Female War

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Aliens: Female War, originally titled Aliens: Earth War and also known as Aliens, Vol. 3: Female War, is a four-issue limited comic book series that was first published by Dark Horse Comics from June-October 1990. It was written by Mark Verheiden, illustrated by Sam Kieth, colored by Monika Livingston, lettered by Pat Brosseau, and edited Diana Schutz, with cover art by John Bolton. The series is one of the few Aliens, Predator and Aliens vs. …
#1: The Aliens still dominate the Earth, but Hicks and Newtare determined to free the planet — no matter the cost! Now, they are not alone in their struggle. An old friend and comrade comes out of hiding to aid them in their struggle, but will that be enough to win the day? #2: Newt joins Ripley's crew as they set off from Gateway Station. Their mission: to trap the Alien Queen Mother... and bring her back to Earth! Meanwhile, on Earth, humans …
Billie only wanted what all children want — the warmth and security of family, the human connectedness that comes from belonging. What she got was a nightmare without end. Dark Horse is proud to present the third volume in the remastered Aliens series, Aliens: Female War. Written by The Mask screenplay writer Mark Verheiden and illustrated by The Maxx artist/creator Sam Kieth, Female War is a revised edition of what was previously …
The first three limited series in the Aliens comics lineare unique in that their content has been significantly edited several times since release. Conceived as a sequel to James Cameron's Aliens, Female War originally continued the stories of Ripley, Hicks and Newt through further adventures several years after the events of the film. However, following the release of Alien3 in 1992 — in which all three characters perished — Dark … Дополнительные сведения
After its original comic book run as Aliens: Earth War from June-October 1990, the miniseries was collected and released in a trade paperback version in July 1991 with a new cover by John Bolton. This was followed by a second, limited edition collected release in December 1991 with the same cover. Meanwhile, in the United Kingdom, Earth War was serialized and reprinted in 6 parts in Aliens magazine, Vol. 1 #7-12, … Дополнительные сведения
As with its two predecessors, Earth War was written by Mark Verheiden. Considered a hugely influential figure in the Aliens, Predator and Aliens vs. Predator comics lines, Verheiden also wrote Predator: Concrete Jungle, the first ever Predator comic, along with several other core comic book stories in the Aliens and Predator lines. Aside from his contributions to those franchises, he has worked on the likes of Superman … Дополнительные сведения
Earth War was the first Aliens comic to have a distinct subtitle; the previous three comics had simply been called Aliens(although they have since been renamed and given subtitles of their own, to... Дополнительные сведения
Aliens: Earth War 1-4(AKA Aliens Book 3& Female War, by Mark Verheiden and Sam Kieth, Dark Horse, 176 pages, 1991, ISBN 1-878574-23-X) Дополнительные сведения
https://en.m.wikipedia.org/wiki/Women's_War
Location: Colonial Nigeria
Date: November 1929 – January 1930
Methods: Sitting
Resulted in: Women were also appointed to serve on the Native Courts
History of women organizing in Nigeria
There was a long history of collective action by women in Nigeria prior to the revolt. In the 1910s, women in Agbaja stayed away from their homes for a month in protest due to suspicions among them that some men had been secretly killing pregnant women. Their collective absence pushed village elders to take action to address their concerns. In 1924, 3000 women in Calabarprotested a market toll that was imposed by the colonial authorities. …
There was a long history of collective action by women in Nigeria prior to the revolt. In the 1910s, women in Agbaja stayed away from their homes for a month in protest due to suspicions among them that some men had been secretly killing pregnant women. Their collective absence pushed village elders to take action to address their concerns. In 1924, 3000 women in Calabar protested a market toll that was imposed by the colonial authorities. In Southwestern Nigeria, there were other female organizations such as the Lagos Market Women's Association, Nigerian Women's Party, and Abeokuta Women's Union. There was also an "elaborate system of women's market networks" which the Igbo and Ibibio women used to communicate information to organize and coordinate during the revolt.
