Emma Stone Leaked
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Emma Stone Leaked
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Beatrice Verhoeven | June 17, 2015 @ 6:46 PM
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The actress also discusses passing on Paul Feig’s all-female ”Ghostbusters“ and sidesteps questions about whether she’s still dating Andrew Garfield
It was bad enough that the Sony hack exposed Emma Stone ‘s cellphone number and email address in a WikiLeaks a few weeks ago. But it was the response by the actress, who has starred in nine Sony films over her career, that did the real damage.
“I did one of the worst things ever, which was react really quickly,” Stone said in an interview Wednesday with the Wall Street Journal. “I was getting all these emails and texts from people I didn’t know — ‘Hi, I’m Joe from the U.K. I like your movies’ — and I was so overwhelmed that I went to my inbox and I deleted all my emails.”
Her impulsive act was as permanent as it was rapid. “In about a 30-second span, I hit ‘Select All’ and ‘Delete Forever,’ and thousands of emails, like six years of emails, are now gone forever,” she told the paper. “I was just so freaked out that someone was in there.”
While no one appears to have logged into her personal email account, she still felt violated after receiving what she admits were about five emails and five texts from strangers.
She is still dealing with the fallout from her email-deleting reaction. “It was horrible. I cried for like an hour,” she said. “Most of the emails I’m mourning I can still talk to the person and get them back. But there’s others where the person is actually gone. It really sucks.”
The 26-year-old star, an Oscar nominee for last year’s “Birdman,” also told the paper that she turned down a role in Paul Feig ‘s upcoming all-female remake of “Ghostbusters.”
“The script was really funny,” she said, admitting that she was reluctant to leap into another multi-film franchises so soon after her back-to-back “Amazing Spider-Man” roles. “It just didn’t feel like the right time for me. A franchise is a big commitment — it’s a whole thing. I think maybe I need a minute before I dive back into that water.”
Speaking of commitments, the famously private actress sidestepped questions about the status of her relationship with longtime boyfriend and “Spider-Man” co-star Andrew Garfield amid widespread rumors of a recent breakup.
“See, I never talk about this stuff for this exact reason — because it’s all so speculative and baseless,” Stone told WSJ. “Once you start responding — once you’re like, ‘No, that’s not true’ — then they’re like, ‘Well, if we push enough, we’ll get a comment, so let’s see what else we can make up.'”
She added, “It’s so special to me that it never feels good to talk about, so I just continually don’t talk about it.”
Read the full story on the Wall Street Journal .
Neil Patrick Harris won a Tony award for "Hedwig and the Angry Inch," and was later replaced by Andrew Rannells and Michael C. Hall.
Denzel Washington brought in grosses of more than a $1 million a week for "A Raisin in the Sun."
When his "Houdini" musical didn't materialize, Hugh Jackman switched to a new play, "The River."
Bradley Cooper debuts in "The Elephant Man," selling out every seat from the first preview.
Megan Mullally, Matthew Broderick and Nathan Lane have made "It's Only a Play" one of the season's top grossers.
James Franco sparked controversy with "Of Mice and Men" when he called a New York Times critic "a little bitch."
John Lithgow and Glenn Close turn "A Delicate Balance" into the highest grossing revival of an Edward Albee play.
Bryan Cranston won the Tony for his Broadway debut and "All the Way" recouped its investment.
These movie and TV veterans filled seats and drew legions of fans to the Great White Way
Neil Patrick Harris won a Tony award for "Hedwig and the Angry Inch," and was later replaced by Andrew Rannells and Michael C. Hall.
Assistant and casting director for the famed filmmaker pushed for R. Lee Ermey to star in ”Full Metal Jacket“
Leon Vitali, one of Stanley Kubrick’s closest collaborators, died on Saturday night at the age of 74, Kubrick announced in a series of tweets Sunday.
“It is with the greatest of sadness that we have to tell you that the mainstay of a vast number of Kubrick’s films, Leon Vitali, passed away peacefully last night. Our thoughts are with his family and all that new and loved him. 26 July 1948 – 20 August 2022,” Kubrick wrote.
In a subsequent post, Kubrick continued, “Whether giving the performance of his life as Lord Bullingdon, portraying the ominous Red Cloak, providing BTS technical support on FMJ and attending the Cannes Film Festival 4K release of The Shining, Leon Vitali was the heartbeat of Kubrick’s films after the master himself.”
No further details of his passing or the cause of death have been released.
