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January 29, 2020 June 1, 2018 by Nishita Murugesh
French boys are a serious blessing to this world. From hot actors and musicians to sexy models, keep scrolling for some drool-worthy eye candy you need in your life!
France is home to gourmet food, expensive wines, scenic locations and of course, hot french boys. If you’ve never fantasized dating a french man, you’re probably lying. French men are known to be one of the sexiest beings in the universe. Mainly because of their gorgeous accents (sorry, Brit boys!) and Adonis-like faces. So here’s something that you can drool over or keep coming back to if you’re having a bad day (I know I will) – lots of pictures of hot french men!
I can’t be the only one who watches football just to drool over the sweaty, hot men on the field. Take a look at some sexy french men who put even sculpted Greek gods to shame.
You gotta love a man with a beard! This professional footballer who plays for Chelsea and France, never fails to catch eyes while he’s playing on the field. What with his height, sharp facial features, slicked back hair and luscious beard. If you don’t already watch football, now is a good time to start!
Competitive swimmer and an Olympic winner, Floret Manaudou, takes up a spot on our list of sexy french boys. Why? Just look at him, that’s why. Leaving his gorgeousness aside, he’s also appeared on TV shows like Vestiaires, Section de recherches and Munch. So, watching those would be a great way to learn french and swoon over sexy french men!
A popular name in football, Antoine Griezmann is one of the hottest young french men. He’s also very experimental with his hair – ponytails, man buns, mohawks and more! I can’t resist a man with great grooming skills. To see more of him, follow Atlético Madrid in the UEFA Europa League, which is going on right now. He also takes his shirt off at times so never take your eyes off the screen! He’s also one of the most famous french men to follow on Instagram .
Models are known for their unbelievable good looks and sense of style, take a look at some beautiful french men below!
Back in 2009, Naomi Campbell told Baptiste, “It’s not right, we all have defects. You have none.” If that doesn’t give you an indication of his perfection, I don’t know what will. Not only is this french male model smokin’ hot, but also a very talented musician. Also, he’s the current male face of Fendi and Chanel. I don’t usually watch the menswear fashion shows, but looks like I may have to start now.
He’s another one of the many Parisian men who have faces you’d think were carved by the angels above. His sexiness has rendered me speechless, so I’ll just leave a couple of his hottest pictures so you can drool with me.
At just the age of 16, Clement made his debut at the Dior Homme show in Paris in 2006. He’s one of the most recognizable french male models and has since modeled for many top brands and walked the runways for John Galliano, Hermès and Yves Saint Laurent. With his bright blue eyes and dark locks, he’s as dreamy as french men get.
Check out some famous french men who can sing and play music as beautifully as they look.
No matter what part of the world you live in, David Guetta is no stranger to you. This popular DJ’s music has now become a part of mainstream EDM. And of course, he had to be on our list of hot french boys and men. I mean, look at that long blonde hair and piercing hazel eyes. He may be 50 and all that but he only seems to be getting better with age!
A man who’s easy on the ears and easy on the eyes? Yes, please! Matt Pokora’s not just a famous singer or one of the most good-looking Parisian men, he’s also a dancer, song-writer and actor. Also, never google for his shirtless pictures, you might not be able to handle the hotness.
This french singer needs no introduction if you know and love pop music. After participating on The Voice and winning it, he shot to fame and has released two hit albums since then. He’s only 21 so I’m gonna try and not obsess over him for too long. But I’m sure he’s every young girl’s dream! I’d also say he’s one of the best famous french males on Instagram.
It’s no doubt that french men look a million times sexier with long, rugged hair. And Julien Doré is proving just that. Binge-watch his music videos, they’re so aesthetically pleasing!
Keep reading to know about some famous french men in the film industry who happen to be hot as hell!
No matter where he goes, this actor is always dressed to the nines. And that’s another thing I love about french boys. They have impeccable style. Watch movies like Love Songs, The Beautiful Person and Fool Moon to admire him some more. I recommend The Princess of Montpensier if you have a thing for hot french men in medieval clothing.
