Female Walk

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Female Walk
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306,628 female walk royalty-free stock videos See female walk stock images
hd 00:10 Beautiful woman’s eyes opening while looking at Camera, having long nice Eyelashes. Attractive girl with nice Freckles on her Beautiful Face. Red haired woman with Charming Appearance
hd 00:11 The girl walks through the meadow in thick high grass and her hand touches the tops of the ears in the rays of the sunset in slow motion
4k 00:14 Front view of a mixed race woman with long dark hair out and about in the city streets during the day, wearing a face mask against air pollution and coronavirus Covid19, walking and using a smartphone
hd 00:08 Woman in medical face mask buys basic necessities, hygiene items and food. Girl walks through empty supermarket or grocery store. Quarantine and self-isolation, epidemic covid-19, coronavirus pandemic
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4k 00:19 MONTREAL, QUEBEC - MARCH 27, 2020: Shopper walks in grocery style aisle picking up toilet paper from an almost empty shelf during the coronavirus pandemic
4k 00:17 Slow Down To Enjoy Your Trip, Traveler woman takes pictures at night on smartphone device while standing on the roof of the car, Connection in Mountains, Cinematic Shot
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4k 00:10 Time-Lapse In the Modern Open Space Office Businessmen and Businesswomen Working, Walking Through Hallway, Using Tablet Computers, Having Discussions, Finding Solutions and Working on Desktop Computer
4k 00:11 Beautiful Young Female Walks Away from a Food Truck with a Delicious Fresh Beef Burger. She's Happy with Hew Food and Takes a Biet. Commercial Kiosk is Selling Street Food on a Modern Cool Street.
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4k 00:18 Diverse and Multicultural Office Managers and Business People Commute to Work in the Morning or from Office on Foot. Pedestrians are Dressed Smartly. Successful People Walking. Soft Moving Focus.
4k 00:14 Close up view of mother and daughter walking hand in hand together at street. Mom taking her elementary graded kid to school. Concept of family relationships
4k 00:24 Close-up of girl in traditional Abaya dress walking barefoot along the dunes in the desert of Dubai. 4K Slow Motion
4k 00:14 Contactless Delivery of Internet Ordered Goods, Cardboard Box Package on the Door Step, Anonymous Woman Walks out of the Front Door and Picks-up Her Postal Parcel. Safe No Contact Delivery
hd 00:10 Young muslim woman wearing hijab headscarf walking in the city center, using smartphone and drinking coffee. Communication, online shopping, social network concept.
4k 00:12 High view of commuters walking. Facial recognition interface showing personal data for each person. Surveillance concept. Artificial intelligence. Deep learning.
4k 00:14 Time-Lapse Shot: Group of Professional Employees Working on Desktop Computers, Walking Through the Busy Office. Talking With Colleagues, Designing Software, Doing Customer Support, Emailing Clients
4k 00:38 Close up of women legs hiking steep terrain in slow motion. Feet in Hiking Boots Walking on Autumn Road. woman feet tracking on fall day outdoors, walking through woodland
4k 00:07 Professional Female Worker Wearing Hard Hat Uses Digital Tablet Checks Inventory Walks in the Retail Warehouse full of Shelves with Goods. Working in Logistics, Distribution Center. Following Shot
4k 00:15 Caucasian happy mother, father, little daughter and son walking the airport hall and carrying their suitcases on the wheels before the departure to the vacation and laughing cheerfully
hd 00:19 Slow motion Cheerful asian woman looking at mobile phone walking in the street to the office business urban people commuter with cellphone in hand
4k 00:16 Slow motion of lovely asian baby girl learning to walk taking first step walk to her mother at home Chinese baby girl walking on the floor with bare foot
4k 00:15 Beautiful Young Brunette Opens Curtains To let Morning Sunlight Illuminate Her Cozy Apartment, She Proceeds Dancing Beautifully and Quite Professionally across Room. Following Back View
4k 00:09 Zoom-in shot of a beautiful woman standing on the street puckering and walking away. Pretty woman wearing trendy casual clothing on the road.
