Fox Glamour Models Cover Models

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Fox Glamour Models Cover Models
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Part of HuffPost Black Voices. ©2022 BuzzFeed, Inc. All rights reserved.
Feb 1, 2013, 09:57 AM EST | Updated Dec 6, 2017
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Part of HuffPost Black Voices. ©2022 BuzzFeed, Inc. All rights reserved.
Senior Fashion Editor, The Huffington Post
In celebration of Black History Month we're looking back at groundbreaking moments in fashion, beauty and beyond. There are plenty of firsts, little-known facts and milestones that deserve to be highlighted--so we're doing just that!
THE MAJOR MOMENT: In August 1968, Kironde became the first woman of color to ever grace the cover of Glamour magazine. Kironde, who was 18-years-old at the time and an undergraduate at Harvard University, applied for Glamour's "Top 10 Best Dressed College Girls" competition and won the highest honor. The issue was not only a milestone for the then 30-year-old publication, but it was also the first time that any black women had been featured on the cover of a mainstream women's fashion magazine in the United States. Kironde, the daughter of a Ugandan diplomat, wore a crisp white shirt, smart paisley printed scarf and pearl post earrings for the historic photo.
FAB FACT: Selling more than two million copies worldwide, Kironde's Glamour issue remains the magazine's best-selling issue of all time .
FAST FORWARD: After graduating from Harvard Kironde pursued a career in fashion--spending the next 30 years on the design and production side of the industry for a handful of major brands, including Laura Ashley and T.J. Maxx. She eventually launched her own clothing line, Katiti , only offering a selection of the perfect white button-down shirt. And in 2010, Kironde taught Harvard University's first-ever Introduction to Fashion course .
Senior Fashion Editor, The Huffington Post

It's Aless-Undies Victoria's Secret model Alessandra Ambrosio, 37, dazzles in her underwear
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THEY were pin-ups for a generation of adoring fans - but what happened to our best-loved glamour models when they moved on from Page 3?
The former icons of the 80s have gone on to have celebrity partners, successful pop careers and model for Vogue.
Linda Lusardi , 63, has revealed she’d tell her younger self to seek fame as an actress instead of posing for Page 3.
She said: “I was young and enjoying life and it was a very different time. It was everywhere. It was a great career and I am where I am now because of it.
“I found acting late in life, though, and I may have made a career from it if I’d come to it earlier.”
But she’s not the only former glamour girl to carve out a new career for herself. We investigate what the stars of the 80s did next.
She regularly tops polls of Britain’s favourite glamour girls - but Linda now says she wishes she’d tried to break into acting first.
She launched her career as a topless model in 1976 - and three decades on was voted the Best Page 3 Girl of all time.
After leaving the paper she went for her dreams and sought out a career as an actress.
Linda, now 63, joined the Emmerdale cast as Carrie Nicholls in 2007, the ex-girlfriend of Tom King and the mum of his secret daughter, Scarlett - and left in 2008.
She’s also appeared on The Bill, Hollyoaks and Brookside.
A keen cook, Linda won Celebrity Come Dine With Me in 2008, and came in sixth on Dancing On Ice earlier that same year.
She also reached the final five in the 2011 series of Celebrity MasterChef.
Onstage she has starred as Eliza Doolittle in Pygmalion at the Malvern Festival and in various other productions, including more than 25 pantomimes.
Last year, fans were relieved to hear she had recovered from Covid-19 after spending 10 days in hospital fighting the virus.
After her Sun debut in 1983, Samantha Fox became one of the UK’s most famous women.
Sam , 55, was the first girl to be signed on an exclusive four-year deal and worked on all sorts of shoots for the paper.
She said: “I did Page 3 but also loads of fashion and swimwear shoots.
“I promoted Sun bingo and the paper even made pillow cases with my face on that readers could buy.”
Her newfound fame opened doors and she launched a successful singing career.
Sam sold over 30million records with songs including her 1986 hit single Touch Me.
She sung with Freddie Mercury , cracked America and still tours today.
The former pop star is engaged to Norwegian mum-of-two Linda Olsen, 46.
It comes four years after the sad death of her beloved partner Myra Stratton, who she was with for 12 years.
Model Kathy Lloyd, 54, rose to fame at the age of 18 in 1986 after becoming a glamour girl for The Sun.
The pretty brunette was popular with readers and was named Page 3 Girl Of The Year three times in 1986, 1990 and 1994.
Her natural beauty was also spotted by a series of stars .
She dated Eric Clapton in the early 1990s before she’s said to have had a brief romance with Take That's Jason Orange around 1995.
Now she has happily settled down with her current partner Lee Anderson and daughter Lola, nine.
She now records music of her own with her husband under the moniker Lee Anderson and The L.A. and the duo’s songs Never Give Up and Lover Like You have been listened to millions of times on Spotify.
Her Instagram shows she still leads an enviable life jetsetting to glamorous locations around the globe including St Tropez in France and Barbados.
After giving up modelling Tracy Kirby thought that working as a currency courier would be a lucrative move. 
But, in reality, the job really involved moving cash for an international drugs ring. 
