Fetish Lit Melodies

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Fetish Lit Melodies
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12" Double LP · (Unholy Trinity Records)
12" LP · (Analog Worship / Baneful Genesis)
AWE-009 Co-released with Baneful Genesis. Analog Worship is handling retail, wholesale and trades for this title. Hailing from Victoria, BC, HUMAN AGONY play violent and bestial black metal in the vein of CONQUEROR and DAMAAR. Los Angeles' METHGOAT play unhinged noisy black ... (See More) death for worshippers of SECT PIG, TSALAL and NYOGTHAEBLISZ. This split was originally released as a limited tape. The material has been newly mastered for vinyl by V. Kusabs. Expect nothing less than a raw and blistering assault of pure primal chaos. Limited split LP available on mailorder exclusive oxblood/black mix vinyl and traditional black vinyl. Includes a glossy, double-sided insert.
AWE-008 Co-released with the mighty Fuck Yoga from Macedonia. Europeans are strongly encouraged to order their copies direct from our partner in crime. Under the banner of molestification (the Finnish way), the forces of RIDE FOR REVENGE and SATANIC TORMENT have united ... (See More) to affirm the power of metal. It is cruel and spiteful; primitive and deadly URGH!!! All artwork illustrated by Marko Marov. Limited split 7" available on mailorder exclusive red vinyl and traditional black vinyl.
AWE-006 A split 7" of absolute ferocity from two of Canada's best current bands. RADIOACTIVE VOMIT emerged in 2010 with their debut demo Vomit Command Until Suicide . Using the foundation laid by legends such as BLASPHEMY and CONQUEROR, they imbued the blackened ... (See More) sounds of war metal primitivism with the grime of D-beat punk. They followed this up with 2012's well-regarded Witchblood tape. Their side of this split continues down the same path of depravity. Recorded and mixed by VK (of the mighty VASSAFOR), this is their strongest work to date. Hail the Vomit Cult! COLUMN OF HEAVEN are probably best known as a sort of "continuation" of powerviolence/noise fanatics THE ENDLESS BLOCKADE, but that all-too-easy pigeonholing does the band no justice. COLUMN OF HEAVEN is its own beast entirely. The tracks they present on this split represent merely one facet of COLUMN OF HEAVEN, in this case that of noise-drenched deathgrind. For those who have been following the band from their inception, their half of this split will be a welcome repast; for those as yet uninitiated, prepare to inhale the stench of death and see the light. 100 copies are available on clear vinyl [SOLD OUT] on a first come, first served basis; the remaining 400 copies are on black vinyl. A simultaneous pressing of this record is being released by UK label Feast of Tentacles. We highly encourage our European comrades to obtain a copy from them to save on shipping.
RESTOCKED. Double LP collection of all previously AAD SLECK material from 2018-2021 plus four unreleased bonus tracks. Four sides of Northern Blackened Punk Stomp from Northumberland, UK including the two classic demos and all three sets of tracks from the split ... (See More) tapes with FANGFOSS, STINKIN BISHOPS and VAULT. 100 copies on black vinyl with printed labels, including a 32-page Black Book zine chronicling England's worst mining disasters.
LAST COPIES! Long awaited vinyl version of the debut album by Finnish supergroup ABSAVA. Following a triumphant demo, the duo of Antti Klemi (ABSOLUTE KEY, CIRCLE OF OUROBOROUS, etc.) and Harri Kuokkanen (HAIL CONJURER, RIDE FOR REVENGE, etc.) deliver eleven tracks ... (See More) of haunting experimental Black Metal with an up-front dark industrial influence colliding in a maelstrom of unhinged vocals, buried organic riffs and swirling electronics. As somber as it is terrifying. 100 copies on black vinyl with printed labels with sticker and insert.
LAST COPIES! From Europe to Middle East via Sub-Saharan Africa, ABSCHEU have been watching some of the most determined acts of violence. Studying how bloodthirsty groups wash their hands by adorning their motivation with divine command. Seeing zealots justify murderous wrath ... (See More) by invoking their favorite sacred book whenever necessary. A self-proclaimed court where justice is selectively rendered. A confusing purgatory where hatred is given a legitimacy. A sneaky trickery designed to mislead one's enemies in the maze of one's lies. Pretens is the exploration of that system from various perspectives. Pretense is an unquestionable judgment before men – definitely not before that thing they call god.
