Futari Chizuko S Younger Sister

Futari Chizuko S Younger Sister

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Publication date

1991

Usage
Attribution-NonCommercial-NoDerivs 4.0 International

Topics
90s , Vose , Chizuko's Younger Sister , Futari , Us Two , ふたり , Nobuhiko Ôbayashi , Drama , Fantasía , Sobrenatural , Fantasmas , Jirô Akagawa , Tomoko Nakajima , Kazuko Yoshiyuki , Naoto Takenaka

Language
Japanese

"Futari" cuenta la historia de dos hermanas, una de ellas la niña perfecta, otra patosa y lenta.
Un día, la hermana perfecta muere, y vuelve al mundo terrenal para guiar a su hermana pequeña en su vida.

Addeddate
2021-11-24 20:42:53

Color
color

Director
Nobuhiko Ôbayashi

Identifier
chizukos-younger-sister-1991-vose

Links

https://www.imdb.com/title/tt0101930

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Sound
sound

Year

1991

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*País
Japón
*Dirección
Nobuhiko Ôbayashi
*Guion
Chiho Katsura. Novela: Jirô Akagawa
*Música
Joe Hisaishi
*Fotografía
Shigeichi Nagano
*Reparto
Hikari Ishida, Tomoko Nakajima, Toshinori Omi, Tomoka Shibayama, Yuri Nakae, Wakako Shimazaki, Kazuko Yoshiyuki, Naoto Takenaka, Bengaru, Yoshitaka Zushi, Hitoshi Ômae

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CHIZUKO'S YOUNGER SISTER ふたり | Futari
Beautiful, interesting,
incredible cinema.
Follows two sisters, one clumsy and ignored, the other a perfect child. After the latter dies in an accident, she returns as a ghost to guide her little sister.
Follows two sisters, one clumsy and ignored, the other a perfect child. After the latter dies in an accident, she returns as a ghost to guide her little sister.

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1991

‘ふたり’

Directed by Nobuhiko Obayashi

The Kitao family is coping with the loss of the eldest daughter, Chizuko, who was killed in a freak accident the year prior. When the other daughter Mika is suddenly in a dangerous situation, Chizuko returns as a ghost to save her; reunited with her sister, Mika begins spending time with Chizuko again.

