Girls Strappado

Girls Strappado
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Strappado Stock Photos and Images (83) See strappado stock video clips
RM T9659P – The strappado is a form of torture wherein the victim has his or her arms tied behind their back; a large rope is then tied to the wrists and passed over a pulley, beam, or a hook on the roof. The torturer pulls on this rope until the victim is hanging from the arms. Since the hands are tied behind the victim's back, this will cause a very intense pain and possible dislocation of the arms.
RM EDPBW2 – Jacques Callot (French, 1592 - 1635). Torture—The Strappado (L'estrapade), 1633. From The Large Miseries of War
RM HR8A9D – The Strappado by Jacques Callot (cropped)
RM GG2GJ0 – Jacques Callot French school Thirty Years' War: The Strappado (top), The Hanging (center) and The shots of the arquebuses (bottom) 1633 Three etchings from 'The Miseries and Disasters of War' illustrating the horrors of the Thirty Years War in Europe. Pa
RM RY1RN7 – The Large Miseries of War: The Strappado, 1633. Jacques Callot (French, 1592-1635). Etching
RM 2G1326M – Gerrit Lucasz van Schagen. The Strappado, plate ten from The Large Miseries of War - Gerrit Lucasz van Schagen (Dutch, born 1642) after Jacques
RM 2DCG3KF – Jacques Callot, (artist), French, 1592 - 1635, The Strappado, The Large Miseries of War, (series), c. 1633, etching
RM DFWHP1 – Middle Ages. Inquisition. Confessions and torture. Heretical behaviour of Catholic adherents or converts. Colored engraving.
RM W2JJW9 – The Estrapade or Question Extraordinary. Copy of a woodcut in J. Millaeus´s Praxis Criminis Persequendi published Paris 1541
RM T306N4 – Methods of torture during the interrogation of the inquisition. Engraving, 19th century. Color.
RM 2HT8NX7 – The Strappado, plate ten from The Large Miseries of War, n.d.
RM J3A4BB – Representations of the methods of torture used by the Inquisition. Engraving from c 1780 edition of The New Book of Martyrs by Rev Dr Henry Southwell
RM R8D3TT – The Miseries and Misfortunes of War, folio 10: The Strappado, 1633.
RM MNXPXC – English: The miseries of war; No. 10, 'The Strappado' 1633. 1181 The Strappado by Jacques Callot
RM 2A52J9A – The Large Miseries of War: The Strappado, 1633.
RM 2B9CDRR – THE MISERES MISFORTUNES AND WAR - the strappado Jacques Callot (1592-1635). 'Les Misères et les malheurs de la guerre, 1633 - l'estrapade'. Eau-forte. Paris, musée Carnavalet.
RM BEBMMX – the fire torture the water torture the torture of rope and pulley
RM 2B9MAW3 – Looking to the strappado the witch Victor Hugo. 'Regardant donner l'estrapade à la sorcière'. Crayon de couleur rouge sur papier vélin gris-bleuté. 1872-1873. Paris, Maison de Victor Hugo.
RM T9659N – The strappado is a form of torture wherein the victim has his or her arms tied behind their back; a large rope is then tied to the wrists and passed over a pulley, beam, or a hook on the roof. The torturer pulls on this rope until the victim is hanging from the arms. Since the hands are tied behind the victim's back, this will cause a very intense pain and possible dislocation of the arms.
RM 2B9BJAP – BADGE WITH THE ARMS OF THE CITY OF PARIS, 14 RUE OF strappado, 5TH DISTRICT, PARIS Ecusson avec les armoiries de la ville de Paris, 14 rue de l'Estrapade, Paris (Vème arr.). 14 août 1901. Photographie d'Emmanuel Pottier (1864-1921). Paris, musée Carnavalet.
RM HR7XTH – The Strappado by Jacques Callot
RF F7FT4A – Snow Maiden in red dress
RM HN2MKW – Engraving by Jacques Callot. 'Les Grandes Miseres de la guerre' (The Miseries and Misfortunes of War). Plate 10: L'estrapade, (or strappado) Etching published in 1633 Plate located at the Musee Lorrain in Nancy (France)
RM PH46GH – Image from page 51 of '[A Strappado for the Diuell. Epigrams and satyres alluding to the time, with diuers measures of no lesse delight. By Μισοσυκος to his friend Φιu00003.
