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Luiselli sent her novel in chapbook installments to the Jumex factory workers, who read, critiqued and sent their own anecdotes of Ecatepec back to Luiselli. The result is—it would have to be—pretty wild. Highway then auctions off his old teeth to raise funds for the local church, as one does. None at all, rien de rien. Contemporary art, especially conceptual art, survives on this premise— a room full of dirt in Soho is a room full of dirt in Soho, and the art occurs in the challenging discussion it provokes with the viewer: What is art, Is this art, Am I being made a fool of, Just who do you think you are, Mister, What is my connection to the soil on a super-urban island riddled with trains. Look, I said it was wild. What struck me at first as a quirky, experimental invention, then—and personally, my taste for quirkiness wears pretty thin, pretty quickly—is actually the Jumex factory workers and Luiselli making up stories to go with what they see in their gallery annex. Then there is a second fictional tier, toward the end of the novel, when a young writer befriended by Highway, Voragine , takes over the narrative and tells us how Highway told hyperbolic tales about his own life, as if perpetually auctioning his own dilapidated world. At the meta-fictional level, the Jumex workers, just like Highway, are engaged in inventing fictions about their surroundings—not just the Rondinone clown installation, but also Ecatepec, its streets and neighbors—and thereby creating meaning and value. Finally, at the meta-meta-fictional level, the value of The Story of My Teeth itself owes a great deal to the story behind it, the inventive collaboration between Luiselli and the Jumex workers. Conceptual art and experimental fiction are often associated, fairly or not, with a certain contempt for traditional aesthetic pleasures, as though plot and character were a failure to challenge the reader. No, Stalin most likely didn't say that. But every generation is bewildered in its own way. Who will offer 8, clicks for this tortured tooth? Do go read The Story of My Teeth , then, for the challenge and pleasure of being thoughtfully provoked; support your local conceptual artist; and drink Jumex. Mexican novelist Valeria Luiselli's critically acclaimed work of dental fabulism is a sophisticated if remote pleasure. With monkeys. Is it any fun to read, though? Read Similar Stories. Jul 24, The Anya DeNiro Game. Mar 11, Jul 31,
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Somos las que no se quedan calladas/ We are those who are not silent.
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