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Rihanna for Esquire’s cover in 2011 and Esquire UK in 2014.
Besides a goregous pregnancy shot, the singer also posed nude for Vibe in 2011.
Serena for ESPN Magazine The Body Issue in 2008.
Colin for ESPN Magazine The Body Issue in 2013.
Jada Pinkett Smith for Essence in 2010.

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Kim Basinger, Jenny McCarthy and Sharon Stone are just a few of the actresses who posed for the men’s magazine
We look back at some of the stars who appeared nude in the late Hugh Hefner's iconic magazine Playboy.
The legendary star appeared nude in the first issue of Hefner's magazine.
The "Charlie's Angels" star made waves with her cover.
Hot off her 1979 R-rated hit "10," Bo Derek appeared the following year -- without the cornrows.
Basinger did her famous Playboy shoot in 1981 but it appeared two years later around the time of her stint as a Bond girl in "Never Say Never Again."
Just as the Material Girl was taking off in her film debut "Desperately Seeking Susan," Playboy published nude pics from 1978 when she was a struggling artist in NYC.
Stone appeared around the time she starred in "Total Recall."
The "Baywatch" star also graced the cover of the magazine's "final" nude issue in 2016.
The model was paid $20,000 to pose for Playboy -- and parlayed that into a lucrative career on TV.
The actress unsuccessfully sued Playboy when it published nude shots from her early days as a model.
The former Bond girl ("The World Is Not Enough") posed just five months after giving birth.
Lindsay Lohan - January/February 2012
The former child star did a pictorial in 2012 inspired by Marilyn Monroe's shoot for the first issue.
Asking the former president to speak under oath doesn’t guarantee he will
Rep. Liz Cheney was put in the hot seat on Sunday’s “This Week With George Stephanopoulos” when ABC News chief Washington correspondent Jonathan Karl asked the Wyoming Republican if former President Donald Trump and former Vice President Mike Pence will testify before the House Jan. 6 committee.
Pence said earlier this week that he would “consider” testifying if asked, and Cheney confirmed that there have been discussions with his counsel, who seem to be on that same page.
“I think, you know, look, he played a critical role on Jan. 6,” Cheney told Karl. “If he had succumbed to the pressure that Donald Trump was putting on him, we would have had a much worse constitutional crisis. And I think that he has clearly, as he’s expressed, concerns about executive privilege, which, you know, I have tremendous respect. I think it’s, it’s, you know, hugely important constitutional issue in terms of separation of powers.”
She continued: “I believe in executive privilege. I think it matters. But I also think that when the country has been through something as grave as this was, everyone who has information has an obligation to step forward. So I would hope that, that he will do that.”
So will Pence be seen at the committee’s next hearing in September?
“I would hope,” she said. “Well, I would hope that he, he will understand how important it is for the American people to know every aspect of the truth about what happened that day.”
And then there’s Trump. Will the committee ask the former president to testify?
“I don’t want to make any announcements about that this morning. So let me just, let me just leave it there,” she answered. Or should we say, she avoided answering? “Yeah. I mean, I don’t, I again, I don’t want to get in front of committee deliberations about that. I do think it’s very important, as I said in the first hearing or the second hearing, you know, his interactions with our committee will be under oath.”
A snippet of Karl’s interview with Cheney can be seen in the clip at the top. The entire interview will air Sunday morning on “This Week With George Stephanopoulos” across ABC News programs and platforms.
The vote was 95.5% in favor of the new deal
A statue at the SAG Awards (Getty Images)
The national board of SAG-AFTRA approved a new agreement with the Alliance of Motion Picture and Television Producers (AMPTP) on Saturday, which will limit exclusivity in television actors’ contracts. The vote was almost unanimous, with 95.5% in favor of the measure.
The new deal will markedly cut down the time that contracts can hold series regulars back from working on other projects simultaneously and will apply to all work under contracts entered into on or after Jan. 1, 2023.
Among the key improvements to exclusivity rules for all series regulars:
All of the above agreed-upon rules also are applicable for series regulars on children’s programming “subject to limitations on series regulars who are minors taking roles on other children’s programs.” The limitations do not apply to adult programs and cease when the minor reaches 18.
“This negotiation reflects a healthier collaboration between SAG-AFTRA and the AMPTP in the interdependent relationship we share. The AMPTP was motivated to come to the table and improve a contract that has hindered our members for years. I want to thank the negotiating committee and our members for their participation and activism on this issue, especially the Series Regulars who came and testified, wrote op-eds, and stood with us in the room during the negotiation. I particularly want to applaud Duncan Crabtree-Ireland and Ray Rodriguez for leading these negotiations,” SAG-AFTRA President Fran Drescher said in part.
Earlier this month, SAG-AFTRA National Board overwhelmingly approved its new bargaining agreement with Netflix. As part of that agreement, Netflix will join the bargaining unit run by the Alliance of Motion Picture and Television Producers after quietly joining the organization last year, and all future contract negotiations between SAG-AFTRA and Netflix will be done concurrently with AMPTP talks.
