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Keren Yedaya's textbook portrait of a sexually abused woman is tough yet unremarkable.
Incest continues to be inexplicably popular arthouse fodder, with Keren Yedaya’s “That Lovely Girl” prolonging the trend. A hothouse story of a father-daughter’s abusive (in all senses) relationship includes collateral issues such as codependency, self-mutilation and bulimia, making for a fairly accurate psychological profile of a sexually abused woman. If only Yedaya offered insight rather than a textbook portrait delineated solely by her protag’s victimization. Shot frequently in closeup to enhance feelings of inescapability, the pic is tough yet unremarkable, significantly marred by a vital side character lacking plausibility. “Girl” will accumulate fest and streaming dates, but little else.
Moshe (Tzahi Grad) and Tammy (Maayan Turjeman) are father and daughter. The script offers no backstory, so audiences only understand that he’s raped his child, now in her early 20s, for so long that she gets upset if he doesn’t have sex with her. His intimidation is so complete, her conviction that he’s the only person who loves her so total, that she becomes distraught when she suspects he’s with another woman. After Moshe comes home late, she asks, “Are you having an affair?” “Is it any of your business?” he demands in return, accompanying the jibe by slapping Tammy in the face and then sodomizing her from behind.
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While he’s out, she binges and vomits, then pulls out an X-acto knife to add further cuts to her heavily self-scarred limbs. Daddy returns, bandages the wounds, and treats it all like a minor nuisance. Later he scolds her for getting fat: She cries, so to make her feel better, he roughly takes her from behind before leaving again. When he brings his new g.f., Iris (Tal Ben-Bina), to Passover dinner, Tammy sulks and finally runs away to the beach, where she lets four guys have sex with her.
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With all the new activity, Tammy loses her purse and becomes distraught. Fortunately, Shuli (Yael Abecassis), a stranger, calms her down and takes her home, allowing her to stay the night and tending to her latest batch of self-mutilations. Who is Shuli? Does she have a job, or a life other than one devoted to this young woman she’s just met on the beach? Given the obvious lesbian overtones, including penetrating gazes and body language, audiences are led to think that Tammy is fated to be yet another victim of exploitation — it would have been a more interesting twist than the one Yedaya takes, of a selfless woman trying to break Tammy free from her abusive father. Surely the word “die,” which Tammy carved on her own arm, should have given Shuli enough pause to consider that maybe she’s a little out of her depth here.
Such thoughts remain unaddressed as Tammy ping-pongs between Daddy and her new protector, unable to break away from her codependency. Yedaya’s superior debut feature, “Or,” featured another kind of dysfunctional family, involving a teen girl and her prostitute mother; the follow-up, “Jaffa,” was less about the dynamics of parents and children, though still concerned with family power plays. With “That Lovely Girl” (originally titled “Away From His Absence,” like the novel it’s based upon), the helmer returns to the more minimal intensity of her freshman work, yet her characters are defined only by their psychological deformities – Moshe as monster, Tammy as traumatized victim. Shuli, meanwhile, is merely Good Samaritan, a far-fetched notion in keeping with Yedaya’s roughly sketched notions of personality, designed to make a statement rather than present a real human being.
Turjeman and Grad give what are generally called “brave” performances, and there’s no question they opened themselves up emotionally for this punishing psychological ride. Lensing marks a stylistic return of sorts to “Or,” also shot by Laurent Brunet, though here there’s a far heavier use of closeups, especially in the first two-thirds, which emphasize Tammy’s constricted world.
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Cannes Film Festival
Cannes Film Review: ‘That Lovely Girl’
Reviewed at Cannes Film Festival (Un Certain Regard), May 15, 2014. Running time: 97 MIN. (Original title: “Harcheck mi headro”) 
Production: (Israel-France-Germany) A Transfax Film Prods., Bizibi, Riva Filmproduktion production. (International sales: Other Angle Pictures, Paris.) Produced by Marek Rozenbaum, Michael Rozenbaum, Emmanuel Agneray, Jerome Bleitrach, Michael Eckelt.
Crew: Directed, written by Keren Yedaya, adapted from the novel “Away From His Absence” by Shez. Camera (color), Laurent Brunet; editor, Arik Lahav-Leibovich; production designer, Eyal Elhadad; costume designers, Li Alembik, Ofri Barel; sound (5.1), Simone Weber, Stephen Konken; line producers, Dan Gurfinkel, Christian Vennefrohne; assistant director, Adin Weiner.
