Grindhouse Sex Scene
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Grindhouse Sex Scene
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tube junkie
Sept. 6, 2007
Quentin Tarantino’s Sexy Missing Reel Finally Found
Tags:
grindhouse
death proof
quentin tarantino
movies
vanessa ferlito
tube junkie
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One of the conceits of last spring’s Grindhouse was that one reel was missing from each of the “double feature”’s two films. In Death Proof , it was a lap dance performed by Vanessa Ferlito; in Planet Terror , a sex scene involving Rose McGowan. The idea was that those particular reels had been secreted away to the hovel of some pervy projectionist. In each film, the interruption arrived with comic abruptness; at the screening we attended, the audience laughed appreciatively at the appearance of the “Missing Reel” graphic, realizing their own inner pervy-projectionist tendencies had been expertly manipulated. The disappointment was nonetheless palpable; we were, after all, being deprived of sexy scenes featuring bodacious babes.
As was widely reported at the time, though, directors Robert Rodriguez and Quentin Tarantino actually filmed both “missing” segments, which have inevitably made their way to DVD. The Death Proof extended cut comes out September 18, and an advance copy arrived at Official Vulture Headquarters today to widespread celebration. Unfortunately, the Official Vulture Windows Media Player is missing a few screws and we weren’t able to watch the thing. But, of course, the lap-dance scene is already on the Internet anyway, so enjoy another great entry in the Tarantino music-video-within-a-movie canon. And by all means see Death Proof , the most tragically ignored crowd-pleasing thrill-ride adventure of the year, when the DVD comes out. If you don’t, we’ll slam your face into the windshield of our car until you die. —Ben Mathis-Lilley
Things you buy through our links may earn New York a commission.
42nd Street Pete sez
Luigi Cozzi’s Star Wars clone that packed the Grinhouses with nerds looking for another Star Wars fix. They didn’t get it. Packed with good actors including Caroline Munroe, Christopher Plummer, the late, great Joe Spinnel & Robert Tessier, and a pre-non alcohol soaked David Hasslehoff. This one is a lot of fun.
42nd Street Pete sez
So much has been said about this, so I’m hard pressed to add anything new. It was yanked out of a local theater after just two days because of the turtle scene. I had to go see it at The Liberty on 42nd Street. The film flatlined the usually rowdy crowd into stunned silence. A woman in the back was openly crying and a couple of people puked up their nightly intake of malt liquor and cheap wine. The question was any of it real lingered unanswered for years. A film that led you to expect the worst, then it actually gave it to you.
42nd Street Pete sez
An unheralded revenge classic that started the careers of William Devane and Tommy Lee Jones. James Best from Dukes of Hazzard is a bloated, oily bad guy leading a bunch of sadistic killers. The Wild Bunch -inspired ending had the patrons cheering as Devane & Jones blasted the shit out of Best & company.
42nd Street Pete sez
I think Corman brought this in as a New World release. Even edited, the arterial blood flowed like soy sauce across the screen. Fanzines compared the blood shed to Romero’s Dawn of the Dead that was out the previous year. Inner city grindhouse patrons loved this film.
42nd Street Pete sez
One of the few times I didn’t think I’d make it out of the grindhouse. And I saw it under the title Stayin’ Alive. Didn’t know what I was getting into as this was one racist movie that incensed the predominantly black audience. William Sanderson’s over the top performance as an escaped con racist cracker pushed the film to it’s limit. A William Mishkin production, shot in NYC & parts of New Jersey. My white ass bailed before the end credits.
42nd Street Pete sez
Since Dawn of the Dead was released as Zombi in Italy, Italian copy cat cinema dictated a Zombie 2. What they didn’t realize was A: the film was good enough to stand on it’s own & B: We had a new grindhouse hero in Lucio Fulci. Released by the Jerry Gross Organisation (JGO), it was given a huge ad campaign as posters were plastered all over NYC with the rotting zombie head and “WE ARE GOING TO EAT YOU on it. Aside from the then jaw dropping SPFX , the film stood on it’s own and is respected by fans and it’s cast today. Zombie just blew the grindhouse patrons away because as good as Dawn of the Dead was, many felt Zombie was better. in fact when you compare the two films today, I would have to say that Zombie has held up better.
42nd Street Pete sez
Sweet Sweetback’ Baadassss Song ushered in the era of Blaxploitation Films. Director Melvin Van Peebles couldn’t find a distributor because of the film’s inflammatory content, so Melvin approached exploitation czar, Jerry Gross, who’s company was, at this point, floundering. Melvin wanted a million and a deal was cut . That saved Gross’s company and blaxploitation type films had about a ten year run in the 70s. Not a film you would want to watch if you were the only white guy in the grindhouse. A true classic.
42nd Street Pete sez
As much as I’m not the greatest fan of martial arts movies, ya gotta love a film that has a device that decapitates people. One of the more outrageous offerings at the theater that had 3 different Kung Fu films every week. The predominatly black crowd popped huge every time a head got ripped off.
42nd Street Pete sez
William Girdler’s Grizzly was a huge hit, so why not make another film with a whole bunch of animals on a rampage? So when the ozone layer or whatever breaking down, it causes animals to attack humans. It also drove Leslie Nielsen crazy enough to fight a bear in a pivotal scene. A big hit with the grindhouse crowd as it was pair with, what else, Grizzly.
42nd Street Pete sez
Bay of Blood made the rounds with Mark of the Devil Part Two. It was a great double bill , but then it was called Twitch of the Death Nerve . It did the rounds of the Drive In & Grindhouse Circuit. It was released to Home Video as Bay of Blood . The film was a set piece for a series of violent murders, most which were stolen & incorporated in the Friday the 13th films. It packed them in at the old Liberty Theater on 42nd Street.
42nd Street Pete sez
Another Corman cheapie supposedly filmed on left over sets from another film. A lot more violent & bloody than Sci fi fans were used to. A flesh eating alien monster, bodacious babes, oozing slime , gore and touches of black humor, what’s not to like. Fans lost their shit when a scientists cancerous liver is cut out and fed to the monster in a key scene. A favorite of the late, great Chas Balun.
42nd Street Pete sez
It played on the “Deuce” as They Call Her One Eye, it was pushed as a female version of Death Wish. It wasn’t. Aside from the eye removal & the nudity, it moved too slow to satisfy the jaded grindhouse patron. When I saw it, patrons threw crap at the screen during the slo mo death scenes.
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I was born a poor white child in the waning winter days of 1979. Never was I able to step foot inside a grindhouse theater, and the only time I ever went to a drive-in theater that wasn’t doubling as a flea market was to see Fletch when I was barely old enough to remember going in the first place. VHS, DVD, Blu-ray, and spending a lot of time at the houses of friends and relatives with access to pay cable movie channels helped fill me in on the deranged cinematic greatness I was too young to catch first run in its proper theatrical venue. Being born in the wrong place at the seriously wrong time was no excuse for me to not become a fervent admirer of the finest exploitation movies ever made.
B-movies, C-movies, Z-movies, I’ve seen a lot. If I lived a few extra lifetimes after my first ran out I could never be able to see all of the movies I ever wanted to see. My DVD and Blu-ray collection isn’t massive (getting there though) and yet there are still a few titles I have yet to sit down and watch. Sue me, I stay pretty busy most of the time. Once upon a time
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