Фотосет красотки Arcadia Presenting Arcadia

⚡ ПОДРОБНЕЕ ЖМИТЕ ЗДЕСЬ 👈🏻👈🏻👈🏻

Фотосет красотки Arcadia Presenting Arcadia
A Boutique Bed & Breakfast, Venue & Event Space also featured TV & Film Location - Edinburgh New Town

The Art of Hospitality - Edinburgh Tram Advert


Arcadia at the Crescent - Edinburgh Tram Advert


Johnnie Walker supporting Fringe Venue 109

Arcadia at the Crescent - Edinburgh Tram Advert
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Following on from the success of last year’s Fringe show, Michael will again open his three-story Georgian townhouse to visitors.
A retrospective exhibition of past paintings and drawings refreshed by a new hot-off-the-press edition of prints from the series, Object Male Nude, looking at male beauty and the ever-present dogma of Classicism. Designed, curated and hosted by the award-winning Ukrainian/Italian/Scottish artist. You will enjoy a unique opportunity to discover and discuss his tastes and influences and then have the choice of taking home a Worobec after your visit.
Crescent House Art House, Guest House is an ever-changing space and residence designed and curated by the artist.
Our doors are also open for boutique B&B, private art tours, and creative events - you are most welcome to come along and have a look around. Out with advertised opening times please contact us to book a private view.
2021 Fringe show video - 2022 to follow
Award-winning artist Michael Worobec has forged a reputation for vivid, unsettling paintings which tackle deep-seated social problems, focusing in particular on the destructive power of the patriarchy.  
 ‘Art and the creative process have always been my companions in this journey of self-knowledge and acceptance. My Art has given me a voice to express my passion for social justice and self freedom’ said Michael Worobec
After two decades in London, in 2018 he returned to Edinburgh, the city of his childhood, and during this year’s Fringe festival audiences have the opportunity to meet the artist and view his extraordinary work in his own home, Crescent House, a beautiful Georgian Town House. 
Born of Italian and Ukrainian parents, his background had decisively influenced Michael’s work and subject matter. Series of paintings such as Fragments , Afro , Scrap, Tattoo and Object Male Nude are showcased and discussed within this exhibition.   
But this is much more than just an exhibition. The Art of Hospitality allows the visitor to see a retrospective collection of work created over more than 20 years in a unique context - the home and art house of the artist. Michael has written the notes which accompany the works and will be on hand to discuss his ideas and techniques. 
Crescent House is on Claremont Crescent, a hidden gem on the very edge of the New Town. Part guest house, part art space/venue, film and tv location it is firstly and most importantly a home. Curated and designed over three years by the artist it allows the guest to see the crossover of interior and the aesthetic preoccupations at play in this fascinating and creative space.
Michael’s growing interest in politics brought him back to Edinburgh, after a successful period in London. Michael wanted to be part of this excitement, to re-engage in his Scottish roots, his community as an artist, a neighbour and a citizen of a fine country and city. 
This was to be sorely tested with Covid. Losing his studio, and trying to carry on working through financial stress and the Covid Pandemic proved difficult and bleak.  
August 2021 Michael held his first post-pandemic exhibition with great success. The Edinburgh Fringe Festival seemed the perfect stage to announce to all that we are resilient and will play our part in the new dawn and re-ignite that flame that so encouraged his return to Edinburgh from London in 2018.