LAST COPIES! My Mortal Share // The Towers , a seven inch EP by an obscure black metal/noise/industrial artist, ABSOLUTE KEY, is the work of a sick man. Ridden with a blood disease, A. Klemi, the sole member of the band, faced ... (See More) the gates of the unknown last Autumn, and from those experiences this EP was born. "My Mortal Share", a mid-tempo piece full of the dirtiest screeches and ethereal wails somewhere between industrial and SUMMONING, paints a vision of a prisoner: where are the boundaries of our physical and spiritual existence, and is it possible to break these chains in the pressure of the overwhelming universe? B-side "The Towers" is a soundscape of Above and Below, a man's never ending quest for truth and rebellion. How can we rip the heavens apart when our hands are tied by our own materialism? Musically "The Towers" is a more abstract piece of work, combining slow rhythms, religious sound imagery and agonizing screams – being a modern psalm, perhaps? Limited to 300 copies and includes a lyric sheet. Cover painting by A.Klemi. All copies on color vinyl. Varying degrees of green and blue vinyl.
Gatefold 12" LP · (Dunkelheit Produktionen)
LAST COPIES! Two death squads brought together on vinyl. A coalition of death-bringing supremacy of war. The German antihuman command of AD ARMA strikes with three new studio tracks, recorded back in the middle of 2010. Desecrating and war-glorifying hymns for ... (See More) the black goat only! PURBAWISESA attacks again, after 4 years of silence, with a heavy artillery of Antichristian propaganda. The Singaporean hell demon is still spreading its blasphemy in the old and fanatic way. Limited to 350 hand-numbered copies. Amazing artwork done by Indonesian wargoat Oik Wasfuk.
LAST COPIES! INFILTRATION PSYCHOSIS // MIRROR IMMERSION ADZALAAN's debut album Into Vermilion Mirrors thrusts the project beyond a standalone solo working of R, but refocuses Vrasubatlat as a whole to accept the entity as one of the cabal's core focuses. Into Vermilion ... (See More) Mirrors manages to meander across many different forms of black/death metal while maintaining a progressive edge and allowing one to delve deeper into the darkness of the sonic offering. As the twentieth release of Vrasubatlat, Into Vermilion Mirrors shows that the force of the group is shifting and growing stronger. Succumb to the reflection, and engage the depths. IN THE MIRRORS, I CHANGE // VERMILION ADJOINS SKIN This is VT-XX. HAIL VRASUBATLAT.
LAST COPIES! Work on this collab began in 2014. Through different incarnations over the years this final product is a perfect mix of both cut up styles. Side A is a piece created by AHLZAGAILZEHGUH using his own material and source ... (See More) from DETERGE. Side B is a piece created by DETERGE using his own material and source from AHLZAGAILZEHGUH. The pressing plant originally rejected the audio, stating that it was too intense and dynamic for their cutting equipment. We were able to get a special 45RPM double cut at half speed in order to preserve quality and frequency shifts. This is a true monster!
LAST COPY! In a scene where crawling up one's own ass is celebrated as being "true," "evil" or "misanthropic," AKSUMITE offers up a throbbing middle finger to this planet of fakers, pussies and weekend warriors. Primitive for life. Become the green-eyed hyenas. ... (See More) AKSUMITE is not amongst the metalpunk elite, they ARE the metalpunk elite.
Unpunished : Appendix features tracks which were conceived around the time of Unpunished , and then took on a different form once the album was completed. Although certain tracks echo those on Unpunished , this Appendix is a new investigation based on ... (See More) new evidence. Here you'll find parallel beginnings, extended themes, precarious diversions and unresolved conclusions. 4 tracks on 10” vinyl, 2015 – 2018. Includes 4 postcard-size inserts, a vinyl sticker and a 4-page interview.
12" LP · (Nasphyr Personal Demon Records)
Originally released on CD only by the legendary Nazgul's Eyrie Productions back in 1998, The Worship is the legendary second album of cult Czech black metal act AMON. Released under the name AMON GOETH to avoid confusion with other bands ... (See More) using the same name, The Worship sounds like nothing before or since, a truly unique monument of Eastern Bloc black metal. Led by guitarist Dr. Fé (of the one and only ROOT and also featuring Lada Larva Krupica of ASGARD, AMON are one of the best from the '90s Czech black metal scene, easily holding their own alongside ROOT, TUDOR or MANIAC BUTCHER... and The Worship is their masterpiece. First vinyl pressing of this classic of Czech black metal. Limited to 250 copies worldwide.