RM 2BWRGB8 – Author: Jacques Callot. The Strappado, plate ten from The Miseries of War - 1633 - Jacques Callot (French, 1592-1635) published by Isral Henriet
RM 2DCG3KJ – Jacques Callot, (artist), French, 1592 - 1635, The Strappado, The Large Miseries of War, (series), c. 1633, etching
RM 2HJ572M – Strappado from The Miseries and Misfortunes of War by Jacques Callot.
RM 2H11N3M – The Large Miseries of War: The Strappado, 1633. Jacques Callot (French, 1592-1635). Etching;
RM MW1KJC – The Strappado, used as public punishment, detail of plate 10 of Les Grandes Misères de la guerre by Jacques Callot, 1633
RM PGXERY – Image from page 200 of '[A Strappado for the Diuell. Epigrams and satyres alluding to the time, with diuers measures of no lesse delight. By Μισοσυκος to his friend Φιu0050.
RF RAX785 – Jacques Callot (French, 1592 - 1635). Torture—The Strappado (L'estrapade), 1633. From The Large Miseries of War (Les reimagined
RF 2D6DYAD – The strappado is a form of torture wherein the victim's hands are tied behind their back and suspended by a rope attached to the wrists.
RM MNXPXB – English: The miseries of war; No. 10, 'The Strappado' 1633. 1181 The Strappado by Jacques Callot (cropped)
RM 2G4GG9R – The Strappado, c. 1633.
RM CTRG1F – Sachsenhausen Concentration Camp Memorial Museum - Posts used for strappado torture with Soviet Liberation Memorial at rear
RM J3A4BE – Engraving from c 1780 edition of The New Book of Martyrs by Rev Dr Henry Southwell LLD. Manner of expressing some of the cruelties in the Inquisition
RM 2ANA4BC – Popular music of the olden timeA collection of ancient songs, ballads, and dance tunes ..with short introductions to the different reigns, and notices of the airs from writers of the sixteenth and seventeenth centuriesAlso a short account of the minstrels ... . in 1586. Wilsons Delight,Arthur a Bradley, and Mall Dixons Round, are mentioned as popular tunes inBraithwaites Strappado for the Devil, 1615. The song, Quoth John to Joan, or I cannot come every day to woo, iscertainly as old as the time of Henry VIII., because the first verse is to be foundelaborately set to music in a manuscript of t
RM T96597 – The strappado is a form of torture wherein the victim has his or her arms tied behind their back; a large rope is then tied to the wrists and passed over a pulley, beam, or a hook on the roof. The torturer pulls on this rope until the victim is hanging from the arms. Since the hands are tied behind the victim's back, this will cause a very intense pain and possible dislocation of the arms.
RM 2AECT79 – Gerrit van Schagen after Jacques Callot, The Strappado The Strappado
RM EYTB45 – Image taken from page 51 of '[A Strappado for the
RM EH10JJ – Torture posts at Sachsenhausen concentration camp memorial site, Oranienburg, Germany
RF H8CRF0 – Torture equipment in museum of Prague
RF JKX2JN – Torture poles inside Sachsenhausen Concentration Camp, Oranienburg, Germany
RM RKNRC7 – The Strappado, plate ten from The Miseries of War - 1633 - Jacques Callot (French, 1592-1635) published by Israël Henriet (French, 1590-1661) -
RM 2B0C3BE – Jacques Callot, The Strappado, 1633, etching on paper, 3 1/4 in. x 7 9/16 in. (8.26 cm x 19.21 cm
RM 2H43C4T – The punishment of criminal soldiers on a scaffold-like contraption called 'Strappado'. Etching by Jacques Callot, ca. 1633.
RM PGJ25X – Image from page 179 of '[A Strappado for the Diuell. Epigrams and satyres alluding to the time, with diuers measures of no lesse delight. By Μισοσυκος to his friend Φιu0040.
