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Qafár af Аҧсшәа bahasa ambon Acèh адыгабзэ адыгабзэ تونسي/Tûnsî تونسي Tûnsî Afrikaans Akan Gegë Alemannisch тÿштÿк алтай тил አማርኛ Pangcah aragonés Ænglisc अङ्गिका العربية ܐܪܡܝܐ mapudungun جازايرية الدارجة مصرى অসমীয়া American sign language asturianu Atikamekw авар Kotava अवधी Aymar aru azərbaycanca تۆرکجه башҡортса Bali Boarisch žemaitėška Batak Toba Batak Toba جهلسری بلوچی Bikol Central беларуская беларуская (тарашкевіца)‎ беларуская (тарашкевіца)‎ български روچ کپتین بلوچی भोजपुरी भोजपुरी Bislama Banjar bamanankan বাংলা བོད་ཡིག বিষ্ণুপ্রিয়া মণিপুরী بختیاری brezhoneg Bráhuí bosanski Batak Mandailing Iriga Bicolano ᨅᨔ ᨕᨘᨁᨗ буряад català Chavacano de Zamboanga Mìng-dĕ̤ng-ngṳ̄ нохчийн Cebuano Chamoru Choctaw ᏣᎳᎩ Tsetsêhestâhese کوردی corsu Capiceño Nēhiyawēwin / ᓀᐦᐃᔭᐍᐏᐣ qırımtatarca къырымтатарджа (Кирилл)‎ qırımtatarca (Latin)‎ čeština kaszëbsczi словѣньскъ / ⰔⰎⰑⰂⰡⰐⰠⰔⰍⰟ Чӑвашла Cymraeg dansk Deutsch Österreichisches Deutsch Schweizer Hochdeutsch Deutsch (Sie-Form)‎ Thuɔŋjäŋ Zazaki dolnoserbski Dusun Bundu-liwan डोटेली ދިވެހިބަސް ཇོང་ཁ eʋegbe Emiliàn Ελληνικά emiliàn e rumagnòl English Canadian English British English Esperanto español español de América Latina español (formal)‎ eesti euskara estremeñu فارسی Fulfulde suomi meänkieli Võro Na Vosa Vakaviti kvääni føroyskt français français cadien arpetan Nordfriisk furlan Frysk Gaeilge Gagauz 贛語 赣语（简体）‎ 贛語（繁體）‎ kriyòl gwiyannen Gàidhlig galego گیلکی Avañe'ẽ गोंयची कोंकणी / Gõychi Konknni गोंयची कोंकणी Gõychi Konknni Bahasa Hulontalo 𐌲𐌿𐍄𐌹𐍃𐌺 Ἀρχαία ἑλληνικὴ Alemannisch ગુજરાતી Gaelg Hausa 客家語/Hak-kâ-ngî Hawaiʻi עברית हिन्दी Fiji Hindi Fiji Hindi Ilonggo Hiri Motu hrvatski Hunsrik hornjoserbsce Kreyòl ayisyen magyar magyar (formal)‎ հայերեն Արեւմտահայերէն Otsiherero interlingua Bahasa Indonesia Interlingue Igbo ꆇꉙ Iñupiak ᐃᓄᒃᑎᑐᑦ inuktitut Ilokano ГӀалгӀай Ido íslenska italiano ᐃᓄᒃᑎᑐᑦ/inuktitut 日本語 Patois la .lojban. jysk Jawa ქართული Qaraqalpaqsha Taqbaylit Адыгэбзэ Адыгэбзэ Kabɩyɛ Kabuverdianu Kongo کھوار Gĩkũyũ Kırmancki Kwanyama ဖၠုံလိက် қазақша قازاقشا (تٴوتە)‏ قازاقشا (جۇنگو)‏ қазақша (кирил)‎ қазақша (Қазақстан)‎ qazaqşa (latın)‎ qazaqşa (Türkïya)‎ kalaallisut ភាសាខ្មែរ ಕನ್ನಡ 한국어 조선말 Перем Коми Kanuri къарачай-малкъар Krio Kinaray-a karjal कॉशुर / کٲشُر کٲشُر कॉशुर Ripoarisch kurdî كوردي (عەرەبی)‏ kurdî (latînî)‎ къумукъ коми kernowek Кыргызча Latina Ladino Lëtzebuergesch лакку лезги Lingua Franca Nova Luganda Limburgs Ligure Līvõ kēļ لەکی Ladin lumbaart lingála ລາວ Silozi لۊری شومالی lietuvių latgaļu Mizo ţawng لئری دوٙمینی latviešu 文言 Lazuri मैथिली Basa Banyumasan мокшень Malagasy Ebon олык марий Māori Minangkabau македонски മലയാളം монгол ꯃꯤꯇꯩ ꯂꯣꯟ ဘာသာ မန် молдовеняскэ मराठी кырык мары Bahasa Melayu Malti Mvskoke Mirandés မြန်မာဘာသာ эрзянь مازِرونی Dorerin Naoero Nāhuatl Bân-lâm-gú Napulitano norsk bokmål Plattdüütsch Nedersaksies नेपाली नेपाल भाषा Oshiwambo Niuē Nederlands Nederlands (informeel)‎ norsk nynorsk norsk ᨣᩴᩤᨾᩮᩥᩬᨦ Novial ߒߞߏ Nouormand Sesotho sa Leboa Diné bizaad Chi-Chewa Nyunga occitan Livvinkarjala Oromoo ଓଡ଼ିଆ Ирон لسان توركى ਪੰਜਾਬੀ Pangasinan Kapampangan Papiamentu Picard Deitsch Plautdietsch Pälzisch पालि Norfuk / Pitkern polski Piemontèis پنجابی Ποντιακά Prūsiskan پښتو português português do Brasil Runa Simi Runa shimi Rumagnôl Tarifit rumantsch kaalengo tšimb romani čhib Kirundi română armãneashti tarandíne русский русиньскый armãneashti Vlăheşte Влахесте Vlăheşte Kinyarwanda मारवाड़ी संस्कृतम् саха тыла ᱥᱟᱱᱛᱟᱲᱤ sardu sicilianu Scots سنڌي Sassaresu کوردی خوارگ davvisámegiella Cmique Itom Koyraboro Senni Sängö žemaitėška srpskohrvatski / српскохрватски Tašlḥiyt/ⵜⴰⵛⵍⵃⵉⵜ Tašlḥiyt ⵜⴰⵛⵍⵃⵉⵜ ၽႃႇသႃႇတႆး tacawit සිංහල Simple English Кӣллт са̄мь кӣлл bidumsámegiella ubmejesámiengiälla slovenčina سرائیکی سرائیکی slovenščina Schläsch Gagana Samoa åarjelsaemien julevsámegiella anarâškielâ sääʹmǩiõll chiShona Soomaaliga shqip српски / srpski српски (ћирилица)‎ srpski (latinica)‎ Sranantongo mbia cheë SiSwati Sesotho Seeltersk себертатар Sunda svenska Kiswahili ślůnski Sakizaya தமிழ் Tayal ತುಳು తెలుగు tetun тоҷикӣ тоҷикӣ tojikī ไทย ትግርኛ Türkmençe Tagalog толышә зывон Setswana lea faka-Tonga Tok Pisin Türkçe Ṫuroyo Seediq Xitsonga татарча/tatarça татарча tatarça chiTumbuka Twi reo tahiti тыва дыл ⵜⴰⵎⴰⵣⵉⵖⵜ удмурт ئۇيغۇرچە / Uyghurche ئۇيغۇرچە Uyghurche українська اردو oʻzbekcha/ўзбекча ўзбекча oʻzbekcha Tshivenda vèneto vepsän kel’ Tiếng Việt West-Vlams Mainfränkisch Volapük Vaďďa Võro walon Winaray Wolof 吴语 хальмг isiXhosa მარგალური saisiyat ייִדיש Yorùbá 粵語 Vahcuengh Zeêuws ⵜⴰⵎⴰⵣⵉⵖⵜ ⵜⴰⵏⴰⵡⴰⵢⵜ 中文 文言 中文（中国大陆）‎ 中文（简体）‎ 中文（繁體）‎ 中文（香港）‎ Bân-lâm-gú 中文（澳門）‎ 中文（马来西亚）‎ 中文（新加坡）‎ 中文（台灣）‎ 粵語 isiZulu
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Trailer for Blue Valentine (2010) starring Ryan Gosling and Michelle Williams
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Derek Cianfrance dared to portray sex with any sense of realism, both physically and emotionally, only to quickly get slapped with an NC-17 rating for showing Michelle Williams’ character, Cindy, on the receiving end of oral sex. “The sex felt real - it wasn't sexy or 'a sex scene', and that's why we got into trouble,” co-star Ryan Gosling remarked to The Observer at the time. “You shouldn't be penalised for doing a good job.” After successfully appealing against the MPAA’s decision, Blue Valentine reached cinemas as an R, thankfully allowing mainstream audiences to see how emotionally complex a matter sex can actually be, especially in a broken down marriage like the one shared by its lead characters.
