Film Sex Scene Sister

Film Sex Scene Sister




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GREATEST FILMS

Greatest Films: Overview
100 Greatest Films
101-200 Greatest Films
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Movie Title Screens
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50 States: Most Authentic Films
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Robots in Film




HISTORY

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Sex in Cinema - Comprehensive History
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Movie Title Screens: Film Franchises
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Greatest Movie Props in Film History
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Sub-Genres Types (and Hybrids)
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100s of the Greatest
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Sex in
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QUOTES

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History of Sex in Cinema:
The Greatest and Most Influential
Sexual Films and Scenes
(Illustrated)
In this psycho-sexual thriller (similar in part to The
Silence of the Lambs (1991) and Basic
Instinct (1992) ), brilliant, cool blonde criminal psychologist
Dr. Sarah Taylor (Rebecca DeMornay) was evaluating the sanity of
accused serial killer Max Cheski (Harry Dean Stanton).
In the meantime, she
fell in love with smooth talking, quick-tempered, passionate, long-haired
Latino stranger Tony Ramirez (Antonio Banderas) who she said was "a
bad influence."
In Tony's "loft" apartment where walls were
composed of wire fencing and wooden cages, she found vigorous, kinky
thrills with him inside one of the 'caged' or mesh-screened rooms.
But she was increasingly frightened by things sent to
her: threatening phone messages, dead flowers, her own newspaper obituary,
and her dead cat.
In the twist ending, it was revealed that Tony was
a police officer and surveillance expert investigating the disappearance
of Sarah's ex-fiancee a year earlier.
He demonstrated that Sarah had
multiple personality disorder - she was stalking herself by sending
the strange gifts. Her illness stemmed from an abusive childhood from
her despised father Henry (Len Cariou) (who committed incest) during
which time she murdered her mother to satisfy Henry and cover up the
crime.
In the end, Sarah's homicidal alter ego killed both
Tony and her father, and then convinced the police that Tony murdered
her father and that she killed Tony in self-defense.
Holly Marie Combs (star of TV's magical fantasy series Charmed as
Piper Halliwell) was featured in this mostly-unseen, low-budget, independent
film by first-time director Douglas Tirola. The intelligent film was
about date rape on a college campus, expressed by the tagline:
"Sometimes
the people you know the best are the ones you can trust the least."
Combs appeared topless (as Sharon) in one short sex scene
that was unrelated to the main plot. As a second male watched (with
his hand down his pants masturbating) and drank beer, she ripped
open a condom packet with her teeth, then put a condom on another naked
guy in front of her, and provided oral sex. She then removed her sweater
to reveal her breasts, and let the male fondle her. This
scene was possibly one of the few reasons that anyone had even heard
of this film.
In the film's main plot, a popular and pretty sorority
girl named Charlotte Byrne (Allison Smith) attended a frat party where
she was raped (forced into unwanted sex) by her boyfriend Wesley's
(Danny Quinn, actor Anthony Quinn's son) womanizing best friend Jim
(Jay Underwood).
Subsequently,
she lost her boyfriend, was shunned by her sorority sisters, and suffered
confusion and terror. She was even accused of raping the aggressive male: "You
raped him." When she finally took a stand against the rape and made
strong allegations (with support from a campus women's group), her
actions led to both positive and negative consequences.
Director Paul
Verhoeven's erotic show-biz, sexploitation drama (teamed up again with
screenwriter Joe Eszterhas) was the first attempt of Hollywood
to mass market a studio film with an NC-17 rating (since the failure
of Caligula (1979) ), although it was a tremendous flop (with
domestic box-office of only $20 million from a production budget
of $45 million). In subsequent years, it has regained some of its
status as a deliberately campy, misogynistic guilty-pleasure adult
film, with some unfortunate depictions of the mistreatment of women.
It remains the highest-grossing NC-17 rated film of all-time with
almost double the box-office take of its next major competitor, Henry & June
(1990) at $11.6 million.
Although it flopped at the box-office, the notorious
