Erotic History

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Erotic History
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ESTIMATE £50,000-70,000. This modernist mobility was the context of Man Ray. His friends Marcel Duchamp and Francis Picabia sensed the sexual symbolism of machines: Picabia found even carburettors erotic . But Man Ray's astonishing image attributes sexual significance to an electric hairdryer.
Historically, there have always been pockets of eroticism in art. The infamous frescoes of doomed Pompeii, for example, featured oversized erections and sex acts, and artists in India, China and...
"The Decameron of Giovanni Boccaccio (1351) is a famous work of erotic literature from the medieval times," she said. "Themes of love, lust, seduction, fortune and misfortune, happiness, desire, and generosity are explored with the stories. However, the book was banned in many countries, even after 500 years!"
The oldest image we have of two people having intercourse comes from 11,000 years ago. Currently held in the British Museum, the Ain Sakhri Lovers were discovered in a cave near Bethlehem. The 10cm tall statue is thought to come from the Natufian Culture of the ancient middle east.
The precise idea behind producing these erotic scenes is unknown but there may well been a religious purpose. However, they absolutely reflect the private aspect of people's lives during this period. 2000-1500 BCE, from southern Mesopotamia, Iraq. Istanbul Archaeological Museums/ Ancient Orient Museum, Istanbul, Turkey. Photo © Osama S.M Amin.
Updated March 9, 2022 From Rome to India to the Americas, erotic art has always existed throughout the ancient world, proving that people have always loved sex. An ancient wine jug depicting a customer and a prostitute (a money pouch is hanging on the wall) dated between 480 and 470 BCE. Greece.Wedding Painter/Wikimedia Commons
The Turin Erotic Papyrus is an Egyptian papyrus scroll unearthed at Deir el-Medina that has a sequence of twelve vignettes depicting men and women in different sexual situations. The men in the imagery are "raggedy, going bald, small, and portly," with unnaturally huge genitalia, and do not meet Egyptian standards of beauty desirability.
The History of Nudity - Iconic Nude Moments In Pop Culture 1 These Are Bazaar's 2022 Icons 2 Florence Pugh Is Just Being Honest 3 Bad Bunny Makes the World Listen 4 Amanda Gorman Has Big Dreams 5...
Volume 1 By Pierre d'Hancarville, according to Barbier, who gives Naples ca. 1771 as probable place and date for the ed. in French only, rather than French and English. Title of present ed. has been changed from that cited by Barbier (Veneres et Priapi uti observantur in gemmis antiquis), and so is probably later Engraved throughout.
Search six million images spanning more than 25,000 years of world history , from before the Stone Age to the dawn of the Space Age and find the perfect picture for your project from Granger. Register; Sign In; ... chun hua erotic 'Spring Picture' to illustrate a scene from the Ming Dynasty (1368-1644) erotic classic Jin Ping Mei or 'The ...
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Jamie founded Listverse due to an insatiable desire to share fascinating, obscure, and bizarre facts. He has been a guest speaker on numerous national radio and television stations and is a five time published author.
When we picture the ancient world, it is often an idealized society we conjure up. In this serene Golden age intellectuals wandered about in clean streets surrounded by elegant and gleaming white statues. In fact the ancient world was often dirty, smelly, and noisy. Many of the white sculptures in museums today were originally painted in gaudy colors as you can see on our list of Top 10 Color Classical Reproductions .
When artefacts were excavated in the past they were often suppressed if they did not fit the cultivated image people had of the ancient world. It can therefore be a shock when we are confronted with the naughty, erotic, or frankly bizarre sexual imagery that our ancestors reveled in. Here are ten of the most shocking pieces of erotic art from the deep past.

