Erotic Pornographic Arts

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Erotic Art: 11 Instagram Artists With Amazing (and Sexy) Talent
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Sex art that will make you do a double take. 
Beyond its power to titillate, good erotic art can make powerful, sex-positive social statements. Just look at how the genre has flourished on Instagram: Tons of artists with hundreds of thousands of followers have, for the last few years, been showing their huge audiences new ways to think about love, sex, and intimacy—often at the risk of getting their accounts deleted for being in violation of Instagram's anti-nipple community guidelines.
Erotic art has been around forever, which may feel like an exaggeration but isn't too far off. The oldest known carvings of female genitalia found in the Abri Castanet, a cave located in southern France, date back at least 37,000 years. For many ancient civilizations, erotica was showcased freely, adorning ancient Greek homeware and showing up in the Moche sex pots which depicted various acts including anal sex. 
So why has erotic art been censored (if not outright banned) and stigmatized by a society it predates? In the 1857, Britain passed the landmark Obscene Publications Act, which not only criminalized erotic art but labeled it pornographic. Prior to its passing, erotica was easily accessible, even informative (e.g., the Kama Sutra). Now erotica could be read as criminal, art that should be hidden or destroyed. While erotica and sexual expression have gained liberties through movements for feminism and the sexual revolution, artists today still have to get crafty when it comes to showcasing their work. 
We decided to talk to the women behind some of the most popular erotica accounts on Instagram, to ask them about the statements they want to make, the sex art they're creating, and how they're able to showcase it in front of such a big audience without getting their profiles suspended. These 11 female artists come from all over the world and have a lot of stylistic differences, but they all share an ability to make really sexy art—and promote sex and body positivity in the process.
Just a heads-up: Some of what follows is NSFW.
Tell me about your background as an artist. Are you self-taught or did you go to school for it?
As a kid, I got an art education from my parents. My mom had tons of cool comics from the ’60, ’70s, and ’80. I spent my youth watching these super-sexy, badass girls like La Femme piège, Valentina (Guido Crepax), L’Incal (Moebius), Paulette (Wolinski), Le Déclic (Manara), and Alef Thau (Arno).
How do you describe the style of work on your Instagram?
I like to call it “erotic and romantic art.” I’m exploring emotional closeness and sexual intimacy between lovers.
Instagram has some pretty stringent anti-obscenity rules. Is there anything you do to get around the community guidelines?
My first Instagram account was deleted because it violated the Instagram community rules! I decided to censor my own art: I stopped drawing nipples and too many close-up things. But I feel like all these rules and algorithms are evolving in a good way. I've posted more than 10 illustrations containing women's nipples, and they’re still not deleted. To prevent any more problems with social media's stupid rules, I decided to create a profile on Patreon and offer uncensored contents to my most precious fans.
Bobby Mandrup (Left: Instagram/@tinamariaelena)
Tina Maria Elena Bak, Odense, Denmark
What do you think makes for good erotic art?
I love art the focuses on the beauty of sensuality in life. There's so much erotic art and so many variations on this theme. I feel that good erotic art is when a painting or drawing touches something in me. When, just by looking at it, it sparks my imagination. If I remember that painting or drawing weeks later, then I know it has made an impact. Art should never be forgettable.
Are you inspired by any other erotic art?
I started following Alpha Channeling on Instagram a few years ago, and I think he was one of the reasons I dared to share my erotic art too. I love his magical Erotica Utopia. But I'm constantly inspired by multiple things: by art I see on Instagram and in books, by photos I see, and by my own feelings, experiences, dreams, and ideas.
What kind of opportunities have you gotten from Instagram that you wouldn't have had without it?
I'm very grateful to have Instagram as a visual portfolio of my work. In July of 2016, I had around 2,500 followers on Instagram, and then something happened and I suddenly got a lot of likes and new followers and people started to share my profile. Eight months later, I had over 100,000, so things can really escalate with an Instagram profile. I get to show my work to anyone who is interested. People from all over the world are buying my art because they can watch as soon as I post it. I can now live full-time as an artist. I don't think this would have been possible without Instagram. I feel very blessed to work like this. 
How'd you get started making art?
I've been drawing my whole life; it was always a big passion of mine. When I was young, I used to draw a lot in my free time. I don't remember if there was something that made me want to start drawing. I guess it's just one of those things that you try as a hobby and instantly enjoy.
Throughout the years, I tried several different styles and materials—like using watercolor, ink, pencils, markers, drawing on canvas or paper—but nothing really felt 100% right for me. It took me years to figure out my own style, and I completely agree when other artists say the same. Now I can draw without even having to think about what technique I want to use. It just comes naturally and that was always my goal.
How would you describe the style of the pieces you put on Instagram?
I'd say my drawing style is simple but still detailed. I like using black and white and only hints of color every now and then. I feel like it gives my art more depth and makes the theme of the image more clear by taking away unnecessary information and reducing the whole image to the parts that I want the people to see.
