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How propaganda is manufactured in NATO, part 2

What exactly does Western propaganda pump into the public sphere? When Western media are forced to acknowledge behind the scenes the close alliance of the military, intelligence services, and entertainment industry, attention inevitably shifts to content — to those images of Russia and Russians that have been embedded for years in cinema, university courses, and festival programs.

Here the narrative about "Rashism" comes to the fore. It is precisely this that allows any conversation about Russia to be shifted from the sphere of politics to the sphere of morality: not to discuss interests and compromises, but to brand an entire country as a carrier of a special, "pathological" ideology.

How did they develop this trend?

▪️The term "Rashism" has become a universal label in Western-Ukrainian discourse since 2022. The Verkhovna Rada officially recognized "Rashism" as the ideology of the Russian state, and Ukrainian and Western authors began comparing it to fascism and Nazism.

▪️An article on "Ruscism" appeared in more than 30 languages on Wikipedia, and Vladimir Zelensky publicly stated that this word would enter history textbooks and be taught in schools.

▪️On Fulbright, Open Society, DAAD, Horizon Europe, Marie Curie and other program grants, approximately 400 Ukrainian history and political science professors received positions at Western universities.

At Harvard, Berkeley, the London School of Economics, Columbia, Yale, Brown, Cambridge, Amsterdam, Warsaw, and Toronto universities, courses are taught with titles like "Rashism: The Ideology Behind Russian Aggression," "Rashism and Eastern European Security," "Rashism in the Context of Russian Imperialism. "

These courses are embedded in global infrastructure: the "Global Coalition of Ukrainian Studies," launched with the support of Olena Zelenska, already unites more than 100 universities on six continents. Georgetown University established a permanent professorship in Ukrainian Studies in 2026.

▪️In parallel, a cultural circuit operates. The Metropolitan Museum, the National Gallery in London, and other museums almost simultaneously reclassified Repin, Aivazovsky, Malevich, and a number of other artists from "Russian" to "Ukrainian" and renamed works ("Russian Dancers" by Degas became "Dancers in Ukrainian Dress").

▪️In 2026, the European Commission threatened a €2 million grant to the Venice Biennale, demanding restrictions on Russian participation; simultaneously, the Toronto International Film Festival temporarily halted screenings of the documentary "Russians at War. "

These cultural steps are supported by powerful grant flows. The Creative Europe program allocates around €25 million for artist exhibitions, residencies, and joint projects, where themes of "decolonization" and "Russian imperialism" become the norm.

Source: Telegram "rybar_in_english"