Fingered Teen

Fingered Teen




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Why do most cartoon characters only have four fingers? Simple, a four-fingered hand is SO much easier to draw than a five-fingered hand. Plus, it simplifies the design of the hand in the same way the rest of the body is simplified.
Why is it not a problem? Because we can't count while watching a show. Some tribes use only "one, two, many". When we don't focus, we count like them. There are some fingers opposed to the thumb, period.
Although this simplification has been on a recent decline in cartoons starring people, it has never completely gone away. This only appears in more "cartoony" styles; action or dramatic series won't usually use this, and it rarely shows up in Anime for several reasons:
As a result, some (but not all) Western four-fingered characters airing in Japan have to be edited to have a fifth finger -- Bob the Builder is one of many. Strangely enough, this does not include Disney characters such as Mickey Mouse, despite Disney's popularity in Japan. (Possibly because he actually is an animal, unlike Bob, or it could just be the Grandfather Clause at work.) Additionally this does not apply to SpongeBob SquarePants or Tom and Jerry, since the main protagonists for both shows are not human. And for unknown reasons, any shows airing in the Japanese division of Cartoon Network also aren't edited, even when the shows depict humans with four fingers. Given the existence of Japanese four-fingered cartoon characters such as Yoshi of Super Mario Bros. fame, the aforementioned rule would possibly apply only to human(oid) characters. Additionally, some Japanese Funny Animal characters sport either five fingers or three, which could be more of a stylistic choice by the illustrator than regulations.
This trope is not limited to depiction of humanoid characters: Animal characters (from any point along the Sliding Scale of Anthropomorphism) can also be depicted with a reduced number of digits on each paw when compared to its real-life equivalent -- typically three visible toes on a given foot rather than four (although some of the earliest cartoons simplified it even further, depicting only two digits on a given foot). Actually, sometimes, the fact that the characters are not humans provides an excuse.
Funny Animals in particular often combine four-fingered hands with three-toed feet. This is excusable when human characters in the same context also exhibit Four-Fingered Hands, but it can be jarring if the humans have five-fingered hands, or if other animals in the same context are depicted with the correct number of digits.
Those with four-fingered hands are often seen wearing White Gloves.
Why these people use base 10 rather than the logical (for them) base 8 may be a Translation Convention. Also note that number of fingers doesn't necessarily imply a corresponding number system; numerous real life cultures have used counting systems based on numbers other than 10.
Examples of Four-Fingered Hands include:
Brian: Give me a high-five, so I know you're alive!
Alf: How about a high-four-- 'cause I ain't got any more!
Scrooge: (when doing a high- four) Give me four!
Brain: Live long and... (shifts fingers) uh...
Bart: Five fingers? Ewwww! Freak show!
Homer: If he marries your mother, Marge, we'll be brother and sister. And then our kids -- they'll be horrible freaks with pink skin, no overbites, and five fingers on each hand!
Kitty Katswell: I'd rather use my TEN CLAWS! (she holds up her hands, with only 8)
(Candy is nervous)
Random Girl: Use your fingers.

Leonardo: Hey, Raph, only a six?
Raphael: Bro, it's all I got!
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I was late as usual, weaving through the 72nd Street subway station, rushing down the stairs to catch a departing train, and managed to squeeze into one of the packed cars just in time. It was Friday, a few weeks after my 29th birthday. I was on my way downtown to my job at my family’s taxi business, casually dressed in leggings and a striped orange dress. I pushed my still wet hair out of my face and found a sliver of space to stand. As the doors were closing, one more person shoved his way in and the car let out a collective groan.
As the train pulled away from the platform, I felt a man pressing harder and harder against my backside. I tried to evade him but couldn’t move an inch in any direction. I looked over my shoulder thinking the buckle of his bag must have been digging into me but there was no bag. Only his navy sweat pants. Is that what I think it is? It can’t be.
I shifted my hip to the right and then the left, but his body shifted with me. My eyes darted to each of the commuters around me, mutely asking for help. When none of their eyes met mine, I wanted to say something but no words came out. I held my breath until we got to the next stop.
When we arrived at Times Square, I pushed passed him with the force of the other riders behind me. I said nothing as I glanced down to see the bulge below his waist.