4k 00:09 Time lapse of Asian teenage hipster standing in city center in busy street looking at camera wearing trendy clothes while crowds of people are walking by.
4k 00:12 Elderly couple in love embracing in the park on an autumn day. High quality 4k footage
4k 00:18 Young woman in red dress with shopping bags walks on the street during sunset
4k 00:22 Sweet couple have romantic time while honeymoon trip in Bangkok city Thailand. POV of Young Asian couple holding hands and taking selfie while running and crossing the street in slow motion.
4k 00:09 Two women walking together on street. Lifestyle and health in city. Girls riding vintage bike and electric scooter on urban background. 4K slow motion video footage 60 fps
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hd 00:21 Close back view of brown woman hair tender movement in the air in slow motion 120 fps. Brunette woman in sunglasses walking on sandy beach. Wind blows airy hair shining in sun on sunset. Macro video.
4k 00:25 Woman looks out at urban city in the distance as day turns to night Golden Hour Sunset View With Clouds 4K Slow Motion
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4k 00:09 Different casual people walking by on a Green Screen, Chroma Key.
4k 00:16 Professional company staff walking downstairs at office building. Successful and ambitious young team of co-workers and female boss. Cooperation. Career.
4k 00:08 Close-up of woman in flattering yellow dress walking barefoot by rippled dunes in desert. 4K Slow Motion golden sunset light highlighting wavy sand surface. Slim female legs with nature background
4k 00:22 Office Managers and Business People Commute to Work in the Morning or from Office on a Sunny Day on Foot. Pedestrians are Dressed Smartly. Two Businessmen Shake Hands. Footage from Above.
4k 00:17 Attractive young woman with glasses listening to music in headphone use smartphone at city walk sunset look around smile portrait close up slow motion
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4k 00:08 Woman in pink dress with shopping bags walking in a city at sunset. Slow motion of female in stylish outfit is walking by the outdoor shopping mall on sunny summer evening. Malibu, California, USA
4k 00:14 Crowd of people are walking, playing and having a picnic outdoors at summer. People having their carefree time in public park. Aerial view from above 4k
4k 00:10 Young beautiful girl in traditional Abaya dress walks along the dunes in the desert of Dubai. 4K Slow Motion
4k 00:17 Surgeon and Female Doctor Walk Through Hospital Hallway, They Consult Digital Tablet Computer while Talking about Patient's Health. Modern Bright Hospital with Professional Staff. Shot on RED EPIC-W 8
4k 00:26 Woman feet walking barefoot on sandy beach of sea.
4k 00:10 Two Heavy Industry Engineers Walk Through Pipe Manufacturing Factory. Facility for Construction of Oil, Gas and Fuel Pipeline Transportation Products. Following Back View Camera Shot
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hd 00:15 Close up of Woman’s Face, Girl opening her Beautiful green Eyes, Attractive Ginger. Natural Beauty with Freckles. Gorgeous woman with long Eyelashes and Attractive Appearance. Slow motion.
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4k 00:28 Woman wearing face mask and gloves walks home quickly during the coronavirus pandemic trying to avoid people and any social interaction
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4k 00:15 Young people with face masks back at work in office after lockdown, greeting.
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4k 00:20 Female owner of coffee shop or restaurant walking up to door and turning round sign to open - shot in slow motion
4k 00:10 Side view of a Caucasian male chef working in a busy restaurant kitchen, slicing spring onions, female cook walking in the background
hd 00:11 Playful young woman enjoying summer vacation at summer beach. Sensuous female with windswept hair is walking on beach at island wearing black bra by sea. Looking back from a shoulder
4k 00:07 Following Shot of Female Astronaut in Space Suit Confidently Walking on Mars, Turing Around and Looking into the Camera. Red Planet Covered in Gas and Smoke. Shot on RED EPIC-W 8K Helium Cinema Camera
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4k 00:07 Corona Virus Flu Asia. Wearing Respiratory protection Face Masks Korea. Korean City Street Crowd Walk real. Asian Covid-19 Coronavirus Mers. Chinese People. Lockdown 2019-ncov China. Covid19.
