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LIP SERVICE Men say they hate my lip fillers, but they don't know what I looked like before
WATER GOOD IDEA Dad shares genius hack to fill up giant paddling pool without a hose
SPACE RACE My neighbour puts her bins in our communal parking spot so no one can use it
BREAST LIFE How Katie Price has gone from natural 32B boobs to ‘biggest ever’ bust
PYRAMID PROBLEMS I lost over $30k & 4 years of my life to an MLM - now I’m warning others
SPACED OUT Woman shares eight ways she’s added more wardrobe space in her tiny apartment
TATT'S BAD I got a pretty fine line tattoo but a year on it looks completely different
SURPRISE BOX I ordered a return pallet – safe to say it really wasn’t what I was expecting
SOME people take it as a compliment when they get told they look younger than they actually are.
But if you’re a 21 year-old and constantly accused of looking 12, it can’t be that fun.
One TikTok user Bethany Jade, 21, has revealed that people always think she looks younger than she is.
The 21-year-old has also disclosed that not only do people think she looks young, they also think that she is flat chested.
But in fact, Bethany manages to hide her large bust with baggy jumpers.
Bethany revealed that she is actually a bra size 28G but can hide them well with clothes.
Bethany took to her TikTok account ' bethanylouwho2 ' and revealed that many people regularly ask her what bra size she is.
She uploaded a video with the caption "for those asking what my bra size is".
Bethany said: “People think I’m a flat 12-year-old.
“Actually being a 28G 21-year-old.”
In the video we see Bethany wearing a baggy jumper and her 28G breasts are definitely not showing.
The video has since gone viral and has racked up a whopping 26.9million views.
The video has 2.9million likes, 10.8k comments and 8,726 shares.
Bethany was then accused of “lying” by some TikTok viewers who couldn’t believe she had such large breasts.
She then responded back with a video showing off her natural breasts in a low-cut top.
Bethany said “thousands of people don’t believe my body is natural.”
Many TikTok users were shocked that Bethany is in fact 21 and shared this in the comments.
One user commented: “You look so young.”
Another added: “You do look very young. I would’ve said 14-15.”
A third said: “You look 13 though.”
However, one person commented: “Nobody thinks you’re twelve” to which Bethany replied: “Weird because anytime I go out in the day people ask me why I’m not in school and everyone thinks I’m too young to buy a lighter (18) and alcohol (21)”.
Many TikTok users were also surprised at how well Bethany hides her breasts and took to the comments to express this.
One person said: “You hide them really well.”
Another added: “How do you hide them I want to do that!!”
A third commented: ““Don’t judge a book by its cover” really used here”.
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Freeform’s 1980s slasher-flick series lets its young summer-campers go for a dip before the killing starts in preview teaser
Remember those old slasher films from the Eighties, when summer camp was place where teen’s could listen to the Cure and skinny-dip at the lake — when they weren’t in danger of facing a killer lurking in the woods, that is? Dead of Summer , the upcoming TV show from Freeform (formerly known as ABC Family), finds a terror beyond the self-evident horrors of living with a bunch of hormonal adolescents for three months.
Set in the halcyon days of hair metal and Reagan, this throwback horror series takes place in the fictional Camp Stillwater, and in the clip above, the counselors abscond to the lake for a “Stillwater traidtion” — a late-night swim in their skivvies. What these kids don’t know, however, is that there’s apparently a long-dormant evil that’s been awakened amidst these cabins in the woods. Their only defense is camp director Deb Carpenter ( Once Upon a Time ‘s Elizabeth Mitchell), a former attendee who reopens the property after a long hiatus due to confidential reasons.
Will Deb learn from the example of Janeane Garofalo in Wet Hot American Summer and protect her young charges from danger? Or is that Carpenter surname a dark omen? No telling until the premiere on June 28 at 9p.m. on Freeform. But hey, it’s not called Safe Fun Summer .

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Credit: Courtesy Serge Sorokko Gallery/Glitterati Editions
Unseen photos provide a sensitive look at America's early 'working girls'
Dita Von Teese is a burlesque performer, model and author. This is an edited extract from her foreword to "Working Girls: An American Brothel, Circa 1892" by Robert Flynn Johnson.