The oldest image we have of two people having intercourse comes from 11,000 years ago. Currently held in the British Museum, the Ain Sakhri Lovers were discovered in a cave near Bethlehem. The 10cm tall statue is thought to come from the Natufian Culture of the ancient middle east. While at first it merely looks like a crude piece of carving it is in fact a clever work of art.
The person who created the Lovers used a stone tool to pick out the details. When viewed from the side it is unmistakably a pair with their legs wrapped around each other during sex. But without facial features on either figure it gives their heads a somewhat phallic appearance. This resemblance to a penis continues if the statue is turned sideways. From different angles the Lovers can also appear as a pair of breasts or dangling testicles.
What the Lovers was originally intended for is unknown. As with any archaeological find it may well have had a ritual meaning, but it is also possible that our ancestors were like us and simply preferred their porn 3D.

Pompeii was a cosmopolitan port. From the graffiti found in the ruins of the town we know that visitors were speaking a variety of languages from Latin to Greek to Oscan and maybe Hebrew. With potential language barriers popping up how then was a prostitute to earn her living?
When Vesuvius erupted it both destroyed and preserved Pompeii. Excavations have revealed exactly what Roman towns were like and one of the entertainments offered in Pompeii was a trip to a brothel. In the Lupinare, one of Pompeii’s pleasure houses, were a series of wall paintings showing couples in various sexual positions. It is thought that these images were used as a sort of sexual menu telling punters exactly what was on offer, in much the same way a picture of a hamburger helps a foreign tourist order in a restaurant.

To describe something as ithyphallic is to say it has an erect penis. If you know anything about the Egyptian god Min it is that he is ithyphallic – his statues will not let you forget that fact.
Min, an early god known as ‘the maker of gods and men,’ was among the first Egyptian deities to have large statues raised to them. Those statues did not attempt to hide his anatomy. He is often shown holding his penis in his left hand. At his cultic sites his sacred animal was usually a bull – animals known for their virility. When Min was linked to the constellation Orion the three famous stars in Orion’s midriff were definitely not representing a belt.
Min was associated with a type of wild lettuce that when cut produces a thick, white sap. Some archaeologists have made claims about just what this sticky white fluid could have brought to the Egyptian mind.

Having a big penis is generally thought to be lucky. For the Greeks and Romans however a large phallus was not only lucky in itself it was also a bringer of luck. Carvings of penises have been found at many ancient sites and one figure of mythology is particularly associated with them. Priapus is a fertility deity with a (to us) comically large penis who was thought to be helpful in farming, gardens, and anything you might consider using a penis for.
Pompeii once again offers a great view of how sex was seen in the ancient world. Paintings and statues of Priapus are found all over the city. One famous fresco of Priapus shows him weighing his penis against a bag of gold, perhaps hinting at a role in business as well.
Statues of the god often show him holding fruit in his robe which is lifted to reveal his erect penis beneath. We cannot be sure how exactly the Greeks and Romans viewed these images. Were they viewed with reverence or laughter? Perhaps the two were not separate things back then. Bear that in mind the next time someone laughs at your anatomy.

Herms in ancient Greece were a unique style of statuary. On top of a square pillar sat the head of either a human or a god. This much is fairly standard but around half way down the pillar was carved a set of male genitalia .
The god Hermes was often the deity shown on a herm and he had a role in protecting borders and warding off thieves. It is thought that herms acted as guards in both private and public settings, as well as being general good luck charms. When the herms were attacked it was an attack on the whole city.
In 415 BC the city of Athens awoke to find its herms had all been mutilated. A gang had torn through the streets during the night vandalizing them – probably by smashing off their penises. Suspicion for this sacrilegious act fell on the statesman Alcibiades and led to his downfall and banishment from the city. Luckily for him the law of “an eye for an eye” was not yet in vogue.

The penis was a lucky charm for the Romans but so were bells. It, therefore, made sense for them to hang bells from a phallus to increase the power of these charms. Called tintinnabula these wind chimes were hung from doorways and in gardens to ward off evil spirits. But simply mixing two charms together was not enough for the Romans.
Some tintinnabula are a complex mix of imagery. The central figure might be an erect phallus with wings and a lion’s tail. This flying phallus might also be sporting an erect phallus of its own. Hanging from these conjoined penises could be bells or even other phalluses, with yet more bells attached.