4k 00:10 Confident Businesswoman walking on Parking near big modern Business district. Young blonde Woman texting Messages on Smartphone and drinking Coffee to go while the Walk. Success. Phones. Woman. Apps.
4k 00:09 Sunshine young smiling woman with red curly hair look at camera smile walking in the city streets portrait happy slow motion summer face sunset beautiful lady outdoor closeup cute
4k 00:08 Happy and Smiling Girls Having a Walk in the City and Enjoying their youth and Free time. Having fun and Talking to each other while walking in the Town. Having stylish Outfits and charming Appearance
4k 00:10 Young woman with headphones walking listening to the music on a Green Screen, Chroma Key.
hd 00:05 Following Shot of Silhouette of Female Legs in High Heels Shoes Walking Along Dark Hallway. Black and White Slow Motion. Beautiful Scene of Woman Walking Gracefully.
hd 00:13 Young asian woman using tablet while walking in warehouse of modern factory. Front view of female employee doing work in storehouse, holding digital device in hand and looking at screen.
4k 00:25 Blonde female emoloyer office manager businesswoman with face mask talking on smartphone walking home after work. Business district. Lockdown. Coronavirus. Self-isolation.
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In this Tutorial I show my personal workflow to create this Female Walk Cycle (in place)
Software: Maya
Rig: The Eleven Rig http://elevenrig.blogspot.de/
“Female Walk Cycle” – RECAP (INTERMEDIATE)
In general, before you start your cycle, you need to decide what type of walk you want to create, the style, the timing, the mood of the characters etc…
Make a research, shoot yourself, watch other walks, make some test. There’re infinite ways to walk and it’s important to chose the right one for your character!
In this tutorial I show you a very fluid and sinuous walk (I made this choice ’cause I wanted play with overlap)
This are the KEY poses for this walk, focusing just on the HIP and LEGS (and below the hip positions in the in-betweens)
You can see the 2 CONTACT POSE with opposite foot leading (the foot forward), the DOWN position with the extreme DOWN pose of the hip , the PASSING and the UP with the extreme UP hip position .
Before start to pose the character, I usually hide the parts of the body I don’t want to see for the moment, I will start posing the legs and the hip, so I temporarily hide all the other faces
To do that, just create a new material (a lambert) and make it transparent, then select the mesh and the faces you want to hide and assign them this transparent material
After that, I also assign 2 different colors to legs and arms to better visualize left and right
We start from the CONTACT POSE . Use a SIDE VIEW and move a bit downward the body , then select the leading foot (in this case is the right one) and move it forward (the leg is straight, not bended) and rotate the foot upward so that just the heel touches the ground .
Move back the left foot and with the foot rool pose it so that the heel starts to leave the ground
In the FRONT VIEW move on X the feet so that they are almost aligned in the center of the body , one in front of the other
Then we copy the same pose at the end of our cycle (frame 31) and in the middle (frame 16) we add an other key, but this time we mirror the pose of the feet (now the left foot is the leading one)
To mirror the pose: go on frame 1, select the right foot ctrl and right-click on the timeline and select COPY, then select the left foot ctrl and move on frame 16 and right-click…PASTE. Then go in the channel box and change the + with the – (or viceversa) for the axis that are opposite for the other foot (translation X, rotation y and Z)
Again, go on frame 1, select the left foot ctrl, COPY, select the right foot ctrl and go on frame 16, PASTE, and mirror values. Do the same for the knee ctrl!
