was Kocis —— and Cuadra, his boyfriend hinted darkly to Lockhart, “knows someone who would do anything for him.”
All of which left police and many in the gay-porn industry wondering: Had Sean Lockhart, the teenager with the perfect smile, arranged to have his boss killed so he could go into business for himself? Had Bryan Kocis, the man who victimized young boys, finally paid the price? For some who know Lockhart, that didn’t seem hard to believe. “Sean doesn’t have any humanity,” says Caleb Carter, another youthful-looking porn actor who, like Lockhart, made extra money by dancing at after-hours clubs in San Diego. “Sean has a god complex. He puts on a facade that he’s an innocent child, but he’s wise beyond his years.”
S ean Lockhart came from the kind of background that funnels young boys into the world of bareback porn. Born in Idaho on Halloween 1986, Sean grew up in the Seattle area. As he tells it, his mother, an alcoholic with a temper, left him with his stepfather and three siblings when Sean was in the third grade. Lockhart never knew his bio­logical father and never sought him out. “My mother never wanted to tell me anything about him,” he says now. “Her flawed philosophy of parenting was to give me the ‘space’ I needed to live my life.”
When Sean was a junior in high school, he moved to San Diego to live with his mother in a shabby house in a rough neighborhood. He was interested in film, and the move enabled him to establish state residency so he could attend college in Southern California. “It was a fresh start,” says Lockhart, who enrolled at Kearny High, an inner-city school. Being gay made him unpopular, so he took refuge in the drama society. He also became a regular in Hillcrest, San Diego’s wealthy gay enclave. Sexually active at sixteen, he was soon fending off men left and right.
It wasn’t an easy time. Sean’s brother called him “faggot,” and his stepfather, who drank, ran into trouble with the IRS. “Growing up in my family, it wasn’t encouraged to show a lot of love to each other,” Lockhart wrote later. “I just re­member a lot of hate, fighting and yelling. I don’t recall ever having a positive adult role model.” At sixteen, he began spending his weekends in Los Angeles with his new boyfriend, a twenty-one-year-old he called Jake. The two had met online, and Jake became the first in a series of older lovers eager to exploit Lockhart’s looks.
“Sean had a thing for older guys,” says Connor Ashton, who starred with Lockhart in a video produced by Kocis called Cream B Boys . “I always asked myself, ‘How important was the financial aspect of those relationships?’ I wondered if Sean was looking for a father figure and using these guys to fill that void.”
In 2003, Jake, an aspiring porn star himself, applied for a job at Cobra Video, a porn company that specialized in young boys. He was turned down —too old. But Sean, who looked twelve, was exactly what Cobra was looking for. Considering how hand-to-mouth he and his mother were living, Sean was willing to give porn a try. In an online chat, Jake gushed about Lockhart to Cobra’s owner, Bryan Ko­cis. “I have the hottest new boyfriend who is seventeen, about to turn eighteen!” he wrote. To prove it, he slipped off Sean’s shorts and turned on his Webcam to give Kocis “a live dose” of Lockhart.
Kocis was hooked. Sensing the massive following Lockhart could have, he con­tacted Sean almost every day, chatting online and on the phone for hours. Kocis sent Lockhart a video camera, which Sean used to film a “casting tape” of himself masturbating. “Bryan was good at talking at my level,” Lockhart says. “He asked a lot of questions. He wanted to know about my family situation and about how inattentive my mother was. He sort of took the place of my father, and I thought he was looking out for my best interests.”
A bland-looking man of forty-one with big ears and a pug nose, Kocis was old enough to be Lockhart’s father. Raised in the small town of Plymouth, on the Susquehanna River in Pennsylvania, Kocis had the kind of childhood that Lock­hart could only dream of. As a boy, Bryan rose to the rank of Eagle Scout and won a nationwide photography contest as a senior in high school.
After graduating from the Rochester Institute of Technology, Kocis went to work as a biomedical photographer for an eye doctor, taking pictures to record medical experiments and procedures. It’s a small, competitive field, requiring the mastery of sophisticated digital cameras and processing techniques, as well as a deep knowledge of editing film and video. At age twenty-four, Kocis paid $56,000 for a two-story house with a big picture window at 60 Midland Drive in Dallas Township. He became a regular at local social gatherings, chatting at length with neighbors and presenting them with thoughtful gifts on birthdays and at Christmas. “Bryan always spent holidays with his family, which is scat­tered around Pennsylvania,” a friend says. “Some of them didn’t know he was gay.” Those who knew Kocis found him charismatic, articulate, a bit cocky and more than a bit ambitious.
All that changed when Kocis quit his job as a photographer and a stab at selling cell-phone service flopped. His loans and credit-card bills began to mount, even­tually totaling $222,800 and forcing him to file for bankruptcy. Unemployed and approaching forty, he began spending more and more time online, indulging his fascination with teenage boys. Using the Internet as both a recruiting tool and dis­tribution portal, Kocis launched Cobra Video in 2001. It didn’t take much —— just a couple of computers, cameras and microphones in his basement. Before long, neigh­bors noticed, boys seemed to be dropping by 60 Midland Drive all the time. Cobra got off to a slow start. Its first few efforts didn’t break any sales records. “But Bryan felt lucky,” says a friend who helped Kocis with design and marketing for his company. “He’d found a way to mix work and his talents as a businessman with his passion — pursuing boys.”
K ocis wasn’t Robert Altman. Few pornographers are skilled directors; porn, gay or straight, is about casting. Kocis had an unerring eye for the kind of models who would appeal to gay-porn consumers unin­terested in older muscle studs or buff men from Europe. “All
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