RM 2HH2TJP – L'Estrapade (Strappado), from Les Misères et les Mal-Heures de la Guerre (The Miseries and Misfortunes of War), plate 10 1633 Jacques Callot French. L'Estrapade (Strappado), from Les Misères et les Mal-Heures de la Guerre (The Miseries and Misfortunes of War), plate 10. Les Misères et les Mal-Heures de la Guerre. Jacques Callot (French, Nancy 1592–1635 Nancy). 1633. Etching; first state of three (Lieure). Israël Henriet (French, Nancy ca. 1590–1661 Paris). Prints
RF 2B8XJA1 – The Strappado, plate ten from The Miseries of War, 1633, Jacques Callot (French, 1592-1635), published by Israël Henriet (French, 1590-1661), France, Etching on paper, 82 × 191 mm (plate), 119 × 230 mm (sheet), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
RM 2G4GGW6 – The Strappado, c. 1633.
RM T965G6 – Entitled: 'Reatus diverse, acriterg July Cesaris imperatoris justitia torquet' (A torture chamber in the reign of Julius Caesar). Eight men shackled in a dungeon; two others peer out a bar-covered window at the end of the room to converse with someone outside. There is not much information about the exact methods employed in Roman torture sessions. The artist took liberty in his interpretation as the strappado method is a medieval method. Romans did not use prisons as do we.
RM 2AEEN7E – Jacques Callot, The Strappado, c 1633 The Strappado; c. 1633
RF FFPE9E – 1 of '[A Strappado for the Diuell. Epigrams and satyres alluding to the time, with diuers measures of no lesse delight. By Μισ
RM 2F6228X – Medieval Inquisition, Torture Chamber
RF F6XJXH – Torture equipment in museum of Prague
RM T965GF – Justice stands blindfolded as people around her are being tortured. The Latin motto at the bottom reads: 'The aim of law is either through punishment to correct him who is punished, or to improve the others by his example, or to protect the generality by overcoming the evil.' Pieter Bruegel the Elder (1525/1530 - September 9, 1569) was the most significant painter and printmaker of the Dutch and Flemish Renaissance movement.
RM RKW1M1 – The Strappado, plate ten from The Large Miseries of War - Gerrit Lucasz van Schagen (Dutch, born 1642) after Jacques Callot (French, 1592-1635) -
RM 2DCG3KM – Gerrit van Schagen, (artist), Dutch, c. 1642 - 1690 or after, Jacques Callot, (artist after), French, 1592 - 1635, The Strappado, De droeve Ellendigheden van den Oorloogh, (series), etching and engraving
RM PGXD8E – Image from page 170 of '[A Strappado for the Diuell. Epigrams and satyres alluding to the time, with diuers measures of no lesse delight. By Μισοσυκος to his friend Φιu0057.
RM 2HH2TCP – L'Estrapade (The Strappado), from Les Misères et les Mal-Heures de la Guerre (The Miseries and Misfortunes of War), plate 10 1633 Jacques Callot French. L'Estrapade (The Strappado), from Les Misères et les Mal-Heures de la Guerre (The Miseries and Misfortunes of War), plate 10. Les Misères et les Mal-Heures de la Guerre. Jacques Callot (French, Nancy 1592–1635 Nancy). 1633. Etching; second state of three (Lieure). Israël Henriet (French, Nancy ca. 1590–1661 Paris). Prints
RF RARDJX – Gerrit van Schagen after Jacques Callot (Dutch, c. 1642-1690 or after), The Strappado, etching and engraving reimagined
RM 2AEEN7C – R-20100422-0078.jpgJacques Callot, The Strappado, c 1633 Jacques Callot (French, 1592 - 1635 ), The Strappado, c. 1633, etching, Rosenwald Collection 1943.3.2223
RF FG66X0 – 00 of '[A Strappado for the Diuell. Epigrams and satyres alluding to the time, with diuers measures of no lesse delight. By Μι
RF F6XJXJ – Torture equipment in museum of Prague
RM 2A2JRDC – The Strappado, plate ten from The Miseries of War, 1633, Jacques Callot (French, 1592-1635), published by Israël Henriet (French, 1590-1661), France, Etching on paper, 82 × 191 mm (plate), 119 × 230 mm (sheet
RM PGWKB2 – Image from page 41 of '[A Strappado for the Diuell. Epigrams and satyres alluding to the time, with diuers measures of no lesse delight. By Μισοσυκος to his friend Φιu00076.
