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Nature Photography and Conservation
We are thrilled to introduce you to the 2021 Girls Who Click Ambassadors. Selected from over 150 applicants, these 24 talented female-identified nature photographers and videographers have skill and grit that humbled our selection committee. They range from age 16-30, come from diverse cultural and socio-economic backgrounds and they hail from all over the globe. These Ambassadors are motivated to break into the professional industry while advocating for conservation efforts worldwide. We cannot wait to see what they accomplish during their year as Ambassadors!
Cherrisse Adlawan, PHL
Emma Balunek, USA
Tamara Blazquez Haik , MEX
Celina Chien, CAN/NDL
Jo Davenport, GBR
Alena Ebeling-Schuld, CAN
Stephanie Foote, GBR
Elie Gordon, GBR
Sadie Hine, USA
Beth Hotchkiss, USA
Chelsea Mayer, USA
Irene Mendez Cruz, FRA/VEN/GBR
Lea Milde, DEU
Angelica Mills, ZAF
Lianna Nixon, USA
Daphne P, USA
Alejandra Potter, ESP/USA
Evelyn Smalley, GBR
Aishwarya Sridhar, IND
Samantha Stephens, CAN
Alice Sun, CAN
Alex Traugot, USA
Kate Vylet, USA
Katie Waddington, FRA/GBR
We cannot wait to see what these talented young photographers accomplish in their year as Ambassadors!
Each Ambassador has been paired with an established professional photographer who will help her take the next step in her career. These exceptional Girls Who Click partner photographers are the backbone of the Ambassador Program and we salute them for their dedication and service to the next generation of female-identified photographers. 
Karine Aigner
Diana Caballero Alvarado
Inka Cresswell
Suzi Eszterhas
Melissa Farlow
Cathy Hart
Morgan Heim
Jaymi Heimbuch
Esther Horvath
Karen Kasmauski
Janet Kleyn
Jennifer Leigh Warner
Stephanie Manuel
Amy Marquis
Mary Ann McDonald
Susan McElhinney
Joanna Pinneo
Erin Ranney
Lynda Richardson
Katie Schuler
Brenda Tharp
Ami Vitale
Michele Westmorland
It seems like everyone has been getting into bird-watching and bird photography lately.
“Wow! I recently decided to become a bird nerd, and I am so happy I did!” says a comment on an Audubon article. 
“I think I’ve caught the birding bug?” says a Facebook post with a slew with bird photos. 
So what’s the deal with birds? Why do humans find so much joy in watching and photographing these little dinosaurs? To find the answer, we have to travel back to the beginning.
Back in the Victorian era, birding used to be about hunting and obtaining skins, feathers, and eggs, identifying and photographing the bird after it’s been shot. It was mostly a hobby reserved for wealthy collectors, a way for them to gather and document as many species as possible and understand more about taxonomy and natural history. 
But things started changing in the late 19th century to early 20th century.
First, the advancement of optics and field guides made watching live birds more popular and accessible. The earliest field guide in the US was “Birds through an Opera Glass”, published in 1889 by Florence Bailey. But the boom in birding was largely credited to the development of binoculars in World War II, as well as Roger Tory Peterson’s field guide in 1934, which used colored plates and grouped similar species together.
Second, faster photography emulsions and quicker shutters developed in the late 1800s, allowing bird photographers to work in the field. In fact, bird photography was the first form of wildlife photography, where the oldest surviving photograph of a wild animal is of a white stork on its nest in Strasbourg in 1870, photographed by Charles A Hewins.
Birding in the early 1800’s was mostly about collecting and cataloguing as many skins, feathers, and eggs of exotic birds as possible. Illustration by Henry Seebohm Illustration from Eggs of British Birds 1896
Third, organizations like Audubon (US) and Royal Society for the Protection of Birds (UK) started rallying for the protection of birds in the late 19th century, pushing people to observe and photograph live birds. This was a big turning point for ornithologists and bird enthusiasts, as it introduced the element of science-based conservation. 
As a result of these three changes, birding was no longer just a numbers game, no longer an elite group of wealthy people comparing how many birds they have in their collection. It now included millions of people who are passionate about natural history, photography, and conservation, united into a national network.
And the birding community keeps growing and diversifying, even to today. The development of superzoom cameras and smaller binoculars resulted in the rise of the casual backyard birder and the bird-loving family. The birth of platforms like eBird and iNaturalist created the passionate citizen scientist. The proliferation of social media has generated a hub for young teenage birders. Even more recently, black birders have been rising up, leading initiatives like #BlackBirdersWeek in response to recent events with Christian Cooper in Central Park and the #BlackLivesMatter movement (although there are still many barriers that minorities face in birding and photography, but that’s another blog).
One reason, especially today, that resonates with a lot of people is the ever-growing conversation of birding’s mental and physical health benefits. And this has led to the most recent explosion of new birders and photographers during this pandemic.
For example, there’s a concept in the birding world called a “bird sit”, which is like an outdoor meditation but with a focus on birds. This Audubon article details how to do a bird sit, but essentially, it requires you to sit, breath, immerse yourself into the birds you hear and see around you, and ask questions about why birds are doing what they do.