Means of protest/protest strategies
https://www.imdb.com/list/ls021842600
Перевести · One of the most celebrated war correspondents of our time, Marie Colvin is an utterly fearless and rebellious spirit, driven to the frontline of conflicts across the globe to …
https://avp.fandom.com/wiki/Aliens:_Female_War
Publisher's Summary
History and Alterations
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#1: The Aliens still dominate the Earth, but Hicks and Newtare determined to free the planet — no matter the cost! Now, they are no…
Aliens, Vol. 3: Female War
Billie only wanted what all children want — the warmth and security of family, the human connectedness that comes from belonging. …
Дополнительно: avp.fandom.com
https://en.m.wikipedia.org/wiki/Women_in_warfare_and_the_military_in_the_ancient_era
Перевести · 26.11.2006 · Cimbrian women accompanied their men into war, created a line in battle with their wagons and fought with poles and lances, as well as staves, stones, and swords. When the Cimbrian women …
https://www.hancinema.net/korean_drama_Female_War.php
Перевести · Female War is an NC-19 rated omnibus movie comprised of 7 different episodes, which are based on cartoonist writer Park In-kwon's original works. Each episode successfully delivers the …
Female War is an NC-19 rated omnibus movie comprised of 7 different episodes, which are based on cartoonist writer Park In-kwon's original works. Each episode successfully delivers the cartoonist's unique ideas and each powerful character with a strong personality, through the fantastically unexpected twist in the story development.
www.hancinema.net/korean_drama_Femal…
Who are the women warriors of World War 2?
Who are the women warriors of World War 2?
11 Women Warriors of World War II 1. Nancy Wake: Guerrilla Fighter. Born in New Zealand and raised in Australia,... 2. Elsie Ott: Flight Nurse. Lieutenant Elsie S. Ott was the first woman to receive the U.S. 3. Natalia Peshkova: Combat Medic. Natalia Peshkova was drafted into the Russian Army ...
www.mentalfloss.com/article/29219/11-w…
Is there a female war a nasty deal?
Is there a female war a nasty deal?
Trailer released for the upcoming Korean movie "Female War: A Nasty Deal",... More Added new poster for the upcoming Korean movie "Female War: A Nasty Deal",... More Added the upcoming Korean movie "Female War: A Nasty Deal"'s page to HanCinema database,... More ood movie! What is the name of the 2nd and 3rd women appearing in the movie?
www.hancinema.net/korean_movie_Female…
How many women were involved in World War 1?
How many women were involved in World War 1?
Over 100 million military personnel participated in the war, including many women. Here are the stories of eleven of these brave women. They are from many countries, and they all did their part and more for the Allied effort.
www.mentalfloss.com/article/29219/11-w…
https://www.hancinema.net/korean_movie_Female_War_2p__A_Nasty_Deal.php
Перевести · Screenplay by Kim Pil-jin (김필진) • Drama. 110min | Release date in South Korea : 2016/05/__. Synopsis. Painter Ha-rim became blind due to an unfortunate accident. His wife Sun-yeong searches far …
https://www.mentalfloss.com/article/29219/11-women-warriors-world-war-ii
Перевести · 11.11.2011 · 11 Women Warriors of World War II 1. Nancy Wake: Guerrilla Fighter. Born in New Zealand and raised in Australia, Nancy Wake was a journalist in New York... 2. Elsie Ott: Flight Nurse. Lieutenant Elsie S. Ott was the first woman …
https://www.hancinema.net/korean_movie_Female_War_2p__Doggie__s_Uprising.php
Перевести · Female War: Doggie's Uprising (Korean Movie - 2016) - 여자전쟁:도기의난, find Female War: Doggie's Uprising (여자전쟁:도기의난) cast, characters ...
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For other topics, including the Dumas novel and the German silent film, see The Women's War.
