Hadley Chase Meditation And Penetration

Hadley Chase Meditation And Penetration

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Meditation XVII Written in 1624 ADAPTING BUILDINGS AND CITIES FOR CLIMATE CHANGE
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PATTIE PORTER FIRESTONE is a sculptor working in metal, wood and
stone. Using flat sheets of metal as her vocabulary, Firestone creates
a language about energy, movement and rhythm for both indoor and
outdoor sculpture.
She served as President of the Washington Sculptors Group, a nonprofit
in Washington, DC, 2004-2009 and has experience in a cooperative
gallery, directing a public interest law center, teaching art and
art history to children and other community activities. In 1981-1993
Firestone co-founded the Westside Arts Center, a nonprofit arts
organization of artists teaching children in Santa Monica, California.
Thus, her organizational and communications skills are well hewed.
Her large solo show SEISMIC DREAM in 2011 at American University
Museum in the Sylvia Berlin Katzen Sculpture Garden won critical
acclaim. Working under time constraints and site-specific structures,
Firestone transformed the “garden.” Firestone worked with a fabricator
and the museum staff to temporarily alter the entire envelope of
the large concrete space.
She won the 2006 GAIA PRIZE as a permanent installation in Potomac
Overlook Regional Park, Arlington, Virginia. She worked with the
Park staff and community in developing the design to fit their educational
needs.
PRESENTLY, Firestone has work publicly on display in Portsmouth,
VA, and Lorton, VA. Her most recent exhibition was in the lobby
of 1111 Pennsylvania Ave. NW, DC exhibiting 18 pieces through Zenith
Gallery, www.zenithgallery.com
in Washington DC. Collections include collectors in CA, DC, MD,
VA as well at in the states of Georgia, Colorado, Missouri, West
Virginia, South Carolina and Maine. Amazon.com in Herndon, VA just
purchased a Firestone sculpture for their collection.
EXHIBITIONS include works exhibited in Los Angeles, Aspen and Glenwood
Springs, CO as well as solo and group shows in the Washington, DC
region.
As PRESIDENT of the Washington Sculptors Group 2004-2009, now Treasurer
and on the Board of Directors since 1996, Firestone has a strong
sense of the importance of providing opportunities for the regional,
diverse artistic community. She has skills in managing people, installing
large outdoor work and organizing shows and events.
REFERENCES for the quality and reliability of Firestone and her
work can be found by contacting American University Museum Director
& Curator Jack Rasmussen, Martin Ogle, Founder, EntrepreneurialEarth.com
and others upon request. Firestone apprenticed with Public Artist
Judy Sutton Moore in 2010.
“While affixed solidly, the forms implied piercing and penetration,
a movement in and out of their containment, suggesting waves and
water……… Her dreamscape pulled the viewer into a shared experience
of awareness – neither hopeful or threatening – that reflected the
simple inevitability of our evolution.”
Rima Schulkind, Sculpture , June 2012
Using the simple vocabulary of metal lines in space,
I create three-dimensional objects anchored in the earth yet breaking
away from their gravitational limitations. Searching to comprehend
nature’s invisible language, I use line, rhythm and movement to
express energies connecting us with the earth.
2014
Journey , sculpture installed in the American Embassy in Rome,
Italy with Ambassador John Phillips
LouLoudi , group show at The Athenaeum, Alexandria, VA, Renee
Stout, juror, March 21-May 4

2013
Above & Below: Mantel , added to Amazon's art collection
in Herndon, VA
Agave Fountain , selected for Santa Barbara Cottage Hospital
outdoor Meditation Garden
Outdoor Sculpture Exhibit , The Portsmouth Art & Cultural
Center, Oct. 2013–Sept. - "Best in Show"
2012
Poetic Dimensions of Symbols and Shapes , Zenith Gallery Oct.
– Jan. 2013 Solo Exhibition in lobby at 1111 Pennsylvania Ave, NW
Washington, DC.

2011
Seismic Dream , a sculpture & sound installation at American
University Museum, Sylvia Berlin Katzen Sculpture Garden, Sept.
2011 – Jan. 2012
Ripple Effect Sculpture Exhibition , Morven Museum & Garden,
Princeton, NJ, Sept.-Nov.
Venice Art Walk showing, Supporting Venice Family Clinic, Venice,
CA, Feb.

2010
Discover What’s Outside , Salisbury, NC, March 2010 - Feb.
2011
Arts in Foggy Bottom , Neighborhood Assoc, Shirley Koller,
juror, DC May-Oct.
Chevy Chase Village Hall, Sally Troyer, juror, April-May
Porous Borders , Historical Society of Washington, Jayme McLellen,
juror, Sept.-Dec.

