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The life of the Russian Empress Ekaterina II (Catherine the Great), a German born princess who came to Russia as bride for the young Peter III, chosen by his aunt Elisabeth, and who, once sh... Read all The life of the Russian Empress Ekaterina II (Catherine the Great), a German born princess who came to Russia as bride for the young Peter III, chosen by his aunt Elisabeth, and who, once she came into power, transformed the Russian empire. The life of the Russian Empress Ekaterina II (Catherine the Great), a German born princess who came to Russia as bride for the young Peter III, chosen by his aunt Elisabeth, and who, once she came into power, transformed the Russian empire.
The most popular TV series in Russia at the time of its first broadcast on national TV (2014).
People, both men and women, were wearing a wig at that period of history.
Brilliant, gripping, and powerful - wonderful!
I have long been a student of Russian history and have seen a few Catherine II projects over the years. Catching Ekaterina on Amazon Prime was an incredible treat. My husband loved it as well and knows nothing of Russian history.
It's gripping, haunting, and some scenes will just stick with you (namely, in Season 3). The casting is fantastic: Catherine's many lovers are appropriately, sublimely sexy and Yuliya Aug is FANTASTIC as Empress Elizaveta. She really sets the tone as this powerful, intense presence throughout Catherine's introduction to Russia.
Season 2 features Sergei Kotalkov as advisor Nikita Panin who is the powerhouse of the season. Less scenery chewing than Elizaveta but engrossing. The world expands beyond Catherine to include others such as her illegitimate child, Alexei; Catherine's Lady in Waiting, Sofia Stepanova (played by Lyubava Greshnova) is the other MVP. The problem with Season 2 is it covers a VERY large part of Catherine's reign, so much so Season 3 is actually a flashback which is very jarring at first.
Season 3 takes some strong historical liberties to expand our characters and humanize them. Nikita Panin has another stellar season with a softer side, Catherine has a couple of stellar(!) scenes, Alexei Orlov gets his time to shine, and they try to retcon Paul's wife (hideous villain in S2!) which makes no sense with how they portrayed her in S2, but I'll take it. The most powerful performance is that of the "second" Elizaveta Peteovna, played by Angelina Strechina. Incredible. The finale of S3 will leave you feeling something, that's for sure.
I also liked how they would dub the actors in different languages appropriate for the location: Frederick II of Prussia would speak German. In Naples it's dubbed in Italian. The Poles in Polish, et cet. It adds a bit of immersion and I enjoyed it; in fact there is a funny and heartwarming scene between a Russian and German character in S3 that plays on this fact. So you're watching it subtitled one English but can hear the two different languages. Only criticisms are that the special effects/fighting scenes are pretty weak, even by S3 when you can tell they got a better budget. Also, the Potemkin+Catherine love theme is waaaaay overused. They needed a second theme in S2. :)
You'll learn a lot and enjoy the show along the way. If you enjoyed the intrigue of Game of Thrones, you'll enjoy Ekaterina.
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This major international production traces the rise of Catherine the Great, Empress of 18th Century Russia and part of the Romanoff line. Ekaterina, a German princess, is selected to marry Peter the Third, heir to the Russian throne and grandson of Peter the Great. Her story, filled with emotion, struggle and passion shows that even in an age of imperial dynasties, power is not given. It is taken.
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Princess Frederika of Germany is en route to a new future, the royal court of Empress Elizabeth of Russia, and a marriage to a Russian prince. The princess and her mother are blissfully unaware of what awaits them.
Fredericka becomes more and more accustomed to life in the palace. She spends as much time as she can getting to know her fiancé, Pyotr, and trying to win his favor. Some members of the court are displeased with her and try to take matters into their own hands.
After receiving her new name, Ekaterina is baptized and prepares for her wedding to Pyotr. Little does she know the affairs of her mother begin to jeopardize her chances of remaining safe and prosperous in Russia.
After the wedding, Pyotr remains distant from Ekaterina. He comes to believe that by conceiving a child, they would no longer be of use to Queen Elizabeth and would then be cast aside. Pyotr then becomes ill, sending him into a bitter spiral.