Tracy - who was a Page Three staple in the 1980s - was arrested for money laundering and spent two years in Holloway prison. 
She wrote a book about her experience inside called Model Prisoner.
Tracy, now 52, now works as a furniture upholsterer and lives in Essex with her husband Dennis Arif, 64, and their teenage daughter Tyler-Blue.
She said: “Prison was a world away from my Page Three days - travelling to all these glamorous locations and getting an invite to every A-list event.”
Nina became one of the most successful models of her time after finding fame on Page 3.
She formed the pop duo Blonde On Blonde alongside fellow glamour girl Jilly Johnson.
The band scored a Number 1 in Japan and their cover of Led Zeppelin’s Whole Lotta Love was a radio staple in the early 80s.
Nina went on to pose for Vogue and appear in the celebrated Pirelli Calendar. 
She starred in commercials for cigars and Martini and in 1984 married Yes keyboard player Rick Wakeman in 1984.
Nina, now 69, went on to run her own cosmetics company and developed a range of jumpers.
She divorced from Wakeman in 2004 after 20 years of marriage but found love again with plastic surgeon Douglas Harrison.
Middlesex-born Maria, 52, made her Page 3 debut back in 1969.
She soon became one of the most popular models to appear in the feature and was named Page 3 Girl Of The Year in 1989.
Her new fame opened doors and she had a brief acting career .
In 1986, she appeared in the movie version of Whoops Apocalypse and she made her second screen appearance in the film Tank Malling in 1989.
In 1990, Whittaker formed the band Rhythm Zone, who are known for the song Stop Right Now. 
She is married to a fellow musician - British jungle producer DJ Congo Natty - who calls her his "Queen".
She now goes by Maria Tafari and now works as a nutritionist, selling weight loss juices.
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‘Samantha Fox’s record label suggested she pose on a bed in the video for her first single. ‘”Going forward,” she writes, “every label representative would suggest that exact scenario.”’ Photograph: Graeme Robertson/The Guardian
Tue 12 Dec 2017 15.50 GMT Last modified on Wed 8 Sep 2021 10.10 BST
Sam Fox: 'I wanted the floor to swallow me up'
Hugh Hefner follows Rupert Murdoch by covering up female models
Original reporting and incisive analysis, direct from the Guardian every morning
© 2022 Guardian News & Media Limited or its affiliated companies. All rights reserved. (modern)
One of the most photographed British women of the 1980s talks about feminism, her abusive father and how she battled her fears to come out as gay
I n a small, unloved hotel, the receptionist greets me and Samantha Fox with pursed lips: “There will be no interview here,” she says. I feel as if I’ve wandered into the pages of Fox’s new autobiography, Forever, which is littered with bizarre anecdotes of best-laid plans going awry. From her ill-fated presenting partnership with a spaced-out Mick Fleetwood at the 1989 Brit awards, to a secret naked horseback photo shoot in Antigua – during which her steed galloped off with her to a busy tourist beach – not much has gone as expected in Fox’s life. Not least the day she worked with her childhood idol David Cassidy, who died earlier this month, which she says culminated in being sexually assaulted by him. Despite these, and many other setbacks, she says she is a “lucky girl”.
Fox was just 16 when her mother entered her for the Sunday People’s Face and Shape of 1983 competition – her wholesome, girl-next-door image made her the most popular Page 3 girl ever, and one of the most photographed women of the 1980s, alongside Princess Diana and Margaret Thatcher. By 21, she had made her first pop record and retired from modelling, going on to break the US and sell 30m records worldwide.
Her mother had wanted to be a model herself but didn’t have the money for the requisite clothes and portfolio. Fox went to theatre school as a child – Anna Scher and then Mountview – but there’s no telling if her profile would have risen so high if, she says (after the receptionist relents and lets us book a room), “that photographer hadn’t chosen me out of 20,000 girls”.
During her shoot as a finalist in the Sunday People competition, the photographer told her that “having such ample bosoms and such tiny hips was so unusual”. Summing up her appeal, he told her: “You have the face of a child and the body of a woman.
“When I think about it now, it sounds a bit creepy, to be honest, but he liked that I was very natural, no makeup,” she says. She puts her success as a Page 3 model down to her professionalism and enthusiasm as well as her looks.
Towards the end of the shoot, the photographer encouraged her to do a few topless pictures, promising they weren’t for publication – just to show the editors. Her father took a little convincing, but her mother, she writes, “was about to burst with pride and had no doubts”. Fox was grateful for the opportunity. “You only had to look around where I lived,” she writes. “There were plenty of people who had kids young. Plenty who were unemployed. Plenty who had rough, low-paying jobs.” Her only other ambition had been to join the police; unfortunately, she was too short.
Fox came second in the competition, but despite the photographer’s promises, her bare breasts were printed on the Sunday People front page. Her headteacher was not amused, but Fox was asked to sign autographs by boys at school (this was a contrast to the bullying she had suffered at primary school, when she wore calipers and a platform boot to treat a hip problem). She was offered a three-year contract with the Sun’s Page 3.
