Dominant Music

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For the term "dominant function" on the Myers-Briggs Type Indicator, see Myers-Briggs Type Indicator § Dominant function.
In music, the dominant is the fifth scale degree () of the diatonic scale. It is called the dominant because it is next in importance to the first scale degree, the tonic.[1][2] In the movable do solfège system, the dominant note is sung as "So(l)".
The C major scale and dominant triad
The triad built on the dominant note is called the dominant chord. This chord is said to have dominant function, which means that it creates an instability that requires the tonic for resolution. Dominant triads, seventh chords, and ninth chords typically have dominant function. Leading-tone triads and seventh chords may also have dominant function.
In very much conventionally tonal music, harmonic analysis will reveal a broad prevalence of the primary (often triadic) harmonies: tonic, dominant, and subdominant (i.e., I and its chief auxiliaries a 5th removed), and especially the first two of these.
The scheme I-x-V-I symbolizes, though naturally in a very summarizing way, the harmonic course of any composition of the Classical period. This x, usually appearing as a progression of chords, as a whole series, constitutes, as it were, the actual "music" within the scheme, which through the annexed formula V-I, is made into a unit, a group, or even a whole piece.
The C minor scale and dominant triad, first with a subtonic (♭ ) and then with a leading tone (♮ )
In music theory, the dominant triad is a major chord, symbolized by the Roman numeral "V" in the major scale. In the natural minor scale, the triad is a minor chord, denoted by "v". However, in a minor key, the seventh scale degree is often raised by a half step (♭ to ♮ ), creating a major chord.
These chords may also appear as seventh chords: typically as a dominant seventh chord, but occasionally in minor as a minor seventh chord v7 with passing function:[7]
As defined by the 19th century musicologist Joseph Fétis, the dominante was a seventh chord over the first note of a descending perfect fifth in the basse fondamentale or root progression, the common practice period dominant seventh he named the dominante tonique.[8]
Dominant chords are important to cadential progressions. In the strongest cadence, the authentic cadence (example shown below), the dominant chord is followed by the tonic chord. A cadence that ends with a dominant chord is called a half cadence or an "imperfect cadence".
The dominant key is the key whose tonic is a perfect fifth above (or a perfect fourth below) the tonic of the main key of the piece. Put another way, it is the key whose tonic is the dominant scale degree in the main key.[9] If, for example, a piece is written in the key of C major, then the tonic key is C major and the dominant key is G major since G is the dominant note in C major.[10]
In sonata form in major keys, the second subject group is usually in the dominant key.
The movement to the dominant was part of musical grammar, not an element of form. Almost all music in the eighteenth century went to the dominant: before 1750 it was not something to be emphasized; afterward, it was something that the composer could take advantage of. This means that every eighteenth-century listener expected the movement to the dominant in the sense that [one] would have been puzzled if [one] did not get it; it was a necessary condition of intelligibility.
Music which modulates (changes key) often modulates to the dominant key. Modulation to the dominant often creates a sense of increased tension; as opposed to modulation to the subdominant (fourth note of the scale), which creates a sense of musical relaxation.
The vast majority of harmonies designated as "essential" in the basic frame of structure must be I and V–the latter, when tonal music is viewed in broadest terms, an auxiliary support and embellishment of the former, for which it is the principal medium of tonicization.
The dominant is an important concept in Middle Eastern music. In the Persian Dastgah, Arabic maqam and the Turkish makam, scales are made up of trichords, tetrachords, and pentachords (each called a jins in Arabic) with the tonic of a maqam being the lowest note of the lower jins and the dominant being that of the upper jins. The dominant of a maqam is not always the fifth, however; for example, in Kurdish music and Bayati, the dominant is the fourth, and in maqam Saba, the dominant is the minor third. A maqam may have more than one dominant.
^ Benward & Saker (2003). Music: In Theory and Practice, Vol. I, p.33. Seventh Edition. ISBN 978-0-07-294262-0. "So called because its function is next in importance to the tonic."
^ Forte, Allen (1979). Tonal Harmony, p.118. 3rd edition. Holt, Rinehart, and Wilson. ISBN 0-03-020756-8. "V serves to establish the tonic triad...particularly evident at the cadence."
^ Berry, Wallace (1976/1987). Structural Functions in Music, p.54. ISBN 0-486-25384-8.