The Warren Cup, bought by the British Museum in 1999, is one of the finest pieces of Roman silver work in existence. It is also one of the most pornographic . Usually dated to the 1st century after the birth of Christ, the silver drinking vessel shows four figures in a heavily decorated room surrounded by musical instruments. These signs of luxury are not what catch the eye, however.
On one side a pair of youthful men (“twinks”) are shown making love while on the other a young man or boy lowers himself into the lap of his older, bearded lover (or “daddy” in modern parlance). As if to underline our own role as voyeurs a fifth figure can just be seen peeping at the copulating couples from around the edge of a door.
To show just how far tastes can change the Warren cup was refused entry into the United States in 1953 because the imagery on it was just too shocking.

When PJ Harvey sang a song called Sheela Na Gig, some listeners may not have understood what she may have been singing about. The lyrics include lines like:
“Sheela-na-gig, Sheela-na-gig
You exhibitionist
Put money in your idle hole”
So what is are sheela-na-gigs? They are statues with exaggerated vulvas that they are gleefully opening up to the world. They are often found on churches, which seems like the last place you would find an exhibitionist female statue. Most commonly found in Ireland and Britain sheela na gig-like sculptures can also be found in mainland Europe. When they appear on churches they are usually positioned over doorways or windows. It is as if the portal being opened by the statue is mirrored in the one below.
No one knows exactly why these sculptures began appearing in the 11th century or what their purpose was. The best guess is that like other erotic figures they were used to ward off evil spirits and to keep them from entering the church, perhaps by offering a more tempting place for spirits to enter.

Freud said “Sometimes a cigar is just a cigar.” When it comes to erotic art sometimes porn is just porn. This may be the case with the copulating couples of ancient Mesopotamia. From across millennia and locations in the middle east plaques and statues have emerged from the sands which show nothing other than couples in various acrobatic poses.
Two famous plaques from Iraq that are nearly 4000-years-old are illustrative. One shows a man taking a woman from behind, apparently to the satisfaction of both. The other shows a couple in a similar position but with the pair taking a break from their exertions to have a refreshing drink. The lady sips up thick Babylonian beer through a straw while the man drinks from a cup. It has been theorized that these different drinking styles may relate to male and female oral sex.
Here may be an example of a simple joyous reaction to sex from the ancient world untainted by any spiritual meaning. For the Mesopotamians it seems that sex was just sex and not something to be ashamed of. For us modern readers, however, it is absolutely shocking to see such a perverse and unashamed promotion of drinking straws.

When an excavation in 1752 at Herculaneum (the other Roman town buried by the Vesuvius eruption) revealed a statue of the god Pan, the discoverers were left in a quandary. What do you do with a sculpture that plainly shows the half-human, half-goat deity penetrating a she-goat? One early viewer wrote home to say that the depiction was too indecent to describe and suggested that it should be tossed back into the volcano.
Instead the sculpture was placed in a collection of other pieces of erotic art from the ancient Roman sites that could only be accessed by getting the permission of the King of Naples. Or by bribing a guard. Women were banned entirely from viewing the objects.
For those desperate to see what all the fuss was about prints and drawings of the statue became available. The sculptor Joseph Nollekens created a terracotta copy from memory. Today however anyone paying the entrance fee to the Archaeological Museum in Naples can see it among the other artefacts in the ‘Secret Cabinet’ of ancient artworks once considered too filthy for the public.



