Exorcist Sex Scene
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Exorcist Sex Scene
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Few horror films contain such a vivid anecdotal history upon its release than The Exorcist . The collective memory of its 1973 theatrical run is heavily embellished, but overall, people were seriously traumatized. We’ve all heard how theater goers ran from the their seats crying. How they passed out cold, and of course – all of the people puking in the aisles. Though it’s most likely hyperbole, it’s safe to say that up until that point, there had never been a movie quite like The Exorcist.
If you’re like me and grew up during the height of the slasher genre in the 80’s, or maybe you came up watching the French Extremist /Torture Porn of the early 2000’s, The Exorcist is training wheels at best. However, it’s impossible to deny the expert craftsmanship of the film. Like it or not, it is still considered one of the best horror films ever made. So what is it about this film that created such a stir when it came out, and spawned from it legendary stories from those who who were there? Well, there are plenty of reasons, but a major reason in particular was the crucifix scene.
The film came out in 1973 and a senate led special counsel was investigating the Watergate scandal. The Nixon Administration’s involvement in that scandal shook the country’s trust in its highest office. Earlier that year the same administration signed a peace accord with Vietnam, ending the country’s involvement in the war. Along with massive cultural shifts, it’s safe to say the foundation of the country’s Judeo Christian values were showing severe cracks. What could be more foundational than the love between a parent and their child?
Though Chris, played by the brilliant Ellen Burstyn, and her daughter Regan, the iconic Linda Blair, are a broken family(another allusion to America’s fractured foundations)they seem happy. They share a strong mother/daughter connection. However, Regan, a pre-teen sweetheart, begins to show real signs of disturbing behavior. She tells her mother about a new friend, Captain Howdy, a seemingly innocuous name for an ancient demon communicating with her through a Ouija board. After Captain Howdy gets its hooks into Regan her sweet persona is lost, replaced by a demon.
Upon first viewing, it seems to be a straight forward demonic possession film focusing on evil corrupting the innocent. But upon closer inspection, an implicit explanation for the film is that of a girl becoming a woman. Many parents will go on and on about the horrors of their angelic child hitting puberty and raging through their teenage years as vengeful, selfish demons. Once Regan introduces Captain Howdy to both her mother and the story, she changes.
Toward the end of the first act, and not long before Regan becomes crass and demonic, she climbs into bed with her mother. She is clinging to her last day of childhood and trying to find comfort in it.
Though Chris is unaware of the coming doom, we see Regan’s eyes wide in fright of what’s to come.
At a wrap party held at Chris’ house, Regan interrupts Chris and a few of her closest most drunken friends by peeing on the floor. This act is representative as something that is both childish as well as defiant. Of course, this is all just in preparation for what’s next.
No other scene in film history can perfectly personify the horrors of a parent witnessing their child’s loss of innocence than the infamous crucifix scene. In it, Chris storms into Regan’s room to find her daughter thrusting a crucifix into her bleeding vagina while yelling “Let Jesus Fuck you!” over and over.
This scene is about the terror and disgust a parent feels when they discover their child is no longer a child, but an overly hormonal sexual being.
This scene plays out like a mother bursting into her daughter’s room to catch her masturbating.
The first thing Chris sees are Regan’s childhood belongings flung through the air in complete disarray, representing Regan’s disdain for her childhood.
The next notable action is what Regan is saying and what she chooses to assault herself with. Chris’ faith in God is apparent by her close association with members of the Catholic Church, and it is no secret how the church views sexuality. This is Regan’s complete and utter defiance to the values of Christianity which her mother holds so dear, and that society as a whole adheres to.
Shocked, Chris physically intervenes by trying to strip the crucifix from her daughters hands.
Finally, Regan shoves her mother’s face into her bloody crotch, leaving blood smeared across the face of a helpless Chris. By doing this, Regan is literally throwing her burgeoning womanhood into her mother’s face to let her know that she is of age, much to the agony of Chris.
Chris is witnessing her daughter’s personality do a 180
Though the previous decade brought forth the sexual revolution, the images shown in The Exorcist were too much for the modern audience. Perhaps this film in all of its boundary pushing was a reminder that the innocence associated with our country had come to an end. Still, this scene is just as hard to watch today as it was when it first burned itself into our collective psyche. As hard as it is to imagine for some, that was nearly 50 years ago today. And it’s just one of the many reasons why The Exorcist is a timeless horror classic.
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William Peter Blatty (written for the screen by)
William Peter Blatty (written for the screen by)
Watch The Exorcist: 40th Anniversary Blu-ray Edition
Father Dyer (as Reverend William O'Malley S.J.)
