Female Porn Directors
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Female Porn Directors
From Wikipedia, the free encyclopedia
The following 84 pages are in this category, out of 84 total. This list may not reflect recent changes ( learn more ).
This is a non-diffusing subcategory of Category:Pornographic film directors . It includes film directors that can also be found in the parent category, or in diffusing subcategories of the parent.
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Do Female Porn Directors Make Better Porn?
A profile of Ms. Naughty - a female porn director and filmmaker from Australia. She…
Kim Cums is an erotic filmmaker with experience on both sides of the camera. She…
Paulita Pappel is a Berlin-based director and performer who runs Lustery.com and Ersties. She has…
Nikki Silver is a San Francisco-based porn director and performer who has been working in…
Pandora Blake is a UK-based film director and performer. She makes story-based films dealing with…
Kate Sinclaire is an independent pornographer based in Canada. Kate's films feature mostly queer and…
Zahra Stardust is an award-winning porn star and director, whose films feature a distinct mix…
Morgana Muses is an age-positive, sex-positive creative director of Permission 4 Pleasure. She shares her…
Toytool Committee is a collective of like-minded people who are seeking to make artistic, sex…
Shine Louise Houston is a San-Francisco-based queer porn film director. Her high quality films celebrate…
Gala Vanting is an "erotic imaginist". Her films explore BDSM, queer sex and different modes…
Anna Span was the British female director of porn. Her films are primarily features with…
Erika Lust is a Swedish female porn director who creates erotic film with high production…
Maria Beatty is a Paris-based female porn director who makes artistic lesbian fetish films that…
Petra Joy is a British female porn director who describes her work as art-core. It…
Ovidie is a French director of porn. Her films are story-based, focused on relationships and…
Jacky St. James is a US-based female director who has primarily worked with larger LA…
Candida Royalle was the pioneer of porn for women and couples porn. Her feature films…
Tristan Taormino is a female porn director who is perhaps best known for her educational…
Jennifer Lyon Bell is a European female porn director. Her films feature emotional realism and…
Michelle Flynn is an Australian female porn director whose films have a cinematic style, with…
Winner Honored Website, 2015 Feminist Porn Awards
Promoting the work of sex positive porn creators
This site celebrates the work of women who direct adult films and scenes. Their work is as diverse as they are. You'll find every genre of porn - hardcore, romantic, gonzo, funny, kinky, fetish and more, inclusive of all genders and sexualities.
We also seek to focus attention on those directors who are making a different kind of porn, with different techniques, perspectives and artistic approaches.
Have a look around, enjoy the free porn and explore the films of the many female porn directors.
This site aims to be an ongoing archive of information about female porn directors: who they are, what they produce and why they are important. The site is growing but it is in no way comprehensive. There are a lot of women out there making porn and they have been for decades. It’s not going…
Bright Desire’s films have screened at over 100 international film festivals and won many awards
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The New Porn: How Female Filmmakers Are Reinventing Adult Cinema
'Come Fly with Me' directed by Erika Lust, starring Carolina Abril as the as a 'badass' female pilot and Luke Hotrod as the 'nervous' passenger
'Be a Hero' directed by Erika Lust, starring Anneke Necro
Erika Lust, center, with her DOP Thaís Català, left, and assistant camerawoman, Nonna Serra, pictured filming 'I'm Obsessed with Owen Gray' last month
'La Reine des Culottes' directed by Erika Lust, starring Julia Roca and Mickey Mod
'Meow Kittens Orgy' directed by Erika Lust, starring Julia Roca, Anneke Necro, Eris Maximo and Amber Nevada
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"It's heterosexual, middle-aged white men who have these fantasies with boobs and ass. You know the ones, they love their cars and their drinks." This, says Barcelona-based director Erika Lust , is who is behind the majority of today's mainstream porn. "They cast the same kind of very young women with very slim bodies and large breasts. They might have different hair colors, but more or less it's the same kind of women, over and over again."
Lust, who debuted her first adult indie short film, The Good Girl , in 2004 while studying political sciences, feminism and gender studies, considers mass-produced porn to be boring at best, misogynistic at worst. "Ugly", "tacky", and "horrible" are just some of the adjectives she ascribes to the genre, which has long been a vehicle for, as Lust puts it, the gaze of narrow-minded men.
Now on a crusade to shake up the pornography industry for good, Lust is in the process of gathering a global community of female adult filmmakers who are more concerned with cinematic value than gratuitous sex scenes—and who are interested in one simple idea: films driven by a female character. "These women want to make films where the woman's pleasure is important; they want to show diversity in casting, and they want to work for an ethical production process."