Women in sexual professions have always distinguished themselves from other women, from the mores of the time, by pushing the boundaries of style. The most celebrated concubines and courtesans in history set the trends in their respective courts. The great dames of burlesque -- Sally Rand, Gypsy Rose Lee -- boasted a signature style on- and offstage, reflecting broader-than-life personalities.
Dita von Teese on the eternal allure of a well-dressed gentleman
Given that photography was still an emerging technology, an emerging creative medium, when these "working girls" posed for William Goldman in the 1890s at a Reading, Pennsylvania brothel, the entire exercise transcends their initial business liaison. The instantaneous concept of click-and-shoot was still decades away. To be photographed required sitting very still. The women featured in Goldman's collection obviously caught his eye. Not just anyone is asked to be the subject of artistic documentation.
Courtesy Serge Sorokko Gallery/Glitterati Editions
The local photographer and his anonymous muses appear to straddle an artful titillation, at times striving toward Degas nudes and at another, more in the spirit of a strip and tease. There is a beauty in even the most mundane moments.
Among Goldman's models, my own gaze zeroed in on the striped stockings and darker shades of their risqué brassieres. These ladies of Reading, Pennsylvania, might not have had the wealth of Madame du Barry, celebrated mistress of Louis XV of France, or the fame and freedom of a silver-screen sex goddess such as Mae West. But they sought to elevate their circumstances, to feel lovelier and more fashionable, with a daring pair of knickers.
Courtesy Serge Sorokko Gallery/Glitterati Editions
To feel special is fundamental to the human condition. Few opportunities outshine a sense of specialness than when an artist asks to record your looks, your beauty. Under the right circumstances, to be the object of admiration -- of desire -- to be what is essentially objectified is not only flattering. It can also provide a shot of confidence and a sense of strength and power and even liberation, however lasting or fleeting.
Courtesy Serge Sorokko Gallery/Glitterati Editions
For these working girls who were already going against the drudgery of toiling in a factory or as a domestic, who were surviving in a patriarchal world by their wits and sexuality, the opportunity to sit for Goldman was very likely not only thrilling. It was also empowering.
One can only imagine the mutual giddiness prevailing among them all, too, at the possible outcome from all these lost afternoon shoots. In a singular image from this collection appears Goldman striking a pose as proud as a peacock. It's one of stock masculinity in the canons of classic portraiture (though usually in military uniform), and like his muses, presented in all his naked glory. By sharing in the objectivity of the process, Goldman basks in the specialness his models must have felt. By stepping around the lens, he becomes a true confidante.
Courtesy Serge Sorokko Gallery/Glitterati Editions
It suggests a balance of power between artist and muse, man and woman -- at least behind closed doors. Their collective decision to strip and strut for the camera reveals a shared lack of shame for the body beautiful and, in that, a shared, albeit secret, defiance of cultural mores.
Courtesy Serge Sorokko Gallery/Glitterati Editions
By all accounts from curator Robert Flynn Johnson's devoted research on this once-lost collection, Goldman seems to have kept his treasured collection as a personal trove. As a successful photographer of weddings and social events, it was most certainly not in his interest for the public to know about his private creative pursuits.
Courtesy Serge Sorokko Gallery/Glitterati Editions
The brothel was a necessary evil in town, where men with certain desires visited women who would oblige. In this case, it was the desire of a man to capture the beauty and sensuality of the women he befriended. There is much to learn and (most of all!) take pleasure in with this discovery.
As these lost photographs illustrate more than a century later, one period's "social problem" is another's cultural revelation.
"Working Girls: An American Brothel, Circa 1892" by Robert Flynn Johnson, with a foreword by Dita Von Teese, is out now.
The man who put the color in photography
There was a time when color photography was considered amateur. By pioneering color in the 1960s, Joel Meyerowitz helped change that.
© 2022 Cable News Network. A Warner Media Company. All Rights Reserved. CNN Sans ™ & © 2016 Cable News Network.

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