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Hole was an American alternative rock band formed in Los Angeles, California in 1989. It was founded by singer Courtney Love and guitarist Eric Erlandson. It had several different bassists and drummers, the most prolific being drummer Patty Schemel, and bassists Kristen Pfaff (d. 1994) and Melissa Auf der Maur. Hole released a total of four studio albums between two incarnations spanning the 1990s and early-2010s and became one of the most commercially successful rock bands in history fronted by a woman.
Hole performing during a set in Brooklyn, New York City, 2012
Influenced by Los Angeles' punk rock scene, the band's debut album, Pretty on the Inside (1991), was produced by Kim Gordon of Sonic Youth, and attracted critical interest from British and American alternative press. Their second album, Live Through This, released 1994 by DGC Records, which featured less aggressive melodies and more restrained lyrical content, was widely acclaimed and reached platinum status within a year of its release. Their third album, Celebrity Skin (1998), marked a notable departure from their earlier punk influences, boasting a more commercially viable sound; the album sold around 2 million copies worldwide, and earned them significant critical acclaim.
They disbanded in 2002, and the members individually pursued other projects. Eight years later in 2010, Hole was reformed by Love with new members, despite Erlandson's claim that the reformation breached a mutual contract he had with her. The reformed band released the album Nobody's Daughter (2010), which had originally been conceived as Love's second solo album. In 2013, Love retired the Hole name, releasing new material and touring as a solo artist.
Hole received several accolades, including four Grammy Award nominations. They were also commercially successful, selling over three million records in the United States alone, and had a far-reaching influence on contemporary female artists. Music and feminist scholars have also recognized the band as the most high-profile musical group of the 1990s to discuss gender issues in their songs, due to Love's aggressive and violent lyrical content, which often addressed themes of body image, abuse, and sexual exploitation.
In Euripides' Medea, when she kills the bride and her own child, she says "There's a hole that pierces my soul." [And] my mother's this kind of new age psychologist, and I said "You know, I had this terrible childhood," and she said "Well, you can't have a hole running through you all the time, Courtney." You know, and then [there's] the genital reference, go ahead and make it if you will.
—Courtney Love on the origins of the name Hole, 1995.[1]
Hole formed after Eric Erlandson responded to an advertisement placed by Courtney Love in Recycler in the summer of 1989. The advertisement simply read: "I want to start a band. My influences are Big Black, Sonic Youth, and Fleetwood Mac."[2] "She called me up and talked my ear off," said Erlandson. "We met at this coffee shop, and I saw her and I thought "Oh, God. Oh, no, What am I getting myself into?" She grabbed me and started talking, and she's like "I know you're the right one", and I hadn't even opened my mouth yet."[3] In retrospect, Love said that Erlandson "had a Thurston [Moore] quality about him" and was an "intensely weird, good guitarist."[2] In his 2012 book, Letters to Kurt, Erlandson revealed that he and Love had a sexual relationship during their first year together in the band,[4] which Love also confirmed.[5]
Love had been living a nomadic life prior, immersing herself in numerous music scenes and living in various cities along the West Coast.[6] After unsuccessful attempts at forming bands in San Francisco (where she was briefly a member of Faith No More)[7] and Portland, Love relocated to Los Angeles, where she found work as an actress in two Alex Cox films (Sid and Nancy and Straight to Hell).[8][9] Erlandson, a Los Angeles native and a graduate of Loyola Marymount University, was working as a royalties manager for Capitol Records at the time he met Love.[10]
Love had originally wanted to name the band Sweet Baby Crystal Powered by God, but opted for the name Hole instead.[11] During an interview on Later... with Jools Holland, Love claimed the name for the band was partly inspired by a quote from Euripides' Medea that read: "There is a hole that pierces right through me."[12] She also cited a conversation with her mother as the primary inspiration for the band's name, in which her mother told her that she couldn't live her life "with a hole running through her."[1][13] Love also acknowledged the "obvious" genital reference in the band's name, alluding to the vagina.[1]
In the months preceding the band's full formation, Love and Erlandson would write and record in the evenings at a rehearsal space in Hollywood, loaned to them by the Red Hot Chili Peppers;[14] during the day, Love worked as a stripper to support the band and purchase amplifiers and their backline for live shows.[15] Hole's first official rehearsal took place at Fortress Studios in Hollywood with Love, Erlandson and Lisa Roberts on bass. According to Erlandson, "these two girls show up dressed completely crazy, we set up and they said, "okay, just start playing something." I started playing and they started screaming at the top of their lungs for two or three hours. Crazy lyrics and screaming. I said to myself, "most people would just run away from this really fast. But I heard something in Courtney's voice and lyrics."[16] Initially, the band had no percussion until Love met drummer Caroline Rue,[13] and later recruited a third guitarist, Mike Geisbrecht. Hole's first show took place at Raji's, a small bar in Hollywood, in September 1989. By early 1990, Geisbrecht and Roberts had both left the band, which led to the recruitment of bassist Jill Emery.