Now select all the ctrls and in the graph editor be sure to have the tangents in SPLINE (or Auto), then select just the feet ctrls and switch to LINEAR the part where the feet slide on the ground
At frame 3 set at 0 all the rotations of the right foot (now it touches completely the ground ), move downward the body (here it reaches his lowest position )
On the left foot increase the values of the foot rool so that now it’s alsmost detached from the ground, it touches it just with the toes
At frame 8 we create the passing pose, the moment when both the legs are aligned in the middle of the center of gravity , the left foot is moving forward and the right foot…backward
The body started to go UP again, the right foot is still complately flattened on the ground and the left foot is in the air (rotated downward and translated and rotated a bit externally)
Keep attention to balance the body in this pose. The right foot must be perfectly on the center of gravity (’cause all the weigth is on this foot now)
On frame 12 , move the body upward (this will be his highest position) , the left foot is almost forward , pointing upward and the leg is a bit bended
The right foot is flattened on the ground but the heel started to detach from the ground a bit
Let’s copy and mirror the DOWN (frame 3), PASSING (frame 8) and UP (frame 12) poses on the other half of the cycle: mirrored DOWN (frame 18), mirrored PASSING (frame 23), mirrored UP (frame 27)
Switch ALL the curves in STEPPED and make a playblast!
Now we can add the HIP movement! Funny part
In the contact pose (frame 1) , the weight of the character is on both the feet, but we translate a bit the hip on the left, and rotate it towards the left foot on Y and a bit on the left on Z so that we will have a big change of rotation of the hip between down and passing pose!
Then we skip for a moment the down pose, and we move directly on frame 8 (passing pose) and here we have a completed change of the weight on the righ foot, so we translate the hip on the right and we rotate it on Y and Z towards the right foot (this is the extreme hip pose on the right side )
Now add a key on the down pose where you just have to slow down the spacing between contact and down , so rotate the hip a bit on the left so that is more similar to the position at frame 1! In this way we have a slow spacing between contact and down, and a speed spacing between down and passing!
Do the same for the other stride. Move on frame 23 and create the extreme hip pose on the left side ( copy the pose of frame 1 and increase the translation on the left and both the rotation of Y and Z )
Now you have an interpolation between frame 8 and frame 23 where the hip moves from right to left, add a key on frame 12 and move it to frame 16 (in order to slow down the spacing between the passing and the contact position and speed it up between contact and passing of the following step – between frame 16 and 23)
Now add a key again on frame 12 (just keep the interpolation)
On frame 31 just copy the pose of frame 1 and then add a key on frame 27
That’s it! So… the big change of position for the hip happens very fast (3 frames) between the contact – passing pose (this makes a more “sashay” effect)
When you are happy with the result…go forward with the REFINE!
Switch the curves in STEPPED and create a playblast!
Start refining what you animated so far, legs and body. In the graph editor switch again all the tangents in SPLINE (or AUTO) except for the translation Z of the feet in the part where they slide on the ground, that must be LINEAR
After that, cycle ALL the CURVES (pre and post infinity) and adjust the transition at the start and the end , using flat tangents (when you have just two extremes keys) or using the handles. REMEMBER to adjust the tangents of the first and last keys together at the same time (they must be the same)
If you want you can check my tutorial on the use of the Graph Editor and “Create a Cycle Animation” – minute 4.32 (also explained here )
and add a small movement left and right : on frame 1 move it a bit on the right (copy the same value on frame 31) and on frame 16 move it a bit on the left . In the graph editor select the X axis and make the first and last keys FLAT
Then, keep open the graph editor and select the traslation Y and polish the curves
At this point I just animate 1 leg and then I copy/past the animation on the other one (but if you prefer you can animate both the legs separately to have less symmetry in the walk). During the blocking is important to have both the legs animated to check timing and poses but now…you can hide one leg and animate just the other one!
On frame 2 adjust the right foot and make it flat (set at 0 all the rotations) and animate the toes cntrl that must point upward (it doesn’t touch the ground yet) Now animate the TOES (offsetted from the foot movement) for the entire range of animation (ex. when the foot moves upward the toes point downward and viceversa)
If you have it, use DEFORMERS ctrls to adjust arcs and legs shapes! They will help to smooth your animation
Now clean the path of your foot movement (you can see my tutorial on “How to REFINE a shot” minute 5.40 where I also explain the use of motion trails to adjust the arc!)