Tom - President of University (as Reverend Thomas Bermingham S.J.)
William Peter Blatty (written for the screen by) (novel)
The scene where Regan projectile vomits at Father Karras only required one take. The vomit was intended to hit Jason Miller in the chest, but the plastic tubing misfired, hitting him in the face. His reaction of shock and disgust while wiping away the vomit is genuine, and Miller admitted in an interview that he was very angered by this mistake.
William Peter Blatty closely modeled the exorcism scene on the actual rite of exorcism in the Church's "Rituale Romanum". Father Merrin can be seen opening a copy of the Rituale in the scene in question. However, the priests depart from the Rituale in two important details. First, there should have been four people (apart from Regan) in the room during the exorcism: the exorcist himself; an assistant priest to take over in case the exorcist died midway through; a member of the victim's family of the same sex as the victim, to help restrain her; and a doctor, to (among other things) administer any medication that was needed. Due to the "2 Priest rule", Fr Merrin should have delayed the second round of the exorcism and phoned the bishop to get a replacement for Fr Karras, instead of trying to tackle it on his own.
There are no opening credits after the title. Although it is commonplace
now, it was unheard of in 1973.
The network TV version originally broadcast on CBS in the '80s was edited by William Friedkin , who also shot a replacement insert of the Virgin Mary statue crying blood, replacing the shot of a more obscenely desecrated statue. Friedkin himself spoke the Demon's new, censored lines; he was unwilling to work with Mercedes McCambridge again. The lines "Your mother sucks cocks in hell, Karras" and "Shove it up your ass you faggot" were re-dubbed by Friedkin as "Your mother still rots in hell" and "Shut your face, you faggot." Several of Ellen Burstyn's lines were also re-dubbed by the actress, replacing "Jesus Christ" with "Judas Priest" and omitting the f-word. Most of the profanity spoken by Regan is also cut out, as are the shots of her being abused with a crucifix and forcing Chris' face into her crotch. There is also a slightly alternate shot of Regan's face morphed into the white face of the demon just after Merrin arrives at the MacNeil house (the theatrical versions only show the beginning of the transformation). This network TV version is rarely if ever used for TV and cable showings today.
Kanon For Orchestra and Tape Written by Krzysztof Penderecki Courtesy of Angel Records
There is a reason for the hysteria and mystique surrounding THE EXORCIST. And it's called genius. Never have I seen a film matched in shock, terror, writing, or performances. This isn't a horror movie. The film itself is both a moving and terrifying drama that takes a realistic look at what would actually happen if a young girl were possessed in modern America. William Peter Blatty's script is amazing, bringing depth to the characters, and presenting the mystery of faith that they all deal with. Is Regan possessed? Is she insane? And most importantly, Is there a God? In the course of two hours, we see a sweet and innocent young girl become a cross masturbating, head spinning, murderous, creature. We see a successful actress overcome skepticism to save her daughter, and we see a brilliant psychiatrist struggle with his devotion to God as a priest. Friedkin's direction is marvelous, with wonderful uses of light, dark, and color throughout the film. Jason Miller (as Damien Karras) is beautifully subtle in his first film acting role. Max Von Sydow and Lee J. Cobb provide engaging supporting performances as the experienced priest who senses his impending doom, and a detective who senses something sinister is at work. Ellen Burstyn gives a brutally honest performance as a grief stricken woman trying to save her daughter. And most of all, a 12-year-old Linda Blair gives one of the most terrifying, convincing, and beautiful performances ever shown on film. Her range of emotion and connection to Regan are astonishing. She deserved that Oscar! THE EXORCIST presents to us the mystery of faith in it's most raw form--the battle of good and evil. It is an incomparable masterpiece of film, done without the aid of computers and special effects. It relies on story and performances to give us a marvelous and terrifying piece of work. In the end, it makes us ask ourselves what we believe, and keeps us wondering and shuddering at exactally what might be out there.
The Exorcist: The Version You Haven't Seen Yet
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When a teenage girl is possessed by a mysterious entity, her mother seeks the help of two priests to save her daughter. When a teenage girl is possessed by a mysterious entity, her mother seeks the help of two priests to save her daughter. When a teenage girl is possessed by a mysterious entity, her mother seeks the help of two priests to save her daughter.
Demon : What an excellent day for an exorcism.
Father Karras : You would like that?
Father Karras : But wouldn't that drive you out of Regan?
Demon : It would bring us together.
