Engelberg buying powder
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Engelberg buying powder
We offer prints to order in a variety of sizes and finishes of all of our unique and rare ski posters: We take an artisan-style approach to all our printing, which is done exclusively using the giclee process and then finished by hand individually. We do not carry stock. They genuinely do have to be seen to be believed; the colour is sumptuous, the detail is all there. Compared to screen printing and litho printing giclee claims the nearest colour reproduction to the original work of art. Thus not only do the prints look as close as possible to the original, they also feel like it. Museum-quality giclee reproductions are recognized as 'the next best thing' to owning the original and can be found for sale in the world's finest museums and art galleries. We recognise that some prints are cheaply available on the internet however our experience of these is that the quality is just not there and although often cheaper, they are a disappointment — if you have tried buying and hanging one of these you will know just what we mean! That said, we strive to keep our prices as low as possible while guaranteeing their outstanding quality. Each one comes with a no reason, money-back guarantee if you are not satisfied. Size 76 X 51 cm Paper Matt. Share Share Tweet Pinterest. Description Product Details They genuinely do have to be seen to be believed; the colour is sumptuous, the detail is all there. Reference OVP Print. Cart There are no more items in your cart. Login account. Password: Show. Sign in. Forgot your password? Reset password. Please enter the email address you used to register. You will receive a temporary link to reset your password. Email address:. Send reset link Send. Back to login. Create account. Social title Mr. First name:. Last name:. Identification number:. For that purpose, please find our contact info in the legal notice.
PartnerNews | Engelberg - Freeride movie SNOW
Engelberg buying powder
This website requires Javascript for some parts to function properly. Your experience may vary. Learn more. There's news from Engelberg and Anton Thorin. I got to know Anton last season when PowderGuide interviewed him about his freeride film Freeride Symphony. I managed to catch Anton just in time before he set off on his around-the-world sailing trip. Klara: Hey Anton, can you tell us a bit about your background as a filmmaker? How did your journey begin, and what drew you specifically to sports and ski filmmaking? Anton: The background goes further back, when I moved to Chamonix to do my first ski season back in It was meant to be one season and to continue my studies, at the time I didn't really know what I wanted to study but during those years everyone was studying so I thought that was the correct path to go, little did I know that I was going to spend 8 years in Chamonix and then 5 years in Engelberg. It all started with me in front of the camera, shooting with my good friend and mentor, Niclas Karlsson. At this stage it was mainly photos. I picked up the interest and bought myself a camera to document my adventures in the Mt. Blanc massif. Moved to Engelbeg and a few years later, I started up my own company as a freelance photographer. Worked mainly as a content creator and we had a blast! We started a youtube channel called Adventure Vikings during Covid and we grew as a team to film more and more. After a while we wanted to focus more on filming so we assembled a crew of skiers and snowboarders to film our first ever short film, this was last year and we produced a film called Freeride Symphony. Klara: Sports and outdoor films have rapidly evolved in recent years. How have you experienced the technical changes in the film world, particularly in sports filmmaking? Which innovations have influenced your work the most? Anthon: I have always been a big fan of ''light is right'' in the mountains and when it comes to camera gear there are no exceptions. The bird's view of skiing without having to use a helicopter is just great and I finally got to use my previous skills of playing video games so a controller in my hands felt natural when I was flying drones. Combining this with a FPV drone was a gamechanger and we have been testing out new techniques to make a cinematic touch in our shots. Klara: Your film SNOW is really unique, especially since you used artificial intelligence in the production. Where exactly was AI used in your film? How did the idea to work with AI come up, and what was it like when an AI suddenly started producing elements of your film on its own? Anthon: It's a unique story indeed, this is a ski film made by two videographers, me Anton Thorin and Harald Edlund who want to stick out from the crowd, test out new techniques and take advantage of the technology that comes out. In this case, to work with AI. To do this we had to say no to take part in all the ski film festivals this year since we couldn't make the deadlines and we wanted to see what a small production crew could make with a low budget but still create a unique story to compete with the big dawgs. All skiing in the film is filmed with cameras and drones, what we used. AI was to make a story with a red thread to tell the similarities between skiers and the inuits. We couldn't afford to go to Alaska, Canada or Greenland to shoot the shots we wanted so we thought this was an excellent time to try to learn about AI to stay ahead in the business. Bottomline, we thought that it was going to be easy to type in something like ''Make a inuit walking next to an igloo carrying a fish with a sunset in the background'' Oh booy we were wrong Klara: Where do you see potential for AI in sports film making, and where do you think its limitations lies? Anthon: I think this is a great tool to tell stories where money is not the limitation of creating something special, all of a sudden the only limitation is your imagination. This is where you can really start to be creative. Klara: In the movie, you explore the relationship between indigenous populations and snow, including their many terms for it. How did you come up with the idea to compare this with the way winter sports enthusiasts experience snow? Anthon: It all started with me, Harald, Martina, Piers and Joel having a meeting to talk about what to create. If I'm not mistaken, we came up with the idea of different snow types like champagne powder, hard packed snow, and snow to build with. BOOM we got ourselves a story! Klara: When was the first time you realized 'snow' isn't just 'snow' but can be of various types? Where have you personally experienced verry different types of snow? Anthon: The winter season has different phases right, starts off with cold temperatures with a lot of snow, bottomless snow and awesome riding in the forest. After a few days the snow is more compact and we go out ski touring to search for good snow. In the end we start building with the snow to make jumps and other fun features. So as much as the indigenous population listen to the nature of what tasks can be done and how to live their lives, so do the skiers. Surviving or sliding, both groups follow the snow. Klara: What is your personal perfect type of snow and if you could give it a name, how would you call it? Anthon: As much as I love going touring and exploring in the mountains, nothing beats the good ol' tits deep conditions, most recently I've picked up snowboarding again and that surf feeling is just B-e-a-utiful! We have been saving money for two years to buy a sailboat to sail around the world, it has been so demanding and tough but we made it! We bought the boat in May and have been preparing to leave for the ocean for two years. If you have read this far, thank you! It also means that we have left Sweden on our 50ft sailboat. Me, Harald the fpv pilot, Robin the chef and Gustaf the musician. This article has been automatically translated by DeepL with subsequent editing. If you notice any spelling or grammatical errors or if the translation has lost its meaning, please write an e-mail to the editors. If you do not have a user account with us yet, you can register for free. This site uses cookies that need consent. Functional First party cookies needed for the website to function. These can't be turned off. Video embeds Third party cookies used for embedded video's that can possibly track you. Accept all Accept selected. Anton Thorin. The film draws a connection between the world of freeriding and the deep relationship indigenous cultures have with snow. Anton Thorin and Harald Edlund. AI animated inuit person. I would also take the moment to just briefly tell you about why we had a strict budget. Show original German. Related articles. On the last weekend of April, the PowderGuide team met up with friends, partners and long-time companions in Engelberg to celebrate the end of the season in style. The metre high Titlis is one of the mightiest mountains in Central Switzerland and gives its name to the Engelberg ski area. The mountain railways open up an extensive and challenging freeride terrain and the location on the northern slope of the Alps guarantees a large amount of precipitation during snow storms. Login If you do not have a user account with us yet, you can register for free. Username Password.
Engelberg buying powder
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