You have to create a nice, rounded and smooth arc for your feet!
Also, you can use the knee deformer to avoid POP result during contact and down pose!
The KNEE should have a smoothed movement just like the feet but sometimes you could have a bad effects due to the movement of foot and body, in this case a knee deformer can helps you ( animate it frame by frame during the contact and down positions )
Now you can polish the curves of the foot:
When you are happy with the result, copy/paste the animation on the other foot!
Remember to past the animation of ALL the controls you used for the first foot (foot, toes, knee, deformers etc…)
To copy the animation: select one control at the time, example: select right foot ctrl, in the timeline select the entire range of animation, right-click COPY –> select the same ctrl on the left foot, point on frame 1 and right-click PASTE
Do the same for ALL the controls and after that you should have the feet with the same animation at the same time (they should move together)
Select ALL the controls used for the left leg and, in the Graph editor, select all the curves and drag them forward in the timeline (the first keys should be at frame 16, exactly in the middle of the cycle)
Check you animation, does it works? Ok, now go back in the graph editor, with the same ctrls selected of the left foot, and add a key at frame 31, select all the keys after this one (31 included) and drag them backword up to frame 1, now copy the keys at frame 1 to frame 31! That’s it!
You can watch my tutorial “Run Cycle” minute 10.56 where I show how to copy/paste animation from a foot to an other!
Now polish the curves of the HIP ctrl and… you should have something like this
Chest controls (in my case I have 3 ctrls)
I use the upper ctrl to add a squash and stretch (I can use the other 2 just for rotation)
Use the rotation Y to add a visible Up and Down, the chest should squash with a bit of delay from the Up and Down of the body : with the Low extreme position between the Down Pose and the Passing Pose (around frame 5 or 6) and the Highest extreme position between the Up pose and the Contact pose (around frame 14/15)
To do that: add a key at frame 1/16/31 , then on frame 8 translate a bit downward the chest, and on frame 14 a bit upward . Then copy the pose at frame 8 on frame 23 , and c opy the pose of frame 14 on frame 29 . Now select the handles of the first and last key and smooth the transition
select all the 3 chest ctrls together and on frame 1 (with the right leg leading) rotate the chest on the left (copy this pose on frame 31), on frame 16 (with the left leg leading) rotate the chest on the right
Offset 2 of this controls , select the one in the middle , select all the keys and move them forwards in the timeline by 8 frames (so now the first keys is on frame 8), then add a key on frame 31 , copy this key on frame 1 and delate the key on frame 38 . Now select the handles of the first and last keys to smooth the transition
Then select the upper control and move all the keys forwards (so that the first keys is on frame 16 ) then copy the key on frame 31 and paste it on frame 1 and delate the keys on frame 46!
So now the upper part of the chest is rotated opposite to the leading leg!
Now use the same process to rotate the chest on X , a small rotation back and forth . You can use just the upper ctrl of the chest : add a key on the rot X on frame 1/16/31 , then on frame 8 rotate a bit the upper chest forwards , and on frame 14 a bit backwards , then copy the keys on frame 8 and past it on the other stride ( frame 23 ) and the copy/paste the key of frame 14 on the frame 29 . In the graph editor select the handles of the first and last keys and adjust them to smooth the curve , the adjust also the handle of the frame 16
Just as for the legs, you can animate one arm and then copy/past and mirror the animation on tje other one (or, especially for the arms, you can animate both of them separately, I always suggest to add a bit of variations in the arms movement!
The arm are in FK , and you have 3 controls: arm, forearm, wrist + the shoulder ctrl
Before animate the arm, pose the fingers in a natural and relaxed pose (avoid rigid pose, ore fingers too separated between each other, or “paddle hand” effect)
First of all we set the 2 main key poses in the contact pose (frame 1/16/31) .
