Enemy At The Gates Sex
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Enemy At The Gates Sex
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Jude Law as Vasily Zaitsev
Alexander Schwan as young Vasily
Joseph Fiennes as Commissar Danilov
Rachel Weisz as Tania Chernova
Bob Hoskins as Nikita Khrushchev
Ed Harris as Major Erwin König
Ron Perlman as Koulikov
Eva Mattes as Mother Filippova
Gabriel Marshall-Thomson as Sasha Filippov
Matthias Habich as General Friedrich Paulus
Sophie Rois as Ludmilla
Ivan Shvedoff as Volodya
Mario Bandi as Anton
Gennadi Vengerov as Starshina
Mikhail Matveyev as Grandfather
Clemens Schick as Voigt
Hans Martin Stier as General Prudius
Gennadi Vengerov as Kushnir
Robert Stadlober as Spotter
Holger Handtke as Baumann
Werner Daehn as Anosov
Birol Ünel as Kuklin
Valentin Platareanu as General Arthur Schmidt
Tom Wlaschiha as Soldier
Lenn Kudrjawizki as Comrade in Train
^ "ENEMY AT THE GATES (2001)" . www.bbfc.co.uk . Retrieved March 8, 2019 .
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^ "Interview with Jean-Jacques Annaud, referenced by Constantin Film" . Epilog.de (in German). Archived from the original on 2007-08-18.
^ "Biography: Vasily Zaitsev" . Heroes of the Soviet Union and Russia (in Russian).
^ "Enemy at the Gates" . cinemareview.com . Retrieved March 9, 2019 .
^ " "Duell": Wer weiß in Japan, wo Stalingrad liegt?" . DIE WELT . 2001-03-09 . Retrieved 1 July 2021 .
^ "Enemy at the Gates Soundtrack" . AllMusic . Retrieved February 1, 2014 .
^ " Enemy at the Gates Movie Reviews" . Rotten Tomatoes . Fandango . Retrieved February 12, 2021 .
^ "Enemy at the Gates: Reviews" . Metacritic . Retrieved September 9, 2014 .
^ Roger Ebert . "Enemy At The Gates" . Chicago Sun-Times .
^ Rainer, Peter (March 26, 2001). "Is War Hell, Or What?" . New York .
^ Travers, Peter (March 16, 2001). "Enemy at the Gates | Movie Reviews" . Rolling Stone . Retrieved July 22, 2013 .
^ "Stalingrad veterans demand ban of Enemy at the Gates" . Lenta.ru . 8 March 2001 . Retrieved August 13, 2010 .
^ "VETERANS UPSET BY WESTERN MOVIE ON STALINGRAD" . RadioFreeEurope/RadioLiberty . Retrieved 2019-04-02 .
^ "Allesfilm.com – all about film" . Allesfilm.com . Archived from the original on 2011-07-07 . Retrieved 30 September 2017 .
^ "Filmspiegel - Filme & Kritiken" . www.filmspiegel.de . Archived from the original on 16 August 2002 . Retrieved 15 January 2022 .
^ "Duell – Enemy at the Gates" . Filmszene.de . 20 August 2011 . Retrieved 30 September 2017 .
^ "Jean-Jacques Annaud: "Töten ist nie lustig" " . Der Spiegel (in German). 7 February 2001 . Retrieved 2013-07-22 .
^ Dreier, Harriet (8 February 2001). "Berlinale-Eröffnung: Buhrufe statt Prominenz" . Der Spiegel (in German) . Retrieved 22 July 2013 .
^ Russia's War
^ Nieuwint, Joris (25 September 2015). "The Many Movie Mistakes Of Enemy At The Gates" . WAR HISTORY ONLINE . Retrieved 10 September 2018 .
^ Beevor, Antony (2007). Stalingrad . Penguin UK. p. 249. ISBN 9780141926100 .
^ Robert, Stephan (1987). "Smersh: Soviet Military Counter-Intelligence during the Second World War". Journal of Contemporary History . 22 (4): 585–613. doi : 10.1177/002200948702200403 . S2CID 159160922 .
