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Girls Hot Films
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As summer 2022 winds down, temperatures are still sizzling on Netflix.
Summer 2022 is almost over, but as temperatures drop outside, Netflix is cranking up the heat indoors! Things are positively sizzling on the streaming service. For this list of the sexiest movies now on Netflix, we're including erotically-charged thrillers and dramas, films with red-hot chemistry front-and-center, and more. This adult movie list features classics and new favorites from around the world, theatrical releases as well as Netflix originals.
Here are the steamiest and sexiest movies on Netflix right now.
Co-produced by Rashida Jones , Jill Bauer and Ronna Gradus ' adults-only doc examines the evolving world of amateur porn, specifically following the lives of several 18 and 19-year-old actresses. Followed by limited series Hot Girls Wanted: Turned On , also streaming on Netflix.
This intimate—well, very intimate—documentary follows the late career of Italian Rocco Siffredi , one of the most famous male porn stars in history, now retired. Rocco received positive critical notices following its premiere at the Venice Film Festival.
Following his brilliant, underrated knockout black dramedy Beatriz at Dinner , Miguel Arteta helmed this experimental sex comedy about lesbian lovers ( Alia Shawkat and Laia Costa ) who meet at a club, then get to know each other via having sex every hour on the hour for a solid day.
Directed by Daniel Goldhaber , this Netflix original is about an adult webcam performer who discovers a sinister presence has taken her place on the internet . Cam has some truly frightening moments, and it examines the subject matter of sex work with appropriate care and thought. Most notably, it showcases a head-turning lead performance by The Handmaid ‘ s Tale ‘s Madeline Brewer , often playing multiple entities on-screen at the same time. Thanks to a perceptive script by real- life former cam girl Isa Mazzei , Cam is often an examination of fractured identity, something that’s definitely not limited to the world of adult entertainment. Cam stumbles a bit at the ending, but it’s full of provocative ideas, and Brewer just floors you.
Anna-Maria Sieklucka and Michel Morrone in '365 Days'
In this massive hit for the streaming service, a smokin' hot babe with an air of innocence about her is kidnapped by a mafioso who happens to be a 10/10 chiseled stud. The crime boss gives the young lady one year to fall in love with him; sexy antics ensue!
365 Days is essentially Fifty Shades of Grey with Italian flavor. The storytelling is as clunky Fifty Shades , and the story has been equally chided for its misogynistic undertones. None of that prevented the skin flick from becoming one of Netflix's biggest successes of the year. The envelope-pushing nudity and sexual content helped it become the domain's most-watched movie in summer 2020.
Around the one-hour, seven-minute mark, lies "the boat scene," one of the most intense and graphic sex scenes in a mainstream picture in years. Brace yourself.
Esteban Crespo 's Goya Award-nominated picture stars María Pedraza and Pol Monen as young lovers whose intense passion could be their relationship's downfall. In Spanish with subtitles.
Starring Nicholas Hoult and Laia Costa , this sexy drama follows two Los Angeles-based millennials who hit it off after meeting via a hookup app. Directed by Drake Doremus and written by Ben York Jones , Newness premiered at the 2017 Sundance Film Festival, to mixed-to-positive critical notices.
Released on Netflix earlier this summer, this French-produced raunchfest centers on three forty-something female friends who begin hot n' heavy affairs with much younger men. Be super, super careful when Googling this one.
Some stunning eye candy (those cheekbones on star Félix Maritaud !) punctuates this powerful, acclaimed coming-of-age drama. Young gay love is part of the plot, so is devastating tragedy. Like the bodies on display, this plot is a beauty, told in non-linear fashion with some suspense and surprise. To ruin it would be a disservice. Just watch it already.
Teresa Palmer and Max Riemelt in 'Berlin Syndrome'
So abundant we might as well make them their own genre, movies about kidnapped females generally go one of two ways: It’s either all about the suspense, figuring out how and if she will get out—or there’s the nastier route, the really low road, when some movies focus on a woman’s torture and humiliation, turning it into spectacle.
Though Australian director Cate Shortland ‘s adaptation of Melanie Joosten ‘s novel about a tourist imprisoned by a handsome teacher after a passionate one-night-stand is a thriller (quite heart-pounding at times), and much of the woman’s mistreatment is extremely hard to watch, this highly absorbing psychological drama stands out because it’s all about the characters and what’s going on in their heads. It also differs from other films of its ilk in that this nightmare begins with genuine erotic tension and heat, a mutual attraction.
Aussie-born Teresa Palmer of Hacksaw Ridge fame delivers a ripper of a performance as a victim suffering in stages not unlike the stages of grieving. German Max Riemelt ( Sense8 ) keeps up every step of the way as her chilling and multifaceted captor, but this is Palmer’s film, and it gave the dynamite actress long-relegated to playing love-interest side characters a serious calling card in Hollywood.