The arms always move in the opposite direction of the foot on the same side
On frame 1 we have the right foot forward, so we move back the arm (the 3 controls) and also the shoulder (for the shoulder you can also use a bit of translation back and forth)
Choose a natural and armonic pose of the arm, use deformers to adjust it or make it a bit more rounded and “soft”
When you have done with the first pose, copy all the 3 ctrls + the shoulder (and the deformers if you used them) on frame 31
On frame 16 create the opposite pose, with the arm rotated forward (and the shoulder also translated a bit forward)
Now create the passing pose (around frame 8) and, it depends on the pose you choosed for you arm, in my case I keep the arm straight during the passing pose and I break the joint a bit (rotating the forearm and the wrist backward and using the deformers)
Now select the forearm and offsett it by 1/2 frames from the arm
Then polish the curve in the graph editor and do what you have done for the chest to keep the animation in the range of 31 frames
Select the wrist and now offset it by 1/2 frames from the forearm this time (add some in-betweens to overlap)
Then polish the curve in the graph editor and again, keep the animation in the range of 31 frames
When you have done, copy/paste mirror on the other arm or, as I said before, animate it separately!
Let’s move to the head! First of all, add a nice and relaxed expression to the character , keep attention to the eyes look direction, we need the feeling that the character is looking at something to keep it alive
For the head we just go to add a small X rotation back and forth , following the back and forth movement of the chest: frame 5/6 extreme forward rotation, frame 13/14 extreme backward rotation
I also add a bit of animation to the hair , this rig doesn’t has hair ctrls, so I directly animated the mesh so…is something you can do just for your animation test but NOT IN PRODUCTION
In this particular animation (due to the character design) is interesting to add a nice and exaggerated animation of the brest (just to have more overlap!)
We can translate and rotate them in order to create a circular movement + an Up and Down (use motion trail if needed) and animated them offsetted by 1/2 frames!
So, don’t be shy and send me your walk cycle adding a link to your video in the page “YOUR ANIMATIONS” to receive my feedback!
love it , thank u so much for ur work..
Wow, thanks a lot for this wonderful tutorial.
Now I want to be an animator.
hi i need ur help.. i couldn’t do the hands. its a girl rig from BodyMech_MegaPack. i couldn’t achieve the poses with the rig. if i send u my work file , can u do the main poses for the hand ? please ??
Hi! Sorry but I can’t do that and this won’t help you, I’m sure that you can find the good solution by yourself!
Very nice tutorial dude. It’s worth watching your hard work.
Thanks for this tutorial! Is awesome
This tutorial would be good if it wasn’t so grossly over sexualized. It’s so over the top I would flag this as NSFW if I could. Breasts just don’t move like that and “adding extra secondary motion” is no excuse to make viewers (like myself) uncomfortable.
I will take a deep breath before reply to this comment…………..ok, I’m asking myself if you are an animator…’cause things like “breast don’t move like that” is something that really clashes with the principle of animation that supposed to exaggerate reality and not to imitate it. Besides this….if you consider this walk (in addition….made by a woman) NSFW…. I guess characters like Jessica Rabbids or the amazing works of Felix Sputnik (just the first two examples of exaggerated female animation that comes up in my mind) would never “have seen the lights” if people would had this mentality. So, I’m glad that we have this works and that animation is not what you describe. I hope that you will reflect on this hoping you will have a different approach to animation from now on! Have a great day!
would have been more helpful if you showed the full body frames from the back view rather then just the front
Your tutorial is very good. I like it very much. Thank you! well done!
Also hope you can give some more biology class tutorial, thank you!
The last thing I want to ask you is, if I follow your tutorial, can I put the good things in my personal works? thank you!
Hi! I always suggest to follow the tutorials but adding personal animations, poses and not just an exact copy of what I did. In that case, a mention in the description would be appreciated!
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