^ a b Berry, Wallace (1976/1987). Structural Functions in Music, p.62. ISBN 0-486-25384-8.
^ Reti, Rudolph (1962). Tonality in Modern Music, p.28.
^ Kostka & Payne (1995). Tonal Harmony, p.458. ISBN 0-07-035874-5.
^ Kostka, Stefan; Payne, Dorothy (2004). Tonal Harmony (5th ed.). Boston: McGraw-Hill. pp. 197. ISBN 0072852607. OCLC 51613969.
^ Dahlhaus, Carl. Gjerdingen, Robert O. trans. (1990). Studies in the Origin of Harmonic Tonality, p.143. Princeton University Press. ISBN 0-691-09135-8.
^ "Dominant". Grove Music Online. Missing or empty |url= (help)[full citation needed]
^ DeVoto, Mark. "Dominant". Encyclopædia Britannica. Retrieved 22 May 2013.
^ Rosen, Charles (1972). The Classical Style. W.W. Norton & Company Inc. Cited in White, John D. (1976). The Analysis of Music, p.56. ISBN 0-13-033233-X.
^ Forte (1979), p.103.
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Dominant, in music, the fifth tone or degree of a diatonic scale (i.e., any of the major or minor scales of the tonal harmonic system), or the triad built upon this degree. In the key of C, for example, the dominant degree is the note G; the dominant triad is formed by the notes G–B–D in the key of C major or C minor.
Dominant, in music, the fifth tone or degree of a diatonic scale (i.e., any of the major or minor scales of the tonal harmonic system), or the triad built upon this degree.
What are the dominant notes in tonal music?
What are the dominant notes in tonal music?
In the key of C, for example, the dominant degree is the note G; the dominant triad is formed by the notes G–B–D in the key of C major or C minor. For further explanations of these relationships, cadence and harmony. The strongest harmonic progression in tonal music is from the dominant chord to the tonic triad (i.e.,...
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What is tonic, dominant, and subdominant?
What is tonic, dominant, and subdominant?
Tonic, dominant, and subdominant are the first, fourth, and fifth degrees in any scale. They are the key elements to building a song. The tonic is often referred to as “home”, while subdominant moves you to the next note, and dominant makes you want to return back home to resolve the sound. Why do we care?
pianotels.com/tonic-dominant-subdominan…
Домина́нта (от лат. dominans — господствующий) в теории музыки — пятая ступень мажорного и минорного ладовых звукорядов. Доминантой также называют трезвучие, построенное на пятой ступени. Доминанта — одна из трёх основных (наряду с тоникой и субдоминантой) тональных функций. В аналитической разметке обозначается римской цифрой V или латинской буквой D.
Текст из Википедии, лицензия CC-BY-SA
https://en.m.wikipedia.org/wiki/Dominant_(music)
The dominant is an important concept in Middle Eastern music. In the Persian Dastgah, Arabic maqam and the Turkish makam, scales are made up of trichords, tetrachords, and pentachords (each called a jins in Arabic) with the tonic of a maqam being the lowest note of the lower jins and the dominant being that of the upper jins. The dominant of a maqam is not always the fifth, however; for example, in Kurdish music and Bayati, the dominant is the fourth, and in maqam Saba, the dominant is the minor third. A maqam may have more than one dominant.
Wikipedia · Текст по лицензии CC-BY-SA
https://www.britannica.com/art/dominant
Перевести · Dominant, in music, the fifth tone or degree of a diatonic scale (i.e., any of the major or minor scales of the tonal harmonic system), or the triad built upon this degree. In the key of C, for example, the dominant degree is the note G; the dominant triad is formed by the notes G–B–D in the key of C major or C minor.
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https://simple.m.wikipedia.org/wiki/Dominant_(music)
Перевести · The dominant in music is the fifth note of a major or minor scale. In a C scale, the fifth and dominant note will be G. Chords built on this note are called dominant chords. [1] In the key of C, the dominant chord will be G-B-D. Keys have the same relationship as notes, so the dominant key will be the key of the fifth note.
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https://pianotels.com/tonic-dominant-subdominant
Перевести · Tonic, dominant, and subdominant are the first, fourth, and fifth degrees in any scale. They are the key elements to building a song. The tonic is often referred to as “home”, while subdominant moves you to the next note, and dominant makes you want to return back home to resolve the sound. Why do we care?
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