Hole released their no wave-influenced debut single "Retard Girl" in April 1990, and followed it with "Dicknail" in 1991, released on Sympathy for the Record Industry and Sub Pop, respectively. According to disc jockey Rodney Bingenheimer, Love would often approach him at a Denny's on Sunset Blvd. where he went for coffee in the mornings, and convinced him to give "Retard Girl" airtime on his station KROQ-FM.[17]
In 1991, the band signed onto Caroline Records to release their debut album, and Love sought Kim Gordon of Sonic Youth to produce the record.[18][19] She sent a letter, a Hello Kitty barrette, and copies of the band's early singles to her, mentioning that the band greatly admired Gordon's work and appreciated "... the production of the SST record"[20] (either referring to Sonic Youth's album Sister or EVOL). Gordon, impressed by the band's singles, agreed to produce the album, with assistance from Gumball's Don Fleming. The album, titled Pretty on the Inside, was released in September 1991 to positive reception from underground critics, branded "loud, ugly and deliberately shocking,"[21] and earned a spot on Spin's "20 Best Albums of the Year" list.[22] It was also voted album of the year by New York's Village Voice[23] and peaked at number 59 on the UK albums chart.[24] The album spawned one single, "Teenage Whore", which entered the UK Indie Chart at number one,[25] as well as the band's debut music video for the song "Garbadge Man".
Musically and lyrically, Pretty on the Inside was abrasive and drew on elements of punk rock and sludge metal, characterized by overt noise and feedback, chaotic guitar riffs, contrasting tempos, graphic lyrics, and a variation of Love's vocals ranging from whispers to guttural screaming.[26] In later years, Love referred to the album as "unlistenable", despite its critical accolades and eventual cult following.[27] The band embarked on a European tour in the fall of 1991 supporting Mudhoney.[28][29] They also toured intermittently in the United States between July and December 1991, playing primarily at hard rock and punk clubs, including CBGB and the Whisky A Go Go, where they opened for The Smashing Pumpkins.[30] In a write-up by the Los Angeles Times on the band's final show of the tour, it was noted that Love smashed the headstock of her Rickenbacker guitar onstage.[30]
In mid-1991, the band began to get the attention of the major labels. The first to court them was Maverick — a Warner subsidiary founded by Madonna and music executive Freddy DeMann. Love, however, was uninterested: "[They] would have me riding on elephants. They don't know what I am. For them, I'm a visual, period."[31] She was also uneasy about sharing the spotlight on a label so heavily associated with one of the industry's most iconic female performers. In a 1992 interview with Vanity Fair, Love described Madonna's interest as "kind of like Dracula's interest in his latest victim."[31]
Love and Erlandson began writing new material for a second Hole album in 1992, in the midst of Love's pregnancy with Nirvana frontman Kurt Cobain. Love's desire to take the band in a more melodic and controlled rock format led bassist Emery to leave the band,[32] and drummer Caroline Rue followed. In an advertisement to find a new bass player, Love wrote: "[I want] someone who can play ok, and stand in front of 30,000 people, take off her shirt and have 'fuck you' written on her tits. If you're not afraid of me and you're not afraid to fucking say it, send a letter. No more pussies, no more fake girls, I want a whore from hell."[33] In April 1992, drummer Patty Schemel was recruited after an audition in Los Angeles, but the band spent the remainder of the year without a bassist; Love, Schemel, and Erlandson began to write material together in the interim.[27]
Hole signed to Geffen's subsidiary DGC label with an eight-album contract in late 1992. In the spring of 1993, the band released their single "Beautiful Son", which was recorded in Seattle with producer Jack Endino as a fill-in bass player; Love also played bass on the single's b-side "20 Years In the Dakota", as well as on their contribution to the 1993 Germs tribute album A Small Circle of Friends.[34] In the spring of 1993, Love and Erlandson recruited Janitor Joe bassist Kristen Pfaff,[35] and the band toured the United Kingdom in the summer of that year (including the Phoenix Festival on July 16), mainly performing material from their upcoming major label debut, Live Through This, which they recorded at Triclops Studios in Marietta, Georgia in October 1993.