Fox says nothing sleazy happened during her time as a glamour model. “I was signed to the Sun exclusively, and I would only work with the photographer Beverley Goodway ,” she says. “If I ever did shoots at his swimming pool, his wife would make me dinner and my mum would accompany me. I knew who the sleazy photographers were and I wouldn’t work with them.”
“I would never pose for the Sunday Sport because I found that newspaper rude. There’s a line that you don’t cross in glamour modelling and I never went across the sleazy line,” she says. To her mind, Page 3 was so tasteful that you even had to make sure you didn’t hold any props suggestively. “If it was snooker week for example, you had to think about how you held the cue,” she says. Was she sad when Page 3 came to an end (the Sun dropped the daily picture in 2015)? “Not really,” she says, pointing out that she retired 30 years ago.
While 16 sounds young for glamour modelling, she says: “I was pretty astute after going to drama school and acting with adults, and I had already been in a band. I grew up early and came from a working-class market-trader family, who are very streetwise.” Sexual harassment had become part of everyday life before she started modelling. Boys used to follow her to the bus from school, and teachers would make smutty remarks. She says the incident with Cassidy happened in 1985, when she was hired to star in a video for his comeback record, Romance. In her book, she writes that Cassidy pressed his erection against her throughout filming, and at a restaurant later he barged in on her while she was washing her hands in the loos. He pushed her up against the wall, groping her all over, and when she told him to get off, he shoved his tongue in her mouth. “Straight away, I just kneed him in the bollocks, and told him where to go,” she says, before she returned to her father at the dinner table, acting as though nothing had happened. A similar incident happened in a restaurant in Mauritius with a man she didn’t know. “I did the same to him. I did martial arts from a young age, so my reactions are really quick,” she says.
Those are the only sexual assaults she says she has experienced, although she did have to hire bodyguards from the age of 18. “I’ve had a few stalkers,” she says. One tried to kill himself outside her house. She says: “I realised how fanatical people could be. He was French, and in his letters, he said that I was his wife and he was going to kill himself if I didn’t come out and talk to him.” There was another man, she recalls, “who changed his name to Sam Fox, sold everything he had back home in America and stayed at a bed-and-breakfast around the corner from me, so he could watch me”.
She has seen her posters stuck on the ceilings above the bunks of a warship. She went to Lemmy ’s house in 1985 to collaborate on a song and his walls were plastered with images of her. Did it make her feel uncomfortable that men all over the world were fantasising about her? “I used to think: ‘Wow, my god, my posters are everywhere,’” she says. “I think it’s fantastic.” Her parents vetted her fan mail when she was younger, to spare her the details.
In the book, she describes record signings that attracted uncontrollable crowds of men. “None of them wanted to grab me in the obvious places,” she says. “It was hysteria, just to get near me. Most of them would touch my hair. You’d see them all breaking windows, and risking their own lives, and I had to escape in helicopters off roofs. Sometimes I used to chuckle to myself and think: ‘I can’t believe what’s happening to me.’”
These days the fans are not all blokes. After a recent show in Russia, she recalls that a crowd were waiting in her hotel lobby. “This young girl, she must have been 23, said: ‘Samantha I love you, you’re so beautiful, I love your movies.’” She’d seen the 1995 Bollywood film Fox starred in, called Rock Dancer. “They’re all ages when you do retro shows,” she says, referring to the 80s-revival tours with Kim Wilde , Rick Astley , Bonnie Tyler and others, that are her stock in trade these days. “A lot of young people are into 80s music now,” she says. “It was an exciting time. The songs always had a story and the choruses were anthemic.”
In Britain, Fox struggled to be seen as a musician rather than a model. “At the beginning,” she says, “many people didn’t believe it was me on the record.” Her record label suggested she pose on a bed in the video for her first single, Touch Me (I Want Your Body). “Going forward,” she writes, “every single record label representative would suggest that exact scenario.” She had envisioned more of a Debbie Harry-style video, with her singing on stage, and that is what she did.
She learned to write songs while touring her first album (she is working on her seventh), and co-wrote the song Dreams, which appeared on All Saint’s William Orbit-produced album Saints & Sinners, released in 2000. Although they had agreed to split the writing credit, the band didn’t want Fox’s name on the record. Fox reluctantly agreed to use her mother’s maiden name. “I earned about £60,000 from the song,” she writes, “so maybe it was worth it after all.”
The saddest story involves her father’s betrayal. He was her manager from early on – a controlling character who increasingly spent more time drinking and taking cocaine than doing his job. “If Dad wanted me to sign something, I signed it. And if I wanted to buy anything, I had to ask him for money,” she writes. During her childhood, her mother kept a suitcase packed in case the arguments escalated and he became violent. Eventually, in 1991, he beat up his daughter, leaving her bleeding with a black eye. This gave her the resolve to sack him and take control of her business, only to discover he had been embezzling her money and hadn’t paid a scrap of tax on her behalf for three years. She sued him for £1m, but it all went on the tax bill and she had to start from scratch.
Years later, her father got back in touch, but he didn’t apologise. It turned out he had been offered a book deal for their story and wanted to be able to write that they had “found our way back to one another and put all that shit behind us”. They never spoke again, and he died in 2000. He was one of a
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