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Ancient art and archaeological remains have provided archaeologists and historians today with clues to how the ancients practiced their sexuality and their overall attitude toward sex. To the causal observer, it seems the ancients were more open about their sexuality then we are today. In ancient Rome there were artworks in living rooms or studies depicting erotic images of lovers performing various sexual acts and in ancient Mesopotamia mass-produced terracotta plagues would show couples having sex.
For the Romans, sex was a part of their everyday lives, state affairs, religious rites, myths, even warfare, and featured prominently in their art. One of the most famous collections of erotic art from Roman culture is the artwork featured in the secret cabinet ( gabinetto segreto ). The secret cabinet collection is now part of the Naples National Archaeological Museum . It is said when King Francis I of Naples visited with his wife and daughter in 1819 he was so shocked by the contents of the collection he had them locked away. A brick wall was even built over the doorway to keep the scenes from corrupting people.
The following are a few select images of the artwork and artifacts found in the secret cabinet collection.
This Roman fresco shows the act of making love. It was found in the bedroom (cubiculum) of the Casa del Centenario (IX 8,3) in Pompeii . 1st Century CE. Photo © Heinrich Stürzl.
Bronze ‘flying phallus’ amulet, 1st BCE. It would be hung outside a house or shop doorway to ward off evil spirits. National Archaeological Museum, Naples. Photo © Kim Traynor.
Pan copulating with goat, one of the best known objects in the Naples Museum collection. Photo © Kim Traynor.
In Mesopotamia, sex was just another aspect of life and there was no shyness, or taboo involved in it. While sex was a part of one’s personal life there were also a couple of, what we would consider, odd customs observed. For example, there was the marriage market, where women were auctioned off as brides, and a particular form of sacred prostitution. Each woman had to perform this type of prostitution at least once in her life and it involved sitting outside the temple of Ishtar ( Inanna ) and agreeing to have sex with the person who chose her. Herodotus explains this particular custom was meant to ensure the fertility and continued prosperity of the community although his interpretation, and whether this practice even existed as he described it, have been challenged.
The following images are a few select examples displaying how sex was portrayed in Mesopotamian art.
This round pottery plaque depicts various human daily activities. In the middle, a man and a woman are having sex, and on the left, a standing woman holds a young child on her shoulders. Hellenistic Period , 323-30 BCE. From Mesopotamia , modern-day Iraq. The Sulaimaniya Museum, Iraq. Photo © Osama S.M Amin.
This terracotta plaque dates back to the old Babylonian period. It depicts a male and female having sex while the woman drinks a fluid ( beer ?) from a jar through a straw. Such scenes were mass-produced in southern Mesopotamia , during the old Babylonian era. The precise idea behind producing these erotic scenes is unknown but there may well have been a religious purpose. 2000-1500 BCE, from southern Mesopotamia, Iraq. Istanbul Archeaological Museums/ Ancient Orient Museum, Istanbul, Turkey . Photo © Osama S.M Amin.
This terracotta plaque dates back to the old Babylonian period. It depicts a male and female having sex in a missionary position. Such scenes were mass-produced in southern Mesopotamia during the old Babylonian era. The precise idea behind producing these erotic scenes is unknown but there may well been a religious purpose. However, they absolutely reflect the private aspect of people’s lives during this period. 2000-1500 BCE, from southern Mesopotamia, Iraq. Istanbul Archaeological Museums/ Ancient Orient Museum, Istanbul, Turkey . Photo © Osama S.M Amin.
Attic ceramic kylix or drinking cup (490-480 BCE) depicting an erotic scene. The male holds a sandal, often used as an instrument for stimulation in erotic games. (Archaeological Museum, Milan). Photo © Mark Cartwright.
Roman oil lamp with erotic motif, 1st – 3rd century CE. (Altes Museum, Berlin). Photo © Carole Raddato.
Mithuna Figures, Kandariya Mahadeo temple , Khajuraho, Madhya Pradesh, India . From the south wall of the antarala, c. 1025 CE. Photo © Jean-Pierre Dalbera.
Jade is editor of Ancient History et cetera. She is an aspiring librarian with interests in Roman and Greek architecture, Middle Eastern culture, open access to information and digitisation as a method of preservation.

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