Live Through This was released on April 12, 1994, one week after Love's husband, Kurt Cobain, was found dead in his Seattle home. In the wake of Love's family tragedy, Live Through This was a critical success. It spawned several popular singles, including "Doll Parts", "Violet", and "Miss World", going multi-platinum and being hailed "Album of the Year" by Spin magazine.[36][37] NME called the album "a personal but secretive thrash-pop opera of urban nihilism and passionate dumb thinks,"[38] and Rolling Stone said the album "may be the most potent blast of female insurgency ever committed to tape."[39]
Despite the critical praise for Live Through This, rumors circulated insinuating that Cobain had actually written the majority of the album, though the band vehemently denies this.[32] The band's drummer Patty Schemel, who had been friends with Cobain since the late 1980s,[27] said: "There's that myth that Kurt [Cobain] wrote all our songs— it's not true. Courtney and Eric wrote Live Through This."[32] The band did, however, state that Love convinced Cobain to provide backing vocals on "Asking for It" and "Softer, Softest" while visiting the studio, and music producers and engineers present during the recording sessions noted that Cobain seemed "completely unfamiliar" with the songs.[40] According to Rolling Stone rock journalist Gavin Edwards, Love and Cobain had written songs together in the past, but opted to not release them because it was "a bit too redolent of John and Yoko."[41]
In 1994, bassist Kristen Pfaff went into a drug treatment facility to treat her heroin addiction. Pfaff contemplated leaving the band for health reasons. In June 1994, she was found dead of a heroin overdose in the bathroom of her Seattle home, 2 months after the death of Cobain.[42] The band put their impending tour on hold, pulling out of the upcoming Lollapalooza festival. Pfaff's life is, according to Pfaff's brother, the subject of an upcoming book by British authors Sara Hawys Roberts and Guy Mankowski, who he's collaborating with.[43]
Recruiting bassist Melissa Auf der Maur over the summer, they commenced their world tour on August 26 at the Reading Festival in England, giving a performance that John Peel described as "teetering on the edge of chaos."[44] The band embarked on a worldwide tour throughout late 1994 and for the duration of 1995, with appearances at the KROQ Almost Acoustic Christmas, Saturday Night Live, the Big Day Out festival, MTV Unplugged, the 1995 Reading Festival, Lollapalooza 1995, and at the MTV Video Music Awards, where they were nominated for the "Doll Parts" music video.[45][46]
Love's reckless stage presence during the tour became a media spectacle, drawing press from MTV and other outlets due to her unpredictable performances.[47] While touring with Sonic Youth, Love got into a physical fight with Kathleen Hanna backstage at a 1995 Lollapalooza festival and punched her in the face.[48][49] In an August 1995 band interview with Rolling Stone, drummer Patty Schemel formally came out as a lesbian, saying: "It's important. I'm not out there with that fucking pink flag or anything, but it's good for other people who live somewhere else in some small town who feel freaky about being gay to know that there's other people who are and that it's okay."[3] In a retrospective interview, Schemel said:
We had a really safe place [in Hole]. Courtney was a force that would not allow any of us to be spoken down to—or any of that kind of behavior in a space that we were in—no matter where we were. She was good at that. I felt safe in my band to come out as a gay woman.[50]
Toward the end of the tour, the band released their first EP, titled Ask for It, in September 1995; it featured 1991 Peel session recordings, as well as covers of songs by Wipers and The Velvet Underground.[51] The band performed its last show of the year on September 3, 1995 at the Molson Polar Beach Party in Tuktoyaktuk, Northwest Territories, Canada. The concert was a promotional event for the Molson Brewery, and also featured performances by Metallica, Veruca Salt, and Moist.[52]