2009
Flora: Growing Inspirations , US Botanic Garden, Washington,
DC, May – Oct.
Sculpture on the Grounds 2009 , Rockville, MD Civic Center
June – Oct.
Reform , Workhouse Gallery at Lorton Arts Center, VA Claire
Huschle, May –June
National Outdoor Sculpture Competition , juror, David Furchgott,
N Charleston, SC
Chevy Chase Village Hall, Sally Troyer, juror, April-May

2008
Aquifer , Edison Place Gallery, DC, jurors, JW Mahoney, Deborah
McLeod, Nov.-Dec.
American Univ. Museum, DC Feb.–March, WPA Auction
Chevy Chase Village Hall, April-May

2007
Sculpture NOW 2008 , Washington Square, DC, juror, Ramon Osuna
Feb.-May
Intervene/activate , Union Gallery, UMD, juror, Donald Russell,
January
Chevy Chase Village Hall, April-May
Sculpture NOW 2007 , Washington Square, Wash, DC, Victoria
Reis, juror, Feb.-May

2006
Outdoor Solo Show , Arlington Arts Center, Arlington, VA,
April-August
Sculpture Unbound , Pepco Edison Place Gallery, juror, Glenn
Harper, February–March
Chevy Chase Village Hall, April-May

2005
Chevy Chase Village Hall, April-May
Something New , Foxhall Gallery, DC, Jan.-Feb.

2004
Capitol Hill Sculpture Project , DC, sponsored by Washington
Sculptors Group May.-Oct.
Chevy Chase Village Hall, April-May

2003
Chevy Chase Village Hall Group Show, April-May
2002
Something New in 2002 , Foxhall Gallery, Washington, DC January-February

LandSculpture Studio Group Show , Creative Partners Gallery,
Bethesda, MD
2001
Sculptors at Work , Corcoran Gallery of Art and Strathmore
Hall, Juried Show, Oct-Nov.
Sculpture NOW 2001 , Washington Square, Wash, DC, juried show,
Feb.-May
Outdoor Spring Show , Brookside Gardens, Wheaton, MD, juried
EDUCATION
Mt. Holyoke College, South Hadley, MA, B.A.
Institute for American Universities, Aix-en-Provence, France
New York Studio School, Paris, France, studied with Elaine de Kooning,
Wayne Thiebaud, George Spaventa
Otis Art Institute, Los Angeles, California
Corcoran School for the Arts, Washington, DC
Anderson Ranch, Snowmass, CO

CelebrityTalker.com
a collection of celebrity news

Is Carrie Bradshaw to blame for Mr. Big’s untimely death?!
Sarah Jessica Parker ’s character was almost as shocked as the rest of us when she walked into her NYC apartment during the premiere episode of the Sex and the City reboot, And Just Like That… , to discover her husband was suffering from a heart attack. Rather than call for help, the two shared a longing glance at each other before she rushed to his aid and cradled him in her arms as he took his last breath.
It was dramatic and emotional AF — but was it also a fatal flaw on Carrie’s part? A cardiologist is breaking down THAT now-infamous scene and answering everyone’s burning question: could Carrie have saved Big?
Speaking to E! News on Monday, Dr. Sion Roy , the past president of the LA County Medical Association , explained that while “it was a little unclear exactly what was going on because there was no real significant dialogue” in the scene, Carrie definitely should have “called 9-1-1, run over, try to figure out what was wrong while the emergency services were on the way.”
Also, the podcast host should have begun chest compressions when Big started to lose his pulse. While these actions may not have saved his life, they would have been a good start to give him his best chance at survival. And, y’know, make it look like someone wasn’t just accepting the death of their lover that easily. Even if Carrie had done all this, though, the doctor didn’t seem hopeful that it would have worked, explaining:
“More likely than not, if we take this scenario at face value, he was probably going to die regardless.”
What really stuck out to the cardiologist was Big’s unusual inability to move after he first felt chest pains. Dr. Roy thinks it would have been fairly easy for Chris Noth ’s character to crawl across the floor to reach his fallen phone or even just grab the attention of someone else nearby (they’re in the Big Apple after all, not some deserted town). He added:
“Most heart attacks present with chest tightness, chest pains, and usually, though, people remain conscious [and] to some degree functional. And so I’m not sure why he wouldn’t be able to yell for Alexa or reach for, presumably, his waterproof iPhone and get it, because he clearly was conscious throughout that extended period of time.”
Unable to get over this plot detail, the medical professional also noted:
“It’s just hard to believe in this scenario, that you wouldn’t have found a way to call for some help in the middle of New York City.”
TBH, that’s a great point. Big had so long to try to get someone’s attention, too!
Then, the doc straight-up called out the writers for messing up the effects of a heart attack, continuing:
“Usually a heart attack doesn’t render you to be immobile. Usually, your pain gets worse as you move, if you’re having a significant heart attack, but it doesn’t usually immobilize you.”
So even for a TV show that’s usually grounded in reality, Sion found “the whole thing” to be “a little unrealistic” — especially the timing of Carrie’s return home and Big’s cardiac arrest:
“She walked in, he had been having that chest pain for presumably an hour or something like that and then he collapsed or had his [cardiac] arrest right as she walked in, and it’s just sort of very coincidental.”
Looking back at that heartbreaking scene, it is kind of hard to believe Bradshaw didn’t call for help, especially since Big was awake when she first got home. But should fans hold a grudge? Probably not, the doctor mused:
“I will say walking into something like that, obviously, it can stun people and people do many different things. I don’t think you can blame somebody for what they do in that situation.”
Well, there you have it. Unfortunately, even with some unrealistic writing, it sounds like Big’s time was up, and neither Carrie nor Peloton should be at fault for that . Thoughts, Perezcious readers? Did any of the details about this scene bug you too? Let us know (below)!

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