Having appeared in more than 50 films, Raphaël’s easily one the most famous french males. His smoldering gaze and alluring eyes were enough to make it to our french sexy men list.
Remember Hannibal Lecter, the psychopathic serial killer in Hannibal Rising? Well, this gorgeous being is him all grown up. Excuse me while I try not faint from his extreme sexiness.
Cute french men with boy-next-door looks are the key to my heart! And Jean-Baptiste is one of them. Also, his razor sharp jawline deserves an honorary mention. And fortunately, he’s currently one of the single french men!
This french actor reminds me so much of Russell Brand. I don’t know if it’s the crazy hair or the quirky personality. But I’m sure we can all agree on the fact that he’s a good-looking french guy. Watch his popular movie, The Heartbreaker, for a good laugh. It’s one of my favorite french movies ever!
As much as we’d like to shower you with pictures of sexy french guys everyday, it’s not possible. So, follow these Parisian men on Instagram for a daily dose of hotness! They might post a lot of things in french, but don’t worry, their faces and bodies are all you need to see!
Anthony Gastelier – @anthonygastelier
Frederic Tisseau – @_frederictisseau_
Matthieu Charneau – @matthieucharneau
So that was all about the hottest french boys the world needs to know about! Let us know who you think are the hottest men in France by tweeting @shilpa1ahuja !
Nishita is a Staff Writer/ Journalist at ShilpaAhuja.com. She is a graduate of National Institute of Fashion Technology and has a degree in leather design. A lover of all things fashion, she writes about everything from beauty, hair and lifestyle to fashion trends and how-to’s. Her area of expertise is outfit ideas but being fresh out of college, she also loves writing about college fashion. Her new found love of baking is currently taking over her life, making her write about all things chocolate and easy recipes. With a flair for sketching and a great eye for detail, she’s previously designed leather garments for brands like Diesel and Salsa. When she’s not writing, she’s busy reading extremely sappy Nicholas Spark’s novels, sewing clothes and listening to some indie rock. Also super passionate about photography, she loves portraits and wildlife photography – a habit turned love that formed with the amount of traveling she did as a teenager. As a girl who grew up with books and movies like Pride & Prejudice, her love for period fashion is huge. And being curly haired, she’s always on a constant hunt for solutions to problems that come with having ringlets and loves sharing them with people through her articles. For feedback and questions, email nishita@shilpaahuja.com or connect with her on twitter @ni95.
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We look back at the best French gay cinema.
Traditionally France has been seen as one of the most liberal countries in the world, and it boasts an enviable record on gay rights, despite the occasional rantings from Brigitte Bardot. But has this homofriendly attitude translated to its cinema?
We’ve kept the list to films that are easily available to watch in the UK , but honourable mention should go to The Ostrich Has Two Eggs (1957), a dated farce that at least has a sympathetic gay son, albeit one who never appears on screen, and Les Amitiés particulières (1964), set in a boys’ boarding school. Les Nuits fauves (1992) is one of the finest films to deal with the AIDS crisis, while the best work of the recently deceased Patrice Chéreau (especially 1983’s L’Homme blessé ) narrowly missed the cut.
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Where are the lesbians? Good question, as French cinema is particularly strong on sapphic cinema. Alas, pioneering films such as Club de femmes (1936) and Olivia (1950) aren’t easily available in the UK , but hopefully a list will appear in the future.
French writer Jean Genet is one of the key figures of gay culture, whose novels (including Querelle of Brest), plays and essays have been championed by gay and straight readers alike. His only venture into film was never meant to be seen outside of a small clique of intellectuals, yet has since been restored and released on DVD . It’s a heady fantasy set in a men’s prison, where passion, longing and sexual desire infiltrate every cell. The cast consists of non-professionals Genet knew personally.
