German Doggystyle

German Doggystyle




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German Doggystyle
From Wikipedia, the free encyclopedia
This article is about the Snoop Dogg album. For other uses, see Doggy style (disambiguation) .

" Who Am I? (What's My Name?) " Released: October 30, 1993
" Gin & Juice " Released: January 15, 1994
" Doggy Dogg World " Released: June 26, 1994

Broadus Jr. Young Arnaud Bootsy Collins
Broadus Jr. Young George Clinton Garry Shider David Spradley
Broadus Jr. Arnaud Ricardo Brown Allen
Broadus Jr. Young Jamal Phillips Malik Edwards


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Doggystyle is the debut studio album by American rapper Snoop Dogg , then known as Snoop Doggy Dogg. It was released on November 23, 1993, by Death Row Records and Interscope Records . The album was recorded and produced following Snoop's appearances on Dr. Dre 's debut solo album The Chronic (1992), to which Snoop contributed significantly. The West Coast style in hip-hop that he developed from Dre's first album continued on Doggystyle . [1] Critics have praised Snoop Dogg for the lyrical "realism" that he delivers on the album and for his distinctive vocal flow. [1] [2]

Despite some mixed criticism of the album initially upon its release, Doggystyle earned recognition from many music critics as one of the most significant albums of the 1990s, as well as one of the most important hip-hop albums ever released. [3] Much like The Chronic , the distinctive sounds of Doggystyle helped introduce the hip-hop subgenre of G-Funk to a mainstream audience, bringing forward West Coast hip hop as a dominant force in the early-mid 1990s. [1] [4]

Doggystyle debuted at No. 1 on the Billboard 200 , selling 806,858 copies in its first week alone in the United States, which was the record for a debuting artist and the fastest-selling hip-hop album ever at the time. Doggystyle was included on The Source magazine's list of the 100 Best Rap Albums, as well as Rolling Stone magazine's list of Essential Recordings of the '90s. [3] About.com placed the album in No. 17 of the greatest hip hop/rap albums of all time. [5] The album was certified 4× Platinum by the Recording Industry Association of America (RIAA). By November 2015, the album had sold 7 million copies in the United States, and over 11 million copies worldwide. [6] [7]

In 1992, Snoop Doggy Dogg came to attention of the music industry through his vocal contributions on Dr. Dre's The Chronic . That album is considered to have "transformed the entire sound of West Coast rap" by its development of what later became known as the " G-funk " sound. [4] The Chronic expanded gangsta rap with profanity, anti-authoritarian lyrics and multi-layered samples taken from 1970's P-Funk records. [4] Snoop Doggy Dogg contributed vocals to Dre's solo single, " Deep Cover ", which led to a high degree of anticipation among hip hop for the release of his own solo album. [2]

Doggystyle and The Chronic are associated with each other mainly because each prominently featured Snoop Dogg and because both contain G-funk style production from Dr. Dre. The two releases are linked by the high number of vocal contributions from Death Row Records artists, including Tha Dogg Pound , RBX , The Lady of Rage , [8] while both contain a high density of misogynistic lyrics and profanity in their lyrics. [9] In addition, the two albums are each viewed by critics as early "G-funk classics", and have been described as "joined at the hip". 'Doggystyle' also marked the debut of Death Row vocalist, Nanci Fletcher - the daughter of jazz legend Sam Fletcher. [1] [9]

Gangsta rap has been criticized for its extreme lyrics, which are often accused of glamorizing gang violence and black-on-black crime. The Gangsta rappers responded that they were simply describing the realities of life in places such as Compton, California , and Long Beach, California . [10] [11] Describing Doggystyle in 1993, Snoop Doggy Dogg likewise points to the album's realism, and the extent to which it is based on his personal experience. He said, "I can't rap about something I don't know. You'll never hear me rapping about no bachelor's degree. It's only what I know and that's that street life. It's all everyday life, reality." [12] Explaining his intentions, Snoop Doggy Dogg claims he feels he is a role model to many young black men, and that his songs are designed to relate to their concerns. "For little kids growing up in the ghettos," he said, "it's easy to get into the wrong types of things, especially gangbanging and selling drugs. I've seen what that was like, and I don't glorify it, but I don't preach. I bring it to them rather than have them go find out about it for themselves." [12] He further explained the "dream" that he would pursue after making the album: "I'm going to try to eliminate the gang violence. I'll be on a mission for peace. I know I have a lot of power. I know if I say, 'Don't kill', niggas won't kill". [12]

Doggystyle was recorded in early 1993 at Death Row Studios . It was produced in a style similar to The Chronic ; some critics called it a "carbon copy". [2] Snoop Doggy Dogg collaborated with two music groups, 213 and Tha Dogg Pound . Daz Dillinger, of the latter group, accused Dr. Dre of taking sole recognition for producing the album and alleged that Warren G and himself contributed substantially to the production of the project. [13] Death Row Records co-founder Marion "Suge" Knight stated in 2013 that, "Daz pretty much did the whole album", and that credit was signed over to Dr. Dre for a fee. [14] Snoop Doggy Dogg said Dr. Dre was capable of making beats without the help of collaborators and addressed the issues with Warren G and Daz, stating "They made beats, Dre produced that record". He discussed the track "Ain't No Fun", mentioning that Daz and Warren G brought Dr. Dre the beat but "Dre took that muthafucka to the next level!" [15] Bruce Williams, closely affiliated with Dr. Dre, discussed the recording process during Dre's time at Death Row Records, stating:

Dre's going to be the first one in the studio and the last one to leave. He'll start messing with a beat. As the beat starts pumping, the guys start filtering in. Everybody will get their little drink and smoke in. Soon enough, the beat starts to make a presence. You'll look around the room and every cat that was a rapper – from Kurupt to Daz to Snoop – will grab a pen. They would start writing while Dre is making a beat so by the time he's finished with the beat, they are ready to hit the booth and start spittin'. To see those young cats – they were all hungry and wanted to make something dope. The atmosphere that was there, you couldn't be wack. [16]
Williams said the album was never finished and because of the demand for the record, the distributors insisted the album be completed, otherwise they would cancel the album's orders. This resulted in Dr. Dre mixing the album and inserting the skits within 48 hours, which enabled the album to be released. [16] Rolling Stone writer Jonathan Gold described how Dr. Dre produced a beat from scratch to complete instrumental: "Dre may find something he likes from an old drum break, loop it and gradually replace each part with a better tom-tom sound, a kick-drum sound he adores, until the beat bears the same relationship to the original that the Incredible Hulk does to Bill Bixby". [17] Gold also described how the track progressed with other musicians adding to the song, stating "A bass player wanders in, unpacks his instrument and pops a funky two-note bass line over the beat, then leaves to watch CNN, though his two notes keep looping into infinity. A smiling guy in a striped jersey plays a nasty one-fingered melody on an old Minimoog synthesizer that's been obsolete since 1982, and Dre scratches in a sort of surfadelic munching noise, and then from his well-stocked Akai MPC60 samples comes a shriek, a spare piano chord, an ejaculation from the first Beastie's record —' Let me clear my
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