Elder Sister And Young Brother
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Elder Sister And Young Brother
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From Wikipedia, the free encyclopedia
^ Jump up to: a b c "γγ«γγγγ¨ (Older Brother, Younger Sister)" . Japanese Movie Database (in Japanese) . Retrieved 21 January 2021 .
^ Jump up to: a b c "γγ«γγγγ¨ (Older Brother, Younger Sister)" . Kinenote (in Japanese) . Retrieved 14 July 2021 .
^ Jacoby, Alexander (2008). Critical Handbook of Japanese Film Directors: From the Silent Era to the Present Day . Berkeley: Stone Bridge Press. p.Β 209. ISBNΒ 978-1-933330-53-2 .
^ Anderson, Joseph L.; Richie, Donald (1959). The Japanese Film β Art & Industry . Rutland, Vermont and Tokyo: Charles E. Tuttle Company. pp.Β 195β196.
^ Uhlich, Keith (6 November 2005). " Older Brother, Younger Sister review" . Slant Magazine . Retrieved 21 January 2021 .
^ Fujiki, Hideaki; Phillips, Alastair, eds. (2020). Japanese Cinema: Texts and Contexts . London and New York: The British Film Institute/Bloomsbury. ISBNΒ 978-1-8445-7679-1 .
Older Brother, Younger Sister ( γγ«γγγγ¨ , Ani imΕto ) is a 1953 Japanese drama film directed by Mikio Naruse . The film is based on the short story Ani imΕto by Saisei MurΕ . [1] [2]
Mon, the elder daughter of a rural family, returns home from Tokyo pregnant after an affair with college student Kobata. Her parents fear a scandal that might threaten the marriage prospects of the younger sister San. Also, Mon, as the film suggests, supports San's education by prostitution, as the father's business had to close down and the mother hardly manages to finance the family by running a small store. The ill-tempered eldest brother Inokichi decides to take on the role of a disciplinarian, first beating up Kobata when he visits the family to apologise, and later Mon. Still, Mon forgives him and returns to the capital.
Film scholar Alexander Jacoby called Older Brother, Younger Sister an "uncharacteristically brutal film in which the emotional tensions [β¦] explode into physical violence". [3] Film historian Donald Richie objected that by "attempting to move from realism to naturalism , Naruse is occasionally at fault in manipulating his characters a bit too obviously". [4] Keith Uhlich of Slant Magazine gave the film 3.5 of 4 stars for showing Naruse's "considerable skill at portraying household dynamics". [5]
First published in 1934, Saisei MurΕ's short story Ani imΕto had won the Bungei Konwakai Award. It had been adapted for the screen the first time in 1936 by Sotoji Kimura [6] and again in 1976 by Tadashi Imai . The story has been translated into English by Edward Seidensticker and is available in the anthology Modern Japanese Stories .
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