RM 2HH2TD0 – L'Estrapade (The Strappado), from Les Misères et les Mal-Heures de la Guerre (The Miseries and Misfortunes of War), plate 10 1633 Jacques Callot French. L'Estrapade (The Strappado), from Les Misères et les Mal-Heures de la Guerre (The Miseries and Misfortunes of War), plate 10. Les Misères et les Mal-Heures de la Guerre. Jacques Callot (French, Nancy 1592–1635 Nancy). 1633. Etching; second state of three (Lieure). Israël Henriet (French, Nancy ca. 1590–1661 Paris). Prints
RM 2F271YF – The strappado; The sad elliac of the war / the last misery of the war ..
RM 2AHTT39 – Gerrit Lucasz van Schagen. The Strappado, plate ten from The Large Miseries of War. 1612–1635. Netherlands. Etching on paper
RF FG652H – 1 of '[A Strappado for the Diuell. Epigrams and satyres alluding to the time, with diuers measures of no lesse delight. By Μισ
RM 2A2HTXP – The Strappado, plate ten from The Large Miseries of War, n.d., Gerrit Lucasz van Schagen (Dutch, born 1642), after Jacques Callot (French, 1592-1635), Netherlands, Etching on paper, 73 x 182 mm (image), 83 x 189 mm (plate), 99 x 202 mm (sheet
RM EDT34N – Gerrit van Schagen after Jacques Callot (Dutch, c. 1642-1690 or after), The Strappado, etching and engraving
RM PGDNNM – Image from page 196 of '[A Strappado for the Diuell. Epigrams and satyres alluding to the time, with diuers measures of no lesse delight. By Μισοσυκος to his friend Φι0065.
RM 2AHR95G – Jacques Callot. The Strappado, plate ten from The Miseries of War. 1633. France. Etching on paper Inscribed It is not without cause that great captains have well-advisedly invented these punishments for idlers, blasphemers, traitors to duty, quarrelers and liars, whose actions, blinded by vice, make those of others lax and lawless.
RM HBW92T – Image taken from page 51 of '[A Strappado for the
RM PG1BNB – Image from page 44 of '[A Strappado for the Diuell. Epigrams and satyres alluding to the time, with diuers measures of no lesse delight. By Μισοσυκος to his friend Φιu00082.
RM 2B6HR8W – The StrappadoDe sad miseries of the oorlogh / Last misery of war (series title) Property Type: Drawing Object number: RP-T 00-54Catalogusreferentie: Kettering 25 GJr Inscriptions / Brands: signature, verso, handwritten with pencil: 'G. Ter Borch Sr'in modern handwriting manufacture manufacturer: draftsman: Gerard ter Borch (II) (referred to on object) to print by: Jacques CallotPlaats manufacture: Zwolle (possible) Date: 1633 - 1635 Physical characteristics: pen in brown; frame lines in brown material: paper pin (spring) ink Dimensions: sheet: h 78 mm × W 196 mmToelichtingDe Strappado, accord
RM HBR2TM – Image taken from page 200 of '[A Strappado for the
RM PEMA29 – Historic archive Image taken from page 51 of '[A Strappado for the Diuell. Epigrams and satyres alluding to the time, with diuers measures of no lesse delight. By u039c u03b9 u03c3 u03bf u03c3 u03c5 u03ba u03bf u03c2 to his friend u03a6 u03b9 u0 0164.
RM HBP71E – Image taken from page 41 of '[A Strappado for the
RM HBN6F4 – Image taken from page 170 of '[A Strappado for the
RM HC1T6N – Image taken from page 179 of '[A Strappado for the
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295,121,450 stock photos, 360° panoramic images, vectors and videos
Share Alamy images with your team and customers
Find the right content for your market. Learn more about how you can collaborate with us.
Search with an image file or link to find similar images
All Ultimate Vital Uncut Foundation
Torture strappado Stock Photos and Images (26) See torture strappado stock video clips
RM DFWHP1 – Middle Ages. Inquisition. Confessions and torture. Heretical behaviour of Catholic adherents or converts. Colored engraving.
