Festival de Pipe (Part II)
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Festival de Pipe (Part II)
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Very little is known about this instrument. It is mentioned in the ancient Brehon Laws, said to date from the 5th century (they are cited in compilations of the 10th century), in describing the order of precedence of the king's bodyguard and household in the Crith Gabhlach: "Poets, harpers, pipers, horn-blowers and jugglers have their place in the south-east part of the house."[12] The word used for (bag-) pipers is Cuislennaïgh, a word associated with reed instruments (cuiscrigh = reeds; O'Reilly's Irish-English Dictionary, Dublin, 1864). The old Irish bag-pipe, of which we possess an illustration dated 1581,[13] had a long conical chaunter with a bell and apparently seven holes in front and a thumb-hole behind; there were two drones of different lengths - one very long - both set in the same stock. It is exceedingly difficult to procure any accurate information concerning the development of the bag-pipe in Ireland until it assumed the present form , known as the union-pipes, which belong to Class II.
The cornemuse and chalemie were the bag-pipes in use in France , Italy and the Netherlands before the advent of the musette, to which they bear the same relation as the old Irish bag-pipe does to the union-pipes, or the cornemusa or piva to the sampogna or surdelina in Italy. Two kinds of cornemuses were known in France during the 16th and 17th centuries, differing in one important structural detail, which affected the timbre of the instruments. Père Marin Mersenne[14] has given a detailed description of these varieties and of the musette, with very clear illustrations of the instruments and all their parts. The cornemuse or chalemie used by shepherds, and as a solo instrument (see fig. 1 (1)), was similar to the Highland bag-pipe; it consisted of a leather bag, inflated by means of a valved blow-pipe; a large drone (gros bourdon) 2½ ft. long included the beating-reed, which measured 2½ in., and was fixed in the stock; the small drone (petit bourdon), 1 ft. in length including a reed 2 in. long, also had a beating-reed and was fixed in the same stock as
the chaunter. The two drones were tuned to C. The chaunter had a conical bore and a double reed like an oboe, but hidden within the stock; it could be taken out and played separately, when the compass given by the eight holes (seven in front and a thumb-hole) C to C′ could be increased by a third to E, by overblowing the D and E an octave by pressure of the breath and lips on the reed, now taken directly into the mouth. The second kind of cornemuse was played only in concert with a family of instruments known as Hautbois de Poitou, a hautbois having the reed enclosed in an air-chamber, just as is the case with the reeds of the bag-pipe. This cornemuse had but one drone which could, like the others, be lengthened for tuning by drawing out the joint; the reed was not a beating-reed but a double reed like that of the chaunter; this constitutes the main difference between the two cornemuses. The chaunter had eight holes, the lowest of which was covered by a key enclosed in a perforated box.
The Sackpfeife or Dudelsack of Germany was an instrument of some importance made in no less than five sizes, all described and illustrated by Michael Praetorius.[15] They consist of the Grosser Bock or double- bass bag-pipe, a formidable-looking instrument with a single cylindrical drone of a great length, terminating, as did the chaunter also, in a curved ram's horn (to which the name was due). The chaunter had seven finger-holes and a vent-hole in front, and a thumb-hole at the back. The drone was tuned to G, an octave below the chaunter.
The Bock, of similar construction, was pitched a fourth higher in C.
The Schäferpfeife had two drones in B flat and F. Praetorius explains that the upper notes of the chaunter of this sackpfeife had a faulty intonation which could not be corrected owing to the absence of the thumb-hole, usual in all other varieties of the instrument.
The Hümmelchen had two drones tuned to F and C.
The Dudey or treble sackpfeife was the smallest of the family, and had three drones tuned to E flat, B flat and E flat, and a chaunter with a compass ranging from F or E flat to C or D.
Praetorius also mentions a different kind of sackpfeife he saw in Magdeburg (see op. cit. Theatrum, pl. v., No. 4), which was somewhat larger than the schäferpfeife and pitched a third lower. There were two chaunters
mounted in one stock, each having three holes in front and one for the thumb at the back. The right-hand chaunter sounded the five notes D, E, F, G, A, and the left-hand chaunter, G, A, B, C, D. The performer was thus able to play simple two-part melodies on the Magdeburg bag-pipe. Praetorius mentions in addition the French bag-pipe (musette), similar in pitch to the hümmelchen, but inflated by means of the bellows.