After his recovery, Pyotr is no longer interested in Ekaterina. As they grow more and more distant, Queen Elizabeth loses hope of getting an heir to the throne. Her hopes rise when she puts Ekaterina in the sights of Prince Saltykov.
After the birth of her son, Ekaterina discovers that Pyotr's premonitions are coming true. Elizabeth decides to take the baby and remove them from his care. Ekaterina is forced to watch her child grow from afar. She decides that she will do anything she can to get her baby back.
Ekaterina cares less and less about the Queen's opinion of her, flaunting her affairs and misdemeanors. Despite their mutual distaste, she and Pyotr begin to conspire, knowing that the queen has fallen ill. All they want is to regain their rights to the throne and to her child.
The Queen recovers, putting Ekaterina and Pyotr's plan on hold. But their potential rise to power has done nothing to bring them closer together. Pyotr begins to fall in love with a handmaiden and Ekaterina grows closer to Gregory Orlov.
The Queen has fallen ill yet again. Pyotr is in line to succeed her at last. But his rise to power has driven his distaste for Ekaterina into pure hatred. Russians at large have begun to see him as an unfit ruler, and that is causing unrest to spread throughout the kingdom.
Ekaterina sees a fatal weakness in Pyotr. She seizes her opportunity, and with the help of Orlov, begins a daring effort to seize control of the throne. Her goal: to finally get justice for herself and her broken family.
Directors Alexander Baranov , Ramil Sabitov Supporting actors Alexander Lazarev Jr. Producers Aleksandr Akopov , Tatyana Belichenko , Liliya Chekster , Ekaterina Efanova , Aleksey Kublitskiy , more… Aleksandra Shakhnazarova , Natalia Shneiderova , Anton Zlatopolskiy Season year 2014 Network MagellanTV Content advisory Alcohol use , nudity , foul language , sexual content , violence Purchase rights Stream instantly Details Format Prime Video (streaming online video) Devices Available to watch on supported devices
KarPBond Reviewed in the United States on October 21, 2017
As someone who love, love, loves period dramas and castles and queens and anything royalty, I was so ready to be blown away by this show. Things like Downton Abbey, The Tudors, and Pride and Prejudice are all some of my favorites, with the White Queen being a cut-rate second but enjoyable show. Leaning on those for comparison, here is what I thought.... Beautiful costumes and locations, but I have never seen such bad writing or editing in even the cheapest of period B rate dramas before. The timeline has no consistency, going from dragging ass one minute to skipping almost a decade another minute. Transitions between scenes are so clumsy there is zero sense of a story, but rather it feels like the scenes were all shot at random and then pieced together however they could be. Subtleties that would first make you think "okay I get what's happening here" get completely derailed as the next scene flips gears again and you're left going "wait...what?...but she....but they...didn't I just see?....ughhh...whatever". For example it's implied that she gets frisky with the soldier prince when the husband won't perform his "duties" in the bedchamber, but then the next scene is her getting examined and the Queen being told she's still a virgin. At one point, the queen tells Ekaterina she has until spring to get pregnant or she will invalidate the marriage, makes the suggestion to do whatever is necessary during the masked ball that night (hence the soldier prince referenced above), then the next scene, also while the queen has her masked ball clothes on, she's screaming that the girl will never get pregnant and to send her to the convent now (and you're left thinking "you JUST told her 20 minutes ago she had until spring!"), then the very next scene is a year later after the husband has had surgery to fix his "problem", and she's bidding the soldier dude to visit Ekaterina's bed. So again you're like "didn't we already discuss this?, I'm so confused!" The inconsistency of how the characters interact with each other is also very annoying. One minute the queen and Ekaterina speak lovingly and seem as friends, the next the queen is punishing her, the next she is contrite, the next defiant...ping pong ping pong! Also the actor who plays the secretary dude with the bald head...apparently the director realized he could twitch his eye, and from that point on must have told him "do that mean looking eye twitch thing again...I know you have done it in every single other scene you're in, but go ahead and just do it anyway, it looks cool". The way Ekaterina and Potyr interact is similarly confusing - one minute affectionate, or at least civil, the next he's talking about how much he hates her and knows she must hate him. To be clear, my complaint is not with the actors. They all do a fantastic job. And as far as storytelling, it's expected that characters will change as time goes on. My issue is that the arcs of their growth are so sloppily designed and the editing so lazily done and the timing so haphazardly out together that the viewer cannot just simply sit and enjoy, they must be constantly questioning themselves and fact-checking the show as it goes along to keep from getting turned around. It's so much work to watch it, it is aggravating. The acting, costumes, hair and makeup, cinematography, and locations all deserve 5 stars. The writing, direction, and editing however get 1 star....hence the average in the middle.
