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In the early modern period the 15 th , 16 th , 17 th and 18 th centuries the artistic image of the Roma was in the minority and stereotypical. Many of the images representing the Roma, generally Romani women, were associated with the depiction of virgins with female Romani physical traits. The main theme is the iconographic theme of fortune telling by Roma who at the same time steal or cheat. There is no known sculpture representing the Roma in this period, but we do have some very interesting prints and tapestries. In the 17 th century we see paintings of nomadic groups or families on the road. In all this variety of depiction the Roma are seen as exotic or foreign people who have their own ways of dressing and living. The 19 th century saw the emergence of the Romani motif in the visual arts, painting, engraving and sculpture. Many foreign artists came to Spain to capture the Roma and their way of life. The Roma are the protagonists and no longer a mere detail of the composition. The Roma are seen as an original, unchanged people representing authenticity and this will be the most attractive thing for Romantic and costumbrismo artists. Most artists depicted the folkloric traits of Roma and endlessly enhanced them. It was also at this time when male and female Romani models were identified and we even have eyewitnesses. Lots of prints of Roma were used to illustrate anthropological publications and specifically samples of dresses. The Roma were used as artistic justification by a number of Spanish painters who featured them in much of their work. They painted the Roma with a modern vision and accordingly with the artistic movements of the time the late 19 th and early 20 th centuries. The Roma were depicted in ways that were different to previously known ones. The avant-garde also featured Roma and used them to experiment with new techniques and new artistic concepts. After the Second World War and throughout the 20 th century the representation of the Roma as victims of Nazi persecution and genocide gained in strength. Nowadays the most significant and remarkable thing about the Roma and the visual arts is that it is the Roma who are the artists. Obviously there are still non-Roma artists who very commendably use Roma as a theme. There are Romani artists in all the countries where there are Roma, i. These Roma are quality artists who want to provide and add their artistic vision which has been kept silent for so many centuries. Obviously there are Roma in the art world. But it is perhaps less obvious or less plausible that they are also in the world of the visual arts. The representation of Roma throughout different historical periods here we mean from the 15th century onwards, by when the Roma were already living across most of Europe has had varying degrees of impact depending on the size of the Romani presence in each geographical area.

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