Dolcett Karyn

Dolcett Karyn
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Karen from La Casa de Dolcett Published: May 9, 2014
This little watercolor is REALLY old. I found it tucked into an old college art class sketchbook. Back in the 90's I used to look for bagging art and came across the famous artist Dolcette who did bagging, hanging (mostly) and other asphyxia erotica...as well as cannibalism (ok i am switching to Vegan now). I wrote to Miss Karen who hosted La Cassa de Dolcette and she explained that Dolcette had corresponded with her and asked if he could use her likeness in some of his art, what developed was a LOT of very excellent snuff erotica featuring poor Miss Karen as the object of the artists wildest kinky cartoons. Eventually Karen left hosting the site and turned it over to someone else. It might still be out there but you can likely see her just about everywhere in Dolcette art, she is referred to by name in the cartoons. This is a tribute to her.
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Dolcett Karyn S Choice Rar.zip download

Dolcett Karyn S Choice Rar.zip download at 2shared. Click on compressed file Dolcett Karyn S Choice Rar.zip to start downloading. 2shared - Online file upload - unlimited free web space. File sharing network. File upload progressor. Fast download. 17425510 compressed files available.

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Dolcett Karyn S Choice Rar.zip download

Body parts:
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Sexual fetishism , first described as such by Alfred Binet in his Le fйtichisme dans l’amour , though the concept and certainly the activity is quite ancient [depends on your intepretation, see Colin Wilson, The Misfits ], is a form of paraphilia where the object of affection is a specific inanimate object or part of a person's body. The term arose from fetishism, the general concept of an object having supernatural powers, or an object created by humans that has power over other humans. -- http://www.wikipedia.org/wiki/Sexual_fetish [Dec 2005]

Psychologists have made liberal use of the term ever since 1887 when Alfred Binet first applied it to describe certain kinds of unusual male sexual activity. The term was picked up and popularized by Krafft-Ebing , the sexologist who, in the medicalizing terminology of the day, termed it a pathology, a deviant sexual practice, and a perversion . 'Fetishists' as a category described those men who developed erotic attachments to objects rather than to people and who sought sexual gratification with and through that object. It might be a boot, a glove, a piece of underwear, a fur (these are the time honored examples, but it could be practically anything else). This practice, once catalogued and described, became something of a "model perversion" in the nineteenth century. For sexologists of the day, it practically defined abnormal sexual behavior. But while the category existed and was increasingly diagnosed as the cause of all kinds of moral degeneracy , it really had no convincing theory to support it and thus remained somewhat enigmatic.

In 1905, in his Three Essays on Sexuality , Freud offered one theory to account for this behavior. In his view, the fetish originated with the male child's horror of female castration . Confronted with the mother's lack of a penis , the child represses this lack and finds some object to stand in for and substitute for the missing penis, thus relieving the anxiety and restoring in a displaced way) the erotic attachment to the female. The act involves not only finding a substitute object, but also a subsequent act of forgetting the act of substitution. For Freud, the fetish is a kind of creative denial, a sort of magical thinking that helps the fetishist ward off anxiety and restore a sense of well-being, all the while producing a kind of amnesia. Of course, this theory does not really help explain why some men become sexual fetishists and others do not. Nor does it explain how or why a woman might develop a fetish. (The French psychoanalyst Lacan added some interesting twists in explicating this theory, but since his theories are not widely known outside of academia, I won't pursue them here.) -- http://eserver.org/bs/41/wray.html

Sigmund Freud theorized fetishism thus: the naked female body, when first seen by a little boy, "lacks" a penis. Linda Williams remarks that the little boy's discovery causes an unconscious desire to disavow this lack by putting a fetish in its place. Next, the fetish object --a shoe, an undergarment, the woman herself-- becomes the substitute for the phallus "which the little boy once believed in" and which "he still wants to believe." Stuart Hall has extended Freudian fetish object to the black body itself, noting that in contemporary representation , for every image of the black subject as a savage, native or slave, there is a comforting image of the docile servant or clown. 15 --Theresa M. Senft, Department of Performance Studies [accessed June 2004]

Sexual objectification is, in some circumstances, the fetishistic act of regarding a person as an object for erotic purposes. Allen Jones' sculptures Hat Stand and Table Sculpture , made in 1969, which show semi-naked women in the roles of furniture, are clear examples of the depiction of the fantasy of sexual objectification. (This particular interest, a form of sexual bondage that involves making furniture designed to incorporate a bound person, is also known as "forniphilia".)

Some feminists have long argued that traditional attitudes to women in many societies constitute non-consensual sexual objectification of women.

A desire to be objectified occurs in many men and women's masochistic sexual fantasies. Objectification for fetishistic purposes may provide erotic humiliation for the person so regarded, whether male or female. As with most sexual activities, it is generally viewed as abusive if it is not part of a consensual arrangement, such as in BDSM play. -- http://en.wikipedia.org/wiki/Sexual_objectification [Oct 2004]

Guido Crepax draws delicate girls, many of them inspired by actress Louise Brooks, whom Crepax adored. His subtle, esthetic graphics have earned him fame all over the world.

