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From Wikipedia, the free encyclopedia
Gabriela Capello Julia Murat Rafael Lessa Roberto Winter
Sol Miranda
Lucas Andrade
Lorena Comparato
Isabela Mariotto
Beatriz Pomar Julia Murat Mair Tavares
August 10, 2022 ( 2022-08-10 ) ( Locarno )
^ Jump up to: a b c d Young, Neil (August 14, 2022). " 'Rule 34': Locarno Review" . Screen Daily . Retrieved August 17, 2022 .
^ "Regra 34; Júlia Murat" [Rule 34; Julia Murat]. Imovision (in Portuguese) . Retrieved August 17, 2022 .
^ "Concorso internazionale: Regra 34 (Rule 34)" . Locarno Festival . Retrieved August 17, 2022 .
^ Jump up to: a b c Blaney, Martin (August 13, 2022). "Brazil's 'Rule 34' wins top prize at Locarno Film Festival" . Screen Daily . Retrieved August 17, 2022 .
^ Jump up to: a b Sennhauser, Michael (August 13, 2022). "REGRA 34 von Júlia Murat" [REGRA 34 by Julia Murat]. Sennhauser's Film Blog (in German) . Retrieved August 17, 2022 .
^ Marie de la Fuente, Anna (August 1, 2022). "Brazil's 'Rule 34' Drops Trailer Before Locarno Main International Competition Bow (EXCLUSIVE)" . Variety . Retrieved August 17, 2022 .
^ Lodge, Guy (August 13, 2022). "Provocative Brazilian Film 'Rule 34' Wins the Top Prize at Locarno Film Festival" . Variety . Retrieved August 17, 2022 .
^ Ntim, Zac (August 13, 2022). "Locarno Film Festival Winners: 'Rule 34' Takes Golden Leopard" . Deadline . Retrieved August 17, 2022 .
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Rule 34 ( Portuguese : Regra 34 ) is a 2022 Brazil and France co-produced drama film directed by Julia Murat and starring Sol Miranda . The title of the film is based on the Internet phenomenon Rule 34 . Structured as a series of short episodes, it follows a young law student who develops a passion for defending women in abuse cases. At the same time, her own sexual interests lead her into a world dominated by violence and eroticism. [1]
The co-production between Brazil and France, distributed by Imovision [2] premiered at the 75th Locarno Film Festival on 10 August 2022, [3] where it won the Golden Leopard for best film. [4]
Rule 34 is the third feature film by Brazilian director and screenwriter Julia Murat. The film's title refers to the so-called Rule 34 . It is an internet maxim which asserts that Internet pornography exists concerning every conceivable topic. [5] The project was part of the 2019 Berlinale Co-Production Market. [4] Murat wrote the screenplay together with Gabriela Capello, Rafael Lessa and Roberto Winter. [1]
Filming took place in 2020. Having lacked the money to complete the film, Murat received a € 35,000 grant in July 2021 as part of the Gothenburg Film Festival. [4] The money came from the festival's Audiovisual Fund, set up at the initiative of the Swedish government to protect democracy around the world. [1] [6]
Independent Swiss journalist Michael Sennhauser saw a playful, cleverly argued film "with a clear provocative twist". As with the competition entry Tengo sueños eléctricos , which received three awards in Locarno, it “clearly plays a role” that there is a female director behind the work. "Precisely because it [the film] moves in this area where personal freedom only works as long as they mutually agree that encroachment is negotiable," stated Sennhauser. [5] Neil Young writing in Screen Daily also saw a "surprise winner". It is "a fascinating and ambitious third feature film" and "a sensual, intimate character study" by Murat. Newcomer Sol Miranda put on a "strong central performance" by a "multifaceted black woman [...] in bustling Rio de Janeiro." With her play, she penetrates the didactic tendencies of the screenplay and the theoretical treatises disguised as dialogue. Young, however, criticized the "stylistically conventional" images by cameraman Leo Bittencourt in comparison to the red-hot topics dealt with, which are kept "pervasively flat in TV style" and would therefore hardly lose their impact on the small screen. The climax of the film is the final 75-second shot of Simona's real-life meeting with her online follower. Lead actress Miranda shows a "convincing range of emotions" and the close-up is reminiscent of Greta Garbo in Queen Christine (1933), Bob Hoskins in The Long Good Friday (1980) and Mia Farrow in The Purple Rose of Cairo (1985). [1]
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