Forced Vibrator

Forced Vibrator



🔞 ALL INFORMATION CLICK HERE 👈🏻👈🏻👈🏻

































Forced Vibrator




Browse




Search




Login


Subscribe  Now


Alternative Title:
forced oscillation
Why Do Athletes Wear Numbered Jerseys?
How Did the Tradition of Christmas Trees Start?
Why Do We Eat Turkey on Thanksgiving?

Inspire your inbox –
Sign up for daily fun facts about this day in history, updates, and special offers.


By signing up for this email, you are agreeing to news, offers, and information from Encyclopaedia Britannica.
Click here to view our Privacy Notice . Easy unsubscribe links are provided in every email.

©2021 Encyclopædia Britannica, Inc.
Forced vibrations occur if a system is continuously driven by an external agency. A simple example is a child’s swing that is pushed on each downswing. Of special interest are systems undergoing SHM and driven by sinusoidal forcing. This leads to the important phenomenon of…
Periodically forced oscillations may be represented mathematically by adding a term of the form a 0 sin ω t to the right-hand side of equation (19). This term describes a force applied at frequency ω, with amplitude ma 0 . The result of applying such a force is to create…

Forced vibration with damping system part #1 - YouTube
Forced vibration | physics | Britannica
Physics Tutorial: Forced Vibration
Forced Vibration - an overview | ScienceDirect Topics
Forced Vibration - смотреть видео онлайн



Read Watch Interact


TPC and eLearning


What's NEW at TPC?


Physics Tutorial


1-D Kinematics


Newton's Laws


Vectors - Motion and Forces in Two Dimensions


Momentum and Its Conservation


Work and Energy


Circular Motion and Satellite Motion


Thermal Physics


Static Electricity


Electric Circuits


Vibrations and Waves


Sound Waves and Music


Light and Color


Reflection and Mirrors


Refraction and Lenses





Physics Interactives


About the Physics Interactives


Usage Policy


Kinematics


Newtons Laws


Vectors and Projectiles


Momentum and Collisions


Work and Energy


Circular and Satellite Motion


Balance and Rotation


Static Electricity


Electric Circuits


Magnetism


Waves and Sound


Light and Color


Reflection and Mirrors


Refraction and Lenses





Concept Builders


About the Concept Builders


Version 2


Pricing For Schools


Directions for Version 2


Measurement and Units


Relationships and Graphs


Kinematics


Newton's Laws


Vectors and Projectiles


Forces in 2-Dimensions


Momentum and Collisions


Work and Energy


Circular and Satellite Motion


Rotation and Balance


Static Electricity


Electric Circuits


Waves and Sound


Light and Color


Reflection and Refraction


Chemistry





Video Tutorial


Kinematics


Newton's Laws


Vectors and Projectiles


Momentum and Collisions


Static Electricity


Light and Color





Shockwave Studios


Name That Motion


Graph That Motion


Graphing Motion


Two-Stage Rocket


Free Body Diagrams


Riverboat Simulator


Projectile Simulator


Hit the Target


Race Track


Uniform Circular Motion


Gravitation


Orbital Motion


Time Dilation


Length Contraction


Standing Wave Patterns


Beat Patterns


RGB Lighting


Painting With CMY


Young's Experiment


Least Time Principle


Refraction of Light


Lenses





Multimedia Studios


1-Dimensional Kinematics


Newton's Laws


Vectors and Projectiles


Momentum and Collisions


Work and Energy


Circular, Satellite, and Rotational Motion


Einstein's Theory of Special Relativity


Static Electricity


Waves, Sound and Light


Ray Optics


QuickTime Movies





Practice Review Test


The Review Session


1-D Kinematics


Newton's Laws of Motion


Vectors and Projectiles


Forces in Two Dimensions


Momentum and Collisions


Work and Energy Packet


Circular Motion and Gravitation


Static Electricity Review


Electric Circuits


Waves


Sound and Music


Light and Color


Reflection and Mirrors


Refraction and Lenses





Minds On Physics the App


About MOPs


Features


Topics


Objectives


Record-Keeping


MOP the App Part 1


MOP the App Part 2


MOP the App Part 3


MOP the App Part 4


MOP the App Part 5


MOP the App Part 6


Chromebook Apps


Purchase


MOPs For Teachers


MOP for Schools


Timeline


Privacy Statement





Minds On Physics - Legacy


Start!


