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Watching movies about raves is a strange experience. You either feel like the sober person eye-rolling at the goofy antics of friends, or you feel inspired to don a pair of wrap-around shades and pump your fists in the air as if to say yes, yes, yes to every beat. Either way, there are some great movies about this musical subculture that are sure to set your pulse racing. In all of them two things are guaranteed: a euphoric joyride and a wacky wardrobe — because when else is it socially acceptable to wear ski masks and chandelier hats indoors? Unsurprisingly, given the rise and commercialisation of the scene, the few years on either side of the millennium proved an especially fruitful period for depictions of rave culture on the big screen. Some examined it with a critical eye, others simply looked to celebrate its hedonistic inclusiveness. And what a party it is. Strobe lights, psychedelic projections, thumping house music. The drug-fuelled rave descends into a Lynchian nightmare, with visions of reptile-like aliens and blood-splattered walls. What is the sound? How is it made? What does it do for people? This was a group of people who embraced modern technology with open arms, who embraced the modern age and its sounds. In it, a group of friends escape the mundanity of their day jobs when they mix club culture with a cocktail of drugs. It also happens to be the film debut of national treasure Danny Dyer. It details the new technology enabling artists to develop their beat-centred sounds, while underlining the DIY ethos of all involved. With a soundtrack featuring Roni Size , The Crystal Method , LCD , and more, this doc is both inspiring and informative in its chronicling of the different branches EDM spawned, including drum and bass and trance. Like a transatlantic flip side to Human Traffic, Go centres on a group of twentysomethings who work crappy nine-to-fives and love weekend warehouse raves. Set over one night and filmed as a fragmented narrative from multiple perspectives think Pulp Fiction , director Doug Liman captures an LA underworld of pistols, pills, and thrills, as things swiftly go south for the young ravers trying to palm off allergy tablets as ecstasy. Go is a freewheeling late-night trip, shot through with a stylistic overload that offers its own contact high. Just like Go, Groove is about one epic night. First comes the promotion: a single email about a rave in an abandoned warehouse before word spreads. Cue shots of pagers and old school AOL email accounts. Then the magical night itself — the euphoric dance music, the girls wearing swim goggles, the orange bomber jackets. With bright red wigs, face glitter and bubblegum colours aplenty, the movie is a time capsule of the vibrant Aussie youth culture of the era. The blissfully hedonistic early 90s era is neatly summed up in the scene where Bez Chris Coghill hops on stage with Happy Mondays for the first time, despite not officially being in the band. Based on the memoir Disco Bloodbath by James St. James , it charts the rise and fall of Alig, a former party promoter who was involved in the murder of another Club Kid in Think of it as a cautionary tale about partying just a little too hard. When Daft Punk skyrocketed to global stardom in the late 90s, a spotlight shone on the French electronica scene. Can a guy really rave into his forties? Skip to content. Beats Watching movies about raves is a strange experience. Director: Justin Kerrigan. Director: Greg Harrison. Director: Clinton Smith. Director: Michael Winterbottom. Directors: Fenton Bailey and Randy Barbato. Try 14 days free.

Layer Cake (film) - Wikipedia

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Griselda Blanco grows up in poverty in Colombia , and commits her first murder after being forced into childhood prostitution. She eventually comes to live in the US with her first husband and three sons Dixon, Uber, and Osvaldo. She earns money by creating fake passports for cocaine smugglers , and moves into the smuggling trade herself when she realizes that using beautiful women as mules will lower the chances of them being caught. Griselda, fed up with her abusive marriage, leaves her husband and takes her children. She meets Carolina, an American woman with whom she begins a romance. Griselda soon gets remarried to a man named Alberto Bravo, but keeps Carolina as a companion for years. After moving to Miami , Griselda's drug empire quickly grows. She comes up with the idea to put assassins on motorcycles as they will be able to move around the city faster than with cars. She does business with Pablo Escobar back in Colombia, and becomes the queen of the cocaine trade. As a result, Miami sees a steep rise in crime. Griselda and her family are pushed to the edge by the stress of their illegal business. Her three eldest sons have all become dangerous gangsters. Her marriage falls apart and Carolina dies of a drug overdose. Griselda, herself, develops an addiction to smoking cocaine that makes her increasingly irrational and unreliable. The DEA have been watching her operation for years. She moves to Los Angeles to lie low, but is eventually found and arrested along with her three sons while Michael is sent to live with a relative in Miami. Griselda serves limited jail time thanks to the loyalty she commands among her minions. After doing her time, she is deported back to Colombia where she lives a lonely existence after two of her sons were killed by assailants and the other one commits suicide before he can be killed. She dies an old woman when an assassin on a motorcycle shoots her on the street. The narrator concludes that Griselda 'is now free. Writing for IndieWire , Hanh Nguyen criticized the decision to cast Zeta-Jones in the part of a Latina woman, adding that 'she's not just unconvincing; she's outlandish'. At least in her later, allegedly cocaine-addicted years, you can blame it on the drugs. Contents move to sidebar hide. Article Talk. Read Edit View history. Tools Tools. Download as PDF Printable version. In other projects. Release dates. November 12, Camerimage \[ 1 \] January 20, Lifetime. Running time. Plot \[ edit \]. Cast \[ edit \]. Reception \[ edit \]. References \[ edit \]. Archived from the original on December 3, Retrieved August 27, Archived from the original on 18 May Retrieved 7 June The Vancouver Sun. Archived from the original on 6 June Archived from the original on 18 November Retrieved 19 November Archived from the original on 21 January Retrieved 21 January Miami New Times. Archived from the original on 20 January External links \[ edit \]. Categories : films s biographical films crime drama films American biographical films American crime drama films Biographical films about criminals Biographical films about drug traffickers Biographical films about gangsters Crime films based on actual events Cultural depictions of Griselda Blanco Films about cocaine Films about Colombian drug cartels Films about criminals Films about organized crime in the United States Films set in the s Films set in the s Films shot in Puerto Rico Films shot in Vancouver Lifetime TV channel films American drama television films s American films Whitewashing in film. Hidden categories: Articles with short description Short description is different from Wikidata Template film date with 2 release dates Rotten Tomatoes ID same as Wikidata. Guillermo Navarro. Asylum Entertainment Lighthouse Pictures.

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