Dungeon Ni Deai Wo Motomeru No Wa Machigatteiru Darou Ka Ii 01 Vostfr
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Dungeon Ni Deai Wo Motomeru No Wa Machigatteiru Darou Ka Ii 01 Vostfr
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First light novel volume cover featuring Hestia (left) and Bell Cranel (right).
^ The title " ダンジョンに出会いを求めるのは間違っているだろうか " literally means "Is It Wrong to Seek Encounter in a Dungeon?". " 出会い " ( deai ) does not necessarily mean "to pick up girls" but more generally "to meet someone new".
Is It Wrong to Try to Pick Up Girls in a Dungeon? [a] ( Japanese : ダンジョンに出会いを求めるのは間違っているだろうか , Hepburn : Danjon ni Deai o Motomeru no wa Machigatteiru Darō ka ) , also known as DanMachi ( ダンまち ) for short, and with English subtitle Familia Myth , [4] is a Japanese light novel series written by Fujino Ōmori and illustrated by Suzuhito Yasuda . SB Creative has published seventeen volumes since January 2013 under their GA Bunko imprint.
It has received two manga adaptations as well as an anime television adaptation by J.C.Staff , which aired from April to June 2015. An OVA was released on December 7, 2016. A second anime season and an original anime film adaptation were both announced in February 2018. [5] The film, titled Is It Wrong to Try to Pick Up Girls in a Dungeon?: Arrow of the Orion premiered on February 15, 2019. The second season aired from July to September 2019. A third anime season and an OVA episode were both announced on September 27, 2019. The third season was slated to air in July 2020, but was delayed due to the COVID-19 pandemic . [6] The third season aired from October to December 2020. A fourth season premiered in July 2022.
Additionally, a spin-off light novel series titled Is It Wrong to Try to Pick Up Girls in a Dungeon? On the Side: Sword Oratoria began in January 2014, and another spin-off light novel series titled Is It Wrong to Try to Pick Up Girls in a Dungeon?: Familia Chronicle (illustrated by Nilitsu) began in March 2017. [7] Both spinoffs have also received manga adaptations, and a anime television adaptation of Sword Oratoria aired from April to June 2017.
The story takes place in the fictional city of Orario. The city is home to a number of gods who, seeking excitement, chose to limit their divine powers in order to experience the hardships of those who reside on the mortal world. Each god maintains a retinue of adventurers and support personnel drawn from the people of the city known as a Familia ( ファミリア , Famiria ) . The primary activity of these organisations is exploring the labyrinth under the city known as the Dungeon ( ダンジョン , Danjon ) in order to battle monsters and harvest the crystal shards they leave behind when destroyed. These shards are used to craft magic items and other treasures; however, they can also be exchanged directly for the world's currency. In a fashion typical of role playing games, the power of an adventurer is quantified by their level and a number of ability scores. By defeating more powerful monsters, an adventurer is able to increase their own level and ability scores, as well as unlock special powers known as skills. [8] [9]
The story follows the adventures of Bell Cranel, a 14-year-old rookie adventurer and sole member of the Hestia Familia. He looks up to Ais Wallenstein, a famous and powerful swordswoman of the Loki Familia, and vows to become as strong as her following a chance encounter where she saves his life from a powerful monster. While Ais is the object of Bell's romantic affection, several other girls, deities and mortals alike, have similar feelings for him; most notably, Hestia herself.
Fujino Ōmori wrote the story under the title Familia Myth as his entry for the 4th GA Bunko Award, where he won the Great Prize and received an offer for publication. [10] The first light novel volume was published on January 15, 2013, by SB Creative under their GA Bunko imprint. [11] As of April 22, 2021, seventeen volumes have been published. [12] The series has estimated sales of over 9 million copies as of January 2018. [13] Yen Press has licensed the series in North America and released the first volume under the Yen On imprint in December 2014. [14] [15] The light novel ranked at No. 4 in 2014 in Takarajimasha 's annual light novel guide book Kono Light Novel ga Sugoi! . [16]
The series has been adapted into three manga series. The one based on the novels is illustrated by Kunieda and started serialization in Square Enix 's seinen manga magazine Young Gangan from August 2, 2013. [4] It has been collected in ten tankōbon volumes. [17] [18] Yen Press announced at their New York Comic Con 2014 panel the rights to publish the manga in North America. [19]
The Episode Ryu manga series is a special story focused on character Ryu Lion from the main series.