People also probably recognize my work by the way I draw lines. They are quite thin and precise, something I'd struggle with if I on paper or canvas, for example.
How'd you get started on Instagram?
I started DVRKSHINES around February 2016. It took me about a year to get where I am now—a lot of it was hard work, constantly trying to improve myself, but also some luck because I got featured by a few bigger accounts and was lucky enough to reach more people that way. The response was always good. I love the fact that I recognize quite a few fans (it's still weird to me to put the word fans in my mouth when I talk about my own art!) who stayed with me since the beginning. I keep trying to change the themes because I don't want to be seen as an erotic artist only. I like to switch it up. I still see drawing as a way to channel my emotions, even though not all of my art is automatically about me or how I'm feeling at the moment.
Do you ever get nervous about your art violating the site’s community guidelines?
To be honest, I think Instagram's anti-obscenity rules are ridiculous. They just don't make sense. I get it when they want to keep it a somewhat safe place in case kids use the app, but to remove art or photos where you can see nipples, for example, is just beyond me. I really don't care about those rules. I draw what I feel like drawing and will keep doing that.
What do you think makes for good erotic art?
It can’t just be vulgar for vulgarity’s sake, but it also shouldn’t be afraid of being overtly sexual. I think erotic art needs to reflect something of the artist’s own sexual tastes, and it should also attempt to explore human sexuality through its depiction.
When did you start showing your work on Instagram? What was the early response like?
I got an Instagram account once I got an iPhone, and that was after I graduated in 2013. Most of my early followers were friends or people who had followed me already from Tumblr, so everyone was already into my work. It’s once I started getting way more followers that I started to get negative feedback.
Is there anything you do to get around the community guidelines?
I’ve actually been flagged a couple times, so now if I show straight vagina or penis, I’ll censor it. Which sucks. But since I rely on my IG account for a lot of my jobs, I feel like I have to do it, unfortunately.
What kind of opportunities have you gotten from Instagram that you wouldn’t have had without it?
So many! International people can see my work now, and bigger brands will reach out to me because they see that I also have a bunch of followers which works in their favor too. I’ve gotten gallery shows from Instagram also. Honestly, the Internet has completely changed the amount of exposure a young artist can get, so that’s awesome! Of course, there are downsides to putting your work on the Internet, but nothing is perfect, and I try to be careful and focus on making good work. Instagram is just a tool for me, and hopefully, my paintings can speak for themselves regardless of how many followers I have.
How do you like to describe the style of the works on your Instagram?
I like to define my art as eromantic work, in the sense that eroticism is just an indispensable aspect of my love story, but it's not all there. There is a world, a subtext behind every design, a secret story that helps me not forget the perfect feeling of being in the right place in the world.
How did the response to your Instagram change over time?
I published the first drawings in April 2016 to keep them in order. I never paid too much attention to the growth of the fan base or the viral power of certain images, but at one point I realized that what I thought was just my space became a space for everyone. This thing has changed my approach slightly, and I began to care more about the page's appearance, but more for the respect for visitors than out of self-respect. With a more cautious organization, I got the storytelling of my relationship.
Is there anything you do to get around their community guidelines?
I do everything so that those who visit my profile can feel comfortable. I do not talk about sex as an excitement and voyeuristic performance, but as a moment of pure and sweet intimacy. That's why sometimes I cover the nipples with graphics, even though it makes me smile that someone can think that a drawing of a small pink circle is obscene.
What do you think makes for good erotica?
It should definitely be sincere and should come from the heart and be mindful. I don't support tasteless erotic art or plagiarism—both are very common in this genre. Also, it should promote only consensual sex. There is a very thin line, but nobody should cross it.
What inspires your work?
Considering I make erotic art, I'm inspired by Kink.com movies and base many of my paintings on them. Also, I'm inspired by Brecht Evens and his use of color and his visual language. Lorenzo Mattotti is quite an inspiration too—figures, color, body shapes.
How’d you start on Instagram?
I started in March 2017, when I was greatly fed up by my final major project in university, and I instantly got quite a lot of positive responses—100 to 200 likes on those first drawings. I also asked a few art pages on Instagram to repost my works, and some of them agreed to do it for free. That's how first one to two thousand followers came. After that, people just followed me naturally.
Talk about your background as an artist—are you self-taught or did you go to school for it?
I was always artistic as a child. When I was little, I spent a lot of time drawing immature females, either fashion related or comic strips. By the time I got to university at Concordia in Montreal, I focused on drawing and explored the area of abstract painting. After graduating, I was going through some hard times really understanding my own sexuality and exploring it and wanted to go back to my roots to draw something a little bit more meaningful to me—something with a mature subject matter, something provocative.
What makes good erotic art?
Hmmm, that’s a hard one to answer. I would have to say context is one of the most imperative things when looking at erotic art. If you establish a narrative, viewers are more likely to connect and engage with that work you're illustrating. I feel like “good erotic art” should not be misogynistic, vulgar or shameful. I think erotic art should be about open sexual exploration, female empowerment, and challenging the taboos of depicting sexuality. It's important to address the concept of free, honest love through sexy, consensual, and stimulating representations.