Among the gains won by SAG-AFTRA are new exclusivity rules for series regulars on Netflix shows that give actors more flexibility to sign on to projects from other studios. It also includes an expansion of the bargaining agreement for dubbing voice work to include Spanish dubbing, and the first fixed residual payment guarantees for stunt coordinators.
The New Zealand actor had announced his diagnosis in January
Ioane “John” King, who starred as the gladiator Rhaskos in Starz’s “Spartacus” series, has died following a battle with cancer, his family announced on Facebook. He was 49.
The actor starred in “Spartacus” from 2010 to 2013, and reprised his role in the prequel miniseries “Spartacus: Stars of the Arena.” The Stephen S. DeKnight show chronicles Spartacus’ journey from Roman gladiator to rebellion leader.
In a Facebook post, his family wrote that he “passed in the company of loving friends and family.”
“John leaves a big hole in this world, having been a wonderful husband, father, son, brother, friend and human being,” the post continued. “Those of us lucky to have met him will carry on with his legacy of kindness, positive influence, hard work and love.”
The actor had announced in January that he had been diagnosed with adenocarcinoma cancer, which spread to his pancreas and other organs, and started chemotherapy in March. According to a fundraising page created by his family, he learned of his terminal diagnosis six weeks after he and his wife Christelle moved into a new home.
His “Spartacus” co-star Manu Bennett, who played Crixus, posted a heartfelt tribute to King on Instagram.
“John had a long battle with cancer but faced that fight with dignity & a constant resolve not to be defeated,” the post began. “On Spartacus John was hired as an extra but with a powerful presence & ever positive attitude amongst the cast & crew, won himself the speaking role of Rhaskos. Fans may remember Rhaskos leading the song “My cock rages on!” a defiant tune sung by gladiators after surviving the games.”
He continued, “I remember John most fondly for his huge grin & sparkle in his eye when he would welcome me & others onto set each day offering the Gladiatorial forearm handshake & acknowledging in his deep raspy voice, ‘Brother!'”
King’s death comes about a decade after Andy Whitfield, who starred as “Spartacus,” died of non-Hodgkin lymphoma at age 39.
According to the Daily Mail , a funeral service was held Friday in Auckland.
Executive producer Josh Berman and designers Mikel Welch and Sarah Listi explain the ultimate goal of renovating these spaces
"Murder House Flip" Season 2 (Roku Originals)
“Murder House Flip,” the home renovation show where two designers makeover portions of properties once at the center of notorious crimes, returned to Roku this month for its second season, aimed at helping homeowners reclaim their spaces.
Some of the homeowners the show features in Season 2 knew upon purchase the history of their property, but others – due to a statute of limitations on disclosures – found out later and, therefore, welcomed the idea of a TV show makeover team giving their spaces a new look.
“We want the homeowners to find peace and tranquility following the horrible crime that occurred in their house,” executive producer Josh Berman said. “We also like to speak with neighbors to find out what it’s like living next to the ‘murder home.’ When we hear that neighbors literally avoid walking by a home or that kids are scared to play near the ‘murder house,’ we know that our show has a real opportunity to help not only the homeowners but the community.”
On this season of the show, designers Mikel Welch, who is based in New York City, and Sarah Listi, who hails from Houston, Texas, visited several properties, including one in Santa Barbara, California, where decades before, the Golden State Killer committed a double murder.
As the show revealed, the homeowner – a single mom – learned the property she bought for her children to grow up in was a “murder house” sometime after they moved in.
“I think both of us felt really horrible that she had no idea. She was doing renovations on the home a few weeks after closing, and that’s how she found out,” Listi said. “But there is like, a statute of limitations, right? So they have to notify a potential purchaser but not if it’s been so many years,” Listi said (the murder in the SB home happened in 1979).
To help give her home a rebirth of sorts, Welch and Listi renovated the master bedroom, completely changing the sliding back door, putting wood paneling inside the room, and making it look different from top to bottom.
“Our goal is to transform the space because we almost feel like the house has been stripped away from them and it’s been given to the tragedy,” Welch said. “And so when we go in and revamp that space, the biggest payoff for Sarah and I is always going to be the response on the family’s faces.
“It’s a tricky job,” he continued. “Psychology is brought into it because we’re not just designing the room, putting some pretty wallpaper and an Eames chair in the room and saying, ‘Oh gosh, enjoy your new space.’ No, we have to go in there and come up with creative ways to make the space feel like it’s completely different. So we work hard for five days. Sarah’s, tearing down walls and resurfacing fireplaces, all for the sake of making that homeowner feel like when they walk into that space, we want them to be disoriented; we want them to say like, ‘Wait a minute.’ … That’s the best feeling.”
Listi said that as a mom herself, she thought about the goals of the families living in the homes they were renovating – with some wanting to start families or welcome larger family gatherings – and that really brought home the purpose of their renovations.