Directions


Teacher Use


Teacher Registration


Topics


Objectives


Record-Keeping


Screencasts


Troubleshooting


About MOP


Copyright and Contact





The Calculator Pad


Problem Sets


Habits of an Effective Problem Solver


A Note to Students


Note to Instructors





Physics Help


Graphing Practice


Recognizing Forces


Vector Direction


Vector Addition





ACT Test Center


About the ACT


ACT Preparation


ACT Tips


For Teachers


Other Resources





Teacher-Tools


Curriculum Corner


Solutions Guide


Solutions Guide Digital Download


Usage Policy


Motion in One Dimension


Newton's Laws


Vectors and Projectiles


Forces in Two Dimensions


Momentum and Collisions


Work, Energy and Power


Circular Motion and Gravitation


Static Electricity


Electric Circuits


Wave Basics


Sound and Music


Light and Color


Reflection and Mirrors


Refraction and Lenses





Question Bank


Contents


Purchasing the CD


Purchasing the Digital Download





NGSS Corner


About the NGSS Corner


NGSS Search


Force and Motion DCIs - High School


Energy DCIs - High School


Wave Applications DCIs - High School


Force and Motion PEs - High School


Energy PEs - High School


Wave Applications PEs - High School


Crosscutting Concepts


The Practices


Physics Topics


NGSS Corner: Activity List


NGSS Corner: Infographics





Teacher Toolkits


About the Toolkits


Position-Velocity-Acceleration


Position-Time Graphs


Velocity-Time Graphs


Free Fall


Newton's First Law


Newton's Second Law


Newton's Third Law


Terminal Velocity


Vectors


Projectile Motion


Forces in 2 Dimensions


Impulse and Momentum Change


Momentum Conservation


Work-Energy Fundamentals


Work-Energy Relationship


Circular Motion


Roller Coaster Physics


Universal Gravitation


Satellite Motion


Charge and Charging


Coulombs Law


Electric Fields


Circuit Concepts


Series Circuits


Parallel Circuits


Vibrational Motion


Describing-Waves


Wave Behavior Toolkit


Standing Wave Patterns


Sound Waves


Resonating Air Columns


Wave Model of Light


Color


Plane Mirrors


Curved Mirrors


Snells Law


Total Internal Reflection


Lenses





Reasoning Center


Philosophy


CRS


Usage


Resource CD





The Laboratory


About


Teacher Guide


Using Lab Notebooks


Share





The Photo Gallery


1-D Kinematics


Newton's Laws


Vectors - Motion and Forces in Two Dimensions


Momentum and Its Conservation


Work, Energy, and Power


Circular Motion and Satellite Motion


Thermal Physics


Static Electricity


Current Electricity


Waves


Sound Waves and Music


Light Waves and Color


Reflection and Ray Model of Light


Refraction and Ray Model of Light





Share The News


Banner Ads


Infographics


Interactive Physics Simulations


Our Standard Flyer


Pinterest Pages


Skyscraper Ads


Small Classroom Posters


Teacher Toolkits


Test Reviews


What Can Students Do ...


What Can Teachers Do ...





Store


Subscription Selection





Task Tracker


Subscriptions


Classes


Edit Profile Settings


Tasks and Courses


Teacher Resources










Sound Waves and Music - Lesson 4 - Resonance and Standing Waves




Natural Frequency


Forced Vibration


Standing Wave Patterns


Fundamental Frequency and Harmonics








Next Section:


Standing Wave Patterns


Fundamental Frequency and Harmonics








By using this website, you agree to our use of cookies. We use cookies to provide you with a great experience and to help our website run effectively.







