Gemma Arterton Lingerie

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Gemma Arterton Lingerie
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We've long been fans of the slip dress, but is what Gemma Arterton 's wearing more like a sleep dress?
At first glance we were distracted by how incredibly hot the Runner Runner star looks in this Louis Vuitton look. From the deep smokey eye, to the way that lace top sits against her ta-ta's, we barely noticed the fact that she's wearing a glorified nightgown.
The question is, do we care? Lingerie or not, the silky style covers most of her body. We absolutely love the slate grey palette, with those very simple floral embellishments. And in fairness to this fashion-forward star, there is a good amount of shape to the a-line design.
So if the look is technically haute couture underwear then we say add it to the list of fall's hottest trends. What's your take?
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From Bond to bare: Gemma Arterton strips off in VERY NSFW lesbian scene for artsy French film Orphan
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Gemma Arterton stars in French film 'Orpheline'
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She plays Tara, a self-destructive convicted bank robber, in the foreign language film
In a clip for her new movie, Gemma Arterton , 31, has left little to the imagination as she strips off in a racy scene for the artsy French language film.
Starring in Orpheline (Orphan) the English actress bares all in one particular scene with co-star Adèle Exarchopoulos, who plays screen-lover Sandra.
She meets Gemma's Tara, who is a self-destructive, addicted gambler, who appears to have some unfinished business with Sandra - the protagonist - which dates back seven years ago.
The two seem to have had shared a sexual relationship, as they begin to strip off in a bedroom.
Stunning Gemma can be seen in a clip from the film stripping off a blue shirt to reveal an orange bra, as she begins to passionately kiss her co-star.
In the NSFW clip Sandra flashes a nip, as the two relax and talk about a potential racing track scam involving high stakes and a lot of money.
After achieving commercial success in her breakout role as Bond Girl Strawberry Fields in 2008's Quantum of Solace, Gemma has revealed she's keen on expanding her repertoire into more difficult roles and boundary-pushing projects.
Speaking to Daily Mail about taking on more artsy roles that skew from the mainstream, she said: "Sometimes I’ve not put my foot down. I’ve been like: 'Oh, thank you so much for the work! I’d better do it.' Rather than: 'No, I don’t want to do that.'"
She added: "No one makes films about women who want to run away."
Orphan centres on a woman at four different stages of her life, as she attempts to escape her troubled past. Directed by Arnaud des Pallières, it's garnered a positive response after its debut in the Special Presentations section at the Toronto International Film Festival last year.
Meanwhile, Gemma has opened up about "traumatic" harassment she's faced directed at her weight , as "overweight" producers would hound her to ensure she was working out, after enlisting the help of a personal trainer who "give up their life" to train the beautiful star.
She said: "They’d measure me and they’d call up the personal trainer at like nine at night going: 'Is she in the gym? And if she isn’t, why isn’t she in the gym?’ And then they’d get me in the gym and film me in the gym and they’d have to know that I was there.
“There was one day when I went to get some snacks, they have like snacks on set, and I went to get some apricots, some dried apricots. And the man went, this big, fat, obese producer went: 'I hope you’re not going to eat that’."
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GEMMA Arterton looks longingly into the eyes of her lesbian lover as she strips off for new flick Vita and Virginia.
The film is based on the real life love affair between poet Vita Sackville-West and novelist Virginia Woolf played by Elizabeth Debicki , 28.
Vita, played by Gemma Arterton , 33, makes it her goal to win Virginia when the pair cross paths in 1920s London set against the backdrop of their own manages.
The film depicts Vita as being an untamed force of nature, very different to the emotionally detached Virginia.
Virginia was not enough for Vita’s aggressive sexual appetite — and she carried on seeing other women.
This spelt the end of their relationship in around 1928, but the pair remained good friends, with Vita’s reputation for promiscuity continuing.
Director Chanya Button says: “Vita was a poet, aristocrat and a famous kind of cad. She had so many lovers.
“She and Virginia were both incredibly unconventional women who were living in a way that was progressive — that would be progressive even for now.”
Fans have panned the film giving it just 40 per cent on review site Rotten Tomatoes with one viewer pointing out a “lack of chemistry” between the on-screen lesbian lovers.
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