12" LP · (Bestial Burst / Final Agony)
16 long years after their debut album, the Finnish black metal warmongers ANNIHILATUS are back stronger than ever before. Armed with a strikingly nihilistic, anti-religious philosophy and musical tradition of classic CELTIC FROST, DARKTHRONE and the likes there is no ... (See More) option but to submit to their total vision of cold destruction and death. Ten songs in 41 minutes. Copies from Bestial Burst, with DIY jackets. Available on black or limited clear blue.
RESTOCKED. AnXpm was an old project by MM (EMIT/HAMMEMIT/ANTE CRYSTE) and Emil (REVERORUM IB MALACHT), which eventually surfaced as a limited 4-song tape earlier in 2012 on Total Holocaust Records. The four songs from the tape will be included on this ... (See More) split MLP. SYMPHONIA SACROSANCTA PHASMATUM was REVERORUM IB MALACHT's earlier incarnation (The Ajna Offensive released a dark ambient CD by S.S.P. a few years ago). This side of the MLP features one 13-minute unreleased track of cavernous, crushing funeral doom with dozens of subtle, mysterious layers. Downtuned guitars, crashing drums, deep guttural vocals, atmospheric samples, and the distant, nightmarish atmosphere of REVERORUM IB MALACHT. 12" black vinyl MLP (45rpm) with artwork/lyrics insert. Please note that some of these covers received small bends or dings in transit. All of the vinyl is mint. I'll be shipping out the ones with no damage to the first orders. If you need a perfect cover, please email first to double-check that we aren't down to the ones with minor damage.
SECOND PRESS, IDENTICAL TO THE FIRST. US entity ARAZUBAK revealed its initial signs of dreaded life earlier this year through a demo tape, already showcasing an addictive raw Black Metal sound bursting with malice and a distressing atmosphere. Now the time ... (See More) has come to reveal the debut full-length, a self-titled tome of ominous musical emanations brimming with genuine suffering and wretchedness. Crude and austere, the sound of ARAZUBAK is organic and enough varied to craft a sharp sense of dynamics in the midst of poignant exquisite riffs, a piercing rhythmic section and a voice that wails directly from the utmost hellish void. Enter 30 minutes of delirium by matter of splendid Raw Black Metal mastery.
Gatefold 12" LP · (Nuclear War Now! Productions)
LAST COPY! CLEAR RED VINYL LIMITED TO 100 COPIES. Following the release of their monumental second full-length album, Incendiary , in 2010, ARES KINGDOM took a well-deserved break from recording new material in order to pay homage to some of their primary musical ... (See More) inspirations with the 2013 release of Veneration , a collection of various cover songs from the likes of SLAUGHTER LORD, R.U. DEAD?, SACRILEGE, MEFISTO and others. The recording of Veneration was also seen by the band as an opportunity to experiment with different recording techniques that had not been previously implemented on their earlier original recordings. With an evolved sound that resulted from these sessions, ARES KINGDOM then refocused their attention on the writing, rehearsing and recording of new original material, which has now culminated in their third full-length offering, The Unburiable Dead , an album which confirms that the best musical product results from patient and diligent attention to detail. With much of their musical pedigree having originated and developed from its members' direct and indirect connections to the legendary ORDER FROM CHAOS, ARES KINGDOM have once again demonstrated their uncanny ability to successfully intertwine exceptional songwriting and musicianship with superior thematic and lyrical content. As with their prior releases, the seven tracks on The Unburiable Dead are relentless, scorching examples of metal fire and blood influenced not singularly from one, but instead from several sub-categories of black/death/thrash metal. Thematically, the lyrics examine and reflect the world-shattering conflagration of the Great War for Civilization (1914-1918) in brutally stark and agonizing, but equally artful terms. With the opening track, "Ubique" (Latin for "everywhere" and the motto of Britain’s Royal Artillery), the album traces the origins of the war before moving on to reflect the naïve optimism of the war's early combatants with "Nom de Guerre" and the breakdown of the original "war of movement" into the deadly stalemate and attrition of fortifications and trenches with "Salient and Redoubt". The fourth track, "Demoralize", reflects the waste and futility endured by both sides, which is followed by "Writhe: Fettered to a Corpse", the album's lone instrumental track with its title derived from a Hindenburg-attributed quote. The final two tracks, "The Unburiable Dead" and "Stultifera Navis (Armistice and League)", recount the final stages of the war, first from the soldier's entrenched point of view as it lurches to an end, and then with the outbreak of joy and relief on the homefront upon its conclusion, which was ironically followed by the disastrous peace process that ensued. The LP is housed in a gatefold jacket with an 8-page 12"x12" booklet and an A2 poster. The artwork appropriately chosen to adorn the cover features "The Pit" by "degenerate artist" George Grosz (1893-1959), whose despair over the destruction, terror and death that nationalism had brought to his country through this conflict is readily apparent. Other powerful artwork and photographs present in the booklet serve as illuminative thematic backdrops for the lyrics featured on each page and include works by American artist Marsden Hartley (1877-1943), British artist Christopher R.W. Nevinson (1889-1946), German artist Otto Engelhardt-Kyffhäuser (1884-1965) and French artist Georges Le Roux (1877-1957).