Musical instruments and other objects are set into vibration at their natural frequency when a person hits, strikes, strums, plucks or somehow disturbs the object. For instance, a guitar string is strummed or plucked; a piano string is hit with a hammer when a pedal is played; and the tines of a tuning fork are hit with a rubber mallet. Whatever the case, a person or thing puts energy into the instrument by direct contact with it. This input of energy disturbs the particles and forces the object into vibrational motion - at its natural frequency .
If you were to take a guitar string and stretch it to a given length and a given tightness and have a friend pluck it, you would hear a noise; but the noise would not even be close in comparison to the loudness produced by an acoustic guitar. On the other hand, if the string is attached to the sound box of the guitar, the vibrating string is capable of forcing the sound box into vibrating at that same natural frequency. The sound box in turn forces air particles inside the box into vibrational motion at the same natural frequency as the string. The entire system (string, guitar, and enclosed air) begins vibrating and forces surrounding air particles into vibrational motion. The tendency of one object to force another adjoining or interconnected object into vibrational motion is referred to as a forced vibration . In the case of the guitar string mounted to the sound box, the fact that the surface area of the sound box is greater than the surface area of the string means that more surrounding air particles will be forced into vibration. This causes an increase in the amplitude and thus loudness of the sound.
This same principle of a forced vibration is often demonstrated in a Physics classroom using a tuning fork. If the tuning fork is held in your hand and hit with a rubber mallet, a sound is produced as the tines of the tuning fork set surrounding air particles into vibrational motion. The sound produced by the tuning fork is barely audible to students in the back rows of the room. However, if the tuning fork is set upon the whiteboard panel or the glass panel of the overhead projector, the panel begins vibrating at the same natural frequency of the tuning fork. The tuning fork forces surrounding glass (or vinyl) particles into vibrational motion. The vibrating whiteboard or overhead projector panel in turn forces surrounding air particles into vibrational motion and the result is an increase in the amplitude and thus loudness of the sound. This principle of forced vibration explains why demonstration tuning forks are mounted on a sound box, why a commercial music box mechanism is mounted on a sounding board, why a guitar utilizes a sound box, and why a piano string is attached to a sounding board. A louder sound is always produced when an accompanying object of greater surface area is forced into vibration at the same natural frequency.
Now consider a related situation that resembles another common Physics demonstration. Suppose that a tuning fork is mounted on a sound box and set upon the table; and suppose a second tuning fork/sound box system having the same natural frequency (say 256 Hz) is placed on the table near the first system. Neither of the tuning forks is vibrating. Suppose the first tuning fork is struck with a rubber mallet and the tines begin vibrating at its natural frequency - 256 Hz. These vibrations set its sound box and the air inside the sound box vibrating at the same natural frequency of 256 Hz. Surrounding air particles are set into vibrational motion at the same natural frequency of 256 Hz and every student in the classroom hears the sound. Then the tines of the tuning fork are grabbed to prevent their vibration and remarkably the sound of 256 Hz is still being heard. Only now the sound is being produced by the second tuning fork - the one which wasn't hit with the mallet. Amazing!! The demonstration is often repeated to assure that the same surprising results are observed. They are! What is happening?
In this demonstration, one tuning fork forces another tuning fork into vibrational motion at the same natural frequency. The two forks are connected by the surrounding air particles. As the air particles surrounding the first fork (and its connected sound box) begin vibrating, the pressure waves that it creates begin to impinge at a periodic and regular rate of 256 Hz upon the second tuning fork (and its connected sound box). The energy carried by this sound wave through the air is tuned to the frequency of the second tuning fork. Since the incoming sound waves share the same natural frequency as the second tuning fork, the tuning fork easily begins vibrating at its natural frequency. This is an example of resonance - when one object vibrating at the same natural frequency of a second object forces that second object into vibrational motion.
The result of resonance is always a large vibration. Regardless of the vibrating system, if resonance occurs, a large vibration results. This is often demonstrated in a Physics class with an odd-looking mechanical system resembling an inverted pendulum. The apparatus consists of three sets of two identical plastic bobs mounted on a very elastic metal pole, which are in turn mounted to a metal bar. Each metal pole and attached bob has a different length, thus giving it a different natural frequency of vibration. The bobs are often color-coded to distinguish between them; they are colored red, blue and green (a set of three colors that will be significant later in The Physics Classroom Tutorial ). The red bobs are mounted on the longer poles and they have the lowest natural frequency of vibration. The blue bobs are mounted on the shorter poles and have the highest natural frequency of vibration. (Note the length-wavelength-frequency relationship that was discussed earlier.) When the red bob is disturbed, it begins vibrating at its natural frequency. This in turn forces the attached bar to vibrate at the same frequency; and this forces the other attached red bob into vibrating at the same natural frequency. This is resonance - one bob vibrating at a given frequency forcing a second object with the same natural frequency into vibrational motion. While the green and the blue bobs were disturbed by the vibrations transmitted through the metal bar, only the red bob would resonate. This is because the frequency of the first red bob is tuned to the frequency of the second red bob; they share the same natural frequency. The result is that the second red bob begins vibrating with a huge amplitude.
Another common classroom demonstration of resonance involves a plastic tube containing an air column. The length of the air column was adjusted by raising and lowering a reservoir of water (dyed red). The raising and lowering of the reservoir adjusts the height of water in the open-air tube, and thus adjusts the length of the air column inside the tube. As the length of the air column is decreased, the natural frequency of the air column is increased. (Again note the length-wavelength-frequency relationship that was discussed earlier.) While adjusting the height of the liquid in the tube, a vibrating tuning fork is held above the air column of the tube. When the natural frequency of the air column is tuned to the frequency of the vibrating tuning fork, resonance occurs and a loud sound results. Quite amazingly, the vibrating tuning fork forces air particles within the air column into vibrational motion. Once more in this resonance situation, the tuning fork and the air column share the same vibrational frequency.
In conclusion, resonance occurs when two interconnected objects share the same vibrational frequency. When one of the objects is vibrating, it forces the second object into vibrational motion. The result is a large vibration. And if a sound wave within the audible range of human hearing is produced, a loud sound is heard.

Erotica A Femea Sensual 1984
Girls Spread Ass
Overwatch Ana Amari
Skoda Yeti Adventure Outdoor
Indian Wife Sex Pickup Public

Report Page