Forevernakedgirl

Forevernakedgirl
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ForeverNakedGirl at the Grocery Store Published: Apr 9, 2015
Living up to her name, ForeverNakedGirl is very comfortable with her nudity. So one day, she heads off to the store, forgetting to actually put clothes on first. Of course a number of people are shocked to see a girl shopping naked : 3 Another request piece. It was weird to have my naked character not blushing for once! Nothing wrong with that though, NiP themeing alone made this a very fun piece. I wonder how long till she notices her 'mistake' though ;3
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She's been watching too much Austin Powers! lol

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Most popular 2013-2014 nudism photos:

A few years ago, I had the opportunity to purchase some photographs that were part of a reserve used for publication in naturist magazines in the 1980s. Properly, naturist photography is classified as photojournalism and not art. But because of the subject matter, oftentimes an image strikes a chord—accidental art, if you will. I noticed some photographers seem to have a knack for capturing the charm of childhood and I was introduced for the first time to names like Leif Heilberg, Iris Bancroft and Michael Otto.

Michael Otto – (untitled) (1982) (1)

Later, when researching Lotte Herrlich (post forthcoming) for this site, I found a short biography (in German) written by Michael Otto and was delighted to discover an account of his childhood and how he became a naturist. Except for those born into that culture, I think many of us are curious how one becomes interested and then involved in such a group. The most uplifting thing about Otto’s story is that it is so playful which I think captures the true spirit of the practice. And by coincidence, I happened to be reading Play: How It Shapes the Brain, Opens the Imagination, and Invigorates the Soul by Stuart Brown, MD and Christopher Vaughan which helped frame in my mind the sincere intent of these people.

Michael Otto – (untitled) (1982) (2)

Michael Otto was born in 1959 in Hamburg, Germany. Before telling his tale, he advises the reader that there is no single path to nudism and each person must find his own way and have a genuine desire to be naked with no ulterior sexual motives. Some people seem to need a little nudge, but that is easy once they see how beautiful and pleasant nudity can be.

Michael Otto – (untitled) (c1985) (1)

He remembers taking an interest in being naked and in being around other naked people in 1969 (at age 10). At that time, there was no internet, so a child’s routine was typically school then homework then outside to play. He, his best friend and the other neighborhood boys would usually play soccer, but when girls were around, they had to play something else. A favorite pastime was “Spin the Bottle” and, in the beginning, the rules seemed harmless enough. If the bottleneck pointed to someone, that person would have to do a somersault or a handstand or some other benign “dare”. However, at some point, the girls came up with the idea that the person would have to take off an article of clothing. In due course, some player would end up completely naked and then what? They decided the way to raise the stakes would be to have him/her run naked at least 25 meters down the street and back again. The girls were very resourceful, dressing as though it were the dead of winter so the boys were usually naked early in the game and the girls arguing about whether a particular article of clothing counted as one or two garments. Nevertheless, the girls would sometimes reach the point of being completely naked and have to run down the street. Otto felt it was a nice feeling to be naked and to be naked with other children. In a more extreme version of the game, a kid would end up completely naked and have to ride his/her bike around an entire city block! However, given the speed at which they rode their bikes, it seemed that no one had ever noticed and as far as everyone knew, they were just a bunch of well-behaved children. For some, even this escalation was too easy so more innovative and forbidden dares had to be concocted.

Michael Otto – (untitled) (c1985) (2)

The problem for Otto was that since he enjoyed these activities with the other children, he wondered what it all meant and who he could talk to about it—surely not his parents, siblings or teachers. Therefore, this secret pleasure had to stay hidden from others for the time being. The family had a large backyard garden but the neighbor’s was better because it had the advantage of being much larger, L-shaped and included a small shed at the end which could afford some cover. He could enter the garden by climbing the fence, but none of the adults would do that so there would be plenty of warning if someone entered the garden through the gate at the other end. At first, these excursions into the garden naked were an adventure, but after a while, it was boring just wandering the same patch of garden by himself. At some point, the family had to move and the new situation did not allow for any further excursions.

Michael Otto – (untitled) (c1985) (3)

Michael Otto – (untitled) (c1985) (4)

Michael Otto – (untitled) (c1985) (5)

During that time, he had heard of nudism, nudist clubs and nude bathing beaches, but they were unavailable to a child because they were too far away and he would have to ask his parents or siblings, who certainly had more important things to deal with. He realized it would be years before he could fulfill his dream of being naked openly. At age 17, he took an interest in photography and his first camera was a Yashica. After completing school and studying for a profession, he served a short tour in the German Army (Bundeswehr) in 1981. In the course of his training and assignments, he became comfortable and familiar with the city life of Neumünster. It was there that he had another memorable experience with nudity.

One of Otto’s training exercises took him and a small group to the Cologne (Köln) area. The exercise included a three-day endurance and orientation march. They disembarked and after reviewing the proper use of the compass, they set out in the direction of their base camp. It was a warm summer and they were carrying a full backpack and military equipment which weighed much more than they do today. After a few hours, they reached the site, drenched from their profuse sweat and convinced—had there been any real enemy—that their odor would have signaled their presence for miles. After setting up their camp situated near a cool mountain creek, they wasted no time and jumped fully-clothed into the chilly water. Then there was the problem of drying out the uniforms, so they took them off and waited patiently for them to dry stark naked. These were his first hours spent in nature naked and all the men seemed to enjoy the experience—getting into their sleeping bags naked and even performing their guard duty shifts in the buff! It may have seemed silly, but his was the only group that returned without an offending cloud of stench from wearing their uniforms for three days.