RM BEBMMX – the fire torture the water torture the torture of rope and pulley
RM EDPBW2 – Jacques Callot (French, 1592 - 1635). Torture—The Strappado (L'estrapade), 1633. From The Large Miseries of War
RM T9659P – The strappado is a form of torture wherein the victim has his or her arms tied behind their back; a large rope is then tied to the wrists and passed over a pulley, beam, or a hook on the roof. The torturer pulls on this rope until the victim is hanging from the arms. Since the hands are tied behind the victim's back, this will cause a very intense pain and possible dislocation of the arms.
RM T306N4 – Methods of torture during the interrogation of the inquisition. Engraving, 19th century. Color.
RM GG2GJ0 – Jacques Callot French school Thirty Years' War: The Strappado (top), The Hanging (center) and The shots of the arquebuses (bottom) 1633 Three etchings from 'The Miseries and Disasters of War' illustrating the horrors of the Thirty Years War in Europe. Pa
RM W2JJW9 – The Estrapade or Question Extraordinary. Copy of a woodcut in J. Millaeus´s Praxis Criminis Persequendi published Paris 1541
RM EH10JJ – Torture posts at Sachsenhausen concentration camp memorial site, Oranienburg, Germany
RM J3A4BB – Representations of the methods of torture used by the Inquisition. Engraving from c 1780 edition of The New Book of Martyrs by Rev Dr Henry Southwell
RF RAX785 – Jacques Callot (French, 1592 - 1635). Torture—The Strappado (L'estrapade), 1633. From The Large Miseries of War (Les reimagined
RM 2HT8NX7 – The Strappado, plate ten from The Large Miseries of War, n.d.
RF 2D6DYAD – The strappado is a form of torture wherein the victim's hands are tied behind their back and suspended by a rope attached to the wrists.
RM CTRG1F – Sachsenhausen Concentration Camp Memorial Museum - Posts used for strappado torture with Soviet Liberation Memorial at rear
RF H8CRF0 – Torture equipment in museum of Prague
RF JKX2JN – Torture poles inside Sachsenhausen Concentration Camp, Oranienburg, Germany
RM T9659N – The strappado is a form of torture wherein the victim has his or her arms tied behind their back; a large rope is then tied to the wrists and passed over a pulley, beam, or a hook on the roof. The torturer pulls on this rope until the victim is hanging from the arms. Since the hands are tied behind the victim's back, this will cause a very intense pain and possible dislocation of the arms.
RM HN2MKW – Engraving by Jacques Callot. 'Les Grandes Miseres de la guerre' (The Miseries and Misfortunes of War). Plate 10: L'estrapade, (or strappado) Etching published in 1633 Plate located at the Musee Lorrain in Nancy (France)
RM J3A4BE – Engraving from c 1780 edition of The New Book of Martyrs by Rev Dr Henry Southwell LLD. Manner of expressing some of the cruelties in the Inquisition
RM 2G4GG9R – The Strappado, c. 1633.
RF F6XJXH – Torture equipment in museum of Prague
RM T96597 – The strappado is a form of torture wherein the victim has his or her arms tied behind their back; a large rope is then tied to the wrists and passed over a pulley, beam, or a hook on the roof. The torturer pulls on this rope until the victim is hanging from the arms. Since the hands are tied behind the victim's back, this will cause a very intense pain and possible dislocation of the arms.
RM 2G4GGW6 – The Strappado, c. 1633.
RF F6XJXJ – Torture equipment in museum of Prague
RM T965G6 – Entitled: 'Reatus diverse, acriterg July Cesaris imperatoris justitia torquet' (A torture chamber in the reign of Julius Caesar). Eight men shackled in a dungeon; two others peer out a bar-covered window at the end of the room to converse with someone outside. There is not much information about the exact methods employed in Roman torture sessions. The artist took liberty in his interpretation as the strappado method is a medieval method. Romans did not use prisons as do we.
RM 2F6228X – Medieval Inquisition, Torture Chamber
RM T965GF – Justice stands blindfolded as people around her are being tortured.
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