Film Erotic Nudist

Film Erotic Nudist

From Wikipedia, the free encyclopedia

^ Applebaum, Irwyn (1984, 1998). The World According to Beaver. TV Books.

^ "Turner Classic Movies" .

^ Lewis, Jon (2000). Hollywood V. Hard Core: How the Struggle Over Censorship Saved the Modern Film Industry . New York University Press. pp. 198–201 . ISBN 978-0-8147-5142-8 .

Garden of Eden is a 1954 nudist film directed by Max Nosseck . It was co-produced by Walter Bibo (born on 13 April 1903 in New York City), and Norval E. Packwood. Outdoor scenes were filmed at Lake Como Family Nudist Resort in Lutz, Florida . Karen Sue Trent, about age seven (appearing as Joan in this film) went on to guest star as "Penny Woods" in 14 episodes of Leave It to Beaver four years later. [1]

After East Coast businessman Jay Randolph Lattimore approves the designs for a new gymnasium he is donating, he discusses with his attorney and an associate how he has recently undergone a complete personality change: Susan, the widow of Lattimore's son Tom, who was killed in the war , confronts the gruff, bitter Lattimore with the news that she and her six-year-old daughter Joan will no longer be dependent upon him and are leaving his house to move to Miami , where she believes she can resume her modeling career.

Although Lattimore states he will not allow Susan to leave with his granddaughter, he later observes them as they say goodbye to the housekeeper and drive away. Early in the morning, on the outskirts of Tampa , Susan is confused by a detour in the highway, and the car breaks down in a remote area. Fortunately, another driver, Johnny Patterson, is on the road and attempts to fix the car. When he realizes a professional mechanic is required, he invites Susan and Joan to rest at the nearby Garden of Eden resort until a garage opens. After making them comfortable in a cabin at the "members only" resort, Johnny leaves to arrange to have the car worked on, but fails to advise Susan and Joan that they are in the middle of a nudist colony .

Meanwhile, the abandoned car has been found by a Highway Patrol unit and Lattimore is advised. After a short nap, Susan awakens, looks out the cabin window and is surprised to see Joan, and other children, playing without any clothes on. Several naked adults also pass by. When Johnny returns to explain that he is arranging to have her car repaired, Susan tells him that she thinks that the children are delightfully natural naked, but is not convinced about the adults and decides to remain in the cabin until the car is ready. Johnny tells Susan that he is an actor and also works at the camp.

Lattimore, meanwhile, receives a phone call from the police advising him that Susan and Joan are safe at the Garden of Eden, which he assumes is a motel. After Johnny discovers that the car repair will take several days, Susan, fully dressed, wanders outside to meet several of the nudists, including a theater director, who expresses an interest in her acting ability. Later, Joan asks her mother if she feels funny being the only person with clothes on.

Susan is then invited by a male resident, naked from the waist up, to take a ride around the camp's lake in his motorboat . Susan asks to be dropped off on the other side of the lake, where she lies down, falls asleep and dreams of disrobing and swimming naked in the lake. In the dream, Johnny swims up to her, but she is embarrassed by their nudity and asks him to leave. When Susan wakes up, Johnny is there with an update on the car and she tells him that that evening the director has asked them to perform a scene together from Shakespeare's Romeo and Juliet .

Later, during the performance for the clothed theater group, Lattimore arrives at the camp's entrance demanding to take Joan home with him. However, some members persuade him that he is tired and angry and should rest overnight and resume discussions in the morning. Before going to sleep, Lattimore visits Joan, who tells him that she is happy there and wonders why he is so grouchy and makes her mother cry. Early the next morning, unaware that he is in a nudist camp, Lattimore leaves his cabin for a stroll and meets the theater director, whom he recognizes as a famous Shakespearean actor, but is stunned when the man goes swimming naked.

After observing more nudists, Lattimore phones his lawyer demanding that he take action against Susan and Joan, but the lawyer refuses as, he too, is a nudist. Later, Lattimore meets Johnny and apologizes for his conduct the night before and, after wandering around the camp and observing how relaxed everyone is, becomes enthused about nudism and decides to become a member. As Susan is putting Joan to bed, Lattimore comes to apologize to Susan for his years of hateful behavior. When Johnny shows up to take Susan to dinner, he announces that the baby sitter cannot come but he has arranged for Lattimore to do the job.

