German Teen on Way to Rock Festival - part 1 of 2

German Teen on Way to Rock Festival - part 1 of 2




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German Teen on Way to Rock Festival - part 1 of 2
From Wikipedia, the free encyclopedia
"Classical rock" redirects here. For "classic rock" as a radio format, see classic rock . For other uses, see Classic Rock (disambiguation) .
Further information: Progressive music
Further information on the origins of progressive rock from the perspective of its early synonyms: Progressive pop § Origins , and Art rock § Origins
This section possibly contains inappropriate or misinterpreted citations that do not verify the text . Please help improve this article by checking for citation inaccuracies. ( March 2016 ) ( Learn how and when to remove this template message )
Macan writes that King Crimson's album "displays every element of the mature progressive rock genre ... [and] exerted a powerful extramusical influence on later progressive rock bands". [75]
A multipart suite by Dream Theater that combines elements of progressive rock and heavy metal
Not to be confused with Neo-progressive rock .


^ In the rock music of the 1970s, the "art" descriptor was generally understood to mean "aggressively avant-garde" or "pretentiously progressive". [13]

^ From about 1967, "pop music" was increasingly used in opposition to the term "rock music", a division that gave generic significance to both terms. [20]

^ Formalism refers to a preoccupation with established external compositional systems, structural unity, and the autonomy of individual art works. Eclecticism, like formalism, connotes a predilection towards style synthesis, or integration. However, contrary to formalist tendencies, eclecticism foregrounds discontinuities between historical and contemporary styles and electronic media, sometimes referring simultaneously to vastly different musical genres, idioms and cultural codes. Examples include the Beatles ' " Within You Without You " (1967) and Jimi Hendrix 's 1969 version of " The Star-Spangled Banner ". [27]

^ Allan Moore writes: "It should be clear by now that, although this history appears to offer a roughly chronological succession of styles, there is no single, linear history to that thing we call popular song . ... Sometimes it appears that there are only peripheries. Sometimes, audiences gravitate towards a centre. The most prominent period when this happened was in the early to mid 1960s when it seems that almost everyone, irrespective of age, class or cultural background, listened to the Beatles. But by 1970 this monolothic position had again broken down. Both the Edgar Broughton Band 's ' Apache Dropout ' and Edison Lighthouse 's ' Love grows ' were released in 1970 with strong Midlands/London connections, and both were audible on the same radio stations, but were operating according to very different aesthetics." [36]

^ LP sales first overtook those of singles in 1969. [59]

^ Beatles member John Lennon is known to have attended at least one such event, a happening called the 14 Hour Technicolor Dream . [65] Paul McCartney was deeply connected to the underground through his involvement with the Indica Gallery . [66]

^ They are also generally credited as the first global standard-bearers of symphonic rock. [70]

^ Tull alone scored 11 gold albums and 5 platinum albums . [83] Pink Floyd's 1970 album Atom Heart Mother reached the top spot on the UK charts. Their 1973 album The Dark Side of the Moon , which united their extended compositions with the more structured kind of composing employed when Syd Barrett was their songwriter, [84] spent more than two years at the top of the charts [85] and remained on the Billboard 200 album chart for fifteen years. [86]

^ Radio airplay was less important in the UK, where popular music recordings had limited air-time on official radio stations (as opposed to on pirate radio ) until the 1967 launch of BBC Radio 1 . [58] UK audiences were accustomed to hearing bands in clubs, and British bands could support themselves through touring. US audiences were first exposed to new music on the radio, and bands in the US required radio airplay for success. [89] Radio stations were averse to progressive rock's longer-form compositions, which hampered advertising sales . [90]

^ Van der Graaf Generator were much more popular there than in their own country. Genesis were hugely successful in Continental Europe at a time when they were still limited to a cult following in Britain and the US. [98] [ importance of example(s)? ]

^ This can be heard in Triumvirat , an organ trio in the style of ELP; Ange and Celeste who have had a strong King Crimson influence. [102] Others brought national elements to their style: Spain's Triana introduced flamenco elements, groups such as the Swedish Samla Mammas Manna drew from the folk music styles of their respective nations, and Italian bands such as Il Balletto di Bronzo , Rustichelli & Bordini, leaned towards an approach that was more overtly emotional than that of their British counterparts. [103]

^ Pink Floyd were unable to repeat that combination of commercial and critical success, as their sole follow-up, The Final Cut , was several years in coming [132] and was essentially a Roger Waters solo project [133] that consisted largely of material that had been rejected for The Wall . [134] The band later reunited without Waters and restored many of the progressive elements that had been downplayed in the band's late-1970s work. [135] This version of the band was very popular, [136] but critical opinion of their later albums is less favourable. [137] [138]

^ Sex Pistols frontman Johnny Rotten famously wore a T-shirt that read "I hate Pink Floyd", [122] but he expressed admiration for Van der Graaf Generator, [140] Can, [141] and many years later, Pink Floyd themselves. [142] Brian Eno expressed a preference for the approach of the punk and new wave bands in New York, as he found them to be more experimental and less personality-based than the English bands. [143]

^ Julian Cope of the Teardrop Explodes wrote a history of the krautrock genre, Krautrocksampler . [148] [ importance of example(s)? ]

^ Yes' Tales from Topographic Oceans [197] and " The Gates of Delirium " [198] were both responses to such criticisms. Jethro Tull's Thick As a Brick , a self-satirising concept album that consisted of a single 45-minute track, arose from the band's disagreement with the labelling of their previous Aqualung as a concept album. [199]




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