With: Maayan Turjeman, Tzahi Grad, Yael Abecassis, Tal Ben-Bina, Ori Yadlin, Adi Shir, Or Edry, Barak Friedman, Dor Srugo. (Hebrew dialogue)
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How much power do parents have over children? According to French director Eva Ionesko, a child can only be “more or less safe.” The filmmaker, who was once abused by her own mother, told RT how she managed to turn her nightmare into a film.
The dysfunctional twenty-three years old Sarah takes her six years old natural son Jeremiah from the home of his beloved foster parents with the support of the social service to live with her. Along the years, the boy shares her insane and lowlife style and is introduced to booze and drugs and mentally, physically and sexually abused by Sarah, her lovers and her religiously fanatic family
An 8-year-old girl is taken from her home and convinced that her family does not want her anymore. After enduring years of horror, she and her fellow victim are dumped by their captures. Now, 17 years old and no one to turn to, except each other they do their best to survive life on the streets, until one day she finally accepts the help of a shelter counselor to find her way home. However, what she truly finds is the love of her life and that you can never go back. "Gardens of the Night", is a haunting, gritty and topical story which delves deep into the world of child abduction and where it often leads...for the "lucky ones." The writer/director, Damian Harris bases his story on the kids, counselors, cops and pimps he met during two years of research.
based on the true story of a single teacher's courage to stand up against an untouchable prefect's sadistic disciplinary regime and other abuse in a Catholic Reformatory and Industrial School in 1939 Ireland.
When her elderly mother dies - apparently happy but in curious circumstances - her daughter travels home to Naples for the funeral. Staying on, she tries to piece together her mother's recent life. In doing so she starts to confront childhood memories that shaped the family history.
Not Rated | 107 min | Documentary, Biography, Crime
Documentary on the Friedmans, a seemingly typical, upper-middleclass Jewish family whose world is instantly transformed when the father and his youngest son are arrested and charged with shocking and horrible crimes.
Members of the controversial group NAMBLA (North American Man/Boy Love Association) discuss why their organization supports "boys and men who have or desire engagements in sexual or emotional relationships."
As a child, Michael Stock was sexually abused - by his own father. 25 years later he is still looking for inner peace. In conversations with his family and friends and his own reflections, he paints an ever clearer, if contradictory picture of what happened and of the consequences for each of the family members
R | 107 min | Crime, Horror, Sci-Fi
the serial killer has dark memories that are pretty disturbing
http://www.youtube.com/watch?v=m1_Z6-v4uT0
PG-13 | 115 min | Crime, Drama, Thriller
Its an older film and depicts a New Zealand family in peril.

"domestic violence and child abuse Gardens of the Night - abduction, child prostitution, sexual child abuse"
Not Rated | 113 min | Biography, Crime, Drama
Indian film - domestic violence, similar to The Burning Bed
child prostitution, domestic violence, neglect
Not Rated | 109 min | Adventure, Drama, Romance
Spanish - domestic violence, stalking
Not Rated | 90 min | Drama, Horror, Thriller
Carved (aka A Slit-Mouthed Woman) Japanese - child abuse (it's a horror film, but the theme focuses on abusive mothers)
Diary of a Mad Housewife (1970) - domestic violence (it was well known in its time but largely forgotten today)
Unrated | 99 min | Drama, Horror, Romance
Song of the Shattered (2010) - domestic violence
Brazilian - abandonment, child abuse, crime
Nil by Mouth (1997) British - domestic violence
La Rupture / The Breach (1970) French - child abuse
Farrah Fawcett gave a solid performance as a battered wife
husband is a victim of domestic violence

Princess Mia Femdom
Hard Wife Dp
Family Voyeur Masturbation
Adult Tube Com
Brazzers Long Movies
'That Lovely Girl' Review: All the Father-Daughter Incest ...
Top movies about child abuse/domestic violence - IMDb
It Movie Beverly Father Sexual Abuse Disturbing Scene
Child abuse in movies - IMDb
10 Sexually Explicit Films Featuring Children - Listverse
The 10 Best Movies About Adolescent Sexuality – Page 2 ...
Don't Tell: The Sexual Abuse of Boys on JSTOR
FULL JAPANESE MOVIE UNCUT | GRAND FATHER IN LAW LOVED BY ...
Father in law on Japan Family daughter-in-law
10 Films NOT to Watch With Your Mother on Mother’s Day ...
Films Movies Teenage Sex Abuse Father Incest