A woman approached me as I made my way to the exit, relieved to finally be off the train. She flashed a badge. “Can I ask you some questions?”
“Oh, no, ” I said, reflexively panicking the same way I do when I pass a cop car parked on the side of a highway, even if I’m driving 5 miles below the speed limit.
We stepped to the side as people rushed past.
“I think something happened back there,” she said. “Do you want to tell me about it?”
I knew that she knew and I just started talking.
“I froze. I had no room to move. If I made a scene he could have taken out a knife,” I said, looking at my feet and feeling like a coward with a bunch of excuses.
Why hadn’t I yelled, or elbowed him? Why didn’t I ask the people around me for help? I thought for a moment that I might be crazy, that I was making it all up.
The undercover officer asked if I would give her a written statement right there. I nodded, and she handed me a piece of paper. My hand shook as I wrote, my words jumbled. Finally, I handed her the sheet filled with crossed out inappropriate words replaced by slightly less inappropriate words. She said her partner would come talk to me in a minute and pointed toward a bench. There was the man in the navy sweat pants. He sat calmly, hands cuffed behind his back with a plastic zip tie. I hadn’t even realized they had stopped him, let alone that they were arresting him.
The other officer, a man wearing camouflage cargo shorts and a ripped T-shirt, told me they were watching for pickpockets, but that groping was “the real epidemic.”
“I saw your face first,” he said. “I have daughters and a wife, so I knew right away what that look meant. Makes me sick.” He assured me there was little I could have done, that my groper had picked the busiest train at the peak of rush hour for that very reason. I clung onto his words, grateful for his empathy.
He asked if I rode the train often and if it had happened before. It had, but I had never reported the incidents and had only defended myself once, calling the guy disgusting and moving to the other side of the car.
He asked me to walk by the bench to identify the man. I hesitated, afraid to have the groper see my face, but the officer stayed by my side. I nodded my head and quickly turned in the opposite direction.
Later, when I told my friends what had happened, they hugged me and a few shared their own similar experiences. Mostly, though, they were sure they would have been tougher: they would have kicked the abuser, screamed, pushed their way through the layers of fellow riders.
Read previous contributions to this series.
My husband and I practiced how I would react if it happened again: I would use my voice. Get away from me! Back off! Maybe I would toss a few expletives in. Except I didn’t intend for it to happen again. I wasn’t planning on taking the subway anymore, at least during peak hours. When I told my husband this, he was surprised. He was used to a resilient, strong wife. He knows I come across strange characters often in my male-dominated business and he was always proud to hear how I handled myself. When a client called me Honey or Sugar Lips I’d say, “I prefer to be called Kim.” I had no problem putting my hand up to interrupt a client who was being rude to one of the other women in the office.
But the truth is, I’ve always been secretly skittish, especially when I’m by myself. When I walked down the dark, empty industrial streets near my Long Island City office, I imagined being dragged into one of the dark warehouses, and held my keys in between my fingers in my pocket for protection. Even in my Upper West Side doorman building, I scurry from the elevator into my apartment each night.
Now I am just as anxious underground. Partly, it’s because I’m terrified to see my groper, but I’m also uncertain whether I’ll be able to muster the courage to stand up to a future assaulter.
When the district attorney’s office called to review the charges of sexual assault in the third degree and forcible touching, I asked if my name could be removed from the report. He already has your name from the arraignment, they said. But, don’t worry — he probably didn’t pay attention. I worried he might come after me seeking revenge. I knew the district attorney had no case without my signature. If I wanted any chance of stopping or punishing the guy, I had to give my name and sign a formal complaint and deposition.
My fears may have immobilized me before, but this seemed like my chance to be a braver version of myself. I signed my name and instantly felt stronger. Almost strong enough to commute by subway again.
Anxiety welcomes submissions at anxiety@nytimes.com. Unfortunately, we can notify only writers whose articles have been accepted for publication.

Kimberly Matus is writing a memoir about her father’s sudden disappearance and the search to find him 25 years later.
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