Its scenes of nudity and masturbation lead to numerous bans and cuts over the decades. Ironically, its most celebrated erotic sequences involves two clothed men who never touch, as one blows cigarettes smoke through the cell wall into the mouth of his neighbour. It had a major influence on later cinema depicting queer longing, notably Rainer Werner Fassbinder’s adaptation of Querelle (1982).
Jean Cocteau is another major figure in LGBT history. While he was a renowned poet, artist and writer, his distinctive films are the most potent part of his legacy, particularly his gothic adaptation of the Beauty and the Beast fairytale, La Belle et la Bête (1946), and his lyrical modernisation of the Greek myth of Orpheus, set in contemporary Paris. While the romantic relationships are straight, the iconic imagery is unquestionably queer.
Cocteau casts his former lover Jean Marais as Orphée, who attracts the romantic interests of a woman in black, soon revealed to be Death. After she claims the life of his wife, he must brave the underworld to ensure her return. The camera’s lingering gaze over the handsome male actors, the theme of leaving a normal reality to transgress into a world beyond society’s norms, and, most famously, the leather-clad bikers who accompany death on her reaping missions, mark this out as a key queer work.
File this one under ‘queer aesthetic’. In the most excessive of Jacques Demy ’s films, he creates an infectiously cheery musical in which everyone has a ball. Catherine Deneuve and Françoise Dorléac are the damsels of the title, looking for love in the sunny seaside town of Rochefort. But will any of the attractive men on offer fall for their charms?
There’s nothing explicitly gay here, but any film that shoves Jacques Perrin in a sailor suit, squeezes George Chakiris into tight white trousers and decorates itself with lavish, lurid sets definitely has a queer eye. Its relentless good nature isn’t for Scrooges, but it’s a hard heart that can’t enjoy Gene Kelly’s surprise cameo, or the vision of Deneuve in elbow-length gloves, chain-smoking while removing a chicken from the oven (trust us, it’s amazing).
“Une comédie très gay” smirked the tagline for this box-office smash. This frantic farce, based on a play by Jean Poiret and remade as The Birdcage (1996) and a long-running musical, is the ne plus ultra of camp, and a clear inspiration on later drag comedies such as The Adventures of Priscilla, Queen of the Desert (1994). Renato, a nightclub owner, and Albin/Zaza, a flamboyant drag queen, play host to the former’s son, fiancée and her hugely conservative parents. The son wants Albin out of the picture for fear of offending his prospective in-laws, but Albin has other ideas.
It quickly became the most popular foreign-language film of all time at the American box office, and director Édouard Molinaro , the script and the marvellous costumes were all Oscar-nominated. Michel Serrault’s Zaza commands – and demands – the spotlight throughout, and the set pieces still fizz, notably the uproarious final soirée. Those seeking “straight-acting men, no time wasters” aren’t invited to this party. And they’re missing out.
There’s something to offend everyone in Bertrand Blier ’s riotous comedy. A long-suffering husband (Michel Blanc) and his vindictive wife (Miou-Miou) have a blazing row in a restaurant, when an oafish burglar (Gérard Depardieu) interrupts, hits the woman and becomes embroiled in their relationship, taking them on his stealing outings. He has seduction in mind but, to the growing horror of the husband, it’s he, rather than his wife, whom the burglar has in his sights. But persistence pays off, and political correctness is given another kicking.
Blier’s films often focus on two inadequate men uniting against women (Les Valseuses, the Oscar-winning Get Out Your Handkerchiefs), and undertones of homosexuality have always lingered in the air. Here it’s made explicit, albeit in an occasionally homophobic context – the scenes where the husband is forced to don women’s clothing are particularly uncomfortable. Yet its gleeful offensiveness is catchy, and the energetic performances are top notch, particularly from Blanc, who won the best actor award at Cannes.
Before his acclaimed features (8 Women, Potiche, In the House), François Ozon was a celebrated short filmmaker whose distinctive work was the toast of film festivals worldwide. Une robe d’été is the most fun, a playful three-piece comedy set on a summer holiday by the beach. When Sébastien’s queeny performance to the song ‘Bang Bang’ irritates Luc, his boyfriend, to distraction, the latter heads to the beach for some gratuitous skinny dipping. There he encounters Lucia, and unexpected polysexual attraction enters the equation. But the summer dress of the title comes along to save the day.