Gatefold 12" LP · (Nuclear War Now! Productions)
LAST COPIES! Following the release of their monumental second full-length album, Incendiary , in 2010, ARES KINGDOM took a well-deserved break from recording new material in order to pay homage to some of their primary musical inspirations with the 2013 release of ... (See More) Veneration , a collection of various cover songs from the likes of SLAUGHTER LORD, R.U. DEAD?, SACRILEGE, MEFISTO and others. The recording of Veneration was also seen by the band as an opportunity to experiment with different recording techniques that had not been previously implemented on their earlier original recordings. With an evolved sound that resulted from these sessions, ARES KINGDOM then refocused their attention on the writing, rehearsing and recording of new original material, which has now culminated in their third full-length offering, The Unburiable Dead , an album which confirms that the best musical product results from patient and diligent attention to detail. With much of their musical pedigree having originated and developed from its members' direct and indirect connections to the legendary ORDER FROM CHAOS, ARES KINGDOM have once again demonstrated their uncanny ability to successfully intertwine exceptional songwriting and musicianship with superior thematic and lyrical content. As with their prior releases, the seven tracks on The Unburiable Dead are relentless, scorching examples of metal fire and blood influenced not singularly from one, but instead from several sub-categories of black/death/thrash metal. Thematically, the lyrics examine and reflect the world-shattering conflagration of the Great War for Civilization (1914-1918) in brutally stark and agonizing, but equally artful terms. With the opening track, "Ubique" (Latin for "everywhere" and the motto of Britain’s Royal Artillery), the album traces the origins of the war before moving on to reflect the naïve optimism of the war's early combatants with "Nom de Guerre" and the breakdown of the original "war of movement" into the deadly stalemate and attrition of fortifications and trenches with "Salient and Redoubt". The fourth track, "Demoralize", reflects the waste and futility endured by both sides, which is followed by "Writhe: Fettered to a Corpse", the album's lone instrumental track with its title derived from a Hindenburg-attributed quote. The final two tracks, "The Unburiable Dead" and "Stultifera Navis (Armistice and League)", recount the final stages of the war, first from the soldier's entrenched point of view as it lurches to an end, and then with the outbreak of joy and relief on the homefront upon its conclusion, which was ironically followed by the disastrous peace process that ensued. The LP is housed in a gatefold jacket with an 8-page 12"x12" booklet and an A2 poster. The artwork appropriately chosen to adorn the cover features "The Pit" by "degenerate artist" George Grosz (1893-1959), whose despair over the destruction, terror and death that nationalism had brought to his country through this conflict is readily apparent. Other powerful artwork and photographs present in the booklet serve as illuminative thematic backdrops for the lyrics featured on each page and include works by American artist Marsden Hartley (1877-1943), British artist Christopher R.W. Nevinson (1889-1946), German artist Otto Engelhardt-Kyffhäuser (1884-1965) and French artist Georges Le Roux (1877-1957).
The first AS SAHAR masterpiece of Eastern Mystical Black Metal from 1996 is finally available in its ultimate format. Released with the original cover with a completely reworked back cover by the mighty Seresian Cobra (based on old Buginese mysticism). ... (See More) Includes a double-sided A4 insert with translated lyrics and a scan of the original tape. Keep the old Far East Asian Black Metal flame alive!
LAST COPIES! After some line-up changes and adding a second guitar, this Catalan Oi! band has managed to embolden its sound plus enrich it in detail. Rough vocals without sounding guttural, pounding bass lines, smashing guitars with a proper distortion plus ... (See More) leads and licks here and there that makes it all in all more interesting, everything driven by simple yet effective drumming. Black vinyl limited to 400 copies.
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