The Women's War, or Aba Women's Riots (Igbo: Ogu Umunwanyi; Ibibio: Ekong Iban), was a period of unrest in colonial Nigeria over November 1929. The protests broke out when thousands of Igbo women from the Bende District, Umuahia and other places in eastern Nigeria traveled to the town of Oloko to protest against the Warrant Chiefs, whom they accused of restricting the role of women in the government. The Aba Women's Riots of 1929, as it was named in British records, is more aptly considered a strategically executed revolt organised by women to redress social, political and economic grievances. The protest encompassed women from six ethnic groups (Ibibio, Andoni, Ogoni, Efik, Ijaw, and Igbo).[1]
Protest against the Warrant Chiefs
Introduction of new taxes
Low prices of agricultural products following the Great Depression
End of warrant chief system
Replacement of warrant chiefs with clan heads appointed by Nigerians rather than the British
Women were also appointed to serve on the Native Courts
Igbo warrant chiefs and customary authorities
It was organised and led by the rural women of Owerri and Calabar provinces. During the events, many Warrant Chiefs were forced to resign and 16 Native Courts were attacked, most of which were destroyed. It was the first major revolt by women in West Africa. In 1930 the colonial government abolished the system of warrant chieftains, and appointed women to the Native Court system. These reforms were built upon by the African women and have been seen as a prelude to the emergence of mass African nationalism.[2][3]
There was a long history of collective action by women in Nigeria prior to the revolt. In the 1910s, women in Agbaja stayed away from their homes for a month in protest due to suspicions among them that some men had been secretly killing pregnant women.[4] Their collective absence pushed village elders to take action to address their concerns.[4] In 1924, 3000 women in Calabar protested a market toll that was imposed by the colonial authorities.[4] In Southwestern Nigeria, there were other female organizations such as the Lagos Market Women's Association, Nigerian Women's Party, and Abeokuta Women's Union.[5] There was also an "elaborate system of women's market networks" which the Igbo and Ibibio women used to communicate information to organize and coordinate during the revolt.[6]
In actuality, the emergence of the Aba Women's War was long in the making. Colonial rule in Nigeria altered the position of various Nigerian women in their societies. Women had been traditionally allowed to participate in the governance of the local region[5] and held a major role in the marketplace as well.[4] Men and women also worked collaboratively in the domestic sphere, and were recognized to both have important individual roles.[4] Women also had the privilege of participating in political movements due to the fact that they were married to elites. The colonial authorities saw these practices as "a manifestation of chaos and disorder",[4] and they attempted to create political institutions which commanded authority and monopolized force. While they considered the political institutions headed by Igbo men, they ignored those of the women, effectively shutting them out from political power.[7] The colonial authorities believed that this patriarchal and masculine order would establish a moral order throughout the colony.[4] The women became increasingly dissatisfied with colonial rule because of increased school fees, corruption by native officers, and forced labor.[1]
The event that ultimately led to the war was the introduction of direct taxation. In April 1927, the colonial government in Nigeria took measures to enforce the Native Revenue (Amendment) Ordinance. A colonial resident, W. E. Hunt, was commissioned by the lieutenant governor of Nigeria to explain the provisions and objects of the new ordinance to the people throughout the five provinces in the Eastern Region. This was to prepare the ground for the introduction of direct taxation due to take effect in April 1928. Direct taxation on men was introduced in 1928 without major incidents, thanks to the carefully planned actions during the preceding twelve months. In September 1929, Captain J. Cook, an assistant District Officer, was sent to take over the Bende division temporarily from the serving district officer, a Mr. Weir, until the return of Captain Hill from leave in November. Upon taking over, Cook found the original nominal rolls for taxation purposes inadequate because they did not include details of the number of wives, children, and livestock in each household. He set about revising the nominal roll. This exercise brought the colonial authorities into direct conflict with women in Eastern Nigeria and was the catalyst for fundamental change in the local administration.