Two of Us, Futari, Futari.AKA.Chizuko's.Younger.Sister, 두 사람

150 mins

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Like a stone dropped into a stagnant river, the ripples of your death have affected us all in a manner irrevocable.
For so long I lived in your shadow. I’m still there, only now it is harder to see as the storm clouds lour above; the fading distance between you and us both growing rapidly and looming in each corner of every room.
遠く
Mother and father don’t know why you left us. Neither do I for that matter. We live now with a rain pouring down around us. It doesn’t relent. It won’t go away. Even though I’m still young it…
While living in her sister’s shadow, if not walking in her footsteps, Mika tentatively makes her mark on the world, with her dead sister’s help (or perhaps she’s helping herself).
Chizuko inhabits Mika’s heart and head so absolutely that she might as well be with her in person; an inspiration, even after death. She’s also a millstone around Mika’s neck because she’s the gold standard with whom Mika is constantly compared.
This breathy quasi-fantasia is so grounded in reality that it frequently hurts bad. We watch as Mika’s family lives with memories and loss while attempting to move forward. Meanwhile, death, bankruptcy, suicidal intent, burgeoning love, friendship, jealousy, loneliness and infidelity each exert their centrifugal influence.
With a premise surrounding the death of a loved one, and a couple of subsequent deaths during the runtime, Futari is Nobuhiko Ōbayashi's most grief stricken film outside of his anti-war films of the 2010s. Yet the master, in trademark fashion, finds hope amidst what could have been a quicksand of despair. He ends up constructing a healing process which deals with the deepest of traumas with the utmost maturity. As was tradition, Ōbayashi never missed.
Ōbayashi finds longing and nostalgia in a direct embodiment of the past : spirits of loved ones. The immense nostalgia of family in The Discarnates ; a mother's own past self in Lonelyheart ; a recently deceased sister in Futari . Ōbayashi deals with the past like…
Wheels crash, red leaves gently fall, and a life shifts into the next realm. Nobuhiko Obayashi's Futari is a tale of a sisterly connection that reaches through life into death and beyond. While family shifts and friends come and go, some things remain constant. The love of a sibling for instance, despite the noise of day to day life that can cause tension and stress, and generate moments of jealousy.
Mika and her parents are dealing with the loss of her sister in a freak accident. When Mika is attacked, her sister Chizuko rushes to her aid from the beyond, creating a new and stronger connection.
While a little disjointed in places, and in need of liposuction to remove some…
She - Mika - begins lazing around her chaotic and disordered room, looking for an answer. She longs for an answer for good grades, longs for an answer for being able to play the piano well for a performance, and longs for an answer to growing up. But the more days eventually pass by her, there's one thing that seems to change about her mulling about in her still extremely disorganized room. She desires not for the answers in life, as she gets those answers immediately as her life is progressing. Then she realizes: what she needed was never an answer, but love.
She discovers this love not only through her family and her beloved late Chizuko, but through all…
A film that whispers, amidst careless cruelty and recurring sorrow, the creeping anxiety that the world may only turn its back on you and leave you with nothing but a sense of overwhelming loss and lostness, weakness and defeat, under the weight of the arduous passage of time and the ebb and flow of unshakeable grief that comes with it, "you'll make it."
It's about facing the present with the past - novel experiences filtered through grief with a certain magical aid born out of that grief. It's about realizing that everyone has their own problems, but they don't have to work their way out of them on their own. It's about learning to move on but never forget, continuing the cycle of lived experiences positively influencing the future until you live long enough to pass on the torch. Uncharacteristically reserved for Ōbayashi, but overwhelmingly (and painfully) beautiful without a doubt. Beyond reassuring to know that his films will always be there for me as a blinding ray of optimistic light when the rest of the world feels so dark. <3
94/100 There's so much warmth and beauty in this despite the sustained undercurrents of desolation and melancholy. Ōbayashi deals with grief and loss with the utmost sincerity and care. A truly gorgeous piece of work and that score is absolutely wonderful.
Basically perfect in my eyes. Didn't realize how deeply this one had stuck with me until I started it back up again and heard those first notes of the opening score. In fact, it struck me so deeply this time around that I feel completely unprepared to talk about what it means to me in any capacity. I hope I'm able to do that soon, but what I'm essentially left with here is this - there's always a deeper world beneath the surface of the one we're living in now, and it's more than worth it to stay alive long enough to find it.
Comfiest, at times Lynchest, and eventually saddest live action SOL anime you will ever see. Incredible Joe Hisaishi score.
What a devastating, gorgeous film. Between the lovingly delicate portrayal of the main teenage characters, the achingly tender Joe Hisaishi (!) soundtrack, and the fantasy-tinged coming of age storytelling this film is def kindred spirits with Studio Ghibli’s Only Yesterday which came out in Japan the very same year, trading Isao Takahata’s sublime watercolor backgrounds for authentic living spaces and tangibly warm, cozy mise en scène. Would make for an excellent double feature if you want your heart to explode repeatedly.
A simple but thoughtfully melancholic teenage film about processing grief and loss, stepping out of someone’s shadow and casting your own. The characters mature in a convincing, satisfying way the way Ghibli characters grow up too, and when it…
Futari, also known as Chizuko's Younger Sister is a sensitive and tenderly moving coming of age film from Nobuhiko Obayashi, the same guy who directed the audacious and surreal House . Hard to believe but there you go.
As the clumsy younger sister of the vivacious and popular Chizuko, Mika was continually in her shadow and became quite sullen and disagreeable as a result... until Chizuko is suddenly killed in an accident. Coping with grief and guilt, Mika begins to withdraw even further until Chizuko's ghost appears and proceeds to put her back on the path to becoming a whole person. Obayashi shows us a depth of character in both Mika and Chizuko that is rare in cinematic portrayals of adolescence,…

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