film found an audience among cult film-goers, although it reportedly
destroyed the career of lead female star Elizabeth Berkley (as aspiring
dancer and new stripper in town named Nomi Malone), earlier noted
for her role in the late 80s TV show Saved
By the Bell . Its campy, dramatically-sleazy story was about
the sex industry. It took an uncensored look at cheap Las Vegas strip
clubs and shows (beginning with pole-dancing at the low-class Cheetah)
and higher-class hotel shows and their headliner dancers. One of the
other main stars was Gina Gershon as Cristal Connors, the Stardust Hotel
revue showgirl star who performed on stage at
the "Goddess" topless
dance show.
In one of the earliest scenes, Al Torres (Robert Davi),
manager of the topless, pole-clinging dancers at the Cheetah, detailed
requirements for a lap dance to new girl Penny (Rena Riffel): "Fifty
bucks a pop, you take 'em in the back. Touch and go. They touch,
they go. You can touch them. They cannot touch you...Now if they
come, that's okay. If they take it out and come all over you, call
the bouncer, unless he gives you a big tip. If he gives you a big
tip, it's okay. You got that?...lf you want to last longer than a
week, you give me a blow job. First l get you used to the money,
then l make you swallow."
It was controversially loaded with very frequent nudity,
sexuality, and notorious dialogue:
Cristal: "I like nice tits.
I always have. How about you?"
Nomi: "I like having nice
tits."
Cristal: "How do you like havin' 'em?"
Nomi: "What
do you mean?"
Cristal: "You know what I mean."
There were many memorable scenes in this infamous film,
including the topless 'Chorus Line-like' dance audition and "Thrust
It" coaching administered by a crude dancing choreographer,
the threesome voyeuristic lap dance, and the overacted, over-the-top
swimming pool scene with champagne and thrashing orgasmic activity
between leggy pole dancer Nomi and hotel entertainment director and
impresario Zack Carey (Kyle Maclachlan) - the scene was voted the
# 1 'unsexiest' or worst sex scene in cinema history by Empire Magazine
in 2005. Many viewers found the non-stop nudity almost boring after
awhile.
During the dance audition scene, Tony Moss (Alan
Rachins) introduced himself: "Okay, ladies. I'm Tony Moss.
I produce this show. Some of you have probably heard that I'm a prick
- I am a prick. I got one interest here, and that's the show. I don't
care whether you live or die. I want to see ya dance and I want to
see ya smile. I can't use you if you can't smile, I can't use you
if you can't show, I can't use you if you can't sell"). He also
threatened one of the losing contestants: "Come back when
you've f--ked some of this baby fat off. See ya!", and made
an insulting comment to Nomi: "You got something wrong with
your nipples?...I'm erect. Why aren't you erect?"
There were many other unclad scenes, including numerous
dressing room scenes, the love-hate/lesbian sex and kiss encounter
between Nomi and Cristal, and much more.
Director Roger
Donaldson's R-rated, titillating science-fiction action thriller contained
plentiful sex and nudity - exhibited by a gorgeous, deadly, part-alien/part-human
nymphomaniacal creature named Sil. She was the result of a scientific experiment at a top secret Utah facility to combine alien and human DNA.
First portrayed as a 12 year-old by Michelle
Williams, Sil grew into a gorgeous but deadly female (model Natasha
Henstridge) whom the scientists attempted to gas to death. She escaped
and prowled the LA singles scene looking to procreate with a suitable
male mate to provide her with the genetic seed necessary to have
offspring for colonization.
The beauteous murderous creature enticingly
seduced men in many scenes by becoming naked and aggressively demanding
sex (a reversal of normal sex roles), especially in one hot tub sequence.
When aroused, spikes came sprouting from her back. Whether impregnated
or not, she would kill her shocked
male victims, Black-Widow style.
[Note: Henstridge (and
others from the original film) returned for the film's sequel (followed
by two more installments).]
Director Kathryn Bigelow's realistic
science-fiction story told about virtual reality "clips" (sold
on computer discs and played back on head-worn devices called SQUIDS
or Superconducting Quantum Interference Device). Ex-vice
cop and illegal clip peddler/user Lenny Nero (Ralph Fiennes) would also
sample the wares - a virtual reality clip of two girls (Kylie Ireland
and Dru Berrymore) and a guy making love. Buyers used them for entertainment's
sake in the future Los Angeles of late 1999 - to experience the real
sensations of others with strong doses of violence and sex.
Lenny
also ecstatically enjoyed 'jacking in' to playback a clip of ex-girlfriend

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