Glory Hole Girls

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Glory Hole Girls
Cougars, Like Mike: The Life of a Gold Coast Stripper, Facets of a Fetishist


Sydney, Australia
February 26, 2015
Australian Premiere



Director Biography
- Jarrod Carter




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An intimate look at a man who’s front door has been a glory hole for the past two years.
Jarrod Carter is a 25-year-old filmmaker from the Gold Coast, Australia. He graduated from QUT with a Bachelor of Film, Television and New Media Production in 2013. His directorial debut was the graduate documentary, Cougars, which explored the lives of the real cougars of Australia (older women who seek relations with younger men). Cougars premiered at the 2014 ATOM Awards and was featured on Channel 7's Sunrise. Jarrod shot his first photographic documentary project, Facets of a Fetishist, which explored at the life of a transgender fetish model building her own fetish production company. He is currently in development with ABC2 to bring Facets of a Fetishist to the silver screen. Jarrod also directed the controversial documentary, Like Mike: The Life of a Gold Coast Stripper, which exposed the realities of a male stripper (featured on Channel 9's A Current Affair).
I had one goal for this documentary; to share the captivating life of Todd James. He invited me into his home, and like most people in his life, I never left. I have been lured by Todd’s charm and hope to pass on his story, which I guarantee is like no other. I wanted to create a raw, all-access pass in the intimate setting of his home: his “fortress of cock solitude”.
As a filmmaker, this documentary was one of the biggest challenges I’ve had to face. Not only did I tackle this project completely on my own, but I was also dealing with people who are only in Todd’s life to remain anonymous. Todd is a man who lives on his own terms, doing what he loves. There are serious issues present in the documentary, with the repercussions of anonymous unsafe sex. I hope people learn something from Todd’s life and think about the person on the other side of the hole.
The love Todd receives every day from his friends and family can only be compared to that of a kind and great man. I hope to take viewers on an eye-opening, entertaining and hilarious journey of a man whose mouth is his best feature.