^ "ПРИКАЗ О РАСФОРМИРОВАНИИ ОТДЕЛЬНЫХ ЗАГРАДИТЕЛЬНЫХ ОТРЯДОВ" . bdsa.ru . Archived from the original on 2018-12-20 . Retrieved 2019-03-09 .
^ Merridale, Catherine (2006). Ivan's War: Life and Death in the Red Army, 1939–1945 . New York : Metropolitan Books. pp. 158 . ISBN 0-8050-7455-4 . OCLC 60671899 .
^ Roberts, Geoffrey (2006). Stalin's Wars: From World War to Cold War, 1939–1953 . Yale University Press. p. 132. ISBN 0-300-11204-1 .
^ Соколов, Борис (2017-09-05). Чудо Сталинграда (in Russian). Litres. ISBN 9785040049417 .
^ Звягинцев, Вячеслав Егорович (2006). Война на весах Фемиды: война 1941–1945 гг. в материалах следственно-судебных дел (in Russian). Терра. ISBN 9785275013092 .
^ "Исторические документы. Документы особого отдела НКВД Сталинградского фронта" . battle.volgadmin.ru . Retrieved 2019-03-09 .
^ Reese, Roger (2011). Why Stalin's Soldiers Fought: The Red Army's Military Effectiveness in World War II . University Press of Kansas. p. 164. ISBN 9780700617760 .
Wikiquote has quotations related to Enemy at the Gates .
Works directed by Jean-Jacques Annaud
Enemy at the Gates ( Stalingrad in France and L'Ennemi aux portes in Canada) is a 2001 war film directed, co-written and produced by Jean-Jacques Annaud , based on William Craig 's 1973 nonfiction book Enemy at the Gates: The Battle for Stalingrad , which describes the events surrounding the Battle of Stalingrad in the winter of 1942–43. [5] The screenplay was written by Annaud and Alain Godard . The film's main character is a fictionalized version of sniper Vasily Zaitsev , a Hero of the Soviet Union during World War II . [6] It includes a snipers' duel between Zaitsev and a Wehrmacht sniper school director, Major Erwin König .
Vasily Zaitsev is a soldier in the Red Army and is sent to the front line of the Battle of Stalingrad in 1942. Forced into a suicidal charge without a rifle, he hides while a tank shell incapacitates a car. The occupant, Commissar Danilov, hides among numerous bodies, coincidentally next to Vasily, who uses his exceptional marksmanship to kill the German soldiers nearby.
Nikita Khrushchev demands ideas from his subordinates on morale. Danilov, now a senior lieutenant, suggests that the people need "an example to follow" and recommends Zaitsev for the job. Soon after, Danilov begins publishing heroic tales of Vasily's exploits in the army's newspaper.
Vasily is transferred to the sniper division and becomes friends with Danilov. Both also become romantically interested in Tania Chernova , a private in the local militia. In fear for her safety, Danilov has her transferred away to an intelligence unit, ostensibly to make use of her German skills in translating radio intercepts.
With the Soviet snipers taking an increasing toll on the German forces, German Major Erwin König is deployed to kill Vasily and crush Soviet morale. When the Red Army command learns of König's mission, they dispatch König's former student Koulikov to help Vasily kill him. König, however, outmaneuvers Koulikov and kills him, shaking Vasily's spirits. Khrushchev pressures Danilov to bring the sniper standoff to a conclusion.
Sasha, a young Soviet boy, volunteers to act as a double agent by passing König false information about Vasily's whereabouts. Vasily sets a trap for König and manages to wound him with help of Tania, who has come to rescue Vasily. During a second attempt, Vasily falls asleep, and his sniper log is stolen by a looting German soldier. The German command takes the log as evidence of Vasily's death and plans to send König home, but König does not believe that Vasily is dead.
The German general takes König's dog tags to prevent Soviet propaganda from profiting if König is killed. König gives the general a War Merit Cross that was posthumously awarded to König's son, who was a lieutenant in the 116th Infantry Division and killed in the early days of the battle. König tells Sasha where he will be next, suspecting that the boy will tell Vasily. Tania and Vasily have meanwhile fallen in love. That night, Tania secretly goes to the Soviet barracks and makes love with Vasily. The jealous Danilov disparages Vasily in a letter to his superiors.