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The Exorcist is a classic horror movie franchise well known for its scares, so today we're ranking its scariest moments and scenes.
Often considered the scariest film ever made, The Exorcist has held up incredibly well in the horror industry since its release in 1973. Linda Blair’s performance as 12-year-old Regan was truly terrifying from start to finish, with Max Von Sydow giving a gripping performance on the other side of the demonic spectrum.
We’ve ranked the ten scariest scenes from the classic horror franchise based on how much they terrified us the first time around, and how much they can continue to do so afterward.
This isn’t what you think, and actually requires you to have seen the extended version of The Exorcist before it scares you. Which is quite a nuanced requirement and therefore the reason it only comes in at number ten. The stairs in Regan’s house are absolutely terrifying. To an outsider, they seem perfectly normal, but to someone already familiar with the film, you won’t be able to look at the same upon re-watching. Skip ahead to find out the exact reason...
At the end of the film, Pazuzu is finally exorcised from within Regan. However, this doesn’t mean the demon has been defeated, and we see Karras become possessed by its spirit instead. This is scary on a lot of levels.
Firstly, it leaves the actual, unharmed Regan screaming on the floor, secondly, it proves that the demon is potentially unstoppable, and finally, it forces us to watch Karras plummet to his death from the bedroom window.
While Father Merrin is attempting to exorcise Regan for the first time, she is tied to the bed, covered in cuts and bruises and is shrieking at the top of her voice using all manner of different tones. The uncanny nature of a young girl creating these demonic sounds and being able to rattle a huge wooden bed with so much force simply fills the audience with fear of the power of the demon inside her.
Before this, Regan’s stomach shows a scar in the form of the words “help me.” It’s this that seems to convince Karras that Regan is possessed, rather than her immense strength or extreme suffering, but that’s an entirely different point.
The scarring is particularly hard to look at because we can’t quite trace its origin. Did Regan do it to herself? Is it a cry for help from the little girl? Or did the demon do it from within her? Is the demon the one asking for help?
This is the very definition of a blink and you’ll miss it moment. The film is full of subliminal messages that are used to heighten the fear, but one of those is particularly strange and incredibly terrifying. During Karras’ dream, a white face very briefly flashes on screen. You can pause on it on the DVD version, and without knowing this was one of the director's ways of sneaking a subliminal message into the film, you could easily be convinced that your DVD player was possessed. Obviously, this isn’t something that was in the original book .
It’s pretty hard to not be absolutely terrified of Regan’s mutilated face every single time it appears on screen. After all, you’ll all watched a video and had the terrifying scars leap upon you alongside a twisted scream, right?
Without her possession, Regan is a normal girl, but when those scars and sores open up on her face to reveal red blood and putrid edges that seem like they’ve been rotting away for weeks, we just can’t look at her.
Regan’s rather unusual use of a crucifix is one of the most famous scenes in The Exorcist . It also ended up as, unsurprisingly, one of the most shocking. Not only is she screaming an incredible amount of obscenity for a young child, but she also uses the crucifix to stab herself in the crotch multiple times. Her voice is replaced by a devilish bark as she does it, and the fact her mother is there to watch it all unfold just adds to the creepiness.
Another of those horrible, yet incredibly famous moments from the film comes when we see Regan twist her head all the way around. At first, it looks like she is calming slightly, as she sits up in bed.
However, with a twisted smile, her neck bones crunch as she twists to the left, before spinning all the way around like a horrifying owl, still grinning away.
Okay, we’re finally back where we started. Remember The Stairs? Remember how if you’ve seen The Exorcist before you’ll be scared of the stairs forever and will never be able to look at them without cringing? Well, the reason behind that doesn’t even come from the original cut of the film.
The extended edition includes a scene with Linda R. Hager, a contortionist who plays by far the scariest version of Regan. She walks down the stairs upside down and backward, in a scene that has been nicknamed ‘The Spider Walk Scene’ retrospectively. Despite not appearing in the original film, it is pretty much universally remembered as the most haunting moment from the film. It will stay with you long after you’ve finished watching.
Interestingly, the final entry into our list isn’t from the first Exorcist film. Technically, this list could have drawn from the various entries into the franchise, but let’s be honest, they’re all pretty bad. However, the most horrifying moment from the franchise is in the third film. A long shot set in a hospital seems to be fairly innocent for a while, but then as the nurse wanders from one room to another, the camera suddenly zooms in, the music flares up, and a terrifying ghoul is following her with scissors. The next shot is a statue with no head, so we can all guess what happened...
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