Icetor01 Reviewed in the United States on October 11, 2017
*Please note that there are mild spoilers...but can history really be spoiled?* Good: Strong female characters - especially Empress Elizaveta (she's a better character - more richly characterized, better developed, better acted - than Ekaterina) Good story Good production values Artsy depiction of politics (maps, misty views of battles, CGI depictions of Saint Petersburg) Bad - Aside from the central characters (Elizaveta, Ekaterina, Pyotr), almost no one's character/motivation is fleshed out. Thus, the numerous political advisors blend together, sometimes differentiating into pro-Ekaterina and pro-Pyotr camps. Ekaterina's lovers are manifold and handsome, and it's unclear why she likes them (beyond looks) or why they like her (beyond looks and status). - Inconsistent characterization of Ekaterina due to the narrative always trying to show her in a positive light (naive in one scene but politically adroit in the next) - Lack of flaws in Ekaterina - she learns quickly and is seemingly perfect and regal from the beginning; we never see her have misgivings or doubts, never see her confide in or rely on someone else (not even her mother). It's sometimes hard to remember why you're rooting for the character because she isn't relatable (it's a testament to the ability of the actress that you do keep rooting for her). - As a result, the authors have to villainize her persecutors (especially Pyotr) to make her side the "right" one. Fortunately, this is inconsistent, and some of the best scenes in the early series are the ones where he's shown sympathetically - a product of his circumstances. - Propaganda - This is a production funded by the Russian Ministry of Culture, so expect some pro-Russia pandering and some anti-Germany/France/everyone else attacks. Also the Crimea - note the unsubtle references to the Crimea. On the whole, this was very enjoyable, and the depiction of Empress Elizaveta (the writing, the acting) was just top-notch. The rest was enjoyable and good enough but not worth scratching below the surface.
Andrei Moskowitz Reviewed in the United States on August 7, 2017
This a beautiful and fascinating production dramatizing a seminal moment in Russian history. It is not as dramatically subtle or sophisticated as the best our productions of this sort, but one can glean a lot of insight about how Russians see themselves, their politics, and their history. There is an enormous hunger throughout Russian history for wise and decisive rule, the more autocratic and absolute the more admirable.In this regard, Empress Elizabeta is perhaps the most interesting character in the series. Most of the other characters are drawn as rather stiff motifs of their sort--the wise counsellor, the ruthless diplomat, the idiotic prince, the frivolous (or completely devoted) maid of honor, and so on. Love scenes are also unsubtle, more like Mexican soaps or movies for American teens.The subtitles were written by a hilariously inept translator, and are an entertainment in their own right. The Russian language is so delicious,and the voices so impressive, that it would be butchery to dub this series. Most important, however, if you want to understand the potent mix of emotions driving Russian politics and society today, you're much better off immersing yourself in this series rather than current news and analysis. This was not produced in a censoring dictatorship, but it is still mindful of and shares the rather simple, powerful, and often willfully dangerous sensibilities swirling in Russia today. Not least, Marina Aleksandrova is magnificent and majestic in her portrayal. Her tragic eyes speak volumes. She must also have been swept up in the character, since she named her daughter born in 2015 Ekaterina.
