Fuck Little Innocent

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Father Responds To Allegations Of His 'Pornographic' Photos In Amazing Way
Aug 21, 2014, 09:07 AM EDT | Updated Dec 6, 2017
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Arts and Culture Reporter, HuffPost
Wyatt Neumann is a photographer and a father. In 2014 he took his two-year-old daughter Stella on a cross-country road trip, photographing their journey along the way. Neumann captured sunsets and cornfields and, of course, Stella, often donning one of most two-year-old girls' two favorite ensembles: a princess dress and nothing at all.
In the middle of the trip, what the Safari Gallery describes as "a hyper puritanical, neo-conservative group" launched a cyber-attack on Neumann's images, specifically those of Stella. Calling the images "perverse," "sick" and "pornographic," members of the group attempted to remove all traces of them from the web. They successfully prompted Facebook and Instagram to shut down his accounts, and they criticized his artist website as well. While Neumann claims he was open to others expressing their opinions about his work, the "forced censorship" went too far.
"The anonymous public made their opinions about my work," he explained in an interview with The Huffington Post. "It was the actions they took against me, the reality for me was that these people could actually affect my ability to express myself. They took down my Instagram and Facebook; those are huge digital platforms for a photographer. It had a physical effect on my ability to communicate with people. The fact that they had that ability to control my experience in this life made me want to fight back. I really believe that the work is beautiful and [reveals] the innocence of childhood."
Neumann was determined, somehow, to turn all the hate directed his way into something beautiful. Rather than ignoring the criticism lodged against him, he created a new series in which he juxtaposed the hateful comments with the corresponding images he maintained were innocent. What he created was a photography show that presents both sides of the moral debate, allowing each visitor to interpret the images individually.
The title of the subsequent exhibition, "I FEEL SORRY FOR YOUR CHILDREN –- The Sexualization of Innocence in America," was in part inspired by an online comment attached to one of Neumann's works that read: "The whole thing is sickening and I FEEL SORRY FOR YOUR CHILDREN." The exhibition examines the attacks launched against his photographs as well as what he sees as a segment of contemporary culture, thriving off shame and censorship, that incited such attacks.
"When I decided to do the show I was so upset and I was like, You know what? I think this is beautiful," Neumann continued. "I'm going to show these to the world the way that I saw them when I took them. I'm going to put them in beautiful frames on beautiful walls in a beautiful gallery."
The exhibition proudly displays Neumann's photos, while raising the questions asked by anonymous online critics in a public sphere. Are these images pornography or art? Exploitation or expression? Is the human body a site of shame or wonder? Fear or freedom? These questions are not only at the core of this exhibition, but of a debate about the sexualization of young girls that far exceeds the parameters of the art world.
Neumann delves into the darker details in his artist statement: "What’s troubling is the abject reviling of the human body, the intense and overt sexualization of the natural human form, especially the naked bodies of carefree young children, who have yet to feel the burden of institutionalized body image awareness and the embarrassment that comes with adolescence. My children are free, they live without shame."
He continued to The Huffington Post: "My kids have a whole lifetime of having body shame issues. My daughter is going to have years of feeling not pretty. I want my children to have a solid foundation of self-confidence and self-worth."
The exhibition illuminates a struggle faced by many single fathers, who often feel targeted by a public suspicious of a man alone with a young girl. "The most impactful reaction [to the exhibition thus far] was a father who came, a single dad. It brought him to tears. He said 'I struggle with this all the time. I can feel this in America. As a man with a little girl, I feel this all the time.' As fathers we try to do our best; it's a difficult thing. The new breed of fathers in this country are adopting a lot of the ethos and positioning that has traditionally been a women's role."
Take a look at Neumann's striking series below, juxtaposed with negative comments expressed by incognito internet users. Let us know your thoughts on this bold project in the comments.
WARNING: Some readers may find the below language offensive.
Neumann's photographs are currently on view at The Safari Gallery at 355 West Broadway until August 21, 2014.
Arts and Culture Reporter, HuffPost

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The barrios of Medellin are controlled by criminals and are full of prostitutes, with virgins commanding the highest prices. Guillermo Galdos meets one woman who fears for her daughter’s future.

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I have been travelling to Medellin for nearly 20 years and during that time I have witnessed the city’s mutation from one of the murder capitals of the world to one of Colombia’s booming cities. Unfortunately the years of evil and greed have marked this city for life, and the beauty hides a violent and disturbing criminal underworld.
When Pablo Escobar was killed in 1993 the Medellin cartel was left without a boss – and most of the assassins, traffickers and foot soldiers were left without a job. But soon, criminal gangs started to appear to fill the gap.
La Oficina – or “The Office” – is one of the most notorious groups that sprung up. They started literally as an office where anyone could hire a hit man. Years later they developed into one of the biggest criminal organisations in the history of Colombia . Today “The Office” is not only involved in drug trafficking but also in extortion, prostitution and human trafficking.
The narcos have always had an appetite for beautiful women. Money has never been an obstacle for them and in a city used to the flow of easy money, everything has a price.
Escobar himself was known for paying thousands of dollars to have sex with models, actresses and even television presenters. Prostitution is not new to Medellin. A Colombian man once told me that “if you put a roof over Medellin it would be the biggest brothel in the world”.
When you are out in the city you realise why he said that. The back streets are full of prostitutes, both male and female. Many of them are incredibly young; smoking bazuco, a Colombian version of “crack”.
The place looked like the end of the world. On the corner you could see the gang members looking around, controlling the barrios.
After Medellin was “pacified”, tourists started to flock to the city looking for cheap drugs and for sex. Gangs like “The Office” realised the potential business they had in front of them.
First they offer just girls, then for more money you could have underage girls and then the golden prize for those willing to pay: “virgin girls”.
I met several victims of the gangs but most were too scared to go on the record. Only one of them agreed to speak to us. She lives in one of the poorest barrios in Medellin. Her name is Maruja. She is in her early 30s but looks older.
Her daughter is just 14 and the gangs have already warned her that they have somebody willing to pay lots of money for her daughter’s virginity. She has no means to move to another barrio.
She feels trapped. Incredibly, she tells me that she also was a victim of sexual abuse when she was young. “They will have to kill me if they want to take my daughter, my life was ruined and I don’t want them to do the same to her.”
I wanted to meet the new generation of criminals in Medellin. They are not the type of people that like cameras or journalists.
It took several months of meetings to convince them to allow me to film them. Then one night two boys picked me up in a car park in Medellin and took me up to a barrio controlled by “The Office”.
The local boss – Chino – came out to a shop to meet me. We walked and talked about Escobar, the paramilitaries, Farc and the current peace process in La Havana.
Chino never met Escobar but he admired him. He was proud when he told me that he killed for the first time when he was just 13 years old. Now, he looked no older than 30 and says he has murdered dozens of people.
“I lost count of how many people I have killed, I don’t want to remember,” he said, while joking about how they dismember the bodies and dump them in the canal to leave no evidence.
“We don’t want to heat up the barrio so you won’t see any bodies lying in the street like before. We are still at war but you won’t see the weapons in the street.”
Chino is well dressed and has clearly been educated. He doesn’t look like a Colombian criminal from Hollywood; he looks more like a young raver.
“The product has changed but we are still providing services. Before we sent coke to the world, now the world is coming to us. They come here because they can’t get what we offer anywhere else.”
He is right. It’s a shocking new criminal world thriving in Medellin – with criminals formerly of the drugs trade now trading in women.

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