A four-panel manga series titled Dungeon ni Deai o Motomeru no wa Machigatteiru Darō ka 4-koma: Kamisama no Nichijō ( ダンジョンに出会いを求めるのは間違っているだろうか4コマ【神様の日常】 ) by Masaya Takamura began serialization in Square Enix's online manga magazine Gangan Online from August 14, 2014.
An anime television series adaptation by J.C.Staff began airing the broadcast night of April 3, 2015. [20] The opening theme is "Hey World" by Yuka Iguchi , and the ending theme is "Right Light Rise" by Kanon Wakeshima . [21] Crunchyroll had previously streamed the series internationally outside Asia. [22] Sentai Filmworks has licensed the anime for digital and home video release in North America with an English dub released in March 2017. [23] [24] In Southeast Asia, the anime is licensed by Muse Communication and airs on Aniplus Asia . [25] [26] An original video animation was released on December 7, 2016. [27] [28]
A second season of the anime and an original film adaptation titled Is It Wrong to Try to Pick Up Girls in a Dungeon?: Arrow of the Orion ( 劇場版 ダンジョンに出会いを求めるのは間違っているだろうか ー オリオンの矢 ー , Danjon ni Deai o Motomeru no wa Machigatteiru Darō ka ー Orion no Ya ー ) were announced on February 18, 2018, during the GA Bunko 2018 Happyō Stage at Wonder Festival . [29] The film was directed by Katsushi Sakurabi , written by Fujino Ōmori, with animation by J.C.Staff and music by Keiji Inai. The film was released on February 15, 2019 in Japan. [30] [31] The second season aired from July 13 to September 28, 2019. [32] [33] Hideki Tachibana replaced Yoshiki Yamakawa as the director of the second season. The rest of the cast and staff reprised their roles. [34] The opening theme for the second season is "HELLO to DREAM" by Iguchi, and the ending theme is "Sayakana Shukusai" by Sora tob sakana . [35] HIDIVE streamed a Dubcast for the second season. [36]
A third season of the anime series and an OVA episode were both announced on September 27, 2019. [37] The second OVA episode was released on January 29, 2020. [37] The third season was originally scheduled to start broadcasting in July 2020, but the anime production committee delayed the broadcast to "October or later" due to the effects of COVID-19. On July 4, 2020, it was announced that the third season was rescheduled to broadcast in October 2020. [38] The third season aired from October 3 to December 19, 2020, [39] and ran for 12 episodes. [40] The opening theme for the third season is "Over and Over" by Iguchi, and the ending theme is "Evergreen" by sajou no hana. [41] On December 18, 2020, a third OVA episode was announced, which was released on April 28, 2021. [42]
A fourth season of the anime series was announced at GA FES 2021 on January 31, 2021. The main staff from previous seasons are reprising their roles. Fujino Ōmori, the original author, will supervise the scripts alongside Hideki Shirane. [43] The fourth season premiered on July 23, 2022. [44] The opening theme for the fourth season is "Tentō" by sajou no hana, and the ending theme is "Guide" by Saori Hayami . [45]
After the acquisition of Crunchyroll by Sony Pictures Television , the parent company of Funimation in 2021, Is It Wrong to Try to Pick Up Girls in a Dungeon? , among several Sentai titles, was dropped from the Crunchyroll streaming service on March 31, 2022. [46]
5pb. announced that they are developing a "dungeon action RPG" based on the light novels titled Is It Wrong to Try to Pick Up Girls in a Dungeon?: Infinite Combate or DanMachi: Infinite Combate , released on PlayStation 4 , PlayStation Vita , Nintendo Switch , and Microsoft Windows in November 28, 2019. [47] The PlayStation 4, Nintendo Switch and PC versions was released in North America for August 11, 2020 and Europe for August 7, 2020.