It is with the greatest of sadness that we have to tell you that the mainstay of a vast number of Kubrick's films, Leon Vitali, passed away peacefully last night. Our thoughts are with his family and all that new and loved him. 26 July 1948 – 20 August 2022 pic.twitter.com/uE0Q1KvQi1
Remembering Leon Vitali: “Hi Leon, i'm Stanley". And we shook hands. When you shook hands with Stanley , it was warm & gentle. Just like a buzz went through you". @Dogwoof 's FILMWORKER is an intimate documentary following Leon's 30 year career with Kubrick is a must watch! pic.twitter.com/CqpSGYxJPG
Whether giving the performance of his life as Lord Bullingdon, portraying the ominous Red Cloak, providing BTS technical support on FMJ and attending the Cannes Film Festival 4K release of The Shining, Leon Vitali was the heartbeat of Kubrick’s films after the master himself. pic.twitter.com/YqtRIQ5vxA
The 2017 documentary “Filmworker,” which premiered at the Cannes Film Festival, retold the three-decade relationship between Kubrick and Vitali from which sprung some of the most vital creative decisions for the director’s most famous films. Vitali, who had a modest TV career as an actor in the early 1970s, first met Kubrick when he was cast in the drama “Barry Lyndon” as the titular character’s stepson Lord Bullingdon. After the pair bonded during postproduction on “Barry Lyndon,” Vitali decided to give up his acting career when Kubrick asked him to assist him on production of his legendary 1980 film “The Shining.” As casting director for that film, Vitali found Danny Lloyd and cast him as the young telepathic protagonist Danny Torrance. It was also Vitali’s decision to make the infamous girls that Danny encounters in the Overlook hotel twin sisters. While Kubrick’s script did not call for the girls to be twins, Vitali cast Lisa and Louise Burns after the real-life twins auditioned for the role.
Vitali also served as assistant and casting director on Kubrick’s “Full Metal Jacket” in 1987 and “Eyes Wide Shut” in 1999. It was Vitali who convinced Kubrick to cast R. Lee Ermey as the vicious drill instructor in “Full Metal Jacket” after Ermey used his real-life experience as a military drill instructor to make an audition reel for the role. After Kubrick’s death, Vitali oversaw digital restoration of Kubrick’s films, receiving an award from the Cinema Audio Society for his work.
“Leon was a special and lovely man driven by his curiosity, who spread love and warmth wherever he went,” his children said in a statement. “He will be remembered with love and be hugely missed by the many people he touched.”
“There are people we meet who have a profound impact upon our lives. Leon Vitali was one such person in mine,” tweeted “Full Metal Jacket” star Matthew Modine. “An artist in every aspect of his life. A loving father & friend to so many. A kind, generous & forgiving nature. He exemplified & personified grace.”
The actress and niece of World War II legend Gen. George Patton, also starred in ”The Burning Cross“ and ”Black Eagle“
Todd Karns, Virginia Patton, James Stewart and Thomas Mitchell in "It's a Wonderful Life" (RKO)
Virginia Patton, best known for her role as Ruth Dakin Bailey in the holiday classic “It’s a Wonderful Life” has died. She was 97.
A funeral home in Ann Arbor, Michigan, confirmed that Patton passed Thursday, Aug. 18 in an assisted living home. No additional details or cause of death has been released.
Patton, whose uncle was the iconic World War II General George Patton, dazzled screens in the 1940s, starring as the female lead in 1947’s “The Burning Cross” and 1948 Western “Black Eagle.”
Born in 1925 in Cleveland, the Ohio-native was raised in Portland, Oregon, before moving to Los Angeles to pursue acting. Just a year after Patton graduated high school in 1942, she made her film debut with an ensemble role in “Thank Your Lucky Stars” (1943) and signed a contact with Warner Bros.
She went on to appear in minor roles in “Janie” (1944), “The Last Ride” (1944), “Hollywood Canteen” (1944) and “The Horn Blows at Midnight” (1945).
By 1946, Patton had starred in a play at USC written by William C. De Mille (brother of Cecil B. De Mille) that brought her to the attention of Frank Capra, who was one of the most highly-respected directors at the time. That lead her to being cast as the sister-in-law of George Bailey, played by Jimmy Stewart, in the classic holiday film, “It’s a Wonderful Life.”
That film gave her film career a boost, as Patton went on to star as the female lead in “The Burning Cross,” a movie about the horrors created by the KKK, and “Black Eagle,” a Western starring William Bishop. She also had a supporting role in 1949 film “The Lucky Stiff.”