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I needed to stop at the service station next to the Chepstow Severn Bridge earlier as a rather explosive s t couldn't wait til I got home. However I couldn't help but notice there is what appears to be a "Glory-Hole" into the next cubicle........ What were they thinking?, surely it would be better having this entering into the ladies toilets.....
Surely there are better places for it? Service stations are for explosive s tting and then pressing on. If you want sweet loving you need a nice rural bog where everyone has time for each other.
Speaking of odd experiences at petrol stations. There used to be a girl working at a petrol station in Melksham who when it was a bit quiet used to reach for a top shelf magazine and then ask me, and presumably other men, 'Would you like to look through this magazine with me'.
You’re not going to get much glory through there are you, it’s tiny.
Speaking of odd experiences at petrol stations. There used to be a girl working at a petrol station in Melksham who when it was a bit quiet used to reach for a top shelf magazine and then ask me, and presumably other men, 'Would you like to look through this magazine with me'.
Speaking of odd experiences at petrol stations. There used to be a girl working at a petrol station in Melksham who when it was a bit quiet used to reach for a top shelf magazine and then ask me, and presumably other men, 'Would you like to look through this magazine with me'.
I didn't know what a "glory hole" was. I think I do now.....
Thanks to this thread I have just had one of those awakening moments you sometimes get as adult. I used to travel a lot with my dad when I was little, From the age of about 7 or 8 I would go all over the country with him when it was the holidays. Whenever we stopped at a toilet or service station he would always go and check the cubicle before I was allowed in to do my business, I asked once what he was looking for and he said "make sure there is toilet paper" but as of a minute or so ago I now strongly suspect he was making sure junior me was not peeped at or worse.
Thanks to this thread I have just had one of those awakening moments you sometimes get as adult. I used to travel a lot with my dad when I was little, From the age of about 7 or 8 I would go all over the country with him when it was the holidays. Whenever we stopped at a toilet or service station he would always go and check the cubicle before I was allowed in to do my business, I asked once what he was looking for and he said "make sure there is toilet paper" but as of a minute or so ago I now strongly suspect he was making sure junior me was not peeped at or worse.
Speaking of odd experiences at petrol stations. There used to be a girl working at a petrol station in Melksham who when it was a bit quiet used to reach for a top shelf magazine and then ask me, and presumably other men, 'Would you like to look through this magazine with me'.
Thanks to this thread I have just had one of those awakening moments you sometimes get as adult. I used to travel a lot with my dad when I was little, From the age of about 7 or 8 I would go all over the country with him when it was the holidays. Whenever we stopped at a toilet or service station he would always go and check the cubicle before I was allowed in to do my business, I asked once what he was looking for and he said "make sure there is toilet paper" but as of a minute or so ago I now strongly suspect he was making sure junior me was not peeped at or worse.
I needed to stop at the service station next to the Chepstow Severn Bridge earlier as a rather explosive s t couldn't wait til I got home. However I couldn't help but notice there is what appears to be a "Glory-Hole" into the next cubicle........ What were they thinking?, surely it would be better having this entering into the ladies toilets.....
I never even considered it until I started working on the motorways and frequenting the services far too often and took 'an interest' especially at Lymm services/Aka truckers paradise on the M6 in Cheshire. Had to do a full bog and cubicle inspection before ever using it, cubicles nowadays seem to have gone from standard size melamine to floor to ceiling steel lined cells due to pervy barstewards and also in other locations now like supermarket bogs. Anyway I learnt one valuable lesson in life which I carry to this day ALWAYS check for bogroll before anything
That’s not a glory hole....this is a glory hole
Anyway I learnt one valuable lesson in life which I carry to this day ALWAYS check for bogroll before anything
You’re not going to get much glory through there are you, it’s tiny.
Speaking of odd experiences at petrol stations. There used to be a girl working at a petrol station in Melksham who when it was a bit quiet used to reach for a top shelf magazine and then ask me, and presumably other men, 'Would you like to look through this magazine with me'.
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Credit: Courtesy Serge Sorokko Gallery/Glitterati Editions
Unseen photos provide a sensitive look at America's early 'working girls'
Dita Von Teese is a burlesque performer, model and author. This is an edited extract from her foreword to "Working Girls: An American Brothel, Circa 1892" by Robert Flynn Johnson.
Women in sexual professions have always distinguished themselves from other women, from the mores of the time, by pushing the boundaries of style. The most celebrated concubines and courtesans in history set the trends in their respective courts. The great dames of burlesque -- Sally Rand, Gypsy Rose Lee -- boasted a signature style on- and offstage, reflecting broader-than-life personalities.
Dita von Teese on the eternal allure of a well-dressed gentleman
Given that photography was still an emerging technology, an emerging creative medium, when these "working girls" posed for William Goldman in the 1890s at a Reading, Pennsylvania brothel, the entire exercise transcends their initial business liaison. The instantaneous concept of click-and-shoot was still decades away. To be photographed required sitting very still. The women featured in Goldman's collection obviously caught his eye. Not just anyone is asked to be the subject of artistic documentation.
Courtesy Serge Sorokko Gallery/Glitterati Editions
The local photographer and his anonymous muses appear to straddle an artful titillation, at times striving toward Degas nudes and at another, more in the spirit of a strip and tease. There is a beauty in even the most mundane moments.
Among Goldman's models, my own gaze zeroed in on the striped stockings and darker shades of their risqué brassieres. These ladies of Reading, Pennsylvania, might not have had the wealth of Madame du Barry, celebrated mistress of Louis XV of France, or the fame and freedom of a silver-screen sex goddess such as Mae West. But they sought to elevate their circumstances, to feel lovelier and more fashionable, with a daring pair of knickers.
Courtesy Serge Sorokko Gallery/Glitterati Editions
To feel special is fundamental to the human condition. Few opportunities outshine a sense of specialness than when an artist asks to record your looks, your beauty. Under the right circumstances, to be the object of admiration -- of desire -- to be what is essentially objectified is not only flattering. It can also provide a shot of confidence and a sense of strength and power and even liberation, however lasting or fleeting.
Courtesy Serge Sorokko Gallery/Glitterati Editions
For these working girls who were already going against the drudgery of toiling in a factory or as a domestic, who were surviving in a patriarchal world by their wits and sexuality, the opportunity to sit for Goldman was very likely not only thrilling. It was also empowering.
One can only imagine the mutual giddiness prevailing among them all, too, at the possible outcome from all these lost afternoon shoots. In a singular image from this collection appears Goldman striking a pose as proud as a peacock. It's one of stock masculinity in the canons of classic portraiture (though usually in military uniform), and like his muses, presented in all his naked glory. By sharing in the objectivity of the process, Goldman basks in the specialness his models must have felt. By stepping around the lens, he becomes a true confidante.
Courtesy Serge Sorokko Gallery/Glitterati Editions
It suggests a balance of power between artist and muse, man and woman -- at least behind closed doors. Their collective decision to strip and strut for the camera reveals a shared lack of shame for the body beautiful and, in that, a shared, albeit secret, defiance of cultural mores.
Courtesy Serge Sorokko Gallery/Glitterati Editions
By all accounts from curator Robert Flynn Johnson's devoted research on this once-lost collection, Goldman seems to have kept his treasured collection as a personal trove. As a successful photographer of weddings and social events, it was most certainly not in his interest for the public to know about his private creative pursuits.
Courtesy Serge Sorokko Gallery/Glitterati Editions
The brothel was a necessary evil in town, where men with certain desires visited women who would oblige. In this case, it was the desire of a man to capture the beauty and sensuality of the women he befriended. There is much to learn and (most of all!) take pleasure in with this discovery.
As these lost photographs illustrate more than a century later, one period's "social problem" is another's cultural revelation.
"Working Girls: An American Brothel, Circa 1892" by Robert Flynn Johnson, with a foreword by Dita Von Teese, is out now.
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