Is It Wrong to Try to Pick Up Girls in a Dungeon?: Memoria Freese or DanMachi: Memoria Freese is a role-playing mobile game for the iOS and Android platforms, released in Japan in June 19, 2017, North America in March 30, 2018 [48] and Europe in 2019. [49] The game sold over 3 million copies in its first month, and has about 35 million registered users and more than 1 million subscribers as of March 2018. [50] The game's earnings are 40% higher in the United States than in Japan. [51] Yoshitsugu Matsuoka , the voice actor of Bell Cranell, was recognized as the Guinness World Record holder for "the largest number of lines performed by a single voice actor in a mobile game" with this game in June 2019. [52] While the game contains many noncanon stories, it has also seen debuts of several major stories written by the Fujino Ōmori himself, such as prequel stories Argonaut and Astrea Record , which have been credited with expanding the series mythology and world-building. [53]
Is It Wrong to Try to Pick Up Girls in a Dungeon? On the Side: Sword Oratoria ( ダンジョンに出会いを求めるのは間違っているだろうか外伝 ソード・オラトリア , Danjon ni Deai o Motomeru no wa Machigatteiru Darō ka Gaiden: Sōdo Oratoria ) , or Sword Oratoria for short, is a Japanese light novel side story series, written by Fujino Ōmori and illustrated by Kiyotaka Haimura (based on the designs by Suzuhito Yasuda ). The story focuses on the character Ais Wallenstein from the parent Is It Wrong to Try to Pick Up Girls in a Dungeon? series. It has been adapted into a manga series and an anime television series. [54]
Is It Wrong to Try to Pick Up Girls in a Dungeon?
Yoshiki Yamakawa (I) Hideki Tachibana (II–IV)
Ryuutarou Kawakami Nobuhiro Nakayama (I) Seiji Miyazaki (I) Yuuichirou Shiji (II–) Tadayuki Akita (II–)
Is It Wrong to Try to Pick Up Girls in a Dungeon?: Infinite Combate (2017)
Is It Wrong to Try to Pick Up Girls in a Dungeon?: Memoria Freese (2019)
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Synonyms: DanMachi 3rd Season, Is It Wrong That I Want to Meet You in a Dungeon 3rd Season
Japanese: ダンジョンに出会いを求めるのは間違っているだろうかIII
English: Is It Wrong to Try to Pick Up Girls in a Dungeon? III
German: Danmachi Is It Wrong to Try to Pick Up Girls in a Dungeon? III
Spanish: Is It Wrong to Try to Pick Up Girls in a Dungeon? (Danmachi) III
French: Is It Wrong to Try to Pick Up Girls in a Dungeon? SAISON 3
Aired:
Oct 3, 2020 to Dec 19, 2020
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Saturdays at 00:30 (JST)
Producers:
Movic , Warner Bros. Japan , KlockWorx , Hakuhodo DY Music & Pictures , Egg Firm , FuRyu , GREE , SB Creative
Genres:
Action Action , Adventure Adventure , Comedy Comedy , Fantasy Fantasy , Romance Romance
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Did you know that the real translation of “Dungeon ni Deai wo Motomeru no wa Machigatteiru Darou ka” into English is “Is It Wrong to Seek Encounters in a Dungeon?” - “encounter” being the random encounter mechanic from the classic JRPGs like Final Fantasy. If you “seek” random encounters, you probably are deliberately grinding XP to get ahead, but you’re also risking to overexert yourself or run into something you can’t deal with. I.e. that is a meaningful question without one right answer, the risk versus reward deal. And then there is a double entendre on top of that, “encounter” can be a “rendezvous” with
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a girl - be it a Sword Princess or a blue dragon loli. This is just one example of this series having more substance than meets the eye, as Danmachi, for all of its mainstream popularity, still happens to be a pleb filter anime that your average wannabe connoisseur of arts is too low-IQ to like (while simultaneously believing in the opposite).