Doing something like a bird sit can help those starting out with photography. Melissa Groo, renowned wildlife photographer and contributor to Audubon Magazine, comments: “I will spend time in sit spots because, as a wildlife photographer, it’s a wonderful way to figure out whether a location is a good spot for me to return to with my camera. For instance, are there particular species of birds there that I’m interested in, that seem to be on territory? How does the light fall on the scene as the position of the sun changes? It’s fun to visit your sit spot during different seasons so you can track the changes in the habits, species composition, and appearance of the wild animals there, as well as the changes in the vegetation.”
Denise Ippolito, award-winning bird photographer and GWC partner, also speaks to the importance of understanding behaviour when photographing birds. “You don’t want to intimidate or frighten the birds. You will need to approach slowly and quietly. Every bird, animal and even human will have their own buffer zone—a space around them that is their own safe space that no other can invade.”
However, a bird sit also goes beyond that, “Spending time in a thoughtfully-chosen sit spot is a great strategy for anyone who wants to really become enmeshed in a natural scene. It’s terrific for bird lovers, wildlife watchers, photographers. And, really, for anyone seeking the serenity and purity of nature.” says Melissa.
Birding is for anyone seeking serenity and purity of nature.
That is the key message. Birds reconnect us back to nature, reconnects us to the living breathing lives that surround us, reconnects us to the world beyond our cluttered brains. That is, deep down, why birding has been such a popular and long-standing activity. And why it’s something that everyone and anyone can be a part of.
If you want to jump on the birding bandwagon, here are a couple ways to do so. 
First, watch and photograph birds in your backyard! Melissa Groo’s new bird photography course for beginners is a perfect place to start, as well as Denise Ippolito’s Ebook on bird photography. 
Second, practice your birding, photography, and mindfulness. Practice everyday. Get to know the birds, camera, and your surroundings.
And finally, do a bird sit. Learn about bird behaviour, and most importantly, build empathy for the subjects around you, and welcome them as friends.
So try it out! And who knows, maybe you’ll turn into a birder.
August 29, 2021 @ 1:00 pm – 2:00 pm Pacific Time
Magic of Macro: Focusing on the Small Things in Life 
Join GWC partner photographer Alyce Bender for an introductory course on macro photography. Learn more about Alyce on Facebook at @abenderphoto
Participants will learn about finding scenes, gear selection, special lighting considerations, choosing an appropriate depth of field, and basic Lightroom post processing techniques for macro images. 
This workshop is free. This workshop is for girls and female-identified youth ages 13-18. We do make age exceptions for motivated participants!
To register, fill out the form below.
We will also use this email to send online access information.
Please tell us why are applying for this workshop *
Please write down a question for the workshop instructor *
This workshop is for female-identified participants 13-18, though we do make exceptions for motivated students who may be a little older or younger!
Participant Age Confirmation *
I am a participant aged 10-19
I am a parent signing up for my child aged 10-19
We have moved to online signatures! Liability wavier: https://girlswhoclick.org/onlinewaiver/ OR, if you have an online workshop waiver on file, let us know!
August 19, 2021 @ 5:00 pm – 6:00 pm PDT
Join Kathy Adams Clark and GWC for a workshop on Dragonfly Photography! You can find magnificent dragonflies near your home! You’ll learn about biology, camera settings, and gadgets in this class.
This workshop is for girls and female-identified youth ages 13-18. We do make age exceptions for motivated students. This workshop is free.
Please remember to have a parent/guardian to fill out the online waiver. If a participant is over 18, please fill out the form yourself.
Please fill out the form below to register!
We will also use this email to send online access information.
Please tell us why are applying for this workshop *
Please write down a question for the workshop instructor *
This workshop is for female-identified participants 13-18, though we do make exceptions for motivated students who may be a little older or younger!
Participant Age Confirmation *
I am a participant aged 10-19
I am a parent signing up for my child aged 10-19
We have moved to online signatures! Liability wavier: https://girlswhoclick.org/onlinewaiver/ OR, if you have an online workshop waiver on file, let us know!
August 13, 2021 @ 2:00 pm – 3:00 pm EDT
Join Katie Schuler and GWC for a workshop on Macro Photography!
This workshop is for girls and female-identified youth ages 13-18. We do make age exceptions for motivated students. This workshop is free.
Please remember to have a parent/guardian to fill out the online waiver. If a participant is over 18, please fill out the form yourself.
Please fill out the form below to register!
We will also use this email to send online access information.
Please tell us why are applying for this workshop *
Please write down a question for the workshop instructor *
This workshop is for female-identified participants 13-18, though we do make exceptions for motivated students who may be a little older or younger!
Participant Age Confirmation *
I am a participant aged 10-19
I am a parent signing up for my child aged 10-19
We have moved to online signatures! Liability wavier: https://girlswhoclick.org/onlinewaiver/ OR, if you have an online workshop waiver on file, let us know!
Welcome to Part 4 of our GWC Ambassador series! In this post, we feature four more talented photographers in this program, learn about their inspiring work, and talk about some of the challenges in nature photography.