A collection of four short films from top Bollywood directors explores everything from masturbation to adultery from the perspective of women in love and lust.
Emile Hirsch and a sultry Elisha Cuthbert star in a crass, entertaining rom-com about a high school senior who falls in love for the first time with the girl next door... only, she's a porn star. The Girl Next Door received mixed reviews and lukewarm ticket sales in 2004, but over time has developed a cult following.
Related: Best Game of Thrones Sex Scenes
Christopher Atkins and Brooke Shields star in a successful, critically maligned romance about shipwrecked innocents discovering their bodies. Followed by an even slighter sequel starring Milla Jovovich .
Brent Bonacorso 's You Get Me stars Bella Thorne , Halston Sage and Taylor John Smith . Centered on a rebound fling that leads to obsession, it's all an attempt to recreate the alchemy of popular erotic thrillers of the late '80s and early '90s, like Fatal Attraction and Basic Instinct .
AKA Elisa y Marcela , Isabel Coixet 's erotic historical drama is an account of Marcela Gracia Ibeas and Elisa Sánchez Loriga , and the first same-sex marriage of Spain's modern era. A Spanish production (in Spanish and Portuguese with subtitles), Elisa & Marcela was selected to compete for the Golden Bear at the 69th Berlin Film Festival, and received a limited theatrical release via Netflix.
The much-hyped sequel has gotten critical reception so chilly (0% on Rotten Tomatoes, all of "8" on Metacritic) it makes the original look like The Bridge on the River Kwai . Nevertheless, 365 Days: This Day has proven another massive hit for Netflix. In This Day , lovers Laura and Massimo aim to move on with their lives post-mafia conflict. Massimo's past and a love triangle are among the lovers' new obstacles. The film has been noted for—what else—its graphic, constant sex scenes, including a golf scene that bends the traditional rules of the game.
Tom Cruise and Nicole Kidman in 'Eyes Wide Shut'
About as chilly as a Christmas movie can be, Stanley Kubrick ‘s final film is an intense drama about the one-night sexually-charged odyssey of a New York doctor (Cruise) whose wife ( Nicole Kidman ) has confessed to fantasizing about another man. Kubrick died six days after showing his final cut to Warner Bros., and in order to avoid an NC-17 rating, the film received extensive edits (the original, far superior cut is now widely available on DVD and streaming).
Though Kubrick was long-known as the master of torturously long takes and shoots, he outdid himself with Eyes Wide Shut , and at 400 days of principal photography the film holds the Guinness World Record for longest film shoot ever. Dismissed by some critics in its time, Eyes Wide Shut is now seen as essential, challenging Kubrick. It was the director's favorite of his features.
Julio Peña Fernández and Clara Galle star in an earnestly steamy romantic drama about a student who has the hots for her neighbor. Is that a thin premise for 116 minutes of movie? Yes. Will Through My Window appease fans of Fifty Shades and its imitators? Sure.
As mainstream Hollywood lags behind in meaningful explorations of sexuality, these provocative short films embrace the unusual tapestry of human predilections.
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As film festivals pivot to the ever-shifting landscape of distribution and sales, the way we consume independent film is changing more dramatically than anyone could have predicted. Audiences can now experience a wider variety of films online, opening a world of possibilities that will hopefully benefit smaller films. With any luck, the new reality will broaden movie lovers’ horizons enough to include short films , which U.S. audiences can be reluctant to embrace. Most filmmakers begin to craft their voices with shorts, and given the significance of making a strong first impression, the format encourages creative risks. What’s more, younger and emerging filmmakers naturally have a finger on the pulse of more progressive ideas, ensuring a broader range of perspectives.
While mainstream Hollywood struggles to address human sexuality in any meaningful way, these four recently-released short films explore sex and desire with a refreshing playfulness. Whether it’s a feminist genre take on actual bloodlust, or a comedy about an erotic encounter where the two people never touch, these films celebrate the full spectrum of human desire. They’re all available online, though you’ll have to head over to YouTube for the more explicit titles, and each one has its own unique vibe.
Though dealing swimmingly with sexual themes, this daring drama pushes the envelope a bit too far to be considered flat-out sexy. Rather, Australian filmmaker Renée Marie Petropoulos uses sexuality as fertile ground to explore the complex connection between a mother and daughter, and each woman’s complicated relationship to her own sexuality. A quintessential “cool mom” throws a raucous pool party for her wide-eyed teenage daughter, eerily pushing her to flirt with the boys. The older woman saunters in her loose caftan doling out Jello shots, sucking down a cigarette after some boys toss her in the pool with the rest of the teenagers. As her daughter looks on — whether in shame, disgust, or normal teenage angst — an ocean of pain is shared in the glances between the two.
When a cunning teenager steals a dildo and harness from her local sex shop, she suddenly finds herself empowered beyond the imaginations of her small-minded boyfriend. Emboldened by the high of her new toy, she exudes a new confidence in front of her friends, who seem devoted to conventional gender roles. She quickly grows tired of being shut out of the boys’ games, and poses a unique dare to the young men in her circle. But her confidence is rewarded when her macho lover surprises her in exciting ways.