After returning to Neumünster, he could not find any nude clubs in the area and he managed as best he could to get a hold of naturist magazines. He decided to go out and find a suitable forest to roam in. He finally found one just north of Einfelder Lake—now a built up area—and screwed up the courage to take off his clothes and explore like a naturist. He visited there many times since. After completing his military service, he returned to Hamburg. There, he could socialize with a consistent group of people he knew and who knew him. He planned a couple nudist vacations (Cap d’Agde in France and Rovinj in Yugoslavia), but as a one-time guest, it was difficult to take full advantage of the social life there. It took him a little while to realize it, but his friends, his “family” in Hamburg were a legitimate naturist group and he had achieved his dream.

Michael Otto – (untitled) (1985) (1)

Naturally, he wanted to document this happy time and these wonderful people and thought with his experience as a photojournalist, he could bring his two hobbies together while legitimizing the group to the naturist media. He assumed he would be taking pictures of his adult friends but, as strange as it may seem in today’s political climate, they were reluctant to be photographed and offered their children as subjects instead. It’s really logical if you think about it; children exemplify the free spirit of naturism and parents would be more than happy to have someone capture these treasured memories of their beautiful children. Once Otto got established as the group’s photographer however, adults did begin to participate. Familiar with the nudist ( FKK-Freikörperkultur ) magazines of the time, he offered some selections for publication and got to see his pictures in print. And today he is still friends with his former models and their parents.

Michael Otto – (untitled) (c1985) (6)

Michael Otto – (untitled) (c1985) (7)

Michael Otto – (untitled) (1982) (3)

I am always concerned that with Pigtails’ focus on girls, that readers understand that many of the artists we cover also shot boys and so I include one of Otto’s here.

Michael Otto – (untitled) (1985) (2)

There is a lot more to be said about the distinctions between naturist photojournalism and studio “art” photography, but that will have to wait for another time.

In contemporary society, students find it surprising that the word “gymnastic” comes from the Greek meaning to train or exercise naked. Further digging would reveal the ancient Greek ideal of the nude masculine form, the foundation of the Classical Nude in sculpture. The peculiarities of that culture relegated women and children to second-class status except in those few instances when a young boy happened to catch the fancy of a powerful older patron. In today’s more complex world, children feel more iconic of the notion of free spirits than those “free” and chauvinistic citizens of the ancient city-states.

A wonderful book has come to my attention that I felt ought to be shared right away. It is a photographically illustrated book on children’s gymnastics published in 1925 called Kinder Gymnastik im Spiel (Children’s Gymnastics in Play), written by Alice Bloch and published by Dieck & Co.

Ludwig Hohlwein – Kinder Gymnastik im Spiel (cover) (1925)

The cover illustration was painted by Ludwig Hohlwein (1874-1949), a well-known illustrator of posters. Lamentably, he did not do any other work featuring children in this style. The photographs were by Ernst Vollmar. Practically nothing is known of him except that he was a contemporary of Lotte Herrlich, Carl Lepper and Genja Jonas who also did much work with German naturists. The first two images set the stage showing everyday scenes and some pagan-inspired rituals commonly associated with these communities.

Ernst Vollmar – from Kinder Gymnastik im Spiel (1925) (1)

Ernst Vollmar – from Kinder Gymnastik im Spiel (1925) (2)

The book was not meant to be the kind of serious exercise guide that would become ubiquitous later in the more regimented and rigorous Nazi regime. It is as the title suggests—playful. The names of the exercises are clearly light-hearted or fanciful: Sounds of Spring, Clapping to the Beat, Blowing Trumpets, Leapfrog, Rocking Horse, Ostrich, Somersaults and Scurrying Like Mice. Quite a few of them required interaction with a partner. The first illustrates some mock flute blowing.

Ernst Vollmar – from Kinder Gymnastik im Spiel (1925) (3)

The next shows two children forming an arch or gate.

Ernst Vollmar – from Kinder Gymnastik im Spiel (1925) (4)

These children appear to be hopping like rabbits. I remember an incident when eBay refused to allow a seller to post an image of a girl in such a pose even while wearing a swimsuit! I suppose Playboy has spoiled the sweet innocence of the bunny for many of us.

Ernst Vollmar – from Kinder Gymnastik im Spiel (1925) (5)

It is interesting how stereotypes and language change. The caption calls the next image “Greeting Like a Mohammedan”. Mohammedan is an old-fashioned term for Muslim, but perhaps the American term “Sitting Indian Style” is more appropriate as this meditative posture was in wide use in northern India well before the advent of Buddhism or Islam.

Ernst Vollmar – from Kinder Gymnastik im Spiel (1925) (6)

These girls are demonstrating “Flying Like a Bird”.

Ernst Vollmar – from Kinder Gymnastik im Spiel (1925) (7)

Different stages of this “Clock-Flower” are illustrated in the book.

Ernst Vollmar – from Kinder Gymnastik im Spiel (1925) (8)

Here are two illustrations of the “Flying Jump”.

Ernst Vollmar – from Kinder Gymnastik im Spiel (1925) (9)

It is hard to say what these girls are doing, but it appears to be some kind of alternating stroke motion.

Ernst Vollmar – from Kinder Gymnastik im Spiel (1925) (10)

There are many scenes of these girls skipping rope.

Ernst Vollmar – from Kinder Gymnastik im Spiel (1925) (11)

It should be pointed out that naturism was very popular at the time. A demonstration of this was the fact that Hitler and the Nazis initially wanted to ban these practices, but thought better of it and instead incorporated them into special events promoting their notions of racial supremacy.

I have been informed by one of our readers that some of these images also appeared in a book called Book of Nudes (2007) by Alessandro Bertolotti but in a smaller format . "http://www.pigtailsinpaint.com"
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