Make sure to check out the rest of the series on our blog.
Stephanie Foote (mentor: Katie Schuler)
Jo Davenport (mentor: Esther Horvath)
Tamara Blazquez (former mentor: Diana Caballero Alvarado)
I’m a visual storyteller especially interested in projects with a focus on wildlife conservation, ecosystem restoration and human stories about our relationship with nature. Natural history is a subject that captures my imagination like no other and I cannot remember a time when I have not been filled with a sense of wonder and fascination for the living things we share our planet with. I first picked up a camera in primary school. As a kid who felt like they didn’t really fit in, using a camera was like my key to the world. It gave me the confidence to pursue my interest in nature.
When I was in college, I got my heart set on a career in wildlife photography and film. And in 2017, I graduated from Falmouth University with a first class bachelor’s degree in Marine and Natural History Photography. Since then I have worked on assignments with The Canid Project, Shepreth Hedgehog Hospital, the United Nations and the National Geographic Society. 
My projects include photographing the critically important work of rangers on the frontline of wildlife conservation in Kyrgyzstan, documenting endemic species in the Galapagos Archipelago, filming the rescue and rehabilitation of European hedgehogs and filming the voyage of a boat made out of recycled flip flops on Lake Victoria in Uganda.
I applied to the Ambassador program because I struggle with imposter syndrome. I sometimes doubt my abilities and can miss out on opportunities as a result of this. Also, when you are a freelancer you need to constantly build your network and develop your skill set to maintain a steady income. Girls Who Click seemed like an excellent opportunity for both networking and professional development.
My mentor is Katie Schuler, a co-founder of Coral and Oak Studio. Katie’s films about pangolins are a huge inspiration to me and during the mentorship she has helped me to build confidence and learn new skills. Being a GWC Ambassador has allowed me to connect with a community of like-minded individuals and gain confidence in my professional life.
At the start of 2021, I relocated to Nairobi, Kenya for my work with the United Nations Environment Programme (UNEP). It has been a difficult time and moving abroad during a pandemic is no easy task. Like so many across the world, I am separated from my family and loved ones with no option to see them while international travel bans are in place. However, I have been extremely fortunate to relocate to such a beautiful country. Since living here I have been able to pursue lots of interesting projects close to home and learn about the fascinating Kenyan wildlife. 
The next decade has been declared by the United Nations as the Decade on Ecosystem Restoration. So I am excited to be working on stories with the local community in Nairobi, where youth groups are restoring urban areas through litter picking, tree planting and creating green spaces. I am also enjoying a personal project where I have been working on documenting a local tea farm and their beautiful garden which attracts an incredible diversity of wildlife.
I´m a wildlife ecologist, conservationist, and self-taught wildlife and landscape photographer from Germany. My photography journey started back in 2013 when I went to Uganda for a 5-months internship. Right before leaving Germany, I bought my first camera so I could capture all the natural wonders of this country. I knew nothing about photography, let alone how a camera works, so I basically let my camera do the job. However, I really enjoyed taking photos, especially capturing all the wild animals. 
Back in Germany, I barely touched my camera for a few years. Wildlife is not so easy to photograph in Europe, and I just moved to the Netherlands to start my career in wildlife ecology and conservation. Luckily, it was these science-related studies that brought me back to photography. Through my studies, I got an incredible chance to work with wildlife all around the world, my camera always being my loyal companion.
Eventually, I upgraded my equipment to a new set-up that took my photography to a new level! Finally, I was able to capture what fascinates me the most: wild animals in their natural habitat. Since then, I try to spend every free minute outside in order to capture everything wild; from birds in my backyard, to iconic wildlife in Africa and fascinating landscapes all over the globe.
Before I found out about GWC and the Ambassador program, I felt a bit lost in my photography journey. I wanted to do more with my photos, give them meaning instead of simply piling them up on my hard drive. However, I did not want to choose between a career in wildlife ecology or wildlife photography, thus I started to think about combining my two passions. 
One day I was scrolling through my Instagram feed when I came across a post from GWC and the Ambassador program. That was the first time that I heard about GWC and when I started to look into the program, I knew that this would be my chance to find my right path. I also hoped to get in touch with other creative and like-minded girls from all around the world, because to be honest, my photography network was very male-dominated till then.
My mentor is Janet Kleyn. Janet is a professional wildlife photographer and nature and trails guide from South Africa, and she is now managing a photographic concession in Mashatu Game Reserve in Botswana. People who know me know that she´s the perfect match for me. We have monthly zoom meetings, and she prepares different assignments for me each month that I can work on. For example, last month we worked on high- and low-key photography. She is challenging and motivating me every month and I’m learning so much from her. I´m really happy to have her by my side. 
Also, thanks to the program I connected with so many different and talented young women from all around the world, and every single one of them is a true inspiration for me. Still can’t believe I am part of this!
I am currently writing my master’s thesis about how different environmental factors influence the fecundity of red kites and black kites in eastern Germany. I also landed my first proper job as an ecologist/biol
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