Gina Prince-Bythewood has masterfully shown Hollywood how cinema can portray realistic sex without any loss of romanticism or intimacy. That’s especially true of her directorial debut, 2000’s Love & Basketball, in which Monica (Sanaa Lathan) loses her virginity to childhood sweetheart, Quincy (Omar Epps). The moment is wonderfully tender, aided by Maxwell’s cover of Kate Bush’s “This Woman’s Work”, while being one of the rare films that actually shows the use of a condom. “The only note that I ever got from the studio during the filmmaking process was that when I shot that scene, they looked at the dailies and they said, they didn’t think she was enjoying it enough,” Prince-Bythewood told The Huffington Post. “And my argument was, it’s the first time and despite what the male fantasy might be, it’s not that great.”
Alfonso Cuarón’s raucous classic inverts the American sex comedy: Julio (Gael García Bernal) and Tenoch (Diego Luna) are stereotypical, sex-obsessed young men distraught at the concept of their girlfriends leaving the country. Choosing to live as bachelors, they befriend an older woman (Maribel Verdú), who seduces both of them. Yet, the film drives them towards one, real truth: their own bisexuality, finally freed during the film’s famous threesome. Though Y Tu Mamá También's conclusion is tragic - Julio and Tenoch's reject their own truth, turn their backs on each other, and suppress their feelings - their threesome still marks a moment of genuine, harmonious sensuality.
God’s Own Country star Alec Secareanu admitted he was initially “very afraid” of the kinds of scenes he would be tasked with filming for the gay drama film. “But the way each character has sex tells a lot about them; the way that they develop their relationship,” he told Attitude. The first sexual encounter between Secareanu’s character Gheorghe and Johnny (Josh O’Connor) is quick, aggressive and with little intimacy. As Johnny slowly learns to open up to Gheroghe, their second encounter is far more romantic; intense in a different way to the first. Both actors later told of how they developed a close bond in real life after working together on-screen.
A film that finds its eroticism in small gestures - in the languid rest of a glove, in a glance, shared across a crowded room - when it comes to director Todd Haynes actually filming the first time Therese (Rooney Mara) and Carol (Cate Blanchett) have sex, their chemistry is already so palpable that the moment feels nothing short of explosive. “It's very much like shooting a musical number,” Haynes told E!News of the scene. “You start the music and basically you just go and the camera finds the moments and the beats. And we had some amazing material with these two women to work with.”