Rops was born in Namur in 1833, and was educated at the University of Brussels. Rops's forte was drawing more than painting in oils; he first won fame as a caricaturist. He met Charles Baudelaire towards the end of Baudelaire's life in 1864, and Baudelaire left an impression upon him that lasted until the end of his days. Rops created the frontispiece for Baudelaire's Les Epaves, a selection of poems from Les fleurs du mal that had been censored in France, and which therefore were published in Belgium.

Rops's association with Baudelaire and with the art he represented won his work the admiration of many other writers, including Thйophile Gautier, Alfred de Musset, Stйphane Mallarmй, Jules Barbey d’Aurevilly, and Josйphin Peladan. He was closely associated with the literary movement of Symbolism and Decadence. Like the works of the authors whose poetry he illustrated, his work tends to mingle sex, death, and Satanic images.

John Alexander Scott Coutts was born of British parents in Singapore. He studied in England, then moved to Australia. From there, he sent his designs to the US. Most of his work was published (under the pseudonym John Willie ) between 1946 and 1959 in Bizarre magazine, which Willie also edited. His most famous stories were 'The Adventures of Sweet Gwendoline', 'Pauline's Peril' and 'Hairbreadth Harry'. John Willie was a master of the bondage genre, and he created numerous works for private orders, which unfortunately have never been published. He retired to Guernsey, where he died in 1962. [...]

John Willie's Bizarre appeared from 1948 - 1959 at irregular intervals. Alongside articles, photographs, letters to the editor and drawings, mostly originating from the pen of Willie himself, they contained Willie's classic comic strip "Sir d'Arcy d'Arcy" with the unforgettable Sweet Gwendoline. Willie is the recognized master of bondage photography and illustration

Born in April 1953 to Quadri (Chieti), Gaetano Liberatore, said Tanino, frequents the artistic school of Pescara (together to Andrea Pazienza) and from 1974 at 1978 it designs covers of disks and it collaborates with some agencies of publicity. It begins in 1978 as author of comic strips on the Cannibal magazine. Next he has collaborated to "Il Male" and he has been one of the fondadoris of "Frigidaire", on whose pages have continued Ranxerox, a kind of monster of Frankenstein punk created by Stephen Tamburini. Popular in France, where he has lived for years and where he is well soon imposed on the pages of the "Echo des Savanes" like one of the most interesting authors of his generation, Liberator has also realized numerous brief histories without fixed characters, often characterized by a notable erotic position over that from abundant doses of violence.

"Taschen is this art vampire. He's going to bite me on the neck and my art is going to have immortality."
- Chas Ray Krider (from an interview with Eric Kroll)

A number of years ago I began to see distinctive layouts in Hustler's Leg World that got me nervous. The photographs were that good. Whoever it was had style and made the women his women. Krider women. Women I began to desire on a monthly basis. In the world of professional golf there is an expression "the world's greatest golfer not to win a major tournament." Chas Ray Krider was the world's greatest erotic photographer not to have a book.

Thanks to TASCHEN we now have over 160 Krider images to pore over. To salivate over. Like a good film noir, he takes us to lustful places. Is it a crime scene or a sea of lust? These beautiful, languid women wait for whom? For me. For you. They play the "waiting game" beautifully. An ass in the air, a pair of crossed legs in nylons, all bathed in warm tones. A still life unstuck in time. So this is what goes on behind closed doors?

Oh, I almost forgot. Alongside these many Midwest femme fatales is Dita, raven-haired icon. Not since Betty Page has a woman fleshed out so correctly a vintage girdle and bra ensemble.

Enjoy. He takes you places where you only vaguely think you have been.
- Eric Kroll, editor and pupil

Fetishes is a 1996 documentry by Nick Broomfield filmed at Pandora's Box, one of New York City's most luxurious SM/fetish parlours. The film contains interviews with professional dominatrices and their clients including the New York filmmaker Maria Beatty .

The documentary opens with black and white footage from an Irving Klaw film depicting models including Bettie Page wearing fetish attire. Nick Broomfield and his film crew then arrive at Pandora's Box on Manhattan's Fifth Avenue and are given a tour of the facility by Mistress Raven, including the dungeon and the medical room. The rest of the documentary consists of the following eight chapters:

The film was produced in the United Kingdom, and was originally made for HBO. It was released in the United States on DVD (runtime 84 minutes, filmed in colour), and more recently as part of Nick Broomfield's 'Documenting Icons' box set. A full, uncut version with additional archive material is also available in the UK. -- http://en.wikipedia.org/wiki/Fetishes_%28documentary%29 [Apr 2005]

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