Despite her success, Patton retired from acting in 1949 after marrying automobile executive Cruse W. Moss and moving to Ann Arbor, Michigan. There, she had three children with Moss and the pair were married for 69 years before Moss passed away in 2018.
In Ann Arbor, Patton worked as a docent at the University of Michigan Museum of Art and was involved with several organizations local to the area.
Despite leaving Hollywood, Patton crossed paths with Capra later, when he was a speaker for the Young Presidents’ Organization. Patton shared in a 2012 interview that Capra kept in touch with her even after she left show business.
“I have a beautiful letter that (Capra) wrote me because I kept in touch with him and he said, ‘I just knew you’d be a wonderful mother with three little bambinos and a wonderful husband,’” Patton said .
”Love & Basketball,“ ”Belfast“ and ”Obvious Child“ are must-watches this month
New Line Cinema, Focus Features and A24
As the summer comes to a close, catch up on new releases and library titles that hit HBO Max this month.
A new documentary revealing archival footage of Princess Diana, a coming-of-age drama surrounding an Irish family in the 1960s and a cult classic about basketball and romance are only some of the notable films that made their debut on HBO Max in August.
This month also sees the release of a slew of A24 movies onto the streaming service, including Jenny Slate’s “Obvious Child” and Miles Teller and Shailene Woodley’s “The Spectacular Now.”
“Ex Machina” enters HBO Max this month as a part of A24’s big collection release on the platform. The sci-fi award-winner follows a computer programmer, named Caleb, played by Domhnall Gleeson, who is chosen to evaluate the human qualities of an advanced A.I. as a part of a high-stakes experiment on synthetic intelligence. Employed by a billionaire, played by Oscar Isaac, Caleb soon learns the robot, named Ava, is more sentient than the researchers realized. As the pair interact more, they grow closer, prompting Caleb to reexamine his previous beliefs about his employer and Ava.
This romantic sports drama hits the streaming service in the perfect back-to-school frenzy. Taking place during the various chapters of their lives, “Love & Basketball” follows Monica and Quincy, who both dream of becoming professional basketball players. When Monica moves next door to Quincy as children, the two are immediately drawn to each other and share their love for their sport. The movie jumps from high school to college to adulthood, as the two always have their passion and each other on their mind. Starring Sanaa Lathan and Omar Epps, the movie showcases differing gender dynamics as Monica witnesses the creation of the WNBA.
Jenny Slate’s “Obvious Child” boldly addresses abortion in this 2014 romantic comedy-drama. Slate stars as Donna, a stand-up comedian, who discovers she is pregnant after having a one-night stand. Donna, who had just broken up with her boyfriend, choses too have an abortion on the only day available — Valentine’s Day. Even as her one-night stand, Max, becomes a larger figure in her life, Donna prioritizes her herself and her choice. Winning several accolades, “Obvious Child” has been applauded for destigmatizing and providing a realistic portrayal of abortion
In another A24 release to HBO Max, Miles Teller and Shailene Woodley star in the coming-of-age romantic drama. Popular Sutter intersects the path of studious Aimee after she finds Sutter asleep on a front lawn. Although Sutter has spent the entirety of his senior year partying while Aimee has done quite the opposite, their chance meeting sparks a romance as the couple pushes each other out of their comfort zones. Despite their differences and unique struggles, the pair navigate their changing lives as they graduate high school.
The coming-of-age drama follows a working-class Protestant family living in Northern Ireland from the perspective of nine-year-old Buddy. Amidst the background of the tumultuous late 1960s, Buddy’s father works in England while the rest of his family lives in Belfast. Buddy develops feelings for his classmate, Catherine, who is Catholic, as his family comes to conclusions about their safety. This Academy Award nominee has a star-studded cast featuring Caitríona Balfe, Judi Dench, Jamie Dornan, Colin Morgan and newcomer Jude Hill.
HBO’s documentary “The Princess” uses archival footage to capture the life of Princess Diana. The film has recently been the center of controversy , as it aired a Panorama clip against Prince William’s wishes. The 1995 interview with Diana was discredited after revelations that the sit-down used deceitful methods by journalist Martin Bashir. As a result, Prince William has said, “It is my firm view that this Panorama program holds no legitimacy and should never be aired again.” Regardless of the dispute, the documentary promises insights into the iconic figure’s most significant moments, including her tragic death.