August 2022 and Michael is now in a new local Edinburgh studio and brings 'Arcadia at the Crescent' live at Crescent House during the Fringe.
Amazing property in a great location for a Scottish Staycation. Paul and Mike are fantastic hosts, would highly recommend, great value for money. Look forward to staying again soon
Crescent House was our absolute favorite lodging experience during our whirlwind three-week tour of Scotland in October 2019. Paul and Michael are fantastic hosts. The Budda Breakfast was a…
We accept all major credit cards, as well as a number of other ways to pay.
All our suites are equipped by modern comforts, fast wireless phone chargers and high-speed Internet access.
@michael_worobec and @paulskrg are delighted to announce that @claremontcrescent has been shortlisted for the Regional Finals of this year’s Scottish Thistle Awards. The highest honour in #ScottishTourism. We met with the judges in August during peak season. Judges ‘There have been a significant number of exceptionally high quality applications this year and we are delighted to recognise you as an outstanding candidate. It is with great pleasure that we invite you to join us and your fellow shortlisted finalists to celebrate as we announce the winners at the Awards Dinner. The black-tie awards ceremony will take place on 27th October 2022 @prestonfieldhouseedinburgh #ThistleAwards #fingerscrossed🤞
Always fresh flowers at Crescent House. #foreveredinburgh #visitscotland #edinburgh #staycation
Always fresh flowers at Crescent House. #foreveredinburgh #visitscotland #edinburgh #staycation
New hang at Crescent House. #accomodation #suites #ensuites #conciergeservices
Last minute #Edinburgh Festival Fringe deluxe accommodation has become available. Check-in available from Thursday 18th August to departure on Wednesday 24th August or between these dates - 2/3 night min stay applies. Check out live availability at www.crescenthouse.scot Or see LinkTree in profile for further links. #edfringe #accomodation #suites #ensuites #conciergeservices
We love those atmospheric Crescent House nights! #scotlandiscalling #Edinburgh #festivaltime
Flowers for a lovely morning. * #WeekendGetaway #luxurystaycation #ScotlandStaycation #stjamesquarter #stjamesquarteredinburgh #trip #Vacation #travelgem #Getaway #vacationvibes #Stay #Travel #StaycationScotland #Holiday #HolidayInspiration #Edinburgh #Scotland #TravelInspiration #VisitScotland #VisitEdinburgh #foreveredinburgh #breakfastbar #interiorsblog
Sad news that an era has come to an end. We at Crescent House have lit a candle tonight to mark our respects to her as a human, a woman that served and influenced history. A constant in our lives. #elizabethii #britishmonarchy
Edinburgh on top again! Number one UK attraction, again! #edinburgh #attraction #edinburghlive #scotlandisnow
Always fresh flowers at Crescent House. #foreveredinburgh #visitscotland #edinburgh #staycation
Live in person visits to ‘Arcadia at the Crescent’ Free Entry 12-4:30 daily. @edfringe August 2022
We love those atmospheric Crescent House nights! #scotlandiscalling #Edinburgh #festivaltime
Flowers for a lovely morning. * #WeekendGetaway #luxurystaycation #ScotlandStaycation #stjamesquarter #stjamesquarteredinburgh #trip #Vacation #travelgem #Getaway #vacationvibes #Stay #Travel #StaycationScotland #Holiday #HolidayInspiration #Edinburgh #Scotland #TravelInspiration #VisitScotland #VisitEdinburgh #foreveredinburgh #breakfastbar #interiorsblog
Another day another Buddha Breakfast.
New hang, our Peter Howson oil painting looking theatrical and powerful. #boutique #boutiquestay #edinburgh #edinburghisnow #ensuites #arthouse
Lovely fresh apples from a neighbours orchid. Lovely and fragrant. #accomodation #suites #ensuites #conciergeservices
Check out live availability at www.crescenthouse.scot Or see LinkTree in profile for further links. #edfringe #accomodation #suites #ensuites #conciergeservices

