Girl Film Friend Lesbian

Girl Film Friend Lesbian




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A photographer and her girlfriend are roommates. She is stuck with small-change shooting jobs and dreams of success. When her roommate decides to get married and leave, she feels hurt and ha... Read all
Claudia Weill(story)
Vicki Polon(story) (screenplay)
In New York City, Susan Weinblatt and Anne Munroe are longtime roommates and friends. Susan is a struggling photographer who wants to get out of the wedding and bar mitzvah racket, those jobs which she primarily gets through her friend, Rabbi Gold, to selling the photographs she wants to take, but she realizes that she has to pay the rent. Anne is an aspiring poet and academic who looks to Susan as her primary guidance. As they move into a new apartment, Anne drops the news that she will not be moving in as she is getting married to her boyfriend, Martin. This news is bittersweet for Susan who is somewhat happy for her friend, but isn't sure if she likes all that Martin now represents to her. Both Susan and Anne will have to make professional and personal adjustments to their new situations, especially in what it means for not having the other as a constant in each their lives. While Anne has a "Martin", Susan has no one currently to replace all that Anne has been in her life. So Susan goes through a series of new professional and personal relationships all in trying to find her way, while the two of them have to decide how and if to maintain their friendship in light of all these changes.—Huggo
Stanley Kubrick raved about this film in an interview with Vicente Molina Fox, which was conducted during the production of The Shining (1980), and named it his favorite film of 1978.
When Eric calls to report a stolen credit card, he gives his address as 135 Broome Street 10013. The zip code for 135 Broome Street is actually 10002.
Eric: Susan your entire apartment could fit in this place.
Susan Weinblatt: It's not the size that counts, right Eric?
i loved this movie when it came out
This movie set in 1978, is a wonderful analysis of women's relationships with their friends and how relationships with men can change their relationships with each other. It is subtle and nuanced and emblematic of the independent films of the 1970's.

Claudia Weill was a women who tried to get into that very exclusive circle of directors which are very male. When this movie was made it was considered to be the first of many such independent films by women to try to climb that fortress.

The acting of Amy Wright and Melanie Mayron at the time felt like it wasn't acting at all. Since they were both unknowns, you felt like you were snooping into someone's personal lives rather than watching two actresses go through a script.
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