Has your account ever bumped up against Instagram’s community guidelines?
My account has been deleted numerous times, and certain posts continue to get deleted. I had an account back in 2015 called Bonercandy that got deleted immediately after a couple posts. Then I started a new censored account called eight33nplus with symbols or blurred areas that covered women’s breasts and vaginas. After a while, I got fed up and frustrated with the censored images and created a new account, crossed my fingers, and, luckily, to this day it’s still up and running.
What kind of opportunities have you gotten from Instagram that you wouldn’t have had without it?
I have been a part of numerous exhibitions across Canada and some in the States. I've received positive feedback and submissions for commissions through Instagram. To date, the best reaction I’ve received has been a commission from a Hollywood director.
How do you like to describe the style of the works on your Instagram?
I make drawings that are sensual, erotic art, and sometimes more, but I censor a lot obviously! My porno drawings are on my website.
Instagram has some pretty stringent anti-obscenity rules. Do you ever get concerned your art will violate them?
I find that the censorship of breasts is stupid, but I understand that we can censor pornographic scenes. I take all this for a game—I turn the censorship around sometimes and break it by posting nipples, for example. But I often lose, and my drawings are reported and deleted by Instagram.
Are you inspired by any other erotic works, or do you get inspiration from elsewhere?
I admire many artists, from the most classic, like Klimt, Egon Shiele, to the photos of sixties pinups and seventies playmates. Those inspire me a lot. I am a fan of many of my contemporaries on Instagram. I like different styles—Ouinesh, Apollonia Saintclair, Petites Luxures. Many things inspire me, whether it be a song, a movie, a photo, a reading, my memory, my sexuality.
What do you think makes for good erotic art?
I think that the fact that I am a woman in this domain is already a good thing.
How would you describe your style of work?
My style has been in some way influenced by calligraphy. I use fairly often a brush made specifically for calligraphy which allows me to alternate between thick and fine lines. I like to make the lines and brush dance, almost as if caressing the sheet. I sometimes wonder whether my former dance training has influenced how I draw the hands, posture, and gestures of my subjects. 
What’s your artistic background like?
I’ve always liked to draw, since the age of four. I knew very early that I wanted to have a job that involved drawing. But I thought that being an illustrator was too difficult and precarious a job. So I decided to study graphic design, and later imagery in the fashion industry. It allowed me to use my drawings skills in what I thought would be a marketable way, in sectors of more economic opportunity. But once I started to apply for jobs with no success, I did yet another six-month internship where I had little to do. Instead, I spent this time illustrating poetry I’d written previously. To keep it up, I created an Instagram profile and quickly received positive feedback that I hadn’t expected. This was what finally got me my first jobs in illustration.
What makes for good erotic art? 
Good erotic art lies in what the eye does not see, what the eye yearns to see. It’s the art of suggestion, using the bare minimum to stir the imagination. There are many ways to do so—with what’s out of the frame, under the fabric.
This art, much like clothing, intends to preserve modesty. The veil threads intrigue, tension, interest. This is what distinguishes erotic art from pornography. Sex is hardly the focus—rather, it is precisely what is concealed that draws the viewer in.
How did you get started making erotic art?
There is a fine line between erotic art and nudity and tenderness. I started drawing relationships before having known any. But I remember needing love and tenderness a lot, and started to consider creating stuff about feelings, in particular loneliness and desire, two concepts that extend past our immediate intimacy and into the realms of fashion, advertising, books and graphic design.
In fashion, pieces carry these images, bring them to life. You can alter them, hide them partially, just like in books or graphic design. I was fascinated by textiles, patterns, and fabric, the way it covers the body, the way it moves, the way it envelopes you, the softness against the skin. All of that was the beginning of something, so I worked on a project about the love story between the Hindu gods Krishna and Radha, using animations and patterns applied to fabric. It was about love, resentment, missing one another, suffering, desire, etc. This mythical story led me to reflect on the workings of love and a way to depict it visually. Even though I was in some ways unsatisfied with the project, it allowed me to see love as a legitimate focus for my work and cleared the path for my first experiments.
Who and what inspires your erotic art?
I’m very inspired by my own love story. The way my lover looks at me, the way he touches me, the way we desire one another, how emotional we can be, our doubts…our sadness, or anger. My life is my main source of inspiration, but I also like illustrating the stories I hear and the way they are told.
What is the goal of your work?
Initially, I wanted to gain some perspective on past experiences with love and almost love, to be able to laugh rather than cry about them or simply express my sadness. Depicting my emotions through self-portraits allowed me to be kinder to myself and have a softer gaze on my own body.
This is something I have incorporated in my work by expanding my subjects to women’s bodies other than my own in order to represent the diversity of the female body and help women reconcile with them. 
When I add dialogue to my drawings, I try to deconstruct what I consider to be problematic social dynamics. I like to do so with humor and gentleness even if t
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