Johnny and Susan leave as Lattimore begins to tell his granddaughter a bedtime story. Back in the present, Lattimore ends his account of his conversion and his plans to donate a gymnasium to the camp. In the interim, Susan and Johnny have married and are rehearsing a play. All then head for the camp, where they go swimming naked together. [2]

In the late 1950s Garden of Eden was the subject of a court case, Excelsior Pictures vs. New York Board of Regents . The New York State Court of Appeals ruled that onscreen nudity was not obscene, and this ruling opened the door to more open depictions of nudity in film . [3]

As mainstream Hollywood lags behind in meaningful explorations of sexuality, these provocative short films embrace the unusual tapestry of human predilections.
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As film festivals pivot to the ever-shifting landscape of distribution and sales, the way we consume independent film is changing more dramatically than anyone could have predicted. Audiences can now experience a wider variety of films online, opening a world of possibilities that will hopefully benefit smaller films. With any luck, the new reality will broaden movie lovers’ horizons enough to include short films , which U.S. audiences can be reluctant to embrace. Most filmmakers begin to craft their voices with shorts, and given the significance of making a strong first impression, the format encourages creative risks. What’s more, younger and emerging filmmakers naturally have a finger on the pulse of more progressive ideas, ensuring a broader range of perspectives.
While mainstream Hollywood struggles to address human sexuality in any meaningful way, these four recently-released short films explore sex and desire with a refreshing playfulness. Whether it’s a feminist genre take on actual bloodlust, or a comedy about an erotic encounter where the two people never touch, these films celebrate the full spectrum of human desire. They’re all available online, though you’ll have to head over to YouTube for the more explicit titles, and each one has its own unique vibe.
Though dealing swimmingly with sexual themes, this daring drama pushes the envelope a bit too far to be considered flat-out sexy. Rather, Australian filmmaker Renée Marie Petropoulos uses sexuality as fertile ground to explore the complex connection between a mother and daughter, and each woman’s complicated relationship to her own sexuality. A quintessential “cool mom” throws a raucous pool party for her wide-eyed teenage daughter, eerily pushing her to flirt with the boys. The older woman saunters in her loose caftan doling out Jello shots, sucking down a cigarette after some boys toss her in the pool with the rest of the teenagers. As her daughter looks on — whether in shame, disgust, or normal teenage angst — an ocean of pain is shared in the glances between the two.
When a cunning teenager steals a dildo and harness from her local sex shop, she suddenly finds herself empowered beyond the imaginations of her small-minded boyfriend. Emboldened by the high of her new toy, she exudes a new confidence in front of her friends, who seem devoted to conventional gender roles. She quickly grows tired of being shut out of the boys’ games, and poses a unique dare to the young men in her circle. But her confidence is rewarded when her macho lover surprises her in exciting ways.
This funky little documentary explores the world of custom-order porn, a niche filmmaking enterprise designed by married couple Dan and Rhiannon Humes. Though they began their career in mainstream porn, the duo soon recognized an opening for user-designed content. Customers approach them with fantasies, whether to explore a specific fetish or to revisit an erotic childhood memory, and the Humes then craft them into bespoke porn. The film shows the coupe lugging camera equipment around their California home, interviewing the performers, and recounting customers and requests that stuck with them. Many of the scenarios are surprisingly moving, like the guy who just wants to see a pretty girl call him “honey” and “love.”
Three films in, and director Mathew Puccini has pretty much covered the gamut of queer experience. With a light touch and a lyrical eye, Puccini’s shorts play like a moving triptych of quietly pivotal moments in the lives of queer men. “The Mess He Made” starred Max Jenkins as a man waiting for the results of an HIV test, and “Lavender” featured Michael Urie as half of a couple who invite a younger third into their longterm relationship. “Dirty” explores the awkwardness of a more universal folly — bottoming for the first time. As always in Puccini’s work, the characters are tender and natural; the images aglow with intimacy.
The most erotic film ever made about a window washer, “Squeegee” follows a delightfully weird tryst between a career woman and the scruffy younger man who washes her office windows. The 10-minute short is almost entirely devoid of dialogue, instead relying on a moody jazz score that wouldn’t be out of place in a noir. Lead actress Amy Rutherford embodies her frisky businesswoman with an empowered girlishness, communicating everything from desperate lust to soulful longing with nothing more than a few subtle looks. The glass that separates the two characters is both a literal safety barrier as well as representative of the often murky disconnect between fantasy and reality. Written and directed by Morgan Krantz, “Squeegee” is an entertaining comedic interlude that has a lot to say about the human condition. You’ll never look at window washers the same way again.