In 1996, the band recorded and released a cover of Fleetwood Mac's "Gold Dust Woman" for The Crow: City of Angels (1996) soundtrack,[53] the band's first studio song to feature Melissa Auf der Maur on bass, and produced by Ric Ocasek. Hole released two retrospective albums during this time: firstly, their second EP, titled The First Session (1997), which consisted of a complete version of the band's first recording session at Rudy's Rising Star in Los Angeles in March 1990, some of which had been bootlegged widely years prior. It featured the group's first ever recorded track, "Turpentine", which had previously been unreleased to the public.[54] The same year, the band released their first compilation album, My Body, The Hand Grenade (1997), featuring early singles, b-sides and recent live tracks.[54][55]
Our band is a collective, but Courtney has a lot of ideas and it's weird how they infiltrate our lives—it just happens. Like with the drowning theme, there were all these things going on while we were making this album, like Jeff Buckley drowning. And years before [bassist] Kristen [Pfaff] died in a bathtub. My father died basically drowning in his own body, he couldn't breathe, and Melissa's father died of lung cancer. Those were literal things, but drowning became a metaphor for this record and for all the people we had lost.
—Eric Erlandson on writing Celebrity Skin[56]
In 1997, the band entered Conway Recording Studios in Los Angeles after attempts to write new material in Miami, New Orleans, London, and New York.[57] Recorded over a ten-month period, Hole's third studio album, Celebrity Skin (1998), adopted a complete new sound for the band, incorporating elements of power pop, and had Love drawing influences from Fleetwood Mac and My Bloody Valentine.[57] According to Erlandson, Love was more focused on song-writing and singing than playing guitar on the record; Love stated that her aim for the album was to "deconstruct the California sound" in the L.A. tradition of bands like The Doors, The Beach Boys and The Byrds.[57] In addition to Hole, Smashing Pumpkins frontman Billy Corgan entered the studio and helped perfect five of the album's twelve songs.[57] Love, who felt she was in a creative slump, likened Corgan's presence in the studio to "a math teacher who wouldn't give you the answers but was making you solve the problems yourself."[57]
Upon the album's release, Corgan told CNN that he should have "been given credit [for writing the entire album]."[58] Erlandson responded to Corgan's statements in a Rolling Stone interview, commenting: "We were working on all the stuff that Courtney and I had already written. Billy really facilitated things, in a way ... I would bring in the music, Courtney would start coming up with lyrics right away, and [Billy] would help map it all out." Erlandson also stated: "Courtney writes all her own lyrics. Nobody else is writing those lyrics and nobody ever has."[56] One journalist took note of the controversy when reviewing the album, stating: "Back in 1994, the acclaim for Live Through This was undercut by whispers that Love's late husband wrote the album. Combine those conspiracy theories with the unfounded but persistent rumor that Cobain was actually murdered, and it is no surprise that, in the song "Celebrity Skin", Love calls herself a walking study in demonology."[58]
Although Schemel is listed as drummer in the liner notes of the record, her drumming does not actually appear on the record; she was replaced by session drummer Deen Castronovo, under pressure from producer Michael Beinhorn.[59] After the replacement, Schemel quit the band.[59][60] Though Love and Erlandson had authorized Schemel's replacement, both expressed regret in retrospect, and Love stated in 2011 that Beinhorn was notorious for replacing drummers on records, and referred to him as "a Nazi".[27] After Schemel's departure, the band hired drummer Samantha Maloney for their upcoming tours and music videos.[60]
Celebrity Skin was a critical success with strong sales and successful singles, including the title track, "Celebrity Skin", "Malibu", and "Awful". The album received largely positive reviews, with praise from music periodicals such as Rolling Stone, NME, and Blender,[61][62] as well as a four-star review from the Los Angeles Times,[63] calling it a "wild emot
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