Last October, XConfessions , a members-only site run by Lust, announced it would fund 10 female filmmakers with a €250,000 grant, allowing them to create alternative, independent films about female sexuality—a revolt against the male-centric content offered on sites like PornHub, one of the top 50 websites in the U.S. by traffic. "It's about telling their visions, their experiences, their sensations, their fantasies, and their adventures," says Lust.
For Olympe de G , a 33-year-old Parisian filmmaker who directed a film for Lust last year, making porn authorizes her own—and other women's—sexual desires, pulsions and needs. "I'm very angry to see how women continue to be sexually repressed, still nowadays," says Olympe, whose real name is Barbara. She remembers being labeled a slut ("salope in French") when she was 13 after kissing two boys at a high school party. "It would have made me popular had I not been a girl," she concedes, adding that she was often told to "behave like a woman should" during her teen years, something that exasperated her to the point of deciding to make her own porn. Rather than hide behind the camera, Olympe wrote, directed and starred in her first explicit film. "I wanted to show proudly the beauty of sex, and how right it is. Sex is not something a woman should ever be shamed for."
Lust's own foray into porn began in college with her then-boyfriend. Together, they experimented with a few clips from a free porn site, but what she saw had the opposite intended effect. "Instead of feeling turned on, it started a lot of complicated questions," she recalls. "The main character was always a man; it was about his sexuality. The woman's job was just to get him turned on and to give him sex. Very few times was it about her: her sexuality, her desire, and what she wanted." When Lust released The Good Girl during grad school in Barcelona, she sought to create something she felt comfortable with, where the actors connected over "this whole idea of women and female gaze." It became an instant hit, racking up two million downloads in two months. Emails poured in with requests for her to make more. "I understood, 'Oh, it's not only about me, there are people who really want something different.'" Perhaps, she thought, porn could become bonafide career; one that would enable her to "really make a small impact on the world." Thirteen years later, after directing three multi-award winning erotic films ( Five Hot Stories for Her , Life Love Lust and Cabaret Desire ), Lust's adult independent cinema empire includes XConfessions, which boasts 100,000 members, and Erotic Films, an on-demand site featuring an array of different adult indie film directors.
Elevating porn's aesthetic value isn't Lust's only focus, either. With adult videos accounting for nearly one third of today's internet traffic—and with 87 percent of young men and 31 percent of young women watching pornography—its influence and impact is inescapable. Lust is very aware of the responsibility she shoulders. "Pornography is more important than it was many years ago," she admits. "It used to be a genre some richer men looked at sometimes, but today it's mass media, and a lot of young people who don't have the privilege to live in a place where sex is part of their education, or whose parents won't teach them about sex, they're turning to the internet to learn about sex, and they're ending up in all these horrible mainstream porn sites which show images that are violent and chauvinistic. Many of them are extremely racist and homophobic. That's not the kind of value I want my daughters to see and to learn about sex from."
Senator Mae Beavers of Tennessee agrees. Last month, the Republican politician reintroduced a resolution initially filed last year to formally declare pornography "a public health crisis." The resolution does not cite a source, but states that porn has led to "low self-esteem and eating disorders, an increase in problematic sexual activity at younger ages, and an increased desire to engage in risky sexual behavior as young adolescents." Beavers did not respond to a request for comment, leaving it unclear as to whether her stance would shift in the face of Lust's attempt to create what Dr. Ian Kerner , psychotherapist and sexuality counselor, describes as ethical porn.
"Female directors are really leading and galvanizing and actively participating in the ethical porn movement," explains Dr. Kerner, who specializes in sex therapy. "Websites where there's a whole lot of porn for free, is focused on body parts and sex acts; it's much more objectified and somewhat dehumanizing in the chase for eyeballs and advertising revenues." Conversely, ethical porn, he says, tends to be porn that users pay for, where the films prioritize storytelling and diverse casting with an emphasis on an emotional exchange. Indeed, Lust, who describes sex as more than just the technical interchange between two bodies, champions its emotional impact, citing connection, intimacy, and learning how to relate sexually to another person as important in both sex education and her films. The problem, she says, is when people ( 36 per cent of whom use pornography to get tips or ideas, according to a study by Barna ) learn about sex through sites like PornHub. "Young women, they will think that it's only about pleasing men."