“I find sex to be pretty absurd, and I wanted to show that,” Krantz told Short of the Week , which premiered “Squeegee” in late May. “I’ve also been in relationships with people where we both know there is no practical way to really be together. But when you’re having one of these ‘flings,’ I have found that it can actually be easier to express how wild you are about a person… because you both know that you can never end up together. So that’s the glass between these two characters.”
Lithe and full of longing, a young Italian embraces his provocative drag persona in this short and sensual documentary. Vincenzo is a young queer artist from Naples, Italy who performs cabaret-style drag at La Boum, Milan’s premiere gay club. His soul-searching voiceover narrates visually sumptuous footage of his performances, interspersed with more traditional community scenes of life in Naples. Whether he’s going by Vincenzo, Ambrosia, or Vincenzo D’Ambrosia, the film celebrates his shifting identity as he explains that the very act of naming himself is both confusing and empowering. While he appears confident and beautiful onstage, behind the scenes Ambrosia bounces between concerns about being pretty or feminine enough and feeling like he’s letting down his family every time he puts on a heel. Director Peter Spark expertly crafts this glittery dance between art and artist, allowing the harshness of Ambrosia’s inner monologue to exist side by side in beautiful contrast with his enthralling stage persona.
A young woman anxiously awaits a special visitor in a quaint roadside motel room in this surprising and humorous gore-inflected genre morsel. When her young and lanky massage therapist arrives, he isn’t exactly one for small talk, immediately putting her even more edge. Writer/director Meredith Alloway takes center stage as the eager client; she’s natural and open opposite a deliciously creepy Peter Vack. Following a string of TV roles in shows like “Mozart in the Jungle” and “Homeland,” Vack distinguished himself as a filmmaker with the highly controversial “Assholes,” which premiered at SXSW in 2017, prompting IndieWire’s David Ehrlich to call it “one of the most disgusting movies ever made.” While “Deep Tissue” is more provocative than disgusting, the final reveal is in line with Vack’s own filmmaking philosophy. Keep ’em on their toes, and they’ll eat it right up. You can watch “Deep Tissue” via The Future of Film Is Female.
Quirky and unnervingly erotic, this whimsical stop-motion animation celebrates all kinds of bodies and predilections. The film debuted as part of Sundance Film Festival’s 2018 Midnight Shorts Program, and premiered online as a Vimeo Staff Pick last year. The films spies on different creatures in bed, from lesbian nuns to gender-blending lovers. Animator Michaela Olsen wanted to show “the lives people lead behind closed doors,” and while her intricately crafted figures aren’t all people, each character channels a unique persona even in their brief scenes. “I wanted to play on the idea of seeing every detail of the characters’ worlds and secrets,” Olsen told Vimeo . “They’re opening up their world to you as a viewer and showing you their true selves.”
This Article is related to: Film and tagged Sexuality , Short Films
Under Covers seems interesting because I like stop motion animation.
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One of the most precious things that exists in this world is childhood innocence. Unfortunately, the film industry has a disturbing history of having children perform sexually explicit actions on film, largely for the entertainment of adults. While attracting rightful condemnation from many, there is not enough being done to protect children working in the entertainment industry from being exposed to and participating in things that children should not be a part of.
This is a particularly timely list as the mainstream media has recently begun drawing attention to QAnon when a reporter recently asked the president what he thought about “his” suggestion that Mr Trump is working to end a deeply entrenched child sex trafficking cabal in the deep state with Hollywood complicity. Additionally, Netflix recently released a show Cuties which has horrified many with its extreme pro child sexuality content.
These are 10 films featuring children performing explicit actions on screen . . . disturbingly this is just the tip of the iceberg .
Seth Rogan’s 2019 comedy film Good Boys pushed all the remaining boundaries of late night comedies. The film features 3 13 year old boys, played by real 13 year old actors, who are preparing for their first Kissing Party and have several misadventures along the way. The boys activities in the film included them cursing, peeping on their neighbors and underage drinking. In addition there were several scenes featuring the underaged actors using sex toys , both properly and improperly. One scene featured 13 year old Jacob Trembly kissing a sex doll which was implied as being used by one of his friends parents. Another featured all 3 of the boys viewing a pornographic video. In spite of all of this, there was little mainstream controversy surrounding the film and it was released to the public without incident, grossing 110.6 million at the box office. [1]
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