König spots Tania and Vasily waiting for him at his next ambush spot, confirming his suspicions about Sasha. He then kills the boy and hangs his body to bait Vasily. Vasily vows to kill König and sends Tania and Danilov to evacuate Sasha's mother. Tania is wounded by shrapnel en route to the boats.
Thinking she is dead, Danilov regrets his jealousy of Vasily and expresses disenchantment over his previous ardour for communism. Finding Vasily waiting to ambush König, Danilov intentionally exposes himself in order to provoke König into shooting him and revealing his position, sacrificing his life. Thinking that he has killed Vasily, König goes to inspect the body and is then in Vasily's sights.
Accepting his fate, König turns to face Vasily, who shoots him squarely in the eye and takes his rifle. Two months later, after Stalingrad has been liberated and German forces have surrendered, Vasily finds Tania recovering in a field hospital .
The filming of Enemy of the Gates took place in Germany. The crossing of the Volga River was shot on the Altdöberner See , a man-made lake near the village of Pritzen , in the south of Brandenburg . A derelict factory in the village of Rüdersdorf was used to recreate the ruins of Stalingrad's tractor factory. The massive outdoor set of Stalingrad's Red Square was built at Krampnitz , near Potsdam . It was a former Wehrmacht riding school that had served as a Soviet barracks during the Cold War . Set construction began in October 1999 and took almost five months to complete. [7] The scene at the end with the waving coats is a reference to Sergio Leone . [8]
The soundtrack to Enemy at the Gates was written by James Horner and released on March 31, 2001.
On Rotten Tomatoes , the film has a 53% approval rating from 139 critics with a weighted average score of 5.70/10. The consensus reads, "Atmospheric and thrilling, Enemy at the Gates gets the look and feel of war right. However, the love story seems out of place." [10] Metacritic , which assigns a normalized rating, calculated an average score of 53 out of 100, based on 33 reviews. [11]
Roger Ebert gave the film three stars out of four and wrote that it "is about two men placed in a situation where they have to try to use their intelligence and skills to kill each other. When Annaud focuses on that, the movie works with rare concentration. The additional plot stuff and the romance are kind of a shame." [12]
New York Magazine ' s Peter Ranier was less kind, declaring "It's as if an obsessed film nut had decided to collect every bad war-film convention on one computer and program it to spit out a script." [13] Peter Travers of Rolling Stone admitted the film had faults, but that "any flaws in execution pale against those moments when the film brings history to vital life." [14]
The film received unenthusiastic reviews in Russia, but had good box office in Moscow and Saint Petersburg. Some Red Army Stalingrad veterans were so offended by inaccuracies in the film and how the Red Army was portrayed that on 7 May 2001, shortly after the film premiered in Russia, they expressed their displeasure in the Duma , demanding a ban of the film, but their request was not granted. [15] [16]
The film was also received poorly in Germany. Critics claimed that it simplified history and glorified war. [17] [18] [19] At the Berlinale film festival, it was booed. Annaud stated afterwards that he would not present another film at Berlinale, calling it a "slaughterhouse" and claiming that his film received much better reception elsewhere. [20] [21]
Vasily Zaitsev (1915–1991) was a senior sergeant ( Russian : ста́рший сержа́нт ) in the 2nd Battalion, 1047th Rifle Regiment, 284th Tomsk Rifle Division , during the Battle of Stalingrad .