“Arcadia”: a conversation with the past and present
The time period of "Arcadia" shifts throughout the play, alternating between the 19th century and the ‘present day,’ which is never explicitly defined. Photo by Maddi Shinall.
“Arcadia”: a conversation with the past and present
Malcolm is a second-year sociology and Spanish major from Brooklyn, N.Y. He loves corner delis, ingenious Halloween costumes, therapeutic shower concerts and chocolate mousse cheesecake from Junior’s. He’ll gladly accept any and all music recommendations. Quality songs are preferred.
By Malcolm Galpern Levin
galpernl@grinnell.edu
Live theatre will make its grand return to Roberts Theatre this Friday, Oct. 8, with the premiere of “Arcadia” set to take the stage.  
“Arcadia,” a romantic comedy written by Tom Stoppard, is set in a manor house located in the fictional Sidley Park, England. The time period of the play shifts throughout, alternating between characters in the 19th century, specifically beginning in 1809, and those in the ‘present day,’ which is never explicitly defined. Through these temporal shifts, audience members understand the interconnected story between the separate characters existing in each period, some of which are descendants of one another.  
“The past is trying to interpret the future and develop formulas for understanding how the world works,” said actor Nicholas Lampietti `25. “The present is trying to do the exact same thing – they’re trying to understand the past.” 
“Arcadia” touches on several themes as characters discuss or allude to topics of thermodynamics, history, math and physics, romanticism and classicism to name a few. More broadly, the play focuses on the characters’ understanding of the world around them and their relationships with one another.
“The overall message is how we try to interpret what is beyond us and how we try to make sense of the world we don’t know,” said Lampietti. On top of that, he said the play has, “a lot of sex and love, and romance. Everyone is interested in someone else, and everyone has multiple suitors.” 
“It kind of looks at the foibles and inadequacies of human beings,” said Professor Emeritus Sandy Moffett, theatre and dance, who is directing the play.  
Moffett came into the play’s production halfway through the rehearsal process after a change in directorship. 
“I felt like my major job was to make the play happen,” said Moffett. “It’s [the actors’] show, you know, I mean they’re creating the character[s].” 
Lampietti shared an adage Moffett has told the cast during rehearsals: “Doing a play is supposed to be at its core about playing, and you should be having fun, and you should be taking risks and you should be doing silly or weird things that help sort of develop momentum and energy and are able to sort of create opportunities for further growth and discovery in your character.”  
Moffett directed his first play at Grinnell in 1971, but it’s been several years since he worked on his last production at the College. 
“It’s just been a lot of fun to come back and see the talent that Grinnell students have, and the dedication and creativity,” said Moffett.  
Erin Howell-Gritsch, Grinnell’s costume shop supervisor and costume designer on the production, spearheaded the task of deciding upon, fitting and acquiring the vast range of costumes needed for “Arcadia.” Howell-Gritsch was already familiar with “Arcadia” beforehand since she had designed costumes for the show once before as a graduate student at the University of Iowa in 1997. She also taught the play twice to students in her previous costume design classes.
The costumes, particularly for the 19th century characters, are quite elaborate and reflective of the time periods “Arcadia” takes place in. Audience members can expect to see performers donned in stand collar shirts, three-piece suits with ruffled sleeves, cravats, square-tailed coats, wigs, frilly bibs, grandiose hats and more.   
“Every character has a unique touch. There’s something about them, whether it’s the type of cravat that they’re wearing or how it’s tied or, you know, how high their boots are, there are just little differences in there that really sort of pop out some of the personality,” explained Howell-Gritsch.   
Lampietti plays two characters in “Arcadia.” The first is a 15-year-old boy named Augustus that he described as “a precocious little shit of a younger brother” and the second is the butler Jellaby, “the gossiper” of the group. Lampietti said the extensive nature of Jellaby’s costume – consisting of a three-piece suit, shirt, waistcoat, ascot and cravat among other pieces – is particularly challenging to wear. 
“The combination of the stage lights, which are really hot, you’re wearing three layers, you’ve got a mic that you’re wearing … You definitely sort of feel a little mechanical doing it,” he said.  
Cast members often change outfits throughout the course of the play, making quick backstage changes by crew members essential to the production’s success. 
“It’s been one hell of a ride in terms of rehearsing,” said Lampietti.  
Part of the challenge is due to the fact that not only does the play include an extensive amount of props and costume changes, but it also spans for two and a half hours. The cast and crew began tech rehearsals this past Sunday, Oct. 3 in preparation for this weekend’s premiere.  
The production will take place over the course of the coming weekend, with showings at 7:30 p.m. on Friday and Saturday, Oct. 8 and 9, as well as 2 p.m. on Sunday, Oct. 10. The in-person performance in Roberts Theatre is free and open to Grinnell College students, faculty and staff. P-Cards are required to receive a ticket. 
Tickets will be available free of charge from the ticket booth located in the lobby of Bucksbaum Center for the Arts. Some tickets may be available at the Will Call counter before the start of each performance. Masks are required for audience members.  
The show will also be available virtually via a livestream viewing .  
Howell-Gritsch is particularly excited for the Grinnell College community to have the opportunity to experience theater in-person once again.  
“It’s just so different than watching something online, to be next to people who are also laughing or going, ‘Wait, what did they say?'”  
Lampietti is also eager for the Grinnell College community to engage with and reflect on the production. 
“The best theater is after you leave the room … you’re asking questions about yourself, and your community and the world,” said Lampitetti. “This is definitely a show that will leave you with a lot of those questions.” 

