Encyclopedia of Russian ​🇷🇺​ Stage Design: 1️⃣8️⃣8️⃣0️⃣-1️⃣9️⃣3️⃣0️⃣

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✅ Why ❓️ collect Russian ​🇷🇺​ stage designs Why ❓️ write ✍️ about them ➡️👥 These questions ❓️ are not ❌️ rhetorical or idly academic 🎓️. They have real historical, intellectual, and ➕ commercial relevance. Answers may vary, but surely a primary response must be that, quite simply, Russian ​🇷🇺​ stage designs are immensely pleasing to the eye 👁️. They vibrate, and ➕ scintillate with color, texture, movement. Furthermore, through their daring inventions, Russian ​🇷🇺​ artists 👨‍🎨 of the first 🥇 thirty years of the 2️⃣0️⃣th century transformed, profoundly and ➕ permanently, our 👥⬅️ perception of stage design - and ➕ hence of the theater 🎭️. They belonged to an extraordinarily creative generation of impresarios, dancers 👯, actors 👤🎭️, patrons, and ➕ critics who inspired or at least made 🛠️ a major contribution to the international 🌐 renaissance of the art 🎨 of the stage, and ➕ in particular areas, e.g. the teaching and ➕ performing 🎭️ of ballet, their influence is still present 🎁 today. However, in spite of the many published commentaries on the Russian ​🇷🇺​ theater 🎭️, in spite of the autobiographies and ➕ biographies of its leading representatives, and ➕ in spite of the scholarly appreciations of its various components (ballet, drama, opera), the subject of stage design in Russia ​🇷🇺​ has yet to be explored in all its manifestations.

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