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Palace of Culture named after Soldatov
Richard Strauss (1864–1949)
"Metamorphosen", a symphonic study for 23 solo strings, TrV 290, AV 142 (1945)
Pyotr Ilyich Tchaikovsky (1840 –1893)
Symphony No. 6, "Pathétique", B minor, Op. 74 (1893)
The musicAeterna Orchestra conducted by Teodor Currentzis will perform two compositions considered the pinnacle of the symphonic tragedy genre at the opening of the Diaghilev Festival 2022.
Richard Strauss was composing the symphonic etude "Metamorphosen" in the last months of World War II and finished it in April 1945. The experience of living through a catastrophe gave impetus for the birth of one of the most exquisite symphonic adagios. "Perhaps, Strauss lived until 85 years solely to create this magnificent thing," the French critic Roland-Manuel would later write. Using centuries-old rhetorical means of expressing grief, weaving motifs in a masterful, continuously changing counterpoint, Strauss composed an elegy for the death of the former world.
Tchaikovsky in his Symphony No. 6 paves the way to the future, to the acute expression of musical psychodramas of the 20th century. Here the music's emotional charge reaches an unprecedented level. The extreme imaginative and dynamic contrasts that bewildered the first listeners still retain a shocking power of impact and inevitably throw the audience off balan.
Private Philharmonic Triumph / Shpagin Plant, Hall D1
Part I – 21:00, Private Philharmonic Triumph
Part II – 22:30, Shpagin Plant, Hall D1
Academic and electronic music, and plastic theatre will merge in two spaces: the Private Philharmonic Triumph, and Hall D1 of the Shpagin Plant.
At the core of the multi-genre programme is the image of destructive love. Love as a remembrance, as a disease, as inspiration and transformation, pipe dreams, scary and seductive nightmares: European avant-garde, new music, alternative genres, sound design and plastic theatre unite around these themes.
Production — Katya Bochavar,
Composer — Alexey Sioumak,
Sound Artist — Dmitry Mazurov,
Performers — Olga Vlasova, Arina Zvereva, Olga Rossini
For more than 50 years Alla Demidova aspired to impersonate Hamlet. In 2001 she succeeded — the Greek director Theodoros Terzopoulos staged the play "Hamlet, a Lesson" at the Athenian theatre "Attis" specially for her. The musical performance "Territory Hamlet" by Katya Bochavar is inspired by the experience of Alla Demidova.
The online premiere of the play took place at the end of 2020, it is for the first time in Perm that the performance will be presented live.
opera-mystery (1973 edition by Herbert von Karajan and Carl Orff)
Diaghilev Festival Première
Director – Anna Guseva,
Production Designer — Yulia Orlova,
Choreographer — Anastasia Peshkova,
Costume Designer — Sergey Illarionov,
Video Design — 2BLCK,
Assistant Director — Zakhar Zaitsev,
Producer — Ekaterina Arsenyeva
Musical Director and Conductor — Teodor Currentzis
Performed by the musicAeterna Choir and Orchestra
The Diaghilev Festival 2022 will be closed by a production that fits Carl Orff's mystery opera into the industrial interior of the Shpagin Plant. De temporum fine comoedia ("Mystery on the End of Time") is a large-scale work for many soloists, several dramatic actors, a choir, and a huge orchestra with about thirty percussion instruments.
Throughout his life Orff was developing a special type of musical theatre where he synthesized relatively simple musical forms, allegedly unprofessional singing, dance, dramatic acting and recitation in search of the art's proto-language. He called such synthesis the "world theatre", omitting the very word "music", although it is music that plays a crucial part in his mysteries.
Orff was creating De temporum fine comoedia for ten years and edited it repeatedly. The 1973 version, premiered under the conduction of Herbert von Karajan at the Salzburg Festival, will be performed at the closing ceremony of the Diaghilev Festival. The production is directed by Anna Guseva, the musical director and conductor is Teodor Currentzis.
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Home Arts/Culture Everything You Need to Know About the 2022 Flower Festival
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Colombia is one of the world’s top flower farming countries. In fact, there are more than 1400 species of flowers grown here, of which the most popular are roses, carnations, and chrysanthemums.