Barry Jenkins’ Oscar-winner is one of the most tender depictions of yearning in modern cinema. Its protagonist Chiron (played by Ashton Sanders here, at other points by Alex R. Hibbert and Trevante Rhodes) experiences his first sexual encounter with fellow student Kevin (Jharrel Jerome) on a quiet, isolated beach. Their fumbling may pay testament to the awkwardness of a teenager’s first experiences, but Jenkins’ approach also gives the moment a profound grace, and an acknowledgement of how it will come to shape Chiron’s own view of himself. “It’s the first time I filmed a sex scene. It’s the first time these actors had performed a sex scene,” Jenkins told Entertainment Weekly of the scene. “It’s not gratuitous. It’s very delicate in keeping with most of the film, but it kept me up at night. I really wanted to get the feelings of that first sort of sexual expression, and I wanted to get it right… but then, when we got to shoot it, it rolled off like butter.”
Much like Blue Valentine, Nicolas Roeg’s 1973 classic swiftly faced controversy due to a sex scene so emotionally faithful (while also depicting a female character, Julie Christie’s Laura, receiving oral sex), that it caused clashes with censors. A grieving couple desperately holding onto the shreds of their marriage after the death of their child, Laura and John (Donald Sutherland)’s raw emotions and vulnerability in this moment are famously intercut with post-coital preparations to go to dinner - an attempt, in fact, to satiate censors. Christie herself admitted the film’s innovations made the scene difficult to film since, “There were no available examples, no role models ... I just went blank and Nic [Roeg] shouted instructions."
Sex is funny, sometimes hilarious. There’s no getting through this list without acknowledging that fact, and there’s no better film to summarise it than Team America: World Police and its infamous puppet intercourse, enthusiastically filing through every sexual position in the book. As puppet creator Stephen Chiodo noted to MovieWeb, it’s the scene’s bracing artifice that’s actually the key to its humour. As he explained, “The more realistic it became, the less funny it was. The more axes of movement, the more lifelike movement we gave the puppets during the sex scene, it just wasn’t funny. But when you had them stiff like dolls, kind of rutting, it just was funny.”
Trust David Lynch to create a highly-charged sex scene that inevitably only becomes part of the web created to deceive and befuddle us. Rita (Laura Harring) and Betty (Naomi Watts) may consummate their bubbling affections for each other in a sensuous, dreamlike manner - but who is Rita in this moment? Who is Betty? Is this encounter real or imagined? This moment of lush, Hollywood perfection only creates the set up for Mulholland Drive’s earth-shattering twist. Betty is now Diane, and her own sexual experience couldn’t be any more different: a tear-soaked, anguished masturbation scene that seems exemplary of her own broken soul.
One of the finest examples of the erotic thriller, director Adrian Lyne depicts the extramarital affair in its full urgency, its entire spectrum of conflicted emotions, as suburban housewife Connie (Diane Lane) becomes enraptured by a handsome young Frenchman (Olivier Martinez). Their initial encounter is at first tenuous, tender, before a hunger seems to consume Connie and her guilt is momentarily forgotten in the throes of extreme passion, only for them to creep slowly back on the train ride home. The memory of its erotic power, the searing regret; those feelings soon become feverishly intertwined.
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From Gina Prince-Bythewood's directorial debut Love & Basketball, to Todd Haynes' achingly romantic Carol 
From Gina Prince-Bythewood's directorial debut Love & Basketball, to Todd Haynes' achingly romantic Carol
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What makes the perfect sex scene? The pure eroticism? Its emotional undercurrents? The shift and flow of the camera? Of course, there’s no real answer.
Our concept of how sex should work on film speaks to so many variants: what personally gets us hot under the collar, whether we seek the fantastic or the realist, or how these scenes should tie in emotionally with the rest of the film. A great sex scene can be raw and passionate, languid and romantic; it can be tinged with an air of sadness and longing, or even downright hilarious.
The criteria are pretty much wide open. So, in that light, here are the candidates for some of the best sex scenes ever put to film:
Derek Cianfrance dared to portray sex with any sense of realism, both physically and emotionally, only to quickly get slapped with an NC-17 rating for showing Michelle Williams’ character, Cindy, on the receiving end of oral sex. “The sex felt real – it wasn’t sexy or ‘a sex scene’, and that’s why we got into trouble,” co-star Ryan Gosling remarked to The Observer at the time. “You shouldn’t be penalised for doing a good job.”