Another HBO documentary makes its debut on the streaming service with “Katrina Babies,” a film that focuses on a vulnerable demographic after the natural disaster hit: children. Comprised of interview with the children that were raised in the eye of the storm, the film explores the wide dispersal of Black families and kids as a result of Hurricane Katrina. Unveiling the trauma of the community, the documentary gives an intimate look into the ongoing fight to survive and recover from the disaster.
”Hallelujah,“ ”Mulaqat/Sandstorm“ and ”Scale“ take the top prizes at the Hollywood festival
"Hallelujah" / HollyShorts Film Festival
Victor Gabriel’s “Hallelujah,” Seemab Gul’s “Mulaqat/Sandstorm” and Joseph Pierce’s “Scale” have won the top awards at the 2022 HollyShorts Film Festival, which presented its prizes on Saturday afternoon in Hollywood — thus qualifying for this year’s Academy Awards.
“Hallelujah” won the Grand Prix for the festival’s best short, “Mulaqat/Sandstorm” took the honors as the best live-action short and “Scale” won for animation. HollyShorts is an Oscar-qualifying festival for the short-film categories, and the winners of those three awards are automatically entered in the Oscar race.
The award to “Hallelujah” was presented via video by this year’s Oscar winners for Best Live Action Short, “The Long Goodbye” filmmakers Riz Ahmed and Aniel Karia. The Oscar winners for the 2018 live-action short “Skin,” Jamie Ray Newman and Guy Nattiv, presented the awards to “Mulaqat/Sandstorm” and best-director winner Carlos Segundo (“Sideral”), respectively.
Other winners included Ben Proudfoot, who won this year’s Oscar for Best Documentary Short for “The Queen of Basketball,” and who took the HollyShorts prize for his new doc, “Mink!”
The 2022 HollyShorts Film Festival took place from Aug. 11-20 in person at the TCL Chinese 6 Theatres in Hollywood, and virtually on the streaming platform Bitfix.
OSCAR-qualifying Grand Prix Best Short : “Hallelujah,” Victor Gabriel OSCAR-qualifying Best Live Action : “Mulaqat/Sandstorm,” Seemab Gul OSCAR-qualifying Best Animation: “Scale,” Joseph Pierce Best Director: “Sideral,” Carlos Segundo Best Action: “Kickstart My Heart,” Kelsey Bollig Best Comedy: “All I Ever Wanted,” Erin Lau Best Costume Design: “Sauerdogs,” Carmen Granell Best Drama: “Like the Ones I Used to Know,” Annie St-Pierre Best Documentary : “Mink!,” Ben Proudfoot Best Editing: “The Machine,” Rowan McKay Best Female Screenplay Presented by BeCine: “Last Ship East,” Eris Qian Best Horror: “Moshari,” Nuhash Humayun Best International: “The Voice Actress,” Anna J. Takayama Latinx Award Presented by Viacom International Studios : “Huella,” Gabriela Ortega Best LGBTQIA+: “North Star,” P.J. Palmer starring Colman Domingo Best Midnight Madness: “Homesick,” Will Seefried Best Music Video: “Consensual,” Jeff Hilliard and Joey Danger Best Producer: “Hallelujah,” Duran Jones SAG Indie Winner: “My Jerome,” Adjani Salmon Hawk Films Screenplay Award: “Mina Finds Her Edge!,” Robin Rose Singer Best Sci-Fi: “Waltz of the Angels,” Braden Barton Script Compass Screenplay Award: “In the Garden Of Tulips,” Ava Lalezarzadeh Kodak Best Shot on Film: “North Pole,” Marija Apcevska Kodak Shot on Film Super 8MM: “Deerwoods Deathtrap,” James P. Gannon Kodak Shot on Film Honorable Mention: “Not the 80s,” Marleen Valien Social Impact Award : “Stranger at the Gate,” Joshua Seftel Best Student Film: “The Visit,” Ebele Tate Best Thriller: “Wild Bitch,” Rebekka Johnson and Kate Nash Best TV: “A Question of Service,” Erin Brown Thomas Best TV Screenplay: “Forsyth County,” James Sasser Best VFX : “Black Dragon” (“Rồng đen”) Best Web Series : “Kura,” Vince McMillan Women in Film Award : “Apart, Together,” Olivia Hang Zhou ZEISS Presents: Hollyshorts Film Festival Achievement in Filmmaking and Cinematography : “Censor of Dreams,” Khalib Mohtaseb ZEISS Presents: HollyShorts Film Festival Achievement in Filmmaking and Cinematograph y: Nancy Schreiber
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