To commemorate this important part of Colombian culture, the city of Medellin hosts a flower festival every year. The festival celebrates the history of flower farming in the country and the importance of this crop.
If you’re visiting Medellín this summer, you can’t miss the 2022 Flower festival. Read on to learn all about this popular festival that takes place every year in Medellin!
The first flower festival, or Feria de Flores, was held in 1957, and as you can imagine, it was not as spectacular as the current annual fairs.
The event aimed to celebrate the trade of the silleteros , peasants who carried a silleta (big wooden boards adorned with flowers) on their backs. Although these silletas are mostly for show today, they were once an important part of gathering and harvesting flowers.
Anyone who dares to carry one of these silletas -which can weigh up to 140 lbs- is called a silletero . At the time of the first flower festival, only 40 silleteros participated. However, the fair was so successful that today it’s grown into a huge national event and is one of the oldest traditions of the city.
You’ll find things like concerts, parades, and local vendors selling wares at the fair. The flower festival was not held for three years (thanks to Covid-19), so this year will be a big party.
Luckily, we already have the confirmed time and place of each festival event. Don’t forget to consult the website of the festival beforehand, as there may be some unplanned changes.
Below are some of the most important events, however, there are many other side events that you can attend as well.
At the festival, besides the famous flower parade , you’ll find diverse concerts and tons of other activities that are great for the whole family.
Whether you want to taste all the Antioquian food in the traditional food festivals or spend the day enjoying the beautiful flower arrangements carried by the silleteros , we’re sure you’ll find something you love.
Let’s take a closer look at a couple of the key events at the flower festival.
Music and dance are two major aspects of Colombian culture, and the annual flower festival is the perfect place to experience both of these activities.
You’ll find several concerts every day, all celebrating different musical genres, so you can really get a feel for a couple of different Colombian musical styles.
Don Omar and Juan Luis Guerra will perform in the last days of the festival, but you can also see artists, such as:
If you’re not already familiar with these artists’ music, head over to YouTube to check out what they’re all about!
Every year the city decorates the Vazquez building, covering it from head to toe with colorful flowers. You can head inside and pose with the beautiful arrangements or snap some selfies for your Instagram.
The building’s decorations went up on August 5 and will be around until the festival ends, or even after. Since the festival sometimes lasts past the official end date, you’ll likely be able to snap some photos even a couple of days after the festival is over.
Although the party and the concerts are very entertaining, you can’t forget the main reason for the festival: the parade of silleteros .
On the last day of the festival (August 15) is the huge silletero parade. This is really the main attraction of the flower festival so you can’t miss it.
Artists usually prepare months in advance to have their silletas ready to be shown to the public. The arrangements are specially designed to represent Colombian culture.
Before you buy your tickets, there are a couple of things to keep in mind about the Feria de las Flores. Here are some tips for attending festival events:
With these tips in mind, you’re ready to spend a day at the festival!
Now that you know about the festival’s schedules, events, and history, you’re ready to attend the 2022 Medellin Flower Festival.
This is an unforgettable experience that will teach you a lot about Medellin and Colombian culture.
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Vasquez Building Flower Decorations
Santa Elena, San Cristóbal, San Antonio de Prado, Altavista, San Sebastián de Palmitas
Barrio Colombia, Provenza, Perpetuo Socorro, Palacio Nacional
Don Omar y Juan Luis Guerra The Kings Concert
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/ Jessica Cediel respondió a mensaje de Pipe Bueno tras condena de médico que la operó
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La presentadora Jessica Cediel le respondió a
Pipe Bueno
luego de que el cantante de música popular le enviara un mensaje de apoyo por la
condena al médico Martín Carrillo
, señalado de haberle inyectado biopolímeros en los glúteos, lo que a la postre le produjo problemas de salud.
“ Gracias, Pipe Bueno. Tú has sido testigo fiel de todo este sufrimiento ”, señaló la también modelo y actriz.
Pipe Bueno felicitó a Jessica Cediel, con quien tuvo una relación amorosa por más de cinco años, “porque después de varios años y después de muchos días de sufrimiento”, siempre estuvo “con la frente en alto, luchando para hacer justicia y sentar un precedente en este tipo de procedimientos”.
Jeune fille de 18 ans avale du sperme
Ma jeune soeur est une pute
Il Lui Touche Le Clito