Whereas Ozon’s later queer films were tinged with darker themes (Water Drops on Burning Rocks, Time to Leave), Une robe d’été is a magnum of fun champagne, where all are good at heart and everyone gets laid. The summer dress becomes an emblem of acceptance – butch or femme, masculin ou feminin, it’s a frothy lesson in sexual freedom and gender diversity.
Only two films directed by women made it into Sight & Sound’s last round-up of the greatest films of all time – Chantal Akerman’s feminist masterpiece Jeanne Dielman, 23 quai du commerce, 1080 Bruxelles (1975) and Claire Denis’ Beau Travail (1999), a sweaty sort-of adaptation of Herman Melville’s Billy Budd. Denis Lavant plays Sergeant Major Galoup, who oversees his troop in a remote garrison based in east Africa. The arrival of the beautiful and charismatic Gilles threatens both his authority and his command on his sexuality, as an unrequited homoerotic attraction takes hold. Galoup responds with sadism, punishing the younger man for the uncomfortable new feelings he is experiencing.
Few female directors choose to set their films in an all-male setting (Kathryn Bigelow is a notable exception). Denis is fascinated by the physicality of her subjects, and transforms military manoeuvres into energetic tributes to the masculine form. The final scene, featuring Lavant dancing alone in a nightclub, is one of the most unforgettable endings in French cinema.
Gay men hate and fear women, even more than straight men. At least, that’s the thesis of Anatomy of Hell, Catherine Breillat ’s extraordinary and shocking exploration of society’s reaction to female sexuality. When a woman (Amira Casar) slashes her wrists in a gay bar, she challenges her homosexual rescuer (Italian porn star Rocco Siffredi) to spend four nights with her to “watch me where I’m unwatchable”. Graphic sex acts, rake handle insertion and menstrual blood quaffing ensue. Forget the cliché of the gay best friend, this guy can’t stand women.
It’s easy to snigger at the portentous dialogue (“The elasticity of a boy’s anus doesn’t lie about the tightness of the lower intestines”) and the assumption of misogyny may rile male viewers, gay or straight. But it confirms Breillat as one of the most genuinely provocative filmmakers around today. It goes even further than her previous essays on female sexuality (the graphic Romance, the controversial À ma soeur!) to create a real one-of-a-kind viewing experience.
This little-discussed film deserves far more attention. Directed by Gaël Morel (Our Paradise) and co-written by Christophe Honoré (Ma mère, Man at Bath), it tells the story of three brothers. The first segment focuses on the middle brother, a drop-out in trouble with some thugs, the second on the ex-con trying to go straight, and the third on the youngest sibling, who starts a relationship with another man. Only the final third is explicitly gay, but homoerotic tensions simmer throughout.
Most reviews focus on the showy performance of the frequently naked Nicolas Cazalé as the rebel without much of a cause in the first chapter, but the emotional heart lies in the final third, as Morel explores the complexities of the vulnerable gay youth who must choose between fraternal loyalty and a chance at romantic happiness. The last scene, backed by weeping violins, is achingly moving.
Sébastien Lifshitz is best known for his gay features (Presque rien, Going South), but his finest work to date is this revealing documentary in which gay men and women in their 60s and 70s talk about their lives and loves. While some tell stories of repression, family estrangement and catholic guilt, all are out, proud and inspiring, from the infectiously enthusiastic lesbian activist to the octogenarian bisexual shepherd unrepentantly recalling his many sexual conquests. Stirring archive footage from the 1960s shows pro-gay demonstrations – interestingly, many of the straight onlookers support the liberal marches.
These witty, charismatic and courageous people paved the way for the freedom gay men and women enjoy today. Their disarming frankness creates an invaluable oral history, while their tales of oppression show how far gay rights have progressed over the decades.
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