In an effort to combat child pornography (the National Center for Missing and Exploited Children , which helps to identify and locate children in pornography, reviewed 17.3 million images and videos of suspected child pornography in 2011 alone), ethical porn—where a filmmaker's name and production company is always attached to the final product—also means there is often more safeguards on set. "We know the actors are of age and want to be there and have input into the script—they are not asked to do anything that they're uncomfortable with," says Dr. Kerner. The most striking thing about working with an all-female crew, says Lust, is the respectful and positive ambiance on set. "When we work with actors, it's so much about having them feel comfortable," she says, adding that the casting process is especially important. "I always try to work with people who desire each other. You can't hide it if two people who are not really into each other, it doesn't look good. So I tend ask all my actors and actresses with whom they would like to work. It's about giving them that security, really." Actors frequently complain that producers and directors don't respect them, and are often left in the dark as to what they will be filming, explains Lust. "Even while shooting, people are coming up to them, pressuring them into doing things they don't want to do, and that very, very difficult. When you're in front of the camera with the whole crew around you, you're in a very vulnerable situation." Lust's approach is to give the actors, who are subject to health tests at least two weeks before shooting, as much information about the filming process prior to walking on set. "You talk to them about what kind of sex are they supposed to have, who will be involved when. You ask them, do they want to use a condom? Do they have any allergies? Is there a kind of lubricant they prefer?"
The difference also lies in who is operating the camera, Lust reveals. "When I have men behind the camera, I have so much more footage of the women, of the actresses, of their body, of their breasts, what he felt was sexy. When I have a women behind the camera, my footage is much more equal." Rather than simply "seeing the woman and then the man's cock," Lust is interested in capturing the reactions of her actors in different sexual situations. "I want to see him. I want to see his face. I want to try to imagine what he's thinking. I want to feel it, and I want to see if he's doing something to her, then I want to see her reaction."
Lust also created the grant for XConfessions to help women navigate the traditionally testosterone-filled industry—together. "When you are in a crew with a lot of women, we have a whole different kind of communication and language. It's so much easier to understand other women," she admits. Men, she says, tend to take up a large amount of physical and emotional space. "It's amazing, they have some kind of natural instinct where they can hold their hands up and just talk. They believe they have all of these good ideas, and when there's many men, women don't communicate as well. They don't talk, they don't stand up, they don't share their ideas. I really see that difference." When she is working on a set with men, Lust says she makes a effort to be more direct. "If I have a male DP and I show some kind of doubt, he will refuse to try and understand me. He will be like, 'No, I think it was better in the other corner.' With women, I tend to talk in a feminine, suggestive language, you know? I say, 'Oh, I'm not sure, maybe we should shoot in that corner instead,' and they will help me set it up to see." She is aware she is generalizing, but attributes her experience to the distinctly intuitive nature of women.
Dr. Kerner credits the work of Lust, along with several other high-profile women in the adult entertainment industry such as Jacky St. James , for setting higher standards in porn by infusing a sex-positive approach to the content they are creating—content that speaks to an internal emotional experience, with body types and ethnicities that women can more readily relate to. For his patients, watching ethical porn can be a crucial first step in helping couples explore and experience other aspects of eroticism together. "I've had couples just go to the tube sites, not to say that they don't find something, but they are often much more easily turned off and alienated," he explains. Though still fantasy, ethical porn portrays a more realistic look at what sex looks like, says Dr. Kerner, adding that this can be helpful for men intimidated by the performative nature of porn. "It takes some of the pressure off the focus on big penises and lasting longer; it offers a different point of view," he says. Veritably, many of Dr. Kerner's male patients "really appreciate" the ethical porn coming from female directors. Their main concern, he says, is how "boring" porn often is and how, after a certain period of time, it all starts to look the same. "Guys are spending time looking for something that really sparks their creativity, or they are looking for something that looks real. They are also tired of this sort of barrage of body parts and objectified sex acts. They like the storytelling, they like the veracity and the feeling of authenticity."
In addition to inspiring men to be less anxious about how "hard their penises are," Olympia de G hopes porn with heighten their awareness of the "so many different ways pleasure can be shared with a partner." She also hopes this new, creative porn empowers women to feel proud and confident about their bodies and their sexualities. "I want to educate women comprehensively about their anatomy and how to get pleasure from it." And finally, she hopes porn will come to be treated as she thinks it should be: an artistic expression of an individual point of view on sex. Adds Lust: "Little by little we will build our alternative erotica."
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