This funky little documentary explores the world of custom-order porn, a niche filmmaking enterprise designed by married couple Dan and Rhiannon Humes. Though they began their career in mainstream porn, the duo soon recognized an opening for user-designed content. Customers approach them with fantasies, whether to explore a specific fetish or to revisit an erotic childhood memory, and the Humes then craft them into bespoke porn. The film shows the coupe lugging camera equipment around their California home, interviewing the performers, and recounting customers and requests that stuck with them. Many of the scenarios are surprisingly moving, like the guy who just wants to see a pretty girl call him “honey” and “love.”
Three films in, and director Mathew Puccini has pretty much covered the gamut of queer experience. With a light touch and a lyrical eye, Puccini’s shorts play like a moving triptych of quietly pivotal moments in the lives of queer men. “The Mess He Made” starred Max Jenkins as a man waiting for the results of an HIV test, and “Lavender” featured Michael Urie as half of a couple who invite a younger third into their longterm relationship. “Dirty” explores the awkwardness of a more universal folly — bottoming for the first time. As always in Puccini’s work, the characters are tender and natural; the images aglow with intimacy.
The most erotic film ever made about a window washer, “Squeegee” follows a delightfully weird tryst between a career woman and the scruffy younger man who washes her office windows. The 10-minute short is almost entirely devoid of dialogue, instead relying on a moody jazz score that wouldn’t be out of place in a noir. Lead actress Amy Rutherford embodies her frisky businesswoman with an empowered girlishness, communicating everything from desperate lust to soulful longing with nothing more than a few subtle looks. The glass that separates the two characters is both a literal safety barrier as well as representative of the often murky disconnect between fantasy and reality. Written and directed by Morgan Krantz, “Squeegee” is an entertaining comedic interlude that has a lot to say about the human condition. You’ll never look at window washers the same way again.
“I find sex to be pretty absurd, and I wanted to show that,” Krantz told Short of the Week , which premiered “Squeegee” in late May. “I’ve also been in relationships with people where we both know there is no practical way to really be together. But when you’re having one of these ‘flings,’ I have found that it can actually be easier to express how wild you are about a person… because you both know that you can never end up together. So that’s the glass between these two characters.”
Lithe and full of longing, a young Italian embraces his provocative drag persona in this short and sensual documentary. Vincenzo is a young queer artist from Naples, Italy who performs cabaret-style drag at La Boum, Milan’s premiere gay club. His soul-searching voiceover narrates visually sumptuous footage of his performances, interspersed with more traditional community scenes of life in Naples. Whether he’s going by Vincenzo, Ambrosia, or Vincenzo D’Ambrosia, the film celebrates his shifting identity as he explains that the very act of naming himself is both confusing and empowering. While he appears confident and beautiful onstage, behind the scenes Ambrosia bounces between concerns about being pretty or feminine enough and feeling like he’s letting down his family every time he puts on a heel. Director Peter Spark expertly crafts this glittery dance between art and artist, allowing the harshness of Ambrosia’s inner monologue to exist side by side in beautiful contrast with his enthralling stage persona.
A young woman anxiously awaits a special visitor in a quaint roadside motel room in this surprising and humorous gore-inflected genre morsel. When her young and lanky massage therapist arrives, he isn’t exactly one for small talk, immediately putting her even more edge. Writer/director Meredith Alloway takes center stage as the eager client; she’s natural and open opposite a deliciously creepy Peter Vack. Following a string of TV roles in shows like “Mozart in the Jungle” and “Homeland,” Vack distinguished himself as a filmmaker with the highly controversial “Assholes,” which premiered at SXSW in 2017, prompting IndieWire’s David Ehrlich to call it “one of the most disgusting movies ever made.” While “Deep Tissue” is more provocative than disgusting, the final reveal is in line with Vack’s own filmmaking philosophy. Keep ’em on their toes, and they’ll eat it right up. You can watch “Deep Tissue” via The Future of Film Is Female.
Quirky and unnervingly erotic, this whimsical stop-motion animation celebrates all kinds of bodies and predilections. The film debuted as part of Sundance Film Festival’s 2018 Midnight Shorts Program, and premiered online as a Vimeo Staff Pick last year. The films spies on different creatures in bed, from lesbian nuns to gender-blending lovers. Animator Michaela Olsen wanted to show “the lives people lead behind closed doors,” and while her intricately crafted figures aren’t all people, each character channels a unique persona even in their brief scenes. “I wanted to play on the idea of seeing every detail of the characters’ worlds and secrets,” Olsen told Vimeo . “They’re opening up their world to you as a viewer and showing you their true selves.”
This Article is related to: Film and tagged Sexuality , Short Films
Under Covers seems interesting because I like stop motion animation.
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