The film uses events from William Craig 's 1973 nonfiction book Enemy at the Gates: The Battle for Stalingrad , but it is not a direct adaptation. The book claims that Zaitsev fought his sniper duel over a number of days through the ruins of the city. It was only after killing the German and collecting his identification tags that Zaitsev discovered that he had killed König, the head of the Berlin Sniper School. [22]
However, there is no record in the Wehrmacht archives of a sniper named König in the German Army during World War II. [23] Historian Antony Beevor wrote in his 1998 work Stalingrad that he believed Zaitsev's story to be fictional because no such event is mentioned in the detailed daily battle reports sent to Colonel General Aleksandr Shcherbakov in Moscow. [24]
The film also overdramatizes the role of blocking detachments in the Red Army. Although there was Order No. 227 ( Russian : Директива Ставки ВГК №227 ) that became the rallying cry of "Not a step back!" ( Russian : Ни шагу назад! , romanized : Ni shagu nazad! ), machine gunners were not placed behind regular troops with orders to kill anyone who retreated. They were used only for penal troops. Detachments were used regularly to prevent withdrawal or desertion by regular troops. As per Order No. 227, each detachment would have between three and five barrier squads per 200 personnel. [25]
In the first three months, blocking detachments shot 1,000 penal troops and sent 24,993 to penal battalions. By October 1942, the idea of regular blocking detachments was quietly dropped; by October 1944, the units were officially disbanded. [26] [27] [28] During the Battle of Stalingrad, the 62nd Army had the most arrests, and executions: 203 in all of which 49 were executed after battle, while 139 were sent to penal companies and battalions. [29] [30] [31] [32]
United States United Kingdom France Germany Ireland [2] [3]
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The young soldier soon becomes a national hero to the locals -- including Sacha (GABRIEL MARSHALL-THOMSON), a boy who takes it upon himself to infiltrate the Germans for information -- and the bane of those German forces. Accordingly, they call in Major Koenig (ED HARRIS), a legendary aristocratic sniper, to eradicate Vassili and thus destroy the military and political icon.
From that point on and while working with other snipers such as Koulikov (RON PERLMAN), Vassili must deal with both himself and Danilov falling for Tania, all while also dealing with the seasoned and ever resourceful Koenig whose only objective is to find and kill him.
(Note: The "Our Take" review of this title examines the film's artistic merits and does not take into account any of the possibly objectionable material listed below).
Parties on both sides of the conflict have varying degrees of bad attitudes, while 1 possible "f" word is uttered (in the middle of a loud scene) and various expletives and a handful of colorful phrases are present. One sensuous sex scene features related movement and sounds occurring beneath a blanket, along with some brief nudity as a couple have sex among other nearby, but sleeping soldiers. Other brief nonsexual nudity is also briefly present.
Beyond that, various characters drink and smoke. Should you still be concerned about the film and its appropriateness for yourself of anyone in your home who wishes to see it, we suggest that you take a closer look at our detailed content listings for more specific examples of what occurs and is present in the film.
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Sabrina Rojas Weiss March 16, 2001, 12:00 a.m. PT
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Enemy at the Gates stars Jude Law and Rachel Weisz agree that their love scene — which takes place in the middle of World War II surrounded by dozens of soldiers — lacks the traditional romantic setting. And as the actors explain, such obstacles actually enhanced their intimacy.
"The element of all these farting and burping men around sort of made the scene more sensuous," says Law, who netted an Oscar nod for his role in The Talented Mr. Ripley. "By the time we got to shooting, most of [the extras] were asleep, anyway. It was funny. It broke the ice."
Weisz, best known for playing a damsel in distress in The Mummy, explains why her character — one of about 3,000 Russian women who volunteered for service in Stalingrad — so forwardly invites herself into Law's sleeping bag. "In a war, you don't have any privacy," the actress says. "There was a kind of sexual liberation that happened because people thought they would be d
"The element of all these farting and burping men around sort of made the scene more sensuous," says Law, who netted an Oscar nod for his role in The Talented Mr. Ripley . "By the time we got to shooting, most of [the extras] were asleep, anyway. It was funny. It broke the ice."
Weisz, best known for playing a damsel in distress in The Mummy , explains why her character — one of about 3,000 Russian women who volunteered for service in Stalingrad — so forwardly invites herself into Law's sleeping bag. "In a war, you don't have any privacy," the actress says. "There was a kind of sexual liberation that happened because people thought they would be dead in an hour or a day. People were having sex in the trenches.
"[But] this isn't just a scene about sex," she continues. "It's about two people trying furtively to steal some pleasure, without waking the people around them."
Squeamish viewers might want to cover their eyes during this moment of passion — not because of any exposed body parts, but more what's covering the actors from head to toe. "We called the makeup trailer the 'makedown trailer' because we'd go there to get covered in mud," Weisz laughs. "I can't tell you how much I really enjoyed being dirty. The dirt gets under your fingernails, up your nose and in your ears. You start to relish it!"
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