After successfully appealing against the MPAA’s decision, Blue Valentine reached cinemas as an R, thankfully allowing mainstream audiences to see how emotionally complex a matter sex can actually be, especially in a broken down marriage like the one shared by its lead characters.
Gina Prince-Bythewood has masterfully shown Hollywood how cinema can portray realistic sex without any loss of romanticism or intimacy. That’s especially true of her directorial debut, 2000’s Love & Basketball , in which Monica (Sanaa Lathan) loses her virginity to childhood sweetheart, Quincy (Omar Epps).
The moment is wonderfully tender, aided by Maxwell’s cover of Kate Bush’s “This Woman’s Work”, while being one of the rare films that actually shows the use of a condom.
"The only note that I ever got from the studio during the filmmaking process was that when I shot that scene, they looked at the dailies and they said, they didn’t think she was enjoying it enough," Prince-Bythewood told The Huffington Post . "And my argument was, it’s the first time and despite what the male fantasy might be, it’s not that great."
Alfonso Cuarón’s raucous classic inverts the American sex comedy: Julio (Gael García Bernal) and Tenoch (Diego Luna) are stereotypical, sex-obsessed young men distraught at the concept of their girlfriends leaving the country. Choosing to live as bachelors, they befriend an older woman (Maribel Verdú), who seduces both of them. Yet, the film drives them towards one, real truth: their own bisexuality, finally freed during the film’s famous threesome.
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Though Y Tu Mamá También 's conclusion is tragic - Julio and Tenoch's reject their own truth, turn their backs on each other, and suppress their feelings – their threesome still marks a moment of genuine, harmonious sensuality.
God’s Own Country star Alec Secareanu admitted he was initially “very afraid” of the kinds of scenes he would be tasked with filming for the gay drama film. “But the way each character has sex tells a lot about them; the way that they develop their relationship,” he told Attitude .
The first sexual encounter between Secareanu’s character Gheorghe and Johnny (Josh O’Connor) is quick, aggressive and with little intimacy. As Johnny slowly learns to open up to Gheroghe, their second encounter is far more romantic; intense in a different way to the first. Both actors later told of how they developed a close bond in real life after working together on-screen.
A film that finds its eroticism in small gestures - in the languid rest of a glove, in a glance, shared across a crowded room – when it comes to director Todd Haynes actually filming the first time Therese (Rooney Mara) and Carol (Cate Blanchett) have sex, their chemistry is already so palpable that the moment feels nothing short of explosive.
"It's very much like shooting a musical number," Haynes told E!News of the scene . "You start the music and basically you just go and the camera finds the moments and the beats. And we had some amazing material with these two women to work with."
Barry Jenkins’ Oscar-winner is one of the most tender depictions of yearning in modern cinema. An examination of identity, sexuality, and family as witnessed across three different stages of life, its protagonist Chiron (played by Ashton Sanders here, at other points by Alex Hibbert and Trevante Rhodes) experiences his first sexual encounter with fellow student Kevin (Jharrel Jerome) on a quiet, isolated beach. Their fumbling may pay testament to the awkwardness of a teenager’s first experiences, but Jenkins’ approach also gives the moment a profound grace, and an acknowledgement of how it will come to shape Chiron’s own view of himself.
“It’s the first time I filmed a sex scene. It’s the first time these actors had performed a sex scene,” Jenkins told Entertainment Weekly of the scene . “It’s not gratuitous. It’s very delicate in keeping with most of the film, but it kept me up at night. I really wanted to get the feelings of that first sort of sexual expression, and I wanted to get it right… but then, when we got to shoot it, it rolled off like butter.”
Much like Blue Valentine , Nicolas Roeg’s 1973 classic swiftly faced controversy due to a sex scene so emotionally faithful (while also depicting a female character, Julie Christie’s Laura, receiving oral sex), that it caused clashes with censors. A grieving couple desperately holding onto the shreds of their marriage after the death of their child, Laura and John (Donald Sutherland)’s raw emotions and v
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