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20 October 2021



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Christie’s New York 21st Century Evening Sale Presents: ARCADIA
A Journey Through the 21C Existential Crisis A Collaboration Between Andrés Reisinger, RAC, and Arch Hades Combining Music, Visual Art, and Poetry, This Is the First Collaborative Interdisciplinary Fine Art NFT to Come to Auction
Arch Hades (B. 1992), Andrés Reisinger (B. 1990), and RAC (B. 1985)
non-fungible token; single-channel video with sound
Executed in 2021. This work is unique.
This work will be minted in October 2021 on Aorist.Art powered on the Algorand Blockchain.
New York – On Tuesday, 9 November 2021, Christie's 21st Century Art Evening sale at Rockefeller Center will present ARCADIA (estimate unknown), a collaborative interdisciplinary NFT by contemporary visual artist Andrés Reisinger, Grammy-winning musician RAC, and bestselling poet Arch Hades. Through ARCADIA, these three artists, each a leading name within their respective fields, harmoniously fuse poetry, music, and graphic art in a film that unpacks concepts of a collectively felt existential crisis experienced universally by humankind in our current era. In ARCADIA , the message is inseparable from the medium, as three timeless and traditional fine artforms - musical, visual, and lyrical - culminate in the digitized manifestation of an NFT, an asset class specific to the 21C. The work will be minted in October 2021 by Aorist, a next generation cultural institution supporting a sustainable NFT marketplace powered on the Algorand Blockchain.
Noah Davis, Christie’s Specialist, Head of Digital Sales, remarked, “ I could not be prouder of what Arch, André and Andrés have created with ARCADIA . This is simply one of the most beautiful, elegant and enigmatic works I’ve had the pleasure of presenting, and it’s been incredible working directly with the artists to bring this work to the world. With ARCADIA , the artists have set a new bar for narrative and emotion in NFT-based art. ”
ARCADIA is a narrative poem illuminated through digital art and elevated with electronic music – it contains multitudes, linking literary art with a visual sermon. Through the five-chapter story, the authors explore concepts of modern-day anxiety and loneliness as by-products of cultural and societal constructs. With ARCADIA , Christie’s continues to remain at the forefront of the digital art market, challenging the status quo and pushing boundaries in the world of NFTs. In June, Christie’s presented Hello I’m Victor (FEWOCiOUS) and This Is My Life , an online auction of five digital artworks by crypto artist FEWOCiOUS in which he unpacked complexities around coming of age and gender identity. The sale totaled over $2.1 million. As recently as this month, Christie’s sold Twin Flames , a visual elegy by Justin Aversano honouring the life of the twin he never knew, which was the first NFT to be offered in a live Photographs auction. The work realized ten times its estimate, achieving $1.1 million.
Andrés Reisinger (b. 1990) is among the most sought-after digital artists of the 21C. Originally from Argentina, he now works out of his studio in Barcelona. His s
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