Hannilore Reviewed in the United States on September 17, 2017
Excellent series - riveting to watch. The rise of Ekaterina to power in Russia is one of the most momentous - and unlikely - events to have happened in Russian history. Most of us in the west are not so familiar with Russian history and the details provided by the series on Ekaterina's story and the complexities of Russian politics under the Tsars are very enlightening as well as fascinating. It is under Katherine the great - as she is known - that Russia has come into its own as a great unifying power of a vast stretch of land, spanning from east to west. Though I imagine that in subsequent parts (which I assume are forthcoming) we'll get a taste of the oppressive system that relegated the sefs to miserable lives. Reading about the period I found that Ekaterina actually thought of freeing the serfs, but like many other things in the 18th century, it didn't work out, She is recognized as by far one of the most intelligent rulers in Europe of that era, and has done much to bring the spirit of enlightenment to that complicated country. English period drama watchers may be a bit shocked at the relatively loose morals in the Russian Imperial house, but it all makes for a great watch, especially as all her lovers are, well, easy on the eyes - at least in this drama. The acting is excellent across the board and the palace scenes were well designed to give an idea of the palace's interiors. The one critiwue i have is that the exteriors looked a bit cheesy - the sea was obviously artificial and those boats never moved. OK, so these were nice postcards, and too bad the producers could not do more with the scenery. May be the budget was limited. Still, a watch well worth the time!
K Reviewed in the United States on June 27, 2017
This is a lush, beautiful, well-acted TV series about the early years of the woman the world would come to know as Catherine the Great. In the beginning, she was Frederika, a Prussian princess from a family with a rich lineage but poor financial means. At a young age (she was actually much younger than the show depicts), she was carted off to Russia to marry the heir to the throne. Her intended, Pyotr (Peter) is a man-child who is often disconnected from reality and is utterly cowed by his aunt, the current Empress, Elizabeth. As sniveling as Pyotr can be, no one could blame him for wilting in his aunt's presence. She is a strong, imposing figure who rules with a very tight grip. She's a cunning politician and even more fierce than Queen Elizabeth of England over a century before. Empress Elizabeth tries to befriend Princess Frederika, who she re-names Ekaterina, but she has an ulterior motive: she has no respect for her nephew and feels he would be a poor ruler. She pressures Ekaterina, therefore, to bear a male heir quickly, so that child can take Pyotr's place and she can have the son she never had. It's gripping to watch Ekaterina navigate the treacherous politics and intrigues of the Russian court while trying to find love and a sense of self. The costumes in this series make it worth watching for that alone, but the acting is also superb. The actress who playing Empress Elizabeth is incomparable and the actress who plays Ekaterina convincingly takes the viewer from her early teen years to a canny and mature adult woman. This is definitely binge-worthy, but the episodes are best stretched out and savored because there are only ten!
D. Remington Reviewed in the United States on September 25, 2017
I wanted to like this, but it does not seem to be even remotely historically accurate. Like it actively rewrites history for...I am not actually sure why. Also the acting is really bad. All the actors, especially Catherine are super wooden. I am not certain how to describe it, but all of the actors are trying so hard to act that it is obvious they are acting and it ruins the suspension of disbelief. Despite being completely flat, Catherine comes off as if she were over acting. I hate to be rude, but I get the sense that she got the part mostly because of her looks, not because of her skill. Catherine's mother seems like someone's actual mother with no acting experience playing a part. Pyter suffers from the same sort of "I am acting so dang hard!" overacting problem where he destroys the illusion of character and all I can see is an actor trying to prove what an amazing actor he is. I am not sure if I am describing this in a way that makes sense. The writing is much like the acting and it is oddly super, super simple. There is no complexity, no ongoing plots. If they mention some sort of intrigue, it is addressed in the very next scene. I would have expected a serialized drama like this to sort of build tension over the season by introducing a subplot and then carrying it forward more like shows like Victoria or Downton Abbey do. A character will mention something like an affair or treason and the next scene directly resolves that concern, rather than using it to build the narrative. Ultimately the sense of Catherine hero-worship sucks this drama dry of any compelling story. Catherine is a saint and this drama reads much like a similarly bland and mindless christian portrayal of some apostle or prophet or other. It is overly simplistic and adjusts history to suit a flawless Catherine, rather than embracing the complexity
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