Season One was a straightforward generic isekai, being distinguished only by the high quality of execution. Since I can hear autistic screeching all the way from here, do note that “isekai” as an anime genre name means action-adventure fantasy with JRPG mechanics, or even more precisely, the “SAO clone” (the same way “first-person shooter” is the “Doom clone” genre). Any arguments to the contrary, particularly the ones based on the semantics of the words “another world” (which is NOT how “isekai” translates from Japanese) are an exercise in mental deficiency.
Anyway, the “depth” (quotes to emphasize the fact that many people that like using this word as a praise of anime shows they like wouldn’t recognize depth if it bit their ass and held on) of Season One of Danmachi comes from the fact that it took the building blocks of SAO and treated them as speculative fiction. The MC is overpowered and wins every fight. The MC has a harem. JRPG mechanics are a thing. That’s our baseline. Instead of using these elements mindlessly, or attempting to reject/subvert them, the story tasked itself with building a world where they make logical sense. E.g. the MC is swarmed by women because he is physically attractive, has a pleasant personality, and is a famous prodigy (“bElL iS gEnErIc sELf-iNseRt” - a low-intelligence wannabe critic). Add on top of that Greek Mythology, core ideas of which (the inevitability of fate; a hero’s place in the world; gods walking among men; etc) the author has managed to capture on a level that flies over the head of 99% of the audience - and you get the objectively best non-comedic isekai there is.
Meanwhile, Season Two tries to mix things up, managing to check a lot of boxes on a midwit’s list of things that make an anime series bad in the process. A dip in production values (especially the action sequences). Huge chunks of the source material content that didn’t make it into the adaptation. A story that actually tried to expand its horizons beyond the standard isekai template and do something original and thought-provoking (Ishtar’s “what’s wrong with being a whore” monologue in its 20 seconds has more “depth” than an entire 3x3 of an average pseud) instead of staying in its comfort zone and spinning the wheels - and as every midwit knows, “a show that confuses me by doing something I don’t understand is stupid and bad.”
In short, Season Two was better than Season One in concept but worse in execution (even if the pleb opinion would make you believe it’s the worst thing since cancer).
All this long introduction was necessary so that I could keep my actual Season Three review short - Season Three is peak Danmachi experience as it combines all the strongest aspects of the first two seasons.
More amazing action sequences on the level of Bell vs Minotaur fight - it’s not just that action sequences look good, it’s that they’re episode-spanning and tell a story instead of interrupting (or being interrupted by) a story.
More speculative fiction goodness (a comically evil mustache-twirling antagonist is driven to be comically evil by his hereditary magic schizophrenia).
More godly shenanigans continuing from Season Two - Yato’s Evil Twin (aka Ikelos) is my favorite new character by far, because he’s here to spell out loud what other gods like Hermes, Loki, or Freya are trying to hide under their facades and platitudes - that the gods are there to play The Sims irl, nothing more, nothing less.
More exploration and expansion of the story’s core themes - Wiene’s arc, which spans the entire season, is like Haruhime’s arc on steroids. What does it mean to be a hero? Sure, you want to protect the weak, but who exactly fits the definition of “the weak” here? How are you going to do “the right thing” if you can’t even tell what it is? How about when your close friends consider the right thing to be the opposite of what you think is right and go against you? These aren’t the questions you answer with just doing your best and trying really hard - Punished Bell has to do some serious soul searching.
The direction is as good as in Season One. I’ve seen too much anime for my own good during my lifetime. Too often I find myself watching a show that I can recognize as objectively well-made - but still struggling to finish an episode in one sitting because I kinda know what it is doing at every moment. DanMachi III is in the minority of shows that kept me engaged from start to finish and actually looking forward to new episodes - because new and interesting stuff just keeps happening. This is literally what it means for a series to be well-directed.
9/10 for a top-shelf action-adventure series.
If you do not know how to make your anime sell, just add a harem.
In a nutshell
After growing bored of their realms, the Gods of multiple pantheons descended to Earth, where they create groups called Famillia. The story takes place in a fictional city called Orario, which also has a tremendous net of catacombs. Many members of Famillias visit this dungeon to defeat monsters to earn money and to just become famous. Among many Famillias, there is the Goddess Hestia's Famili
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