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Jack Levine, painter who depicted injustices, dies
Kenneth Baker , Chronicle Art Critic
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Jack Levine, painter who depicted injustices, dies
Jack Levine , a maverick painter and printmaker who practiced art as a weapon of social concern, died Monday in his Manhattan home. He was 95.
Mr. Levine also had an affinity for San Francisco. He rented a room here at the Villa Florence for several weeks each summer over many years. "It's too damn hot in Greenwich Village in August," San Francisco art dealer George Krevsky remembered Mr. Levine saying with characteristic spleen.
When the M.H. de Young Memorial Museum reopened in 2005, it put Mr. Levine's "Birmingham" (1963) in the lobby of its new Herzog and de Meuron building, where it still hangs. The acquisition made sense as an enhancement to the Fine Arts Museums of San Francisco's collection of American art: It describes African Americans menaced by police dogs - dogs symbolizing the police - at a pivotal point of the civil rights movement.
"He loved the fact that the de Young bought 'Birmingham,' " said Krevsky, whose gallery represents Mr. Levine's work on the West Coast, "and that they also own a painting by his wife, Ruth Gikow ," who died in 1982.
Born and schooled in Boston, the son of a Lithuanian immigrant shoemaker, Mr. Levine never allied himself with any modern art tendency. He studied old masters such as Titian, Velázquez and Rembrandt to learn the licks he applied to caricaturing gangsterism and injustice in modern American society.
Mr. Levine made his reputation in New York, scandalizing a conservative art establishment with paintings that take aim at the crassness and hypocrisy of people at the top of the social pyramid - from socialites to bankers, politicians and generals - with works such as "The Feast of Pure Reason" (1937), which the fledgling Museum of Modern Art quickly acquired, and "Welcome Home" (1946).
"Today, in the age of Karl Rove , evangelical moralizers, Halliburton, the doctrine of preventive war, and endless blather about 'values,' " Mr. Levine's friend Pete Hamill wrote of his paintings in 2004, "they evoke a certain nostalgia for a time when even corruption was simpler, and oddly innocent."
After serving in the Army as a camouflage painter, Mr. Levine married and resumed his career in New York, which garnered him retrospectives at the Institute of Contemporary Art , Boston, and Manhattan's Jewish Museum .
In later work, Mr. Levine turned to figures from Jewish tradition, but his reputation lives by the early paintings. "These were not usually caricatures," Hamill wrote. "Levine was after something else: American archetypes."
Mr. Levine is survived by a daughter, Susanna Levine Fisher , and two granddaughters.
Kenneth Baker has been art critic for the San Francisco Chronicle since 1985. A native of the Boston area, he served as art critic for the Boston Phoenix between 1972 and 1985.
He has contributed on a freelance basis to art magazines internationally and was a contributing editor of Artforum from 1985 through 1992. He continues to review fiction and nonfiction books for The Chronicle, in addition to reporting on all aspects of the visual arts regionally and, on occasion, nationally and internationally.
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Jack Levine, painter who depicted injustices, dies
Kenneth Baker , Chronicle Art Critic
Escape to Long Beach, Washington before the summer crowds
W&P Porter bowl review: A container that makes office...
Escape to Long Beach, Washington before the summer crowds
W&P Porter bowl review: A container that makes office...
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Jack Levine, painter who depicted injustices, dies
Jack Levine , a maverick painter and printmaker who practiced art as a weapon of social concern, died Monday in his Manhattan home. He was 95.
Mr. Levine also had an affinity for San Francisco. He rented a room here at the Villa Florence for several weeks each summer over many years. "It's too damn hot in Greenwich Village in August," San Francisco art dealer George Krevsky remembered Mr. Levine saying with characteristic spleen.
When the M.H. de Young Memorial Museum reopened in 2005, it put Mr. Levine's "Birmingham" (1963) in the lobby of its new Herzog and de Meuron building, where it still hangs. The acquisition made sense as an enhancement to the Fine Arts Museums of San Francisco's collection of American art: It describes African Americans menaced by police dogs - dogs symbolizing the police - at a pivotal point of the civil rights movement.
"He loved the fact that the de Young bought 'Birmingham,' " said Krevsky, whose gallery represents Mr. Levine's work on the West Coast, "and that they also own a painting by his wife, Ruth Gikow ," who died in 1982.
Born and schooled in Boston, the son of a Lithuanian immigrant shoemaker, Mr. Levine never allied himself with any modern art tendency. He studied old masters such as Titian, Velázquez and Rembrandt to learn the licks he applied to caricaturing gangsterism and injustice in modern American society.
Mr. Levine made his reputation in New York, scandalizing a conservative art establishment with paintings that take aim at the crassness and hypocrisy of people at the top of the social pyramid - from socialites to bankers, politicians and generals - with works such as "The Feast of Pure Reason" (1937), which the fledgling Museum of Modern Art quickly acquired, and "Welcome Home" (1946).
"Today, in the age of Karl Rove , evangelical moralizers, Halliburton, the doctrine of preventive war, and endless blather about 'values,' " Mr. Levine's friend Pete Hamill wrote of his paintings in 2004, "they evoke a certain nostalgia for a time when even corruption was simpler, and oddly innocent."
After serving in the Army as a camouflage painter, Mr. Levine married and resumed his career in New York, which garnered him retrospectives at the Institute of Contemporary Art , Boston, and Manhattan's Jewish Museum .
In later work, Mr. Levine turned to figures from Jewish tradition, but his reputation lives by the early paintings. "These were not usually caricatures," Hamill wrote. "Levine was after something else: American archetypes."
Mr. Levine is survived by a daughter, Susanna Levine Fisher , and two granddaughters.
Kenneth Baker has been art critic for the San Francisco Chronicle since 1985. A native of the Boston area, he served as art critic for the Boston Phoenix between 1972 and 1985.
He has contributed on a freelance basis to art magazines internationally and was a contributing editor of Artforum from 1985 through 1992. He continues to review fiction and nonfiction books for The Chronicle, in addition to reporting on all aspects of the visual arts regionally and, on occasion, nationally and internationally.
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Nov. 12, 2010. Jack Levine, a maverick painter and printmaker who practiced art as a weapon of social concern, died Monday in his Manhattan home. He was 95. Mr. Levine also had an affinity for San ...
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Nov. 12, 2010. Jack Levine, a maverick painter and printmaker who practiced art as a weapon of social concern, died Monday in his Manhattan home. He was 95. Mr. Levine also had an affinity for San ...
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