The announcement of Cook's intention to revise the nominal roll was made to a few chiefs in Oloko Native Court and the counting began about October 14, 1929. The women of Oloko suspected that the enumeration exercise was a prelude to the extension of direct taxation, which had been imposed on the men the previous year. Women were already burdened with supporting their families and helping men pay their taxes.[8] Because the women did not have political power within the patriarchal system under colonial rule, they utilized collective action to communicate their dissatisfaction. On December 2, 1929, more than ten thousand women demonstrated at Oloko, Bende, against the enumeration of men, women, and livestock by the acting district officer. This event at Oloko was to spread to most parts of the Eastern Region within the next four weeks in the Ogu Umunwanyi or Women's War of 1929.[9]
From November to December, women from Owerri to Calabar looted factories and destroyed Native Court buildings and properties along with the property of members of the Native Court.[8]
The Aba Women's War was sparked by a dispute between a woman named Nwanyeruwa and a man, Mark Emereuwa, who was helping to make a census of the people living in the town controlled by the Warrant, Okugo. Nwanyeruwa was of Ngwa ancestry, and had been married in the town of Oloko. In Oloko, the census was related to taxation, and women in the area were worried about who would tax them, especially during the period of hyperinflation in the late 1920s. The financial crash of 1929 impeded women's ability to trade and produce so they sought assurance from the colonial government that they would not to be required to pay taxes. Faced with a halt in their political demands, the women settled that they would not pay taxes nor have their property appraised.[10]
On the morning of November 18, Emereuwa arrived at Nwanyereuwa's house and approached her, since her husband Ojim had already died. He told the widow to "count her goats, sheep and people." Since Nwanyereuwa understood this to mean, "How many of these things do you have so we can tax you based on them", she was angry. She replied by saying "Was your widowed mother counted?," meaning "that women don't pay tax in traditional Igbo society."[1] The two exchanged angry words, and Emeruwa grabbed Nwanyeruwa by the throat.[11] Nwanyeruwa went to the town square to discuss the incident with other women who happened to be holding a meeting to discuss the issue of taxing women. Believing they would be taxed, based on Nwanyeruwa's account, the Oloko women invited other women (by sending leaves of palm-oil trees) from other areas in the Bende District, as well as from Umuahia and Ngwa. They gathered nearly 10,000 women who protested at the office of Warrant Chief Okugo, demanding his resignation and calling for a trial.[2]
The leaders of the protest in Oloko are known as the Oloko Trio: Ikonnia, Nwannedia and Nwugo. The three were known for their persuasion, intelligence and passion. When protests became tense, it was often these three who were able to deescalate the situation, preventing violence. However, after two women were killed while blocking roads as a form of protest, the trio was not able to calm the situation there, the police and army were sent to the town.[3]
Due to her contribution to the Women's War, Madame Nwanyeruwa is and still remains the name that comes up when bringing up the history of militancy of women in Nigeria, and has been said to be linked to the history of the emergence of African nationalism.[12] Nwanyereuwa played a major role in keeping the protests non-violent. She was advanced in age compared to many who led the protests. Under her advice, the women protested in song and dance, "sitting" on the Warrant Chiefs until they surrendered their insignia of office and resigned. As the revolt spread, other groups followed this pattern, making the women's protest a peaceful one. Other groups came to Nwanyeruwa to get in writing the inspirational results of the protests, which, as Nwanyeruwa saw them, were that, "women will not pay tax till the world ends [and] Chiefs were not to exist any more."[4] Women of Oloko and elsewhere brought money contributions to Madam Nwanyeruwa for helping them avoid paying taxes. Unfortunately, many women rioted and attacked Chiefs, destroying their homes and causing the revolt to be seen as violent.[13]
Madam Mary Okezie (1906–1999) was the first woman from her Igbo clan to gain a Western education, and was teaching at the Anglican Mission School in Umuocham Aba in 1929 when the women's revolt broke out. Although she did not participate in the revolt, she was very sympathetic to the women's cause. She was the only woman who submitted a memo of grievance to the Aba Commission of Inquiry (sent in 1930). Today, the major primary source for studying the revolt is the Report of the Aba Commission of Inquiry. After the revolt, Madam Okezie emerged as founder and leader of the Ngwa Women's Association and working for the rest of her life to support women's rights in Nigeria.[5]
A major tactic in the protests was what is known as "sitting". Scholars like Glover have noted that men who did not value women, risked the possibility of being shunned and sat on by those who felt normalcy had to be restored within their society.[14]:6 "Sitting on a man" or "making war on a man" was a long held tradition
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Female War