FRED ZARR
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Madonna (album)Madonna is the debut studio album by American singer Madonna, released on July 27, 1983, by Sire Records. In the late 1970s, Madonna had established herself as a singer in downtown New York City; alongside her Michigan boyfriend Stephen Bray, she put together a demo tape with four dance tracks and began pitching it around local nightclubs. She managed to get Mark Kamins, the resident DJ at Danceteria, to play "Everybody" —one of the songs from the tape. The song drew positive reception from the crowd, and Kamins took Madonna to Sire Records, where label president Seymour Stein signed her on for three twelve-inch singles. Following its release on October 6, 1982, "Everybody" found success on the dance scene, and the label approved the recording of an album. For the album, Madonna worked with Warner Bros. producer Reggie Lucas, who had worked with artists like Roberta Flack and Stephanie Mills. Soon, however, problems between the singer and Lucas arose, as she was not happy with his production outputs. Madonna then invited John "Jellybean" Benitez, her boyfriend at the time, to work and remix the rest of the album. Madonna is mostly a dance-pop post-disco album, and features the newest technology of the time, including the LinnDrum drum machine, Moog bass and Oberheim OB-X synthesizer. Its songs talk mostly about love and partying. Five singles were released from the album: "Everybody" and "Burning Up" were published months before it was completed; neither song made a major impact on the charts. "Holiday" was Madonna's big breakout single, followed by "Lucky Star" and "Borderline". Upon release, Madonna received generally positive reviews from critics, who highlighted its dance-oriented nature and sound. In the United States, it peaked at number eight on the Billboard 200 and was certified five-times Platinum by the Recording Industry Association of America (RIAA). It reached the Top 10 of the charts in Australia, France, the Netherlands, New Zealand and the United Kingdom, and has sold an estimated 10 million copies worldwide. Between 1983 and 1984, Madonna promoted the album and singles through a series of live appearances in nightclubs and television programs across the United States and Europe. The singles were then performed on the Virgin Tour of 1985, Madonna's first concert tour. In retrospective reviews, Madonna has been referred to as one of the greatest debut albums of all time, and one of the best albums from the 1980s. Critics have also said that it helped to make dance music popular again, and "set the standard" of dance-pop for decades afterwards; its influence can be seen in the work of female artists such as Janet Jackson, Debbie Gibson, Kylie Minogue, and Lady Gaga.
Arthur Baker (producer)Arthur Baker (born April 22, 1955) is an American record producer and DJ best known for his work with hip hop artists like Afrika Bambaataa and Planet Patrol, as well as British group New Order. He is also known for remixing the Jill Jones song "Mia Bocca" on the 12" single, taken from her self-titled debut album Jill Jones (1987), released on Prince's Paisley Park Records, as well as remixing the Pet Shop Boys song, "In the Night". His remix of the song was used as the main theme for the BBC TV programme The Clothes Show between 1986 and 1994. He also remixed the "Massive Jungle Mix" for Tina Turner's UK top 40 single "Whatever You Want" (co-written by himself, Taylor Dayne and Fred Zarr). Arthur Baker's songs are represented by Downtown Music Publishing.
Holiday (Madonna song)"Holiday" is a song by American singer Madonna from her self-titled debut album (1983). It was written by Curtis Hudson and Lisa Stevens-Crowder for their own musical act Pure Energy, and produced by John "Jellybean" Benitez. Hudson came up with the lyrics of the song while watching negative news on television, and together with Stevens-Crowder worked on the music. They recorded a demo, which was turned down by their label Prism Records. Afterwards, Benitez pitched the track and offered it to several artists, including former the Supremes singer Mary Wilson, but it was rejected. Around the same time, Benitez was working with Madonna on her album; after realizing they needed a song for the project, Benitez thought of "Holiday" and approached Hudson and Stevens-Crowder. Recording for the song took place at New York City's Sigma Sound Studios; although Madonna and Benitez did not want the final version to differ too much from the demo, minor alterations were made in the composition, including the addition of a piano solo, which was done by their friend Fred Zarr. Described as a dance-pop, post-disco song, the lyrics talk about the "universal feeling" of needing and wanting to take a holiday. It features instrumentation from guitars, electronic clapping, a cowbell, and synthesized strings. Initially released as a double-sided single with "Lucky Star" in August, "Holiday" was published by Sire Records as the official third single from the album on September 7, 1983. Critics reacted positively towards the track, deeming it infectious and a highlight from the album; in retrospective reviews, it is now considered to be among Madonna's best singles. "Holiday" performed well commercially: in the United States, it was considered Madonna's breakthrough, peaking at number 16 on the Billboard Hot 100, and reaching number one on the Dance Club Songs chart. It found success outside North America as well, reaching the top-ten in Australia, Belgium, Germany and Ireland, among others. In the United Kingdom it was released three times: first in 1984, then one year later, and finally in 1991; the last two times, it reached the chart's top five. No official music video was shot for "Holiday"; to promote it, Madonna appeared on several nightclubs and television programs in the United States and the United Kingdom. She has also included the track in nearly all of her concert tours, the most recent being 2023―2024's the Celebration Tour. "Holiday" has been covered and sampled by several artists, and featured in television programs and movies.
Out of the Blue (Debbie Gibson album)Out of the Blue is the debut studio album by American singer-songwriter Debbie Gibson, released on August 18, 1987, by Atlantic Records. The album received favorable reviews from music critics and sold more than three million copies in the United States (three times platinum by RIAA) and five million copies worldwide.
Electric Youth (album)Electric Youth is the second studio album by American singer-songwriter Debbie Gibson, released on January 24, 1989, by Atlantic Records. It is the highest-charting album of Gibson's career, staying at the top of the US Billboard 200 albums chart for five weeks, and reaching number 8 on the UK Albums Chart.
Fred ZarrFrederick I. Zarr (born September 26, 1955) is an American musician, record producer, composer and arranger based in Brooklyn, New York. The CEO of BiZarr Music, Inc., he works alongside numerous artists, singers, songwriters, musicians, & audio engineers at his Brooklyn recording studio - “Z Studio”.
I Love MenI Love Men is a 1984 studio album by Eartha Kitt, her first album recorded for 14 years. The album was recorded in New York at the Power Station. Produced by French record producer Jacques Morali, who had previously produced recordings by the Village People and The Ritchie Family. This album features Kitt performing Euro disco, dance tracks. The first single released from the album "Where Is My Man" had been previously released in 1983 and had returned Kitt to the UK charts after an absence of 28 years. The single reached #36 after entering the chart in November 1983 and charted in several European countries. and also made the Top 10 of the US Billboard dance chart, where it reached #7. The title track "I Love Men" was issued as the second single and this charted in the UK at #50 in the summer of 1984. The success of this album led to a new collaboration between Kitt and Jacques Morali in 1985 when they recorded two more tracks, "I Don't Care" and "This Is My Life"; the latter also went on to chart in the UK in 1986 at #73. These tracks were also added to later re-issues of the original album.
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