“There’s all these things that you imagine of like, ‘That’s your space; that’s your homebase,’ and trying to imagine not feeling like it’s yours or not feeling comfortable, not feeling at ease,” she said of how she approaches the homes. “I always feel like that moment where they walk in and they’re like, ‘Oh my God, it’s mine!’ – I cry in more than one episode. … The emotion of it is a lot for me. It was always a lot for me because that part was amazing.”
During Season 1 of the show, which originally aired on Quibi, it was harder to find places to renovate, but Berman said since the show debuted (it moved from Quibi to Roku, which greenlit Season 2), people who live in “murder houses” have sought him out.
“For Season 1, before the show aired, several homeowners denied our request to discuss a makeover. However, for Season 2, many of the homeowners were already aware of the show, so they were excited when we approached them. Interestingly, I’ve also received personal messages on Twitter and Facebook from homeowners requesting that we makeover their ‘murder homes,’” he said.
Perhaps another reason families want the home makeover and that new start is because some of the homeowners have told Welch and Listi during downtime in filming about how their properties are regularly gawked at.
“They’re telling us stories and telling us how people drive past their houses constantly. And it’s kind of a paparazzi show that they didn’t sign up for,” he said.
Season 2 of “Murder House Flip” is currently streaming on Roku.
”Every special moment is represented in the film,“ the author says says
Fox Nation announced earlier this week that it was getting into original feature filmmaking, beginning with Nancy Naigle’s “The Shell Collector,” and the author said the project is a faithful recreation of the novel.
“I’m grateful the amazing Fox Nation team chose ‘The Shell Collector’ to be the first movie in their expansion into film production,” Naigle said in an exclusive statement to TheWrap. “This is the book of my heart. Writing this story helped me navigate my grief following the loss of my husband. My hope for the book was that when my readers face that type of loss, hope and comfort from this story will lift from their heart and help them navigate it a little easier. For ‘The Shell Collector’ to touch even more hearts in movie format is more than I could have ever dreamed of. My heart is filled with so much joy over the beautiful story adaptation. Every special moment is represented in the film.”
On Tuesday, Fox Nation said “The Shell Collector” would premiere on the streaming service on Thursday, Sept. 1.
The movie follows widow Amanda Whittier, a mom of two, who befriends “interesting characters in her small seaside town as she looks to forge ahead with her new life following the death of her husband,” per a logline from the streamer. “Throughout the journey, three friends find encouragement in the most mysterious places, discover a love that’s bigger than their pain, healing their wounded hearts in ways none of them could have hoped for or expected.”
“The Shell Collector” stars Caitlin Clark, Christopher Russell and Jennifer Higgin. It’s produced in association with Cartel Pictures.
In addition to “The Shell Collector,” executive vice president of development, John Finley, said the streaming service has three more original films on the way, with the next one coming out this holiday season.
“Real Time” host went off on cancel culture, saying, “Why should your opinion control what I see?”
Bill Maher caused a social media uproar after his HBO show “Real Time” Friday night when he said that abortion “doesn’t affect my life. I ain’t getting anybody pregnant,” while instead complaining about what does affect him — the shelving of Jamie Foxx and Shonda Rhimes projects because of sensitive race issues.
The conversation began with Maher telling his panelists — Washington Post op-ed columnist Catherine Rampell and Commentary Magazine’s Noah Rothman — that he didn’t care when televangelist Jerry Falwell claimed that the purple Teletubby was gay. “I’m not into the Teletubbies,” said Maher, who immediately flipped the subject. “Now? I want to see the Jamie Foxx movie. That affects my life.”
Foxx told CinemaBlend earlier this week that his 2016 film “All-Star Weekend” had been shelved because of some of its more outrageous characters, including Robert Downey Jr. as a Mexican man. “It’s been tough with the lay of the land when it comes to comedy,” Foxx said . “We’re trying to break open the sensitive corners where people go back to laughing again.”
Maher was pretty peeved about the film’s derailment, saying, “I’m sure this movie is awesome, and because a small group of people…it’s your opinion… why should your opinion control what I see?”
The panel spoke of recent rulings by the Supreme Court, including overturning Roe v. Wade and access to abortion. “There’s all sorts of nuts who want to do all sorts of things. Let’s stick to what’s really happening. We have taken away abortion rights. That’s right. OK. But again, doesn’t affect my life. I ain’t getting anybody pregnant,” he said.
The panel pointed out that these days, many people self-censor – or control what they say to avoid being scolded or “canceled.” Maher brought up as an example a report from earlier this month that the writers room of the “Grey’s Anatomy” spinoff “Station 19” came to a screeching halt when a white writer wrote into a script numerous racial slurs made by a racist character.
“It’s a Shonda Rhimes show; it’s about a firehouse,” Maher began. “One of the characters is racist, and they had the character in an outline using a racist term for Latinos. I’m not gonna step in it and quote it. And it’s a word I don’t think people should use, but it’s a racist character. How else do you depict [a racist] character?!…So they closed the whole show down because of a single